PDF Download Femme Noir : Bad Girls of Film Ebook

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download Femme Noir : Bad Girls of Film Ebook FEMME NOIR : BAD GIRLS OF FILM PDF, EPUB, EBOOK Karen Burroughs Hannsberry | 643 pages | 30 Dec 2009 | McFarland & Co Inc | 9780786446827 | English | Jefferson, NC, United States Femme Noir : Bad Girls of Film PDF Book Peggy Cummins was an Irish actress, appearing in several films between and Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. One learns not only about the films but also the personal history of each actresses. Kristen rated it liked it Mar 10, Powell is attracted to her, and what starts out as innocent flirtation ends up in a passionate love affair. Joe was a struggling hand-to-mouth screen-writer, while Norma was a lonely retired actress with money to spare. Actress Call Northside Welcome back. She lives in Chicago. My favourite actresses. Synonymous with chic, the ever- fashionable Faye Emerson certainly qualified as one of the "first ladies" of TV glamor. Scott displayed a rarely seen comic touch when she appeared opposite Dean Martin and Jerry Lewis in the film "Scared Stiff," and she played a press agent who discovers a young country singer, performed by Elvis Presley, in 's "Loving You". Lizabeth Scott, who played an aloof and alluring femme fatale in such film noir classics as "I Walk Alone," "Pitfall" and "Dark City" died at the age of At age 18, her picture in the window Scott mistakenly believed that Wallis was as powerful as Jack L. Sister Paul. It got so we weren't conscious of what town we were playing in. With this list, I will be visiting the most memorable, profound, deadly and iconic femme fatales to ever grace the silver screen. In Femme Noir : Bad Girls of Film , these six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. However, while Kathie may not have the autonomy throughout the narrative of other great femme fatales, she is as ruthless as any when her back is against the wall. In case of damage or other problems due to shipping, please contact the Larry Edmunds Bookshop at or info larryedmunds. Show all 34 episodes. I must admit that I've always loved to read, have always been fascinated by words, wanted to read books which introduced me to new, beautiful words. Her parents split while she was young In February , Scott did not renew her contract with Paramount and became a freelancer. Related Articles. The best part of this book is reading an extensive biography of each actress that covers their entire career and personal life. Bad Boys: The Actors of Film Noir The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. WAF Dietician. Actress Singin' in the Rain. Ellen Parsons. Sally's parents were both amateur ballroom dancers, so it was no surprise when Sally developed an interest in dancing. When I saw myself, I thought 'Get a train ticket and leave'. She was Set in pre-war California, the narrative revolves around the relationship between the scheming femme fatale house wife Phyllis, and brash insurance salesman Walter Neff Fred MacMurray. It was very expensive to acquire but would have been worth it had it been very good. Her career was extensively promoted by producer Hall Wallis, over a number of years. Made a lot of westerns where she was very good. The day Scott left for New York, she read in Variety that Wallis resigned from Warner and formed his own production company, releasing films primarily through Paramount. The film advertising poster for that movie proclaims, "She got what she wanted It is Scott's first crack as the archetypal femme fatale. In one of the most diligently crafted films on this list, Chinatown is a neo-noir film that embraces post-modernism. New books! Patricia marked it as to-read Apr 14, Her acting The dark, petulant beauty of this petite American film and musical star worked to her advantage, especially in her early dramatic career. Screen Actors Guild Awards Memoriam Her family was middle-class, with her father working as a Femme Noir : Bad Girls of Film Writer Jan 09, Anna rated it it was amazing. She would return to the United States, to be on Broadway and in Hollywood. This beautiful and sexy actress appeared in three film noir movies. In her fourth film, Scott appeared in the second noir to be shot in color, Desert Fury , a coming-of-age story scripted again by Robert Rossen, based on the novel "Desert Town" by Ramona Stewart. A Confidential Curtis Hanson, This Neo-noir classic can be read as both a compelling drama, and a post-modern pastiche, that manages to both glorify and critique s Los Angelis. This is her only film noir credit, therefore, she does not make my top 10 list. This Ayn Rand scripted film introduced the year old smoky blonde to the American public. A filmography of all noir appearances is provided for each actress. She was just as headstrong at trying to bust After just seven years under contract to 20th Century-Fox , she joined in the reclusive lifestyle of her eccentric billionaire husband, Howard Hughes , and all As a result, what we are left with is a siren who is humorous, cheeky and forthright. Nina Foch Actress An American in Paris A leading lady of the s, the tall and blonde Foch usually played cool, aloof and often foreign, women of sophistication. Tall, sultry, green-eyed blonde Peggie Castle was actually spotted by a talent scout while she was lunching in a Beverly Hills restaurant. The character of Lynn is often compared to Veronica Lake, and she looks as striking and perilous as any of the femme fatales of the golden age. Catherine is arguably the most recognisable femme fatale on this list, and has become a prominent figure in popular culture if only in a superficial sense , while the name Sharon Stone has become synonymous with the title Basic Instinct. Bridget thrives on independence, authority and being in control, while her snappy, take-no-prisoners attitude is a result of the people she attracts, and the life that she leads. Actress Mildred Pierce. You can't blame a girl for trying! Don Johanesen marked it as to-read Feb 16, I will follow the same format for this list. Kathie is a woman that every man wants, but none can claim. Film number seven was Pitfall Actress Key Largo. Return to Book Page. Unfortunately, not all of these three are gems. My greatest ambition is to be the whoppingest best actress in Hollywood. A few months later, she returned from New York and was finally signed to Paramount. Despite the fact that it was based on a real smallpox panic in New York in , the film was not a success upon release. Love is a deep affinity, a feeling of great happiness and warmth between a man and a woman. Bacall was a passionate liberal, and often helped with Democratic campaigns when her movie career waned. However, while Kathie may not have the autonomy throughout the narrative of other great femme fatales, she is as ruthless as any when her back is against the wall. Actress Gilda. Alex Forrest Glen Close — Fatal Attraction Adrian Lyne, Glenn Close and Michael Douglas light up the screen in this memorable 80s erotic thriller, that will have cheaters everywhere thinking twice before committing adultery. In , her mother brought Ida with her to an audition and Ida got the part her mother wanted. Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley , wherein she played Victoria, and from the hit drama The Colbys But you're not pretty. Besides being in fifty-nine movies herself, she also directed seven of them. Her career was extensively promoted by producer Hall Wallis, over a number of years. Bibliografische Informationen. The character of Matty has all of the features of a classic femme fatale, from her playful dialogue, suggestive mannerisms and chain- smoking tendencies, to her autonomy throughout the plot. Hush, Sweet Charlotte. Rita's American mother, Volga Margaret Hayworth , who was of mostly No mention is made about Ida Lupino being the first female director of a film noir picture. Lili marked it as to-read Mar 20, It got so we weren't conscious of what town we were playing in. Then newcomers Burt Lancaster , and Wendell Corey also appear. Average rating 3. There is no justice in the world. A filmography of all noir appearances is provided for each actress. Femme Noir : Bad Girls of Film Reviews I must admit that I've always loved to read, have always been fascinated by words, wanted to read books which introduced me to new, beautiful words. Trivia: Her father emigrated from Vienna, Austria. Scott plays a nightclub singer who provides sympathy and support to Lancaster, recently released from prison to collect a debt, but is double-crossed by the Douglas character. Two out of three films are worth watching. Inspirational, though you'd be hard-pressed to find another Faye Dunaway on bustedmugshots. Of course, he was the best actor at MGM, especially if somebody asked him for more money, and he'd cry! In , Ms. Actress I, the Jury. Actress The Ten Commandments. Ella Raines was born in Snoqualmie Falls, Washington, in I highly recommending this book for your film noir collection.
Recommended publications
  • Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
    Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When
    [Show full text]
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • FLM 34 — Film Noir: the Femme Fatale in 1940S and 1950S Film Instructor: Mick Lasalle
    Preliminary Syllabus Spring 2017 FLM 34 — Film Noir: The Femme Fatale in 1940s and 1950s Film Instructor: Mick LaSalle Course Summary: One of the major messages of film noir is that sex can kill you . but it might be worth it anyway. This notion, cynical and yet naïvely romantic, recedes and returns in American life. By the end of this class, students will not only have seen the signature noir films centering on evil or destructive women, but they will understand how these films fit into the history of women on screen and the social history of the United States in the 20th century. The point is that these films are fun, but they didn’t come out of nowhere, and there weren’t symptoms of nothing. They are fun, but they represented a combination of conflicting impulses and aspirations -- as expressions of power and fantasy for both women and men, but also of a social pathology. Having taken this course, students will be familiar with the key players and films of the era, but will also be able to take their knowledge and find greater satisfaction and substance in the noir and women’s films they see thereafter. Syllabus (Subject to Change): Week One: Femme fatale origins. Bara, Naldi, Garbo, Dietrich. Week Two: Jane Greer Week Three: Joan Bennett Week Four: Lizabeth Scott Week Five: Claire Trevor Week Six: Jean Gillie and Ann Savage Week Seven: French Noir (noir without censorship): Mylene Demongeot Preliminary Syllabus Spring 2017 Week Eight: Rita Hayworth Week Nine: Late film noir Week Ten: Noir revival of the 1980s and 1990s and the AIDS connection .
    [Show full text]
  • Proquest Dissertations
    "The House of the Irish": Irishness, History, and Memory in Griffintown, Montreal, 1868-2009 John Matthew Barlow A Thesis In the Department of History Present in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University, Montreal, Quebec, Canada March 2009 © John Matthew Barlow, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-63386-1 Our file Notre reference ISBN: 978-0-494-63386-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre im primes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • CINEVENT 47, Held May 2015
    24 Hour Voice Mail: Comedy, Drama, 866 - 785 - 7687 Westerns, Musicals, e-mail : Mysteries, Animation [email protected] & Horror films - web : www.cinevent.com Features & Shorts ! Coming FRIDAY MAY 22 through MONDAY MAY 25, 2015 MEMORIAL DAY WEEKEND! THE GREAT CELEBRATION OF SILENT AND SOUND FILMS in COLUMBUS, OHIO! Now Scheduled in the Cinevent Screening Room: PLUS TILLIE WAKES UP (1917) Marie Dressler and Johnny Hines in this Coney Island set comedy. M'LISS (1918) Mary Pickford is a spunky mining camp lass who falls for Thomas Meighan. LAUREL & HARDY, THE WHISTLE (1921) Lambert Hillyer directs Wiiliam S. Hart in a rare non-Western role. CHARLEY CHASE, other OLIVER TWIST (1922) Lon Chaney is Fagin and Jackie Coogan is the hungry title orphan. assorted shorts, & THE PRAIRIE KING (1926) Hoot Gibson is one of three who have been left a gold mine by a our ANNUAL ANIMATION deceased prospector, but only if conditions can be met... PROGRAM THE NERVOUS WRECK (1926) Harrison Ford, Phyllis Haver, and Chester Conklin in this Arizona-set Christy comedy feature. AND THE SHIELD OF HONOR (1928) Can Neil Hamilton, the first flying policeman on the force, save his dad from stop-at-nothing jewel thieves? Cinevent has DEALERS: SHOOTING STARS (1928) A sinister plot at a film studio – will an on-screen/married over 100 tables of all kinds off-screen couple be broken up by – MURDER? of movie related collectibles, WIDE OPEN (1930) Edward Everett Horton and Patsy Ruth Miller as the usual befuddled including Posters, Lobby bachelor and his potential love interest. Cards, Stills, Books, THE DRUMS OF JEOPARDY (1931) Warner Oland is mad doctor Boris Karlov(!), looking for Pressbooks, CD's, Records, revenge on those he thinks caused his daughter’s death.
    [Show full text]
  • Sundays & Wednesdays
    SUNDAYS & WEDNESDAYS CHECK THEATRE FOR SHOWTIMES SEPTEMBER 23 & 26 SEPTEMBER 30 & OCTOBER 3 OCTOBER 7 & 10 LABYRINTH (1986) YOUNG FRANKENSTEIN (1974) HALLOWEEN (1978) Muppets creator Jim Henson directed this musical Gene Wilder is Dr. Frederick Frankenstein (“That’s Director John Carpenter’s ORIGINAL 1970’s classic! fantasy about a teenage girl (Jennifer Connelly) who FRONKensteen!”), struggling with the legacy of his The night HE (villain Michael Myers) came home, 15 must enter the mythical world of the Labyrinth to infamous mad-scientist grandfather in this classic years after committing a grisly murder…and just in time rescue her kidnapped baby brother. Henson’s puppets comedy from Mel Brooks. The stellar supporting cast for Halloween. This is the movie that inspired a whole are amazing, but it was the casting of David Bowie as includes Marty Feldman as Igor (“It’s pronounced series of horror pictures featuring teenagers in peril, the Goblin King that made this an iconic 80’s movie. Eye-gor”), Madeline Kahn, Peter Boyle, Terri Garr and it remains one of the most successful independent Bowie’s five original songs include “Magic Dance,” (“Roll, roll, roll in ze hay,”) and Cloris Leachman as movies ever made. Jamie Lee Curtis, in her film debut, which he performs with a gaggle of goblin puppets. the late baron’s mysterious housekeeper Frau Blucher. plays a babysitter who is stalked by Myers. (“You can’t (“You remind me of a babe…”) Rated PG (“Yes, yes, say it…he vas my boyfriend!”) Rated PG kill the boogeyman.”) Rated R OCTOBER 14 & 17 OCTOBER 21 & 24 OCTOBER 28 & 31 (HALLOWEEN) REAR WINDOW (1954) BEETLEJUICE (1988) THE SHINING (1980) One of the best from director Alfred Hitchcock, the “It’s showtime!” Michael Keaton stars as Beetlejuice Celebrate Halloween with Stanley Kubrick’s classic “master of suspense.” James Stewart, confined to his (“the ghost with the most, babe”) in this supernatural thriller, based on Stephen King’s novel.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
    Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career.
    [Show full text]
  • Theatrs Thears Theatrs
    THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m.
    [Show full text]
  • Complete Film Noir
    COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have.
    [Show full text]
  • Dd Shrewstudyguide.Pdf
    HOFSTRA UNIVERSITY DEPARTMENT OF DRAMA AND DANCE THE TAMING OF THE SHREW William Shakespeare STUDY GUIDE Written and compiled by James J. Kolb, Professor of Drama HOFSTRA/DRAMA 1997 A Study Guide to Hofstra University’s Department of Drama and Dance Production of The Taming of the Shrew by William Shakespeare March 1997 Table of Contents The New Cambridge Shakespeare version of The Taming of the Shrew, edited by Ann Thompson, is the text used in the About Shakespeare 2 current production. It is published in paperback by Cambridge University Press, 40 West 20th Street, New York, Title Page of the First Folio Edition New York 10011-4211 of Shakespeare’s Plays 2 ISBN # 0 521 29388 X ($10.95) Shakespeare’s Coat of Arms 3 Shakespeare’s Plays 3 Shakespeare’s Theatre 4 HOFSTRA/DRAMA Department of Drama and Dance Summary of the Story 5 Hofstra University (516) 463-5444 The Sources of the Story 5 The Date of Composition and Special Problems With the Text of The Taming of the Shrew As Related to The Taming of a Shrew 6 A Few Critical Comments 7 The cover engraving is taken from James Edmund Harting’s About the Play on Stage 10 The Birds of Shakespeare (1871). It depicts hawks in training being carried to the field in “the cadge,” carried by “the Notable Lines 15 cadger.” See page 8 of the Study Guide for some additional comments about falconry. About the Play in Other Forms 16 The idea and format of this study guide is by Peter Sander.
    [Show full text]
  • SCHEDULE of EXHIBITIONS and EVENTS ———— • ' •" '1 1 II • •" Mi 11 • • Mm Note: Full Releases on Each Exhibition Are Available Five Days Before the Opening
    THE MUSEUM OF MODERN ART *>. <* 11 WEST 53 STREET, NEW YORK 19, N. Y. P0R RELEASE: TELEPHONE, CIRCLE 3-8000 September 1, 1963 HOURS: ADMISSION: Weekdays: 11 a.m. - 6 p.m., Thursdays until 9 p.m. Adults: $1.00 Sundays: 12 noon - 6 p.m. Children: 25 cents NOTE: Starting Sept. 1 the Museum closes at 6 p.m. on Sundays Members free SCHEDULE OF EXHIBITIONS AND EVENTS ———— • ' •" '1 1 II • •" mi 11 • • mm Note: Full releases on each exhibition are available five days before the opening. Photographs are available on request from Elizabeth Shaw, Director, Public Information. SEPTEMBER OPENINGS 1 - Sept. 11 - HANS HDFMA^N. Forty major canvases by the dean of the abstract- Nov. 28 expressiouist movement, famous both as a painter and as the most influ­ ential and dynamic art teacher of his period. The works included date from I9U0 to I963. Selected by William C. Seitz, Associate Curator, Painting and Sculpture Exhibitions. Will later travel in this country and abroad under the auspices of the International Council of the Museum. The accompanying publication, by the director of the show and the artist, will deal mainly with Hofmann's philosophy of painting. (Third floor) Sept. 2k - THE PHOTOGRAPHER IN THE AM3RICAN LANDSCAPE. Traces the changing con- Nov. 28 cept of the landscape as a photographic genre in our country where explorations of a new continent coincided with explorations in a new medium. Work of 19 photographers, ranging in date from the 1860s to the present is included. Selected by John Szarkowski, Director, Department of Photography. (First floor) FUTURE OPENINGS Oct.
    [Show full text]