Trouser Press

Total Page：16

File Type：pdf, Size：1020Kb

ARTIST TITLE SECTION ISSUE Q-Feel Q-Feel Hit and Run 90 Q-Tips live 53 Q-Tips Hit and Run 59 Quantum Jump Barracuda 25 Quarterflash America Underground 83 Quartz America Underground 33 Suzi Quatro Suzi and Other Four-Letter 45 Words Rock Hard 60 If You Knew Suzi… Hit and Run 39 incl (UK report) 5 Suzi Quatro and Chris Norman Green Circles 37 Queen cover story, discography 16 incl (Baker) 69 Incl (Top 10) 12 News of the World 26 Jazz Hit and Run 36 Live Killers 42 The Game 54 Flash Gordon soundtrack Hit and Run 61 Hot Space Hit and Run 77 Green Circles 70 See also Brian May Queen City Kids Black Box Hit and Run 80 QUESTION COLUMN 79-95 Altered Images 91 Adam Ant 90 Joan Armatrading 89 Aztec Camera 94 Bananarama 95 Syd Barrett 95 Bauhaus 90 Beach Boys 82 Beatles collectibles 82 Duncan Browne 86 Captain Beefheart 85 Jim Carroll 95 City of Women 88 Cheap Trick 23, 82 Clash 88 Elvis Costello 85, 90 Stuart Cowell 25 Cramps 91 Culture Club 88 Cure 95 Duran Duran 82, 86 Brian Eno 80 Fleetwood Mac 86 Flexi-disc storage 87 FM radio 81 Pete Frame family trees 82 Robert Fripp 86 Gamelan music and King Crimson 87 Earle Hagen and the Lounge Lizards 94 Haircut 100 79 George Harrison 84 “Hey Joe” 92 Ian Hunter 26 Chrissie Hynde and the Kinks 92 Billy Idol 83, 94 International Reply Coupons 87 Jam 86 Japan 94 Joy Division 83 Jim Kerr 89 King Crimson 24, 86, 87 Kinks and Chrissie Hynde 92 Al Kooper 81 Keith Levene 85 Lounge Lizards 94 Mannish Boys 25 Nazz 23 Bill Nelson 80 Terri Nunn of Berlin 84 Ben Orr 89 Jimmy Page 25 Pebbles 84 Playing records backwards 91 Porky Prime Cuts 87 Ranking Roger 89 Ira Robbins 82 Rock’n’Roll Swindle director 84 Henry Rollins’ tattoos 80 Roxy Music fan club 87 78 rpm records 79 Sex Pistols 88 Shangri-La’s 81 “She Blinded Me With Science” 89 Patti Smith Group 85 Steamhammer 26 Talking Heads 26 The Teardrop Explodes 84 Pete Townshend 83 Trouser Press 79 UB40 95 UK videotapes 79 U2 82, 90 Sid Vicious 85 Paul Weller’s Small Faces book 94 Wreckless Eric 89 Yardbirds 25, 83 Question Men America Underground 89 Questions Green Circles 96 Quick (UK) Green Circles 68 Quick (US) incl 27 Mondo Deco 17 America Underground 27 Quicksand incl (UK report) 5 Quiet Room America Underground 75 Quiet Sun Mainstream 11 See also Phil Manzanera Quincy Quincy Hit and Run 56 America Underground 44, 46 Quiver article, discography 14.

Copy Link

Recommended publications

Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
[Show full text]
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
[Show full text]
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published.
[Show full text]
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income.
[Show full text]
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury
[Show full text]
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often.
[Show full text]
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4.
[Show full text]
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
[Show full text]
Music & Entertainment
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 18th & Wednesday 19th May 2021 at 10:00 Viewing by strict appointment from 6th May For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 10. Iron Maiden Box Set, The First Start of Day One Ten Years Box Set - twenty 12” singles in ten Double Packs released 1990 on EMI (no cat number) - Box was only available The Iron Maiden sections in this auction by mail order with tokens collected from comprise the first part of Peter Boden’s buying the records - some wear to edges Iron Maiden collection (the second part and corners of the Box, Sleeves and vinyl will be auctioned in July) mainly Excellent to EX+ Peter was an Iron Maiden Superfan and £100-150 avid memorabilia collector and the items 4. Iron Maiden LP, The X Factor coming up in this and the July auction 11. Iron Maiden Picture Disc, were his pride and joy, carefully collected Double Album - UK Clear Vinyl release 1995 on EMI (EMD 1087) - Gatefold Sleeve Seventh Son of a Seventh Son - UK Picture over 30 years.
[Show full text]
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK.
[Show full text]
Introduction
Notes Introduction 1. Tribune, December 3, 1943, in Paul Anderson ed. Orwell in Tribune (London: Politico’s, 2006), 57. 2. Margaret Tapster, WW2 People’s War, an online archive of wartime memories con- tributed by members of the public and gathered by the BBC. The archive can be found at bbc.co.uk/ww2peopleswar. http://www.bbc.co.uk/history/ww2peopleswar/stories/ 65/a5827665.shtml Accessed May 30, 2013. 3. Paul Addison, No Turning Back: The Peacetime Revolutions of Post-War Britain (Oxford and New York: Oxford University Press, 2010); Peter Hennessy, Having It So Good: Britain in the Fifties (London: Allen Lane, 2006); David Kynaston Aus- terity Britain, 1945–51 (London, Berlin and New York: Bloomsbury, 2007); David Kynaston, Family Britain, 1951–1957 (London, Berlin, New York: Bloomsbury, 2009); Mark Donnelly, Sixties Britain: Culture, Society and Politics (Harlow: Pearson, 2005); Alwyn W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008); Andy Beckett, When the Lights Went Out: Britain in the Seventies (London: Faber and Faber, 2009); Dominic Sandbrook, Seasons in the Sun: The Battle for Britain, 1974–1979 (London: Allen Lane, 2012); Alwyn W. Turner, Rejoice! Rejoice! Britain in the 1980s (London: Aurum, 2010) and Andy McSmith, No Such Thing as Society: A History of Britain in the 1980s (London: Constable, 2011). 4. British and European resistance to American culture is expounded by Dick Hebdige, Subculture: The Meaning of Style (London and New York: Routledge, 1979); Rob Kroes et al. Cultural Transmissions and Receptions: American Mass Culture in Europe (Amsterdam: VU University Press, 1993) and Rob Kroes, If You’ve Seen One, You’ve Seen the Mall: Europeans and American Mass Culture (Urbana, IL: University of Illinois Press, 1996).
[Show full text]
QUEEN-Britanska Rokovska Skupina
QUEEN-britanska rokovska skupina • Razpad skupine SMILE- Brian May (kitarist) in Roger Taylor (bobni) • progresivni rock, heavy metal in glam rock. ZASEDBA • John Deacon • Brian May • Freddie Mercury • Roger Taylor John Brian May Deacon -rojen 1947 -glavni kitarist skupine -rojen 1951 -pogosto sodeloval kot -bas kitarist spremljevalni vokal -igral tudi klavir Roger Taylor -glavni vokal v -rojen 1949 nekaterih pesmih -bobnar -Red Special -pel glavni vokal pri večini svojih pesmi FREDDIE MERCURY • 5. september 1946-Stone Town • Farrokh Bulsara • 1965 Queen • Glavni vokalist-frontman • Avtor številnih pesmi (greatest hits) • Glas s širokim razponom • Montserrat Caballe-Barcelona • 1965-1991 • 1987 je zbolel za Aidsom • 24. november 1991 -London ZAŠČITNI ZNAK • Queen crest • Narisal Freddie Mercury ZGODOVINA • 1974 Seven Seas of Rhye- Queen II • največja uspešnica Bohemian Rhapsody-Night at the Opera • 1992 Freddie Mercury Tribute Concert • John Deacon upokojil 1997 • Taylor in May sodelovala s Paulom Rodgersom - Queen + Paul Rodgers ALBUMI HIT SINGLI • Queen(1973) • Bohemian Rhapsody (1975) • Queen II (1974) • We Will Rock You (1977) • Sheer Heart Attack(1974) • We Are the Champions (1977) • A Night at the Opera (1975) • Bicycle Race (1978) • A Day at the Races (1976) • Don't Stop Me Now (1978) • News of the World (1977) • Another one Bites the Dust(1980) • Jazz (1978) • Crazy Little Thing Called Love (1980) • Live Killers (1979) • Flash's Theme (Flash Gordon) (1980) • The Game (1980) • Under Pressure (Queen & David Bowie) • Flash Gordon
[Show full text]