DOCSLIB.ORG

I Dance Lessons I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Dance Lessons I 12:30 Tuesday at a Civitan Forrest Keller to p.m. Winchester Club Speak Club luncheon In the Mayflower Summertime ■ Forrest E. Keller, staff member - to 9 Closed Hotel. H*s subject will be the Open Thursday Nights P.M., Saturdays During August of the Economic Research Depart- Business Out- Sponsors Symphony Means ment of the United States Cham- "Employment and Study of Commerce, will speak at look.” For November Date ber \_ __ The Exchange Club of Winches- For the Artist TODAY'S NEIGHBORHOOD MOVIES ter, Va„ will sponsor a concert in By Alice Eversman that city of the National Sym- The slack season in musical rran pjioa p«. n.w «. oin vIOILt Comfortably Air Conditioned WARNER BR9S. THEATEBS phony Orchestra this coming sea- affairs that comes at this time of JUDY GARLAND. VAN JOHNSON in IN For Information Call REpublic 0800 son. The concert is scheduled for the year is a vacation period only as ssgrsss^'tt: Theaters Marked * Air Conditioned. November 17 in Handley Hign for audiences. As regards music- Theaters Having Matinees. TREATER School. It will be the second time ians of whatever kind, it means a FAIRFAX r^xru ood- oI Alexandria « luivnoMivvia Wash- Route I. 3 mdioa SMth ★ AMBASSADORp*ulcttedard ln -Anna the club has presented the for CAN PLAY CLARK time for study and planning “ANY NUMBER Lucasta," at 1:15. 3:20, 6:25, 7:25, 0:35. ington orchestra. GABLE, ALEXIS SMITH._ winter that the rested Susan Hayward in a of was programs ★APOLLO^iuvhuv lASt year profit $1,250 a™**- Md GR-2222 -Tulsa," ai 3:05, c grantn.T 1;00, the club on the Na- and refreshed public will hear. fl:io. 7-in. o no._ realized by concert. A check 1 Virginia Mayo in "The tional Symphony Frequently pictures appear of WaW^SS ★AVALONnfflvai GirJ From Jones for that amount was sent to the famous artists them- Beach.’ at 1:15, 2:55, 4:35, 6:15, disporting JUST 87 FLOOR SAMPLES 7 :55- Winchester Community Chest V 9:3ft._ selves at a beach or enjoying OPEN AUT1 °1 d F*8hloned In Washington, free concerts for MAl«,^°*,vn" am AVEwas GRANDuaansea* relaxation in rural surroundings. Girlf.. J;00 school children have been made 0:0ft, 8:40; "Arson Inc.," 2:1ft, 4:46, These however, only the Open* and IN- sev- RONALD K. ARNATT, represent, .paces. ^.if^^o^’ei^VorHUMPHREY BOGART 7:20. possible by the sponsorship of BERGMAN in 9:ftO._ occasional moments when work of modern furniture GRID “8TROMBOLI Whose will be JAMES CAGNEY in Van Johnson ln “In eral business firms. A total of 10 composition •‘CASABLANCA”, plus ★BEVERLY" 1 “““* can be forgotten for a little fun. “G-MEN.” Don’t miss these two hits, to- the Good Old Sum- concerts hae been planned with sung by the Cathedral Choir Tuesday: GARY COOPER mertime." st 1:10, 3:15, 5.20, 7:26, have an entire summer (ether. Starts Cathe- Few artists are FOUNTAIN HEAD Adujts 50t.. 9330._ six already underwritten. Sponsors of Men in Washington Furniture clearances in traditional in "THE to while away as their fancy August Children Free. Van Johnson In for these are Lee D. Butler, Inc.; dral this eswnaswawa "In afternoon. modern ever reduced ★CALVERT the dictates. but it's not often find fine Good Old Sum- Campbell Music Co., Peoples Drug you mertime," st 1:05, 3:10, 5:15. 7:20, The business'of preparing for is ROTH THEATRES— 0310.__ Stores, Sears, Roebuck & Co., and in That's why a PEERLESS CLEARANCE _SAN Cathedral Choir the winter concert season is price. PkBAf fill 11th E N. Car. Ave. SI. ★CENTRAL Susan Hayward ln the Hecht Co. an event America's FINEST modern at AViiviiHU, at difficult. New programs must be CABOLIHA n. 3.4471 CO. 1300 -Tulsa." 2:20. In Service truly 5:15, 9:50. Robert Mitchum in "The Special learned and all to l Healthtnlly Air 8teal.", at selected and plans of 20% 65% Quantities "MR.CondKJoued. BELVEDERE Big 3:50, 11:45, 9:50. There will be no concert by the of Men astonishing savings CLIFTON WEBB, The Cathedral Choir made in advance for those who Rob*rt Mitchum 4n Marine Band on the Capitol steps so we that come ★"**“""* COLONY a service in limited suggest you early. Budget "The Big Steal." at will present musical have a tour booked. Perhaps con- 1:15, 2:55, 4:40, 0:20. this Wednesday. This week the 8:05^ 9:50. this ductors are the most occupied of accounts invited. band is in the cere- the Washington Cathedral STANTON u‘^47 cbNi^ James Stewart ln "The participating Conditioned HOME all, for with close to a hundred Healthfully Stratton story." at 3:30. monies at the final encampment afternoon at 4 o'clock. The pro- SPECIAL FRED ASTAIRE. GINGER 5:50. 9:15. "Headin' lor Heaven," concerts scheduled for the more REG. • GENE the Re- BARKLEYS OF BROADWAY at 1:20. 4:40. 8:05._ of the Grand Army of gram will consist of works by con- AUTRY, HIDIN’ ON A RAINBOW. prominent organizations, a study wool broadloom 59.95 M°pp' luccm* public in Indianapolis. 119.00 Solid color, 9x12 oil rug-.- ★KENNEDYBob temporary composers, some of of new works and the refreshing Jones, at 1:20. 3:20. 5:25. 7:25. Tone on 9x12 oxminster rugs- 49.95 LOST THEATERS- 9:30. of Week which will be given for the first of the old is an arduous affair. 81.60 tone, .-SIDNEY a half of music the ★rMacARTHUR Ra? Muiand m Programs time and others a first- local hear- The hour and 9x12 twist broadloom rug--- 69.95 "It 129.60 Modern, Happgns TODAY. public listens to at one concert DBIYE-IN Every Spring." at 1:20, 3:20. 5:25. 9x12 broadloom rug- 139.00 Today-tomor.. 7'25. 9:31) CATHEDRAL CHOIR OF MEN, Wash- ing. weeks and months of 219.00 Rose, looped pile Open 6 p.m. Stark 8, _ ington Cathedral. 4 p.m. Lili Bou- represents Va“ Johnson in "In the “Psaim Milford’s "Up A psalm by Lili Boulanger, 9x12 broadioom 89.95 ★PENN* " langer's 24,” preparation. 123.00 Modern textured, rug- jS 8:S i”™ Good Old Summertime." to Those and Gladsome KLJSKgB." Bright sister of Nadia Boulanger, 1:30. 3:20, 5:20. 7:25. 0:50. Hills.” "By the Waters of Babylon.” younger Time for Study. 159.00 9x12 broadloom rug- 111.00 Clarence Watters’ “Laudate. pueri”: Carved, HIPPODROME.tNp-*oP.Q^ "La» of the Barbary who died in 1918, will open the When an artist or an ★SAVOY“ ,v* Dirksen’S Jam Sol Recedit Igneus.” orchestra! 79.95 Coast," at 1:10. 3:50. “Nunc Diinittis,” Herbert 119.00 12x10.3 oxminster rug- aAnNd Arnatt’s a season, no time is avail- Rose", 3® |™f °MYLS0NBR 0:25. 9:00. Marlorie Main. Percy Howells' "Magnificat.” Richard : service. Works by the two Eng- begins DONLEVY^YAsSn. In "GENTLEMEN tone Wilton 89.95 BRIAN Kiitrtde, in "Ma & Pa Kettle." at Clem's "Benediction Anthem.” Herbert Howells and able for much study. Naturally 183.30 Wine, 12x10.6 tone on rug- AFTER DARK."____ 2:15. 4:55. 7:30. 10:00. lishmen, _ AIR BAND. Lt. Col. George S. Wi‘ FORCE Robin will follow and in- all artists worthy of the name 1 1.6x14.10 broadloom Roc* Cemeron In 'Strike It Howard, east front. Capitol. 8 p.m. ; Milford, 198.50 Modern textured rug-89.95 BETHESDA »«VVSECO v?.¥,»J:^6Hwv Rich. at 1:00, 3:50. 0:40. Tschaikowsky’s ”1812 Overture.” will be a new arrangement practice or study every day but in "The Bamboula.” cluded /• reversible 19.95 9:30. Michael O'Shea in "Arole Inc." Coleridge-Ta'lor's extent and it does not 79.95 Rose, 9x13 rug---- at Fonseca’s "El Torito.” T 'Sergt. Paul of “Nunc dimittis," by Ronald importance PrTeSDPAVkfeA GARLAND in 3:4(1. 5:30. 8:25._ 139.95 VAN JOHNSON. JUDY Dolby. T/Sergt. Robert Moore. British-born organist and equal that done in the summer- 214.80 Carved 9x13.9 broadloom rug-,- "IN THE GOOD OLD SUMMERTIME!' of S Sergt. Robert Stuart, marimbists, Arnatt, 1:33, 3:35, 5 30. ★SHERIDAN assisted by imd string bass: time. If an artist can devote an in Technicolor at eHoo« Strang guitar composer, now a resident of this broadloom 5:20. Boccalari’s Dance of the Serpents.” ; 301.65 Twisted 15x16 rug-*-189.95 9:35. f»:40.______ or a _7j2ftw 9:30._ vocal selections by M/Sergt. Glenn Clarence Watters of the fac- hour two day to study while Rockville, Mil.. Rhone Rock 2434 city. HT| (| ★SILVER Virginia Mayo in ‘The Darwin: “Cayuga’s Waters,” arr. he is for with FIILU Free Parkin*. M'dllavuH Girl From Jones ulty of Trinity College, Hartford, touring, doing well, RON- Kepner. Malotte's “The Lord’s Air Conditioned. Today-tomor.: at 1:40. 3:40. 5:40. 7:40, 9:40. Friml’s of the Vaga- concert on concert for the in Beach," Prayer,” “Song Conn., who has given several re- piling ALD REAGAN. VIRGINIA bond.” Singing Sergeants. WO MAYO, at Esther <*■ "THE GIRL FROM JONES BEACH, TARflMA Red Skelton. Robert L Landers, director: “The citals here, will be represented, popular musician, most of the 49.95 Limed Oak Extension Dinette Table--19.95 williams, in 5:55. 7:45, 0:40. ___ "Neptunes at 3.
Load more

Recommended publications
  • 1944-06-30, [P ]
    Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar­ In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud­ the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot.
    [Show full text]
  • Rigby Star 1947 05 29 Vol 45 No 22
    THE RIGBY STAR, RIGBY, IDAHO Thursday, May 29, 1947 letter continued, "I believe it would action might be deferred tempor for the present," Dworshak's letter it Richard Norris, another newcomer to ive until they visit a sleuthing ag­ // 1 ency to collect pay owed Huntz Hall, be justifiable and wise to lift sugar arily until a more accurate picture concluded. the screen, as Abie, promises to shoot of the sugar industry is available. to stardom. Twin Bill At who has just been fired off the invest­ rationing to housewives immediately. Swell Guy igating staff. This would make possible conserva­ President Truman says that if con- Others in the film are Michael "Although you have authority un­ trol of the nation can be kept out of Chekhov, J. M. Kerrigan, Vera Gor­ Others in the film are Betty Comp- tion and canning of fruits which will der the existing sugar statute to lift son, Bobby Jordan, Gabriel Dell, Billy soon be available throughout the the hands of greedy people, there will At Main Sunday don, George E. Stone, Emory Par- Main This Week price controls prior to October 31, it be no economic collapse. Does that nell, Art Baker, Bruce Merritt, Eric Hit songs of the west vie with spec­ Benedict and David Gorcey. country. Starring Sonny Tufts and Ann "While it may also be desirable to is apparent that retention of these mean that the government will have Blythe in one of the most unusual Blore and Harry Hays Morgan. tacular, rough-and-tumble action price controls should be maintained to run itself? stories ever filmed, "Swell Guy," pro­ scenes and hilarious comedy sequenc­ Idaho Senator Urges lift conrtols of industrial users, such duced by Mark Hellinger shows Sun­ es for the top honors in "Trail To day at the Main Theatre.
    [Show full text]
  • 1948-04-09, [P ]
    Friday, April 9, 1948 fOLEDO UNION JOURNAL Page Five Gab Fetd! Van Votes Story of Radio Bing Shares Scene Industry to Be i With Canine Star Brought to Screen HOLLYWOOD—A whistler and his dog turned a bend on “Radio Cavalcade,” the story the road to Mt. Edith Cavell in Jasper National Park, Alberta, of the growth of the nation’s Canada, and although the whistler is perhaps the most famous radio industry from its crystal­ man in the show world, at least half the 300 spectators had their ------------- I eyes on the dog. set beginning to its present vital Gloria Henry to Plav ' status, will be brought to the J • the dog Buttons, a seven-year- screen by Columbia Pictures In ‘Texas Sandman’ Lead . movie veteran, half fox- association with Jerrold T. terrier and half undetermined. Brandt. A film treatment la in Gloria Henry, soon to be seen It was a location scene in the as Gene Autry’s leading lady in Canadian Rockies for Para­ preparation y Emmet Lavery. the Western star’s first color pic­ mount’s "The Emperor Waltz,” The four chief networks leading ture, "The Strawberry Roam,” their cooperation to the film will continue her Western career produced by Charles Brackett as the feminine lead in “Texas and directed by Billy Wilder, have formed an advisory com­ Sandman,” Columbia action and supposed to take place in mittee headed by Justin Miller, musical which headlines the! Vienna and the Tyrol of 1901. president to the National As­ Hoosier Hot Shots. The Texas Jasper was the closest the Oscar- sociation of Broadcasters.
    [Show full text]
  • Van Johnson's Hollywood a Family Album Schuyler Johnson Introduction by Carleton Varney
    TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Van Johnson's Hollywood A Family Album Schuyler Johnson Introduction by Carleton Varney ISBN 9780985225643 Publisher Shannongrove Press Binding Hardback Territory USA & Canada Size 8.98 in x 10 in Pages 156 Pages Illustrations 50 color, 100 b&w Price $65.00 A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson A must-have for fans of Hollywood's golden age of film, theater and television Candid images of some of the biggest stars off screen, and filled with anecdotes of life in Hollywood In 1947 and 1948, Van Johnson was MGM's top male box office draw. "On screen he was the Pied Piper; Elizabeth Taylor's lover, he was a war pilot with Spencer Tracy," writes his friend and decorator Carleton Varney in the introduction for Van Johnson's Hollywood: A Family Album. Along the way, his wife, Evie Wynn Johnson, an amateur shutterbug captured behind- the-scenes images of their friends, some of Hollywood's most famous stars, such as Gary Cooper, Judy Garland, and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. She put together these casual and candid images in a family album that has never been published before. Their daughter, Schuyler adds her memories to this unique document of Hollywood's Golden Age. Schuyler Johnson, daughter of Van and Evie Johnson, had a fascinating childhood and met many celebrities of the day.
    [Show full text]
  • 1946-09-27, [P ]
    Friday, September 2T, 1948 THE TOLEDO UNION JOURNAL ‘Martha lversff Is Tops a A TW ^.ewyiatMi (taasippf. Sitiiig&iiiMl Sc«-ei»‘' In Excitement, Drama By Burny Zawodny “Whisper Her Name,” read the ads for Hal Wallis’ pro­ Did You Know — Boman tic ’ an Scores in Drama rected by Roy Rowland, who is i of the man who directed “Our duction of Paramount's “The Strange Love of Martha Ivers,” HOLLYWOOD—That Janet Van Johnson directing Van’s new picture, to Vines Have Tender Grapes” and but the audience at the Paramount Theatre emerged almost Leigh, now with Van Johnson fag familiar tArhnirpi shouting the praises of this tensely gripping picture which stars in Metro - Goldwyn - Mayer’s Barbara Stanwyck, Van Heflin^and Lizabeth Scott, , and intro­ “The Romance of Rosy Ridge” Is In rotorate ducing sage star Kirk Douglas had never acted a moment in •■a’. - film-goers. Farming Form her life—not even a school roH «%[t can be predicted that “The play—until she stepped be­ Movie l an Strange Love fore the cameras in her pre­ of Martha s «. x-* vc- ■;•&’<-• sent role. HOLLYWOOD (Special)—If Ivers” will be That veteran actor Thomas it were possible to hold a con­ the topic of Mitchel! was once editor of a test and select Hollywood's much discus­ small weekly paper in Wood­ Number One Movie Fan, it’s al­ sion among bridge, N. J., and that he was most a cinch the winner would film fans here. a reporter on papers in Balti­ be a young man named—Van It is a picture more, Pittsburgh and Newark, ■Johnson.
    [Show full text]
  • American Moviemakers: Directed by Vincente Minnelli
    American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953.
    [Show full text]
  • The Rise and Demise of Confidential Magazine
    William & Mary Bill of Rights Journal Volume 25 (2016-2017) Issue 1 Article 4 October 2016 The Most Loved, Most Hated Magazine in America: The Rise and Demise of Confidential Magazine Samantha Barbas Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Constitutional Law Commons, and the First Amendment Commons Repository Citation Samantha Barbas, The Most Loved, Most Hated Magazine in America: The Rise and Demise of Confidential Magazine, 25 Wm. & Mary Bill Rts. J. 121 (2016), https://scholarship.law.wm.edu/ wmborj/vol25/iss1/4 Copyright c 2016 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj THE MOST LOVED, MOST HATED MAGAZINE IN AMERICA: THE RISE AND DEMISE OF CONFIDENTIAL MAGAZINE Samantha Barbas * INTRODUCTION Before the National Enquirer , People , and Gawker , there was Confidential . In the 1950s, Confidential was the founder of tabloid, celebrity journalism in the United States. With screaming headlines and bold, scandalous accusations of illicit sex, crime, and other misdeeds, Confidential destroyed celebrities’ reputations, relation- ships, and careers. Not a single major star of the time was spared the “Confidential treatment”: Marilyn Monroe, Elvis Presley, Liberace, and Marlon Brando, among others, were exposed in the pages of the magazine. 1 Using hidden tape recorders, zoom lenses, and private investigators and prostitutes as “informants,” publisher Robert Harrison set out to destroy stars’ carefully constructed media images, and in so doing, built a media empire. Between 1955 and 1957, Confidential was the most popular, bestselling magazine in the nation.
    [Show full text]
  • 1949-02-11, [P ]
    Cho9* Variety of POLISH JlOME COOKED MEAL* EVERY DAY LIQUORSU WINES—BEER MIXED DRINKS Open Daily from 6:00 A. M SPECIAL SUNDAY DINNERS tok:3&.A M Friday, February 11, 1949 TOLEDO UNION JOURNAL Page Five Visiting Time IWewissaBid <a<»Ksip I BARBERSHOPPING I FINISHED '/> 11 TV 1 HOLLYWOOD — The “Bar- ( yQ O Pl ber Shop Quartet” number in CX k-/ X Xvl. geon, Johnson Top M e t r o-Goldwyn-Mayer’s “The! 7 Good Old Summertime,” has! wound up shooting, completing; w i the list of musical selections toi AlbStar ‘ Command Decision” be filmed. Judy Garland was z/- E<SCRE 0 featured in the number. I ^,4^ Releaaetf by WNU Feature*. For sheer thrills, mounting suspense and heart-gr:——g in­ O Give Lizabeth Scott a good tensity, there has never been a picture like “Command on,” death scene and she's happy. She Glamour. Inc the explosive, star-studded drama coming to the Valentine The­ didn’t like the one in “Dead atre. Reckoning” — “It was only a When you consider that the all-male cast of this new M-G-M three-line scene, and the dial­ offering is headed by such top ogue was terrible,” she explained film personalities, as Clark Ga­ at lunch the other day. “But I Iturbi Is Veteran ble, Walter Pidgeon, Van John­ have a five-line scene in “Bitter son, Brian Donlevy, John Hod- Victory,” and it was supervised In Films, After All iak, Charles Bickford and Ed­ by a famous doctor, so it’s abso­ HOLLYWOOD — When­ ward Arnold, you have an idea lutely authentic.” ever anyone congratulates of the importance attached by Jose Iturbi, who is one of M-G-M to its film version of the the headliners of “That Mid­ smach Broadway stage success.
    [Show full text]
  • The Development of Child Stars in the Studio System of the 1930S Through '50S
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2011 "Daddy Dearest": The Development of Child Stars in the Studio System of the 1930s through '50s Brittany N. Dalton [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Child Psychology Commons, and the Film and Media Studies Commons Recommended Citation Dalton, Brittany N., ""Daddy Dearest": The Development of Child Stars in the Studio System of the 1930s through '50s" (2011). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1437 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. 1 “Daddy Dearest”: The Development of Child Stars in the Studio System of the 1930s through the ‘50s Written by Brittany N. Dalton Special Thanks: Julia A. Malia, Ph. D., C.F.L.E. May 10, 2011 Abstract 2 The purpose of this paper is to analyze the effects growing up in the studio system had on child stars from the 1930s through 1950s. I chose to focus my research and analysis on three child stars in particular: Judy Garland, Elizabeth Taylor, and Shirley Temple. These three actresses each had different experiences in their careers and relationships to the studio; however, they were all well-known and influential child stars.
    [Show full text]
  • Federal Bureau of Investigation (FBI) File 25-HQ- 277337, Subject: Van Johnson, Selective Service File, 1945-1952
    Description of document: Federal Bureau of Investigation (FBI) File 25-HQ- 277337, subject: Van Johnson, Selective Service File, 1945-1952 Released date: 28-June-2010 Posted date: 19-July-2010 Source of document: Federal Bureau of Investigation Attn: FOI/PA Request Record/Information Dissemination Section 170 Marcel Drive Winchester, VA 22602-4843 Fax: (540) 868-4995/4996/4997 E-mail: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. U.S. Department of Justice Federal Bureau of Investigation Washington, D.C. 20535 June 28,2010 Subject: FBI FILE 25-HQ-277337 FOIPA No.
    [Show full text]
  • Elizabeth Taylor
    A Place in the Canon A Tribute to Dame Elizabeth Taylor By Jarrod Emerson SPECIAL FOR FILMS FOR TWO® Elizabeth Taylor shines in A Place in the Sun (1951), directed by George Stevens & co-starring Montgomery Clift. In the course of a long & magnificent career, this was her single most beautiful moment on screen: “Tell Mama. Tell Mama all.” Photo Credit: WennPhotos/PF1/NewsCom Elizabeth Taylor closed her stunning, double-lashed, lavender eyes for the last time on March 23rd, 2011. Born in a London suburb in 1932 to an American art dealer and a former actress, the Taylor family moved back to the United States when Elizabeth was seven, settling in Los Angeles. Not long after, young Elizabeth began attracting the attention of Hollywood heads. Even at a young age, Taylor possessed an “old soul”, a maturity that set her apart from her contemporaries. By the age of 12 she had charmed audiences in Lassie Come Home and National Velvet. Elizabeth continued to hold her audiences enthralled as she metamorphosed from child star, to adolescent ingénue, tantalizing seductress, moving on later in life to HIV/AIDS activist and humanitarian. In between, she managed to marry and divorce eight times, put her name to expensive fragrances, and receive the honorary title of Dame from the Order of the British Empire. But it all started with a rich, diverse acting career, in which those lavender eyes brought a whole onslaught of characters, most of which shall live on forever for admirers of cinema. I was only able to view a fraction of Elizabeth Taylor‟s 71 Internet Movie Data Base credits.
    [Show full text]
  • The Last Time I Saw Her Free
    FREE THE LAST TIME I SAW HER PDF Karen Robards | 367 pages | 31 May 2016 | Ballantine Books | 9780804178303 | English | United States Gordon Lightfoot - The Last Time I Saw Her Lyrics Meaning Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Large Print. Charlie Stone must prove the innocence of a dangerously sexy condemned man, or lose her one chance at true love. It seem the only way The Last Time I Saw Her can snatch Michael from the jaws of oblivion is by proving his innocence. But The Last Time I Saw Her suspects the resemblance is only skin deep—and that behind the handsome face may lurk the perverse mind of a killer. Then a breakout at Wallens Ridge State Prison forces Charlie to contend with a sudden swarm of psychopaths bent on spilling blood. No one has a better chance of tracking down the deadly fugitives than Charlie—unless the rampaging killers manage to find her first and make this case her last. The evolution of the strange but utterly riveting romance between Dr. This has been one amazing ride. She merges the two worlds like no one else, deftly interlacing plot and passion. This story is going to haunt you. The mother of three boys, she lives in her hometown of Louisville, Kentucky.
    [Show full text]