Patrick Gallois – Conductor

Total Page：16

File Type：pdf, Size：1020Kb

Patrick Gallois – Conductor Patrick Gallois belongs to the generation of French musicians leading highly successful international careers as both soloist and conductor. At the age of seventeen he studied the flute with Jean-Pierre Rampal at the Paris Conservatoire and became solo flutist in Lille National Orchestra. At the age of 21 he was appointed as principal flutist in the Orchestre National de France, under Lorin Maazel. He then began a seven-year career playing and recording under the direction of many well-known conductors, including Pierre Boulez and Seiji Ozawa. During this period, he studied with Leonard Bernstein and Sergiu Celibidache. In 1984, he decided to focus on a solo career which has taken him throughout the world, beginning in Japan, where he toured and sold 100,000 copies of the Mozart Flute Concerto disc in one year. His career took a new dimension as a conductor and he signed an exclusive contract with Naxos. He has a wide repertoire both as a conductor and a flutist, with a strong taste for contemporary music. Many new works have been dedicated to him. Patrick is married to the Finnish painter Tiina Osara. They work together regularly, mixing symphonies of Franck, Bruckner or Strauss on ‘action painting’ but also both of them improvising on stage. Patrick Gallois was Artistic Director of the Sinfonia Finlandia JyvΣskylΣ for 9 years. He has recorded over 40 albums for Naxos, including 25 on which he conducted the early symphonies of Haydn, Mauricio Kagel and Peteris Vasks. The first disc of ballet music from Massenet with the Barcelona Symphony Orchestra appeared recently, also Mozart’s piano concertos with Idil Biret and the London Mozart Players and now he is recording with the Czech Chamber Philharmonic Orchestra, Michael Haydn’s symphonies and three volumes of Domenico Cimarosa’s overtures. .

Copy Link

Recommended publications

MP2 Bio with Photos
www.millerporfirisduo.org Email: Millerporfi[email protected] MP2 Miller-Porfiris Duo Anton Miller, violin Rita Porfiris, viola The Miller-Porfiris Duo has been delighting audiences since 2005. Recent seasons have seen tours around the United States, Europe, Asia and the Middle East; appearances on the Chamber Music of Little Rock, Chamber Music Pittsburgh, Tel Aviv Museum, and Sheldon Friends of Music series; and collaborations with Lynn Harrell, Jamie Laredo, and Joseph Kalichstein. On faculty of the Hartt School in Connecticut, the duo has been in residency and given seminars and masterclasses at festivals and institutions such as New York University, Duke University, Kutztown University, University of New Mexico, the Foulger Festival, St. George International Festival in Greece, ARIA International Arts Academy at Mt. Holyoke College, Three Bridges International Chamber Music Festival at the University of Minnesota Duluth, Conciertos de la Villa Santo Domingo, the Harpa International and Iceland Academy for the Arts. In 2017, they were appointed co-directors of the Point Counterpoint Chamber Music camp and started a partnership with the Harpa International Academy and Icelandic Chamber Festival. In 2020 the partnership will be with the Music and More SummerFest in Bosnia- Herzegovina. Committed to expanding the repertoire for violin and viola, in 2010 they commissioned and recorded 3 new works for violin and viola by Belize-born British composer Errollyn Wallen, Argentinean composer Mario Diaz Gavier, and American "You would have composer Libby Larsen for their debut CD “Five Postcards.” Their second to go a long way CD, titled “Eight Pieces” and released in 2013, was deemed a “fine new to hear better recording” and praised for its “wonderfully smooth ensemble work” and “vibrant and focused” playing by Gramophone and Audible Audiophile duet playing than Magazines.
[Show full text]
Sibelius Society
UNITED KINGDOM SIBELIUS SOCIETY www.sibeliussociety.info NEWSLETTER No. 84 ISSN 1-473-4206 United Kingdom Sibelius Society Newsletter - Issue 84 (January 2019) - CONTENTS - Page 1. Editorial ........................................................................................... 4 2. An Honour for our President by S H P Steadman ..................... 5 3. The Music of What isby Angela Burton ...................................... 7 4. The Seventh Symphonyby Edward Clark ................................... 11 5. Two forthcoming Society concerts by Edward Clark ............... 12 6. Delights and Revelations from Maestro Records by Edward Clark ............................................................................ 13 7. Music You Might Like by Simon Coombs .................................... 20 8. Desert Island Sibelius by Peter Frankland .................................. 25 9. Eugene Ormandy by David Lowe ................................................. 34 10. The Third Symphony and an enduring friendship by Edward Clark ............................................................................. 38 11. Interesting Sibelians on Record by Edward Clark ...................... 42 12. Concert Reviews ............................................................................. 47 13. The Power and the Gloryby Edward Clark ................................ 47 14. A debut Concert by Edward Clark ............................................... 51 15. Music from WW1 by Edward Clark ............................................ 53 16. A
[Show full text]
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com.
[Show full text]
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
[Show full text]
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years.
[Show full text]
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
[Show full text]
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
[Show full text]
Journal of the Conductors Guild
Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F.
[Show full text]
Pittsburgh Symphony Orchestra LORIN MAAZEL, Music Director-Designate
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Pittsburgh Symphony Orchestra LORIN MAAZEL, Music Director-Designate MICHAEL TILSON THOMAS Conductor VLADIMIR FELTSMAN, Pianist WEDNESDAY EVENING, APRIL 27, 1988, AT 8:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 6 in F major, Op. 68 ("Pastoral") ............... BEETHOVEN Allegro ma non troppo (Awakening of Joyful Feelings Upon Arriving in the Country) Andante molto mosso (Scene by the Brook) Allegro (Merry Gathering of Country Folk) Allegro (Tempest, Storm) Allegretto (Shepherds' Hymn: Glad and Thankful Feelings After the Storm) INTERMISSION Concerto No. 3 in D minor for Piano and Orchestra, Op. 30 . RACHMANINOFF Allegro ma non tanto Intermezzo: adagio Finale: alia breve VLADIMIR FELTSMAN Bravo to May Festival Underwriters In the spirit of honoring the past and ensuring the future, these families and individuals have demonstrated their support by underwriting the artist fees and major production costs of this 95th Annual May Festival. Representing both long-time Ann Arbor arts patrons and a new generation of leadership in the cultural life of this community, these donors are committed to maintaining the Musical Society's tradition of excellence through their public-spirited generosity. We gratefully recognize the following: Dennis A. Dahlmann Mrs. Theophile Raphael Mr. and Mrs. Peter N. Heydon Eileen and Ron Weiser with Elizabeth E. Kennedy McKinley Associates, Inc. Bill and Sally Martin An anonymous family The Power Foundation Forty-second Concert of the 109th Season Ninety-fifth Annual May Festival PROGRAM NOTES by Dr. FREDERICK DORIAN in collaboration with Dr. JUDITH MEIBACH Symphony No. 6 in F major, Op. 68 ("Pastoral") .
[Show full text]
Sergiu Celibidache Concerts in Japan (A Discographic Puzzle) by John F
Sergiu Celibidache concerts in Japan (A Discographic Puzzle) by John F. Berky It is the height of irony that a conductor who so thoroughly disliked the process of recording would end up with one of the most complete recorded legacies of any 20th century conductor. Sergiu Celibidache performed for the moment. He felt that a recording would inaccurately preserve one moment’s creativity by locking it in time thus ignoring any subsequent interpretations. As Celebidache’s fame grew, and his quirk regarding recordings became better known, music enthusiasts and collectors began to fill in the gaps in the conductor’s recording legacy by recording from the audience virtually every concert the conductor gave. These recordings began to circulate so pervasively that the conductor’s family finally gave permission to EMI and Deutsche Grammophon to release some officially sanctioned and professionally recorded performances made by radio stations in Germany and Sweden. Nevertheless, the bootleg recordings continued to circulate and the advent of the recordable CD and the Internet have only heightened the process. But with pirate recordings, documentation is often sketchy and unreliable. In fact, some producers of these discs will purposely offer incorrect dates to their performances in an effort to protect a source or to pretend to fill in a gap in the recorded repertoire. Celibidache enthusiasts have attempted to clean up this dizzying array of recordings by compiling what they call the “CeList.” In 10 point type, the list goes on for 347 pages. The Bruckner section alone is 22 pages. This essay is going to concentrate on a small section of that list – the Celibidache Bruckner performances that were given in Japan.
[Show full text]
555314-16 Bk Monteverdi EU
François DEVIENNE Flute Concertos Nos. 1-4 Patrick Gallois, Flute Swedish Chamber Orchestra François Devienne (1759-1803) an excellent teacher and five of his students won prizes at Devienne’s thirteen extant flute concertos fall into three Flute Concertos • 1: Nos. 1-4 the Conservatoire between 1797 and 1801, and one, broad groupings. The first three works were probably Joseph Guillou, was later appointed Professor of Flute. composed in their order of publication: Concerto No.1 in D Born in 1759 in Joinville, Haute-Marne, in the Champagne- Les spectacles de Paris 1790 lists Devienne as the The Théâtre Feydeau closed its doors on 12th April (1782), Concerto No. 2 in D (1783) and Concerto No. 3 in Ardenne region in France, François Devienne was among second bassoonist of the Théâtre de Monsieur (later the 1801 and the following September its orchestra merged G (1784). The dating of the Fourth Concerto is uncertain, the most important composers of wind music in the second Théâtre Feydeau) when it opened in January 1789, which with that of the Théâtre Favart to form the new Opéra- but from its more sophisticated style it was probably half of the eighteenth century. He probably received his suggests that he probably returned to Paris in the autumn Comique orchestra. Devienne’s involvement with the new composed in the late 1780s. Concertos Nos. 5-9 were earliest musical training from Morizot, the organist in or early winter of 1788. Within a year he had secured the orchestra is uncertain and it is possible that his declining published between 1787 and 1794, but the two- Joinville, and continued his education with his elder position of Principal Bassoon which he held until April health prevented him from working.
[Show full text]
Ensemble Intercontemporain Matthias Pintscher, Music Director
Friday, November 6, 2015, 8pm Hertz Hall Ensemble intercontemporain Matthias Pintscher, Music Director PROGRAM Marco Stroppa (b. 1959) gla-dya. Études sur les rayonnements jumeaux (2006–2007) 1. Languido, lascivo (langoureux, lascif) 2. Vispo (guilleret) 3. Come una tenzone (comme un combat) 4. Lunare, umido (lunaire, humide) 5. Scottante (brûlant) Jens McManama, horn Jean-Christophe Vervoitte, horn Frank Bedrossian (b. 1971) We met as Sparks (2015) United States première Emmanuelle Ophèle, bass flute Alain Billard, contrabass clarinet Odile Auboin, viola Éric-Maria Couturier, cello 19 PROGRAM Beat Furrer (b. 1954) linea dell’orizzonte (2012) INTERMISSION Kurt Hentschläger (b. 1960)* Cluster.X (2015) Edmund Campion (b. 1957) United States première Kurt Hentschläger, electronic surround soundtrack and video Edmund Campion, instrumental score and live processing Jeff Lubow, software (CNMAT) * Audiovisual artist Kurt Hentschläger in collaboration with composer Edmund Campion. Ensemble intercontemporain’s U.S. tour is sponsored by the City of Paris and the French Institute. Additional support is provided by the FACE Foundation Contemporary Music Fund. This performance is made possible, in part, by Patron Sponsor Ross Armstrong, in memory of Jonas (Jay) Stern. Hamburg Steinway piano provided by Steinway & Sons of San Francisco. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL ORCHESTRA ROSTER ENSEMBLE INTERCONTEMPORAIN Emmanuelle Ophèle flute, bass flute Didier Pateau oboe Philippe Grauvogel oboe Jérôme Comte clarinet Alain
[Show full text]