DOCSLIB.ORG

Beyond the Bale Is Available Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ISSUE 69 DECEMBER 2016 PROFIT FROM WOOL INNOVATION www.wool.com WINNING MERINO WOOL COLLECTION LAUNCHED IN AUSTRALIA BY TEATUM JONES 04 28 48 INTERNATIONAL LIFETIME EWE MERINO LIFETIME CAMPAIGN FOR WOOL MANAGEMENT PRODUCTIVITY PROJECT 08 WINNING DESIGNERS 28 LIFETIME EWE EDITOR VISIT AUSTRALIA MANAGEMENT SUCCESS Richard Smith E [email protected] CONTRIBUTING WRITER OFF ON Lisa Griplas -FARM -FARM E [email protected] 4 Campaign for Wool in UK 27 The Yarn podcast for woolgrowers Australian Wool Innovation Limited A L6, 68 Harrington St, The Rocks, 6 Campaign for Wool in Japan 27 AWI digital resources for woolgrowers Sydney NSW 2000 GPO Box 4177, Sydney NSW 2001 7 Campaign for Wool in Germany 28 Lifetime Ewe Management case study P 02 8295 3100 E [email protected] W wool.com AWI Helpline 1800 070 099 8 IWP winner Teatum Jones in Australia 30 Get motivated and make change SUBSCRIPTION 9 IWP winner SUKETDHIR in Australia 31 Sheep handling success Beyond the Bale is available free. To subscribe contact AWI 10 Dion Lee’s suit collection for women 32 Wild dog case study: Wongwibinda P 02 8295 3100 E [email protected] 11 Jason Wu’s spring collection 34 Aerial baiting in South Australia Beyond the Bale is published by Australian Wool Innovation Ltd (AWI), a company IWP collection exhibited at Anlaby Rabbit biocontrol funded by Australian woolgrowers and the 11 35 Australian Government. AWI’s goal is to help increase the demand for wool by actively 12 Missoni’s advertising campaign 36 Young Farming Champion Max Edwards selling Merino wool and its attributes through investments in marketing, innovation and 12 Merino – the fibre for summer 38 Wool in Central Wheatbelt of WA R&D – from farm to fashion and interiors. 13 Woolrich’s Merino Wool Arctic Parka 39 Breed More Merino Ewes campaign COPYRIGHT Material in Beyond the Bale is copyright. 14 Tasmanian Merino campaign in Korea 40 Merino benefits: Martin Ramsay, SA Reproduction of the material is encouraged. However prior permission must be obtained 15 Japan’s enduring demand for wool 41 Merino benefits: James Derrick, NSW from the Editor. DISCLAIMER 16 Chinese labels unite for Cool Wool 42 Legumes fill the feed gap in WA To the extent permitted by law, Australian Wool Innovation Ltd excludes all liability 17 Knitwear Development Centre in China 43 Sheep’s benefits for mixed farming for loss or damage arising from the use of, or reliance on, the information contained in 18 Vogue Italia promotes sporty wool 44 Nuffield scholars increasing knowledge this publication. The Woolmark symbol is a registered AWI and adidas collaboration 46 ParaBoss: Wet weather issues trademark of The Woolmark Company Pty Ltd. 18 © 2016 Australian Wool Innovation Ltd. All rights reserved. 19 Mountain Designs Corespun Merino 48 Merino Lifetime Productivity update ADVERTISING SALES 20 Tertiary education highlights 50 EMI continues to perform well Max Hyde, Hyde Media Pty Ltd P 03 5659 5292 22 Wool4School design competition 51 Year-end market intelligence summary E [email protected] Advertising is subject to terms and conditions An insider’s view on China published on the ratecard, which is available 23 Hong Kong students visit Australia 52 from Hyde Media. 24 Creating clothing for all abilities 53 Market insights from Stuart Ford ISSN 1447-9680 25 Debunking the myth of wool allergy 54 National shearing championships FRONT COVER 26 New WOOL magazine showcases wool 55 Readers’ photos A Merino dress from the International Woolmark Prize-winning collection of British label Teatum Jones. Photography: Liz Ham. Make-up: Sasha AWI INVESTMENT STRATEGIES Nilsson. Styling: Jolyon Mason. Hair: Sophie Roberts. Processing Sheep Woolgrower Business Marketing Innovation & Rob Jones and Catherine Teatum of Teatum Production Services Education Services Jones visited Australia in October to launch Extension their prize-winning collection at David Jones. While in Australia they visited a wool- WOOL.COM WOOLMARK.COM growing property in Armidale – see page 8. To subscribe to the free monthly AWI e-newsletter MERINO.COM for woolgrowers, and the weekly wool market review Shot in Australia with model Astrid Holler, this e-newsletter, visit www.wool.com/subscribe facebook.com/TheWoolmarkCompany photo along with several others of the winning collection, featured in Issue 3 of the new WOOL twitter.com/woolinnovation magazine launched by AWI’s subsidiary, The twitter.com/woolmark Woolmark Company, to promote the inspiring benefits and qualities of Merino wool to a youtube.com/AWIWoolProduction consumer audience – see page 26. instagram.com/TheWoolmarkCompany wool.com/podcast youtube.com/TheWoolmarkCompany View Beyond the Bale online with image galleries BtB and video at http://beyondthebale.wool.com GD2168 UPFRONT 3 GETTING ON WITH BUSINESS We are continuing with initiatives to help increase the demand for wool through investments in marketing Stuart McCullough and R&D – from farm to fashion. Chief Executive Officer Australian Wool Innovation WOOL EXCHANGE ‘BREED MORE MERINO AWI ANNUAL GENERAL PORTAL EWES’ CAMPAIGN MEETING (AGM) It was announced at the AWI AGM that AWI is proudly supporting the Breed AWI held its 2016 AGM on Friday 18 November the Wool Exchange Portal Working More Merino Ewes campaign launched in in Sydney. At the AGM, I gave a detailed Group (WEP-WG) has provided to AWI its September by the Australian Association presentation of the activities of the company assessment on the viability of an online of Stud Merino Breeders (AASMB) – see during 2015/16. AWI shareholders who were WEP and recommended that a WEP should page 39. The campaign highlights the unable to attend the AGM in person were able be created. The WEP-WG had been asked profitability of Merinos as the ultimate dual to view the AGM proceedings via webcast. As to provide the Board of AWI with a clear purpose breed. It encourages producers to well as being broadcast live, the broadcast is yes or no decision on whether to pursue increase Merino breeding ewe numbers in now available to be viewed on demand on the the establishment of a WEP. The Working their enterprise mix so producers can take AWI website at www.wool.com/2016agm Group voted unanimously to support the advantage of the enormous global fibre and development of a WEP at its final meeting. food opportunities in future. AWI itself has NEW PODCAST FOR The AWI Board thanked the Chairman made the strategic decision to focus heavily WOOLGROWERS of the WEP-WG, Mr Will Wilson, for its on increasing the reproductive efficiency exploration of the subject and has asked of the Merino with the aim of lifting the AWI has launched a new free podcast called Mr Wilson to return to the AWI Board in average weaning rate in Merino to Merino The Yarn. It is a fortnightly audio report April 2017 a costing, timing and business joining by three percent over three years. for Australian woolgrowers designed to be case model for funding approval of a WEP. Also, our recent announcement to extend listened to on a smartphone, and complements The WEP-WG in the next phase will be the Lifetime Ewe Management course to our other regular communications such as engaging several different parties and a further 1,500 woolgrowers over three Beyond the Bale and monthly e-newsletter. industry groups and will require specialist years builds on what has been the most With staff and networks around Australia skill sets and expertise in digital exchange successful sheep extension program in and offices in various key consumer markets platform construction. the proud history of the Australian sheep around the world, The Yarn includes AWI industry with participants significantly staff reports from across the company's INTERNATIONAL lifting weaning rates across the board. broad scope: from the paddocks and shearing WOOLMARK PRIZE sheds on Australian farms to wool processing CAMPAIGN FOR WOOL facilities, design studios and catwalks in key Next month the global finals of the 2016/17 markets around the world. See page 27. International Woolmark Prize will be held The Campaign for Wool continues to be in Paris. The interest in this award from the instrumental in driving a new demand for POSITIVE PRICES fashion communities and media globally wool of all microns on an international DURING 2016 continues to be phenomenal. It is helping scale – from luxurious fine Merino wool As 2016 draws to a close, we can reflect on put wool back on the agendas of fashion apparel through to beautiful hardwearing a positive year for woolgrowers. Due to designers across the world, and consequently interior products for the home. Wool Weeks improved demand along with supply factors, into retail stores for consumers to purchase. have recently been held in key northern the EMI has been well above 1,200 cents for the The winners of last year’s competition were hemisphere markets during their autumn/ entire year. While the EMI has been relatively recently in Australia to launch their winning winter retail season. Now in its seventh stable – which is a positive in itself – the trend collections at David Jones in Sydney, and year, the global initiative raises awareness is still upwards with the EMI pushing above while here they each visited a Merino wool- amongst consumers about the unique, 1,300c on several occasions during the second growing property – the source of the fibre natural, renewable and biodegradable half of the year. This consistently high EMI that lies at the heart of their collections – see benefits offered by the fibre. The campaign has been very rewarding to watch during the page 8. The designers discover they have a lot encourages collaboration between an year and, more importantly, very rewarding in common with woolgrowers. As designer international community of woolgrowers, financially for many woolgrowers.
Recommended publications
  • Influence of Process Parameters on the Properties of Friction-Spun Yarns

    Influence of Process Parameters on the Properties of Friction-Spun Yarns

    Indian Journal of Fibre & Textile Research Vol.18,March 1993,pp.14-l9 Influence of process parameters on the properties of friction-spun yarns A R Padmanabhan & N Ramakrishnan The South India Textile Research Association, Coimbatore 641 014, India Received 9 June 1992; revised received 23 October 1992; accepted 24 November 1992 The effects of spinning drum speed, yam delivery rate, core-wrapper ratio and number of wrapper slivers on the quality characteristics of yams spun on a laboratory model DREF-3 friction spinning ma- chine have been studied. It is observed that by and large, drum speed and per cent wrapper fibres deter- mine the yarn tenacity while the delivery rate and the per cent core fibre content influence the yam un- evenness. Keywords: Carding drum, Drum speed, Friction-spun yarn, Yarn tenacity, Unevenness, Wrapper fibres t Introduction drafting unit II with different core-to-wrapper ratios The quality of the yarn obtained from any spinn- and at different delivery rates. ing system depends on the quality of raw material In each count, 12 yarn samples, three for each of used as well as on the process parameters employed the four process variables, were produced by suit- during spinning. Friction spinning is no exception to ably altering the spinning parameters as listed in this. While many research workers have studied in Table 2. While varying the parameters, care was tak- detail the influence of process variables on yarn en to ensure that only one parameter was changed at quality in both ring and rotor spinning, such an in- a time, keeping the other three at the following opti- formation with regard to friction spinning appears mum level as suggested by the manufacturer.
  • Textile Industry Needs Christopher D

    Textile Industry Needs Christopher D

    The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates.
  • Effect of Twist on the Physical Properties of a Number 7S Yarn

    Effect of Twist on the Physical Properties of a Number 7S Yarn

    EFFECT OF TWIST ON THE PHYSICAL PROPERTIES OF A NUMBER 7S YARN By F. R. McGowan, Charles W. Schoflstall, and A. A. Mercier ABSTRACT This investigation was made to determine the most suitable twist for manu- facturing the yarn to be used in the Pima post office bag investigation. Data were obtained on the relation of the twist to the breaking strength, diameter of the yarn, yarn count, contraction, and angle of twist. While these data were not sufficiently extensive to attempt to fix definite formula for these relations, it is thought that the tabular and graphical relation studied in this investigation will be useful for the cotton manufacturer. The most suitable twist for the yarn to be used in the Pima mail bags was found to be about 12 turns per inch. CONTENTS Page I. Introduction 85 II. Purpose 86 III. Method of manufacture 86 IV. Methods of test 87 1. Contraction 87 2. Yarn count 87 3. Diameter of yarn .. 87 4. Angle of twist 88 5. Breaking strength 89 V. Discussion of results 89 VI. Summary 95 I. INTRODUCTION There are many different ideas regarding the amount of twist 1 which should be given to a cotton yarn to serve any specific purpose. These opinions have been founded more or less on observation and fact, but sometimes they have no sound reasonable basis. For in- stance, the terms " hosiery twist," " warp twist," " filling twist," etc., are used with numerous ideas as to just what they comprise, for they vary considerably from mill to mill, and even within the organization of a single mill marked variations in practice occur.
  • Determination of Dehairing, Carding, Combing and Spinning Difference from Lama Type of Fleeces

    Determination of Dehairing, Carding, Combing and Spinning Difference from Lama Type of Fleeces

    International Journal of Applied Science and Technology Vol. 2 No. 1; January 2012 Determination of dehairing, carding, combing and spinning difference from Lama type of fleeces Franka1, E.N., Hicka, M.V.H. and Adotb, O. a.- SUPPRAD2 Program, Catholic University of Córdoba, Argentina b.- SUPPRAD Program. Habitat Foundation, Buenos Aires, Argentina Abstract Mixed fleeces as Llama fleeces, require a special textile process known as dehairing. This process behaves differently according to the Lama type of fleeces dehaired. Dehairing generates structural modifications on textile raw material as it eliminates the longer and straighter (coarser) fibres. This has a marked effect on the following worsted or woolen spinning processes. This work was designed for to test these effects with the objective to report how the type of fleeces affects dehairing, worsted or woolen combing and spinning performances. From a textile behavior point of view, a higher fiber diameter variation was detected in double coated fleeces than in luster fleeces. Luster fleeces have a lower bulk potential than double coated fleeces and a lower comb yield due to the higher dehairing effect. It is also this type that produces less ends protruding from the yarn, which may account in part for their diminished prickle effect. Key words: Lama fibre, textile trials, bristle, prickle, coarse fibres. 1. Introduction A characteristic peculiar to the fibre of South American Camelids (SAC) is the presence of a mixed fleece. This is the reason for their textiles processing requiring „dehairing‟ to achieve a superior quality product, because this process consists in the removal of the coarser fibers (Russel, 1990).
  • Start Spinning: Everything You Need to Know to Make Great Yarn Ebook

    Start Spinning: Everything You Need to Know to Make Great Yarn Ebook

    START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres.
  • Reflecting Noble Luxury and Refinement, New Lightweight Wool Materials Are of Key Interest to Designers, Retailers and Bespoke Tailors

    Reflecting Noble Luxury and Refinement, New Lightweight Wool Materials Are of Key Interest to Designers, Retailers and Bespoke Tailors

    Reflecting noble luxury and refinement, new lightweight wool materials are of key interest to designers, retailers and bespoke tailors. Beyond demanding perfected fits and wool’s signature aesthetic, discerning consumers expect emotional, sensorial tactility in garments. Responding to luxury market demands, leading Italian and English spinners and weavers are introducing exclusive fine-micron yarns and fabrics, derived from rare Australian merino. Stylesight explores Baruffa Group’s finest wool yarns for first-class sweater knits, cut-and-sew jersey, and wovens. Vogue Australia December 2012 / Elizabeth Debicki in wool, on location at Haddon Rig, a Merino wool farm in New South Wales. With seductive, magnetic charm, lighter weight but often still densely constructed wovens and knits are key on men and women's runways and at textile trade shows. Wool—traditionally a winter fiber—evolves with cutting-edge superfine qualities from 150s and 180s up to 250s. Offering noble refinement and unique trans-seasonal possibilities, wool moves beyond its pastime connotations. Gossamer knits / Posh mesh / Lightweight jerseys / Dense, hefty yet lightweight wools Finest wool Fabrics F/W 13 Dormeuil Limited Edition - finest wool yarns Zegna Baruffa Lane Record Bale - finest wool fabric Loro Piana Borgosesia Finest wool Fabrics Taylor & Lodge Meticulous fiber selection from choice breeds, along with revolutionary spinning and weaving technologies, is core to new noble wool productions. Wools characterized by strength, elasticity, fluidity, low pilling and
  • Historic Costuming Presented by Jill Harrison

    Historic Costuming Presented by Jill Harrison

    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
  • Price List 2007 / 2008 October 1, 2007 F.O.B

    Price List 2007 / 2008 October 1, 2007 F.O.B

    CHROMCRAFT CONTRACT 2007 / 2008 / 2007 PRICE LIST 2007 / 2008 OCTOBER 1, 2007 F.O.B. ORIGIN • SENATOBIA, MS - USA • PREPAID FREIGHT DEALER SERVICE 1-866-777-1951 • FAX 1-800-336-1651 www.chromcraftcontract.com Effective Date October 1, 2007 POSSESSION OF THIS CATALOG OR PRICE LIST DOES NOT IMPLY THE RIGHT TO PURCHASE PRODUCTS SHOWN HEREIN. SALES ARE RESTRICTED TO ACCOUNTS ESTABLISHED AS AUTHORIZED DEALERS ONLY. GENERAL INFORMATION TERMS: Net 30 Days from date of invoice. PRICES: F.O.B. Origin, Senatobia, Mississippi. Prices are subject to change without notice. All orders are invoiced at prices prevailing at time of acknowledgement. Chromcraft reserves the right to make modifications and design changes without notice. PRICING, SHIPPING, and DELIVERY: All deliveries shall be F.O.B. origin, prepaid freight to your designated facility within the continental United States on all orders that exceed $700 list price. On orders for less than $700 at list price, there is a minimum freight charge of $50 or actual UPS charges. Under the terms – F.O.B. origin – at the point of shipment, title to the goods and responsibility of same, passes to your company. In the event of damages, contact the delivering carrier for an inspection and file claim. We will attempt to assist you in every way possible. However, we cannot file claim with the carrier on your behalf. Chromcraft has the right to determine the carrier, method of shipment, and routing. Extra expense resulting from customer request for special carrier, method of shipment, and/or routing will be billed to the customer at our cost.
  • Glossary of Terms

    Glossary of Terms

    The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Glossary of Terms Bay: A compartment in a barn, used fore storing hay or grain. Britches or Breeches: Short trousers, especially fastened below the knee. Breeches were originally made of leather, but were made of various materials. Buckskin: Leather made from a buck’s skin, could also refer to a thick smooth cotton or woolen cloth. Coating: A cloth used for making coats. Drab coloured: A dull brownish yellow or dull gray color. Felt: A fabric made of wool and hair. Fife: A small high-pitched flute without keys, often used in military and marching bands. Fustian: A coarse sturdy cloth of a cotton-linen blend; any durable fabric with a raised nap made mainly from cotton, for example, corduroy or moleskin. Gaol: is an early Modern English spelling for jail, with the same pronunciation and meaning of a place of legal detention. Grogram: A rough fabric of silk and wool with a diagonal weave. High Dutch: An eighteenth century term for German. Homespun: Spun or woven in the home; a plain coarse woolen cloth made of homespun yarn. Instant (inst.): The current calendar month. Inventory: a detailed list of things in one’s view or possession; especially, a regular survey of all goods and materials in stock. Linsey Woolsey: A coarse fabric of cotton or linen woven with wool. Low Dutch: used to signify those persons of Netherlandish descent. Manchester velvet: A fine cotton used in making dresses. The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Nanekeen: A sturdy yellow or buff cotton cloth.
  • India's Textile and Apparel Industry

    India's Textile and Apparel Industry

    Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies .
  • Checklist for Textiles U.S.A

    Checklist for Textiles U.S.A

    THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans­ parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.
  • 2-Day Pre-Festival Workshops Spinning 101: Learn to Spin Or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 A.M

    2-Day Pre-Festival Workshops Spinning 101: Learn to Spin Or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 A.M

    2-Day Pre-Festival Workshops Spinning 101: Learn to Spin or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Howard County Farm Heritage Museum (across from the Howard County Fairgrounds) Spider Woman taught the Navajo to spin with spindles of lightning and turquoise. Gandhi encouraged the people of India to spin every day for meditation and economic freedom. Rumpelstiltskin spun straw into gold and Sleeping Beauty pricked her finger on her spindle and fell into a deep sleep. History and fable are full of tales of spinning and its effect on the people who do it. If you have always wanted to spin, have taught yourself a little, or haven’t spun for a while, this workshop will be just what you need to gain confidence and skill. We will start with a beautiful fleece, learn to card, spin, ply and set the twist. Then we will spin woolen and worsted yarns, some commercially prepared fibers and discuss wheel maintenance. Spinning straw into gold may be beyond our reach, but beautiful yarn is not! Skill level: Beginner. Students should bring: Working spinning wheel and all its parts, lazy kate and at least 3 bobbins, wool hand cards. JC01 Class fee: $200. Materials fee: $20. Fiber Preparation with Robin Russo Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Bingo Hall Well prepared fibers spin easily into beautiful yarns. This class covers both drum-carding and combing of fine, medium and coarse wools; color blending; luxury fiber preparation, and separation of guard hair from undercoat.