1946-09-27, [P ]
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FLM 34 — Film Noir: the Femme Fatale in 1940S and 1950S Film Instructor: Mick Lasalle
Preliminary Syllabus Spring 2017 FLM 34 — Film Noir: The Femme Fatale in 1940s and 1950s Film Instructor: Mick LaSalle Course Summary: One of the major messages of film noir is that sex can kill you . but it might be worth it anyway. This notion, cynical and yet naïvely romantic, recedes and returns in American life. By the end of this class, students will not only have seen the signature noir films centering on evil or destructive women, but they will understand how these films fit into the history of women on screen and the social history of the United States in the 20th century. The point is that these films are fun, but they didn’t come out of nowhere, and there weren’t symptoms of nothing. They are fun, but they represented a combination of conflicting impulses and aspirations -- as expressions of power and fantasy for both women and men, but also of a social pathology. Having taken this course, students will be familiar with the key players and films of the era, but will also be able to take their knowledge and find greater satisfaction and substance in the noir and women’s films they see thereafter. Syllabus (Subject to Change): Week One: Femme fatale origins. Bara, Naldi, Garbo, Dietrich. Week Two: Jane Greer Week Three: Joan Bennett Week Four: Lizabeth Scott Week Five: Claire Trevor Week Six: Jean Gillie and Ann Savage Week Seven: French Noir (noir without censorship): Mylene Demongeot Preliminary Syllabus Spring 2017 Week Eight: Rita Hayworth Week Nine: Late film noir Week Ten: Noir revival of the 1980s and 1990s and the AIDS connection . -
1944-06-30, [P ]
Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot. -
CINEVENT 47, Held May 2015
24 Hour Voice Mail: Comedy, Drama, 866 - 785 - 7687 Westerns, Musicals, e-mail : Mysteries, Animation [email protected] & Horror films - web : www.cinevent.com Features & Shorts ! Coming FRIDAY MAY 22 through MONDAY MAY 25, 2015 MEMORIAL DAY WEEKEND! THE GREAT CELEBRATION OF SILENT AND SOUND FILMS in COLUMBUS, OHIO! Now Scheduled in the Cinevent Screening Room: PLUS TILLIE WAKES UP (1917) Marie Dressler and Johnny Hines in this Coney Island set comedy. M'LISS (1918) Mary Pickford is a spunky mining camp lass who falls for Thomas Meighan. LAUREL & HARDY, THE WHISTLE (1921) Lambert Hillyer directs Wiiliam S. Hart in a rare non-Western role. CHARLEY CHASE, other OLIVER TWIST (1922) Lon Chaney is Fagin and Jackie Coogan is the hungry title orphan. assorted shorts, & THE PRAIRIE KING (1926) Hoot Gibson is one of three who have been left a gold mine by a our ANNUAL ANIMATION deceased prospector, but only if conditions can be met... PROGRAM THE NERVOUS WRECK (1926) Harrison Ford, Phyllis Haver, and Chester Conklin in this Arizona-set Christy comedy feature. AND THE SHIELD OF HONOR (1928) Can Neil Hamilton, the first flying policeman on the force, save his dad from stop-at-nothing jewel thieves? Cinevent has DEALERS: SHOOTING STARS (1928) A sinister plot at a film studio – will an on-screen/married over 100 tables of all kinds off-screen couple be broken up by – MURDER? of movie related collectibles, WIDE OPEN (1930) Edward Everett Horton and Patsy Ruth Miller as the usual befuddled including Posters, Lobby bachelor and his potential love interest. Cards, Stills, Books, THE DRUMS OF JEOPARDY (1931) Warner Oland is mad doctor Boris Karlov(!), looking for Pressbooks, CD's, Records, revenge on those he thinks caused his daughter’s death. -
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career. -
Rigby Star 1947 05 29 Vol 45 No 22
THE RIGBY STAR, RIGBY, IDAHO Thursday, May 29, 1947 letter continued, "I believe it would action might be deferred tempor for the present," Dworshak's letter it Richard Norris, another newcomer to ive until they visit a sleuthing ag // 1 ency to collect pay owed Huntz Hall, be justifiable and wise to lift sugar arily until a more accurate picture concluded. the screen, as Abie, promises to shoot of the sugar industry is available. to stardom. Twin Bill At who has just been fired off the invest rationing to housewives immediately. Swell Guy igating staff. This would make possible conserva President Truman says that if con- Others in the film are Michael "Although you have authority un trol of the nation can be kept out of Chekhov, J. M. Kerrigan, Vera Gor Others in the film are Betty Comp- tion and canning of fruits which will der the existing sugar statute to lift son, Bobby Jordan, Gabriel Dell, Billy soon be available throughout the the hands of greedy people, there will At Main Sunday don, George E. Stone, Emory Par- Main This Week price controls prior to October 31, it be no economic collapse. Does that nell, Art Baker, Bruce Merritt, Eric Hit songs of the west vie with spec Benedict and David Gorcey. country. Starring Sonny Tufts and Ann "While it may also be desirable to is apparent that retention of these mean that the government will have Blythe in one of the most unusual Blore and Harry Hays Morgan. tacular, rough-and-tumble action price controls should be maintained to run itself? stories ever filmed, "Swell Guy," pro scenes and hilarious comedy sequenc Idaho Senator Urges lift conrtols of industrial users, such duced by Mark Hellinger shows Sun es for the top honors in "Trail To day at the Main Theatre. -
1948-04-09, [P ]
Friday, April 9, 1948 fOLEDO UNION JOURNAL Page Five Gab Fetd! Van Votes Story of Radio Bing Shares Scene Industry to Be i With Canine Star Brought to Screen HOLLYWOOD—A whistler and his dog turned a bend on “Radio Cavalcade,” the story the road to Mt. Edith Cavell in Jasper National Park, Alberta, of the growth of the nation’s Canada, and although the whistler is perhaps the most famous radio industry from its crystal man in the show world, at least half the 300 spectators had their ------------- I eyes on the dog. set beginning to its present vital Gloria Henry to Plav ' status, will be brought to the J • the dog Buttons, a seven-year- screen by Columbia Pictures In ‘Texas Sandman’ Lead . movie veteran, half fox- association with Jerrold T. terrier and half undetermined. Brandt. A film treatment la in Gloria Henry, soon to be seen It was a location scene in the as Gene Autry’s leading lady in Canadian Rockies for Para preparation y Emmet Lavery. the Western star’s first color pic mount’s "The Emperor Waltz,” The four chief networks leading ture, "The Strawberry Roam,” their cooperation to the film will continue her Western career produced by Charles Brackett as the feminine lead in “Texas and directed by Billy Wilder, have formed an advisory com Sandman,” Columbia action and supposed to take place in mittee headed by Justin Miller, musical which headlines the! Vienna and the Tyrol of 1901. president to the National As Hoosier Hot Shots. The Texas Jasper was the closest the Oscar- sociation of Broadcasters. -
Van Johnson's Hollywood a Family Album Schuyler Johnson Introduction by Carleton Varney
TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Van Johnson's Hollywood A Family Album Schuyler Johnson Introduction by Carleton Varney ISBN 9780985225643 Publisher Shannongrove Press Binding Hardback Territory USA & Canada Size 8.98 in x 10 in Pages 156 Pages Illustrations 50 color, 100 b&w Price $65.00 A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson A must-have for fans of Hollywood's golden age of film, theater and television Candid images of some of the biggest stars off screen, and filled with anecdotes of life in Hollywood In 1947 and 1948, Van Johnson was MGM's top male box office draw. "On screen he was the Pied Piper; Elizabeth Taylor's lover, he was a war pilot with Spencer Tracy," writes his friend and decorator Carleton Varney in the introduction for Van Johnson's Hollywood: A Family Album. Along the way, his wife, Evie Wynn Johnson, an amateur shutterbug captured behind- the-scenes images of their friends, some of Hollywood's most famous stars, such as Gary Cooper, Judy Garland, and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. She put together these casual and candid images in a family album that has never been published before. Their daughter, Schuyler adds her memories to this unique document of Hollywood's Golden Age. Schuyler Johnson, daughter of Van and Evie Johnson, had a fascinating childhood and met many celebrities of the day. -
Historical Backgrounder
HISTORICAL BACKGROUNDER Nestled in the canyons of Los Angeles, Hotel Bel-Air has been a hideaway for world travelers for well over half a century. A visionary significant in the development of the area, Alphonso E. Bell created Bel-Air Estates in 1922. Bell acquired over 600 acres west of the city of Los Angeles, naming his new purchase “Bel-Air.” Determined that the estates would become an exclusive and upscale neighborhood, he enhanced the surrounding area with new roads, utilities, a country club and lush, exotic vegetation. What is now Hotel Bel-Air’s main mission-style building was originally built as Bell’s estate planning and sales offices. These offices were located next to the Bel-Air Stables where residents could board their horses and enjoy the miles of equestrian trails winding throughout the canyons. For the next few decades Bell’s dream flourished. In 1946 Joseph Drown, a hotel entrepreneur from Texas, purchased 18 acres, and the land offices, and began plans to create an elegant pastoral hotel hideaway encompassing most of the land. Drown immediately hired architect Burton Schutt to convert the buildings and construct the 62 rooms of what was to become Hotel Bel-Air. Drown transformed the grounds into lush, beautiful gardens, adding Swan Lake to the picturesque front lawn. He had a vision of creating a natural California oasis, planting palms, ficus trees and perennial blooms. Drown also closed the Stone Canyon stables and built the sparkling oval-shaped pool at the site of the original riding ring. The hotel opened on August 24, 1946. -
I Dance Lessons I
12:30 Tuesday at a Civitan Forrest Keller to p.m. Winchester Club Speak Club luncheon In the Mayflower Summertime ■ Forrest E. Keller, staff member - to 9 Closed Hotel. H*s subject will be the Open Thursday Nights P.M., Saturdays During August of the Economic Research Depart- Business Out- Sponsors Symphony Means ment of the United States Cham- "Employment and Study of Commerce, will speak at look.” For November Date ber \_ __ The Exchange Club of Winches- For the Artist TODAY'S NEIGHBORHOOD MOVIES ter, Va„ will sponsor a concert in By Alice Eversman that city of the National Sym- The slack season in musical rran pjioa p«. n.w «. oin vIOILt Comfortably Air Conditioned WARNER BR9S. THEATEBS phony Orchestra this coming sea- affairs that comes at this time of JUDY GARLAND. VAN JOHNSON in IN For Information Call REpublic 0800 son. The concert is scheduled for the year is a vacation period only as ssgrsss^'tt: Theaters Marked * Air Conditioned. November 17 in Handley Hign for audiences. As regards music- Theaters Having Matinees. TREATER School. It will be the second time ians of whatever kind, it means a FAIRFAX r^xru ood- oI Alexandria « luivnoMivvia Wash- Route I. 3 mdioa SMth ★ AMBASSADORp*ulcttedard ln -Anna the club has presented the for CAN PLAY CLARK time for study and planning “ANY NUMBER Lucasta," at 1:15. 3:20, 6:25, 7:25, 0:35. ington orchestra. GABLE, ALEXIS SMITH._ winter that the rested Susan Hayward in a of was programs ★APOLLO^iuvhuv lASt year profit $1,250 a™**- Md GR-2222 -Tulsa," ai 3:05, c grantn.T 1;00, the club on the Na- and refreshed public will hear. -
American Moviemakers: Directed by Vincente Minnelli
American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953. -
So Little Time on Talking Pictures TV Stars: Marius Goring, Maria Schell, Gabrielle Dorziat, John Bailey, Barbara Mullen, Lucie Mannheim
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 25th May 2020 FREESAT 306 | VIRGIN 445 So Little Time on Talking Pictures TV Stars: Marius Goring, Maria Schell, Gabrielle Dorziat, John Bailey, Barbara Mullen, Lucie Mannheim. Directed by Compton Bennett, and released in 1952. When war arrives in Europe for the second time in a generation, the Belgians again suffer the humiliation of enemy occupation. Madam de Malvines and her daughter Nicole are forced to share their home with Colonel von Hohensee, a military commander. Nicole realizes that she has fallen in love with him, and that he, too, loves her. Airs Saturday 30th May 1:45pm. Monday 25th May 2pm Tuesday 26th May 5:30pm The Five Pennies (1959) Hurricane Smith (1952) Semi-biographical drama. Adventure. Director: Jerry Hopper. Director: Melville Shavelson. Stars: Stars: Yvonne de Carlo, John Ireland, Danny Kaye, Barbara Bel Geddes, James Craig, Forrest Tucker. An oil- Louis Armstrong, Harry Guardino, field worker looks for his missing sister Bob Crosby, Bobby Troup. The story of in Australia and becomes involved bandleader Loring Red Nichols, a gift- with a violent drug-smuggling gang. ed country boy who comes to the big Wednesday 27th May 7:45pm city and becomes a famous trumpeter. Never Back Losers (1962) Monday 25th May 5:30pm Crime. Director: Robert Tronson. Great Expectations (1974) Stars: Kiri Le Clown, Jack Hedley, Drama. Director: Joseph Hardy. Stars: Jacqueline Ellis, Patrick Magee. Michael York, Sarah Miles, Margaret An insurance investigator researching Leighton, James Mason & Anthony the apparently accidental death of a Quayle. -
Rerunning Film Noir
THE WILSON QUARTERLY Rerunning Film Noir As Americans embraced the future after World War II, they enter- tained themselves with cinematic visions of mean streets and sordid pasts. The tale of film noir’s rise and fall has a few twists of its own. BY RICHARD SCHICKEL Sometime right after the end of World It might seem odd to evoke this silly parade to introduce War II, they staged a parade in Milwaukee, where I was a piece about film noir, but hear me out. Noir, at that same uneasily entering adolescence. The theme of the event was historical moment, was establishing itself as the American “Don’t Buy Another Depression.” Ads for it featured a shiny movie genre, the predominant style, both visual and nar- apple, a reminder of the fruit some people had desperately rative, of almost all our seriously intended films, whether or sold for a nickel on street corners in the previous decade. not their subject was crime, in the first postwar decade. I was too young to understand the anti-inflation mes- There’s some dispute about what the first noir film was, but sage. Two other attractions drew me to the parade. One was in my opinion the first truly great one was 1944’s Double its grand marshal, Jim Thorpe, the great Native American Indemnity, which displayed most of the genre’s stylistic athlete who had been stripped of his Olympic medals tics and narrative tricks. Among the classics that followed, because he had taken a few dollars for playing semipro we’d have to name Out of the Past, The Big Sleep, The Big baseball, a punishment my father (and everyone else I Heat, and literally hundreds of others—with their seductive knew) thought was mean-spirited and hypocritical.