A History of Architecture for the Student, Craftsman, and Amateur : Being a Comparative View of the Historical Styles from the E
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Cambridge University Press 978-0-521-58131-8 - Greater Medieval Houses of England and Wales 1300–1500: Volume II: East Anglia, Central England, and Wales Anthony Emery Table of Contents More information CONTENTS Acknowledgements page xii List of abbreviations xiv Introduction 1 PART I EAST ANGLIA 1 East Anglia: historical background 9 Norfolk 9 / Suffolk 12 / Essex 14 / The Peasants’ Revolt of 1381 15 / Cambridgeshire 16 / Late medieval art in East Anglia 16 2 East Anglia: architectural introduction 19 Castles 19 / Fortified houses 20 / Stone houses 21 / Timber- framed houses 22 / Brick houses 25 / Monastic foundations 29 / Collegiate foundations 30 / Moated sites 31 3 Monastic residential survivals 35 4 East Anglia: bibliography 45 5 East Anglia: survey 48 Abington Pigotts, Downhall Manor 48 / Baconsthorpe Castle 49 / Burwell Lodging Range 50 / Bury St Edmunds, Abbot’s House 51 / Butley Priory and Suffolk monastic gatehouses 53 / Caister Castle 56 / Cambridge, Corpus Christi College and the early development of the University 61 / Cambridge, The King’s Hall 65 / Cambridge, Queens’ College and other fifteenth century University foundations 68 / Carrow Priory 73 / Castle Acre, Prior’s Lodging 74 / Chesterton Tower 77 / Clare, Prior’s Lodging 78 / Claxton Castle 79 / Denny Abbey 80 / Downham Palace 83 / East Raynham Old Hall and other displaced Norfolk houses 84 / Elsing Hall 86 / Ely, Bishop’s Palace 89 / Ely, Prior’s House and Guest Halls 90 / Ely, Priory Gate 96 / Faulkbourne Hall 96 / Framsden Hall 100 / Giffords Hall 102 / Gifford’s Hall -
Sicily's Ancient Landscapes & Timeless Traditions 2021
YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® Sicily’s Ancient Landscapes & Timeless Traditions 2021 Small Groups: 8-16 travelers—guaranteed! (average of 13) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. And the O.A.T. Sicily’s Ancient Landscapes & Timeless Traditions itinerary you’ve expressed interest in will be a wonderful way to resume the discoveries that bring us so much joy. You might soon be enjoying standout moments like these: Who doesn’t love to eat in Italy? But Sicilian food, which is heavily influenced by the Arabs who thrived here, is in a league of its own. Sample the local flavors when you visit the Tunisian-inflected town of Mazara del Vallo and share a traditional Sicilian lunch with a local family. As you savor the home-cooked fare, you’ll learn how the city’s identity continues to evolve, and the vital role of the local fishing industry. You’ll also visit a home of a very different sort, one that traveler Carol Bowman described as “a house full of hope.” It’s Casa di Maria, an organization (and Grand Circle Foundation partner) established by a family in Catania to provide a loving home for children who are refugees or victims of neglect and domestic violence. The daughter-in-law of the founders (Sergio and Carmela) will enlighten you about Sicily’s foster care system. And you’ll meet more of the Casa’s extended family, including a young Nigerian woman who literally showed up on Sicily’s shores with nothing and grew up here, and hear her harrowing—but ultimately inspiring—story. -
NEW YORK TIMES BUILDING, 41 Park Row (Aka 39-43 Park Row and 147-151 Nassau Street), Manhattan
Landmarks Preservation Commission March 16, 1999, Designation List 303 LP-2031 (FORMER) NEW YORK TIMES BUILDING, 41 Park Row (aka 39-43 Park Row and 147-151 Nassau Street), Manhattan. Built 1888-89; George B. Post, architect; enlarged 1903-05, Robert Maynicke, architect. Landmark Site: Borough of Manhattan Tax Map Block 101 , Lot 2. On December 15, 1998, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) New York Times Bu ilding and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses, representing the New York Landmarks Conservancy, the Municipal Art Society, and the Historic Districts Council , spoke in favor of the designation. The hearing was re-opened on February 23 , 1999 for additional testimony from the owner, Pace University. Two representatives of Pace spoke, indicating that the university was not opposed to designation and looked forward to working with the Commission staff in regard to future plans for the building. The Commission has also received letters from Dr. Sarah Bradford Landau and Robert A.M. Stern in support of designation. This item had previously been heard for designation as an individual Landmark in 1966 (LP-0550) and in 1980 as part of the proposed Civic Center Hi storic District (LP-1125). Summary This sixteen-story office building, constructed as the home of the New York Times , is one of the last survivors of Newspaper Row, the center of newspaper publishing in New York City from the 1830s to the 1920s. -
Egyptian Architecture
EGYPTIAN ARCHITECTURE Character: simplicity, massiveness, monumentality Material: stone and brick System: columnar and trabaeted Comparative analysis: Plans- irregular and asymmetrical Wall- no windows (batter wall) Openings- doors are square headed Roof- flat roof Columns- interior only, 6d - bud & bell, palm, foliated, hatthor head, osiris, polygonal Mouldings- torus and gorge Principal buildings: Egyptian Tombs: Mastaba- stairway, halfshrunk, elaborate structure elements: offering chapel w/ stele (slab) serdab (statue chamber) sarcophagus Pyramid- square in plan, oriented in cardinal sides elements: offering chapel mortuary chapel elevated causeway (passageway)) valley building (embalmment) types: step (zoser) slope blunt (seneferu) Rock-cut- mountain side tombs elements: passages sepultural chamber Egyptian Temples: Cult temple- worship of the gods Mortuary Temple- to honor the pharos elements: pylon (entrance or gateway) hypaethral court (open to the sky court) hypostyle hall (pillard or columnar hall) sanctuary Minor temple- mammisi temple (carved along mountain) obelisk temple (monumental pillars, square in plan) Sphinx: (mythical monsters) Mastaba of Thi, Sakkara- Pyramid of Gizeh- Cheops, Chepren, Mykerinos Tombs of the Kings, Thebes The Great Temple of Arnak (greatest example of Egyptian temple) Great Sphinx at Gizeh (god horus) Egyptian Architects: Senusurets- built the earliest known obelisk at Heliopolis Amenemhat I- founded the great temple at Karnak Thothmes I- began the additions to the temple of Amnon Karnak Amenophis -
History of Architecture: Chapters I-XIX
vii TABLE OF CONTENTS. PAGE PRELIMINARY MATERIAL (separate file) LIST OF ILLUSTRATIONS (Figures 1–157) xi CHAPTER I. PRIMITIVE AND PREHISTORIC ARCHITECTURE 1 CHAPTER II. EGYPTIAN ARCHITECTURE 6 CHAPTER III. EGYPTIAN ARCHITECTURE, Continued 16 CHAPTER IV. CHALDÆAN AND ASSYRIAN ARCHITECTURE 28 CHAPTER V. PERSIAN, LYCIAN, AND JEWISH ARCHITECTURE 35 CHAPTER VI. GREEK ARCHITECTURE 43 viii CHAPTER VII. GREEK ARCHITECTURE, Continued 60 CHAPTER VIII. ROMAN ARCHITECTURE 74 CHAPTER IX. ROMAN ARCHITECTURE, Continued 88 CHAPTER X. EARLY CHRISTIAN ARCHITECTURE 110 CHAPTER XI. BYZANTINE ARCHITECTURE 120 CHAPTER XII. SASSANIAN AND MOHAMMEDAN ARCHITECTURE—ARABIAN, MORESQUE, 135 PERSIAN, INDIAN, AND TURKISH CHAPTER XIII. EARLY MEDIÆVAL ARCHITECTURE IN ITALY AND FRANCE 155 CHAPTER XIV. EARLY MEDIÆVAL ARCHITECTURE IN GERMANY, GREAT BRITAIN, AND SPAIN 172 CHAPTER XV. GOTHIC ARCHITECTURE 182 CHAPTER XVI. GOTHIC ARCHITECTURE IN FRANCE 196 ix CHAPTER XVII. GOTHIC ARCHITECTURE IN GREAT BRITAIN 218 CHAPTER XVIII. GOTHIC ARCHITECTURE IN GERMANY, THE NETHERLANDS, AND SPAIN 237 CHAPTER XIX. GOTHIC ARCHITECTURE IN ITALY 254 RENAISSANCE AND LATER ARCHITECTURE CHAPTERS XX–XXVIII, WITH FIGURES 158–229 (separate file) APPENDIX (separate file) GLOSSARY (separate file) INDEXES (separate file) xi LIST OF ILLUSTRATIONS. A few illustrations include links to larger versions. Figure 24 has been reformatted for this e-text; it was printed vertically, with the Plan below the Section. Figure 138 is shown as printed. THE authorship of the original drawings is indicated by the initials affixed: A. = drawings by the author; B. = H. W. Buemming; Bn. = H. D. Bultman; Ch. = Château, L’Architecture en France; G. = drawings adapted from Gwilt’s Encyclopædia of Architecture; L. = Lübke’s Geschichte der Architektur; W. -
Wheathampstead, No. 3.—Westmill
No. I.—ALDENHAM. NO. 2.—WHEATHAMPSTEAD, NO. 3.—WESTMILL. 5 SOME ORNAMENTAL CARVING IN HERTS CHURCHES. BY A. WHITFORD ANDERSON, A.R.I.B.A. No one who makes a serious study of archaeology can afford to ignore the carvings of stone and wood which adorn our old churches. The type of carving is as sure a criterion of date as the moulding, and the examples I shall shOW you to-night were selected with a view of comparing them with carvings in other churches in different counties, and are a fair sample of the work to be found in Hertfordshire, though they must not necessarily be taken as the best types of the different periods, as in making the slides I was bound by the limits of my own collection. I shall begin with the Norman period, extending, roughly, from 1066 to 1189. In dealing with this style it is well to remember its origin. It appears to have arisen in Italy during the eleventh century, under an impulse from Byzantium, and was influenced by existing Roman remains ; thence it passed through France. On reaching our shores it became blended, to a certain extent, varying in different districts with the native Anglo- Saxon and Celtic. Nearly all our Norman capitals are based on what is called the " cushion" type, which is merely a square block with the lower part rounded off to fit a circular shaft, but the ornament carved on them varies. I have examples of three types of ornament. First, the Celtic, which luxuriated in interlacing ornament and imagery; second, caps with volutes at the angles or in the centre, evidently a sur- vival of the u caulicoli" of the old Corinthian capital ; and thirdly, scolloped ornament. -
Curriculum Dell'attivita' Scientifica E Didattica
CURRICULUM SCIENTIFICO (redatto ai sensi degli Artt. 46 e 47 del D.P.R. 28.12.2000, n. 445) Il sottoscritto SABATINO GIUSEPPE, nato a VIBO VALENTIA, il 27 Ottobre 1967, residente in SAN FILIPPO DEL MELA via./p.zza CORSO GARIBALDI 178 – 98044 ME consapevole, ai sensi dell’art. 76 del D.P.R. 445/2000, che dichiarazioni mendaci, formazione o uso di atti falsi sono puniti ai sensi del codice penale e delle leggi speciali in materia, DICHIARA: di avere prestato servizio dal 1988 al 1992, come Volontario della Marina Militare Italiana, con il grado di Sergente. che dal 31/12/2008 è risultato vincitore di concorso, presso l’Università di Messina, nell'area tecnica, tecnica-scientifica ed elaborazioni dati per esperto in “Analisi e preparazione di campioni per il laboratorio di Scienze della Terra”. TITOLI DI STUDIO E FORMAZIONE Abilitazione Scientifica Nazionale a Professore Associato per il settore concorsuale 04/A1, conseguita il 04/02/ 2014. Dottorato di Ricerca XIX Ciclo - presso il Dipartimento di Scienze della Terra Università di Messina, titolo conseguito il 16/02/2007. Tesi su: “Vetri Archeologici di età romana (dal II sec. a.C. al VI sec. d.C.) in Sicilia: attribuzione di provenienza e caratterizzazione delle tecniche costruttive.” Laurea in Scienze Naturali conseguita presso l' Università degli Studi di Messina con votazione di 108/110 (A.A. 1996/1997). Tesi di Laurea sperimentale in Mineralogia e Geochimica applicata: "Metodi biogeochimici per la determinazione d'inquinanti (metalli pesanti) in aree industriali". Altri titoli Assegnista presso il Dipartimento di Scienze della Terra Università di Messina sul tema "Archeometria per i Beni Culturali: Metodologie mineralogiche applicate ai Beni Culturali". -
Moulding Book
REVISED EDITION OF THE NEW UNIVERSAL MOULDING BOOK CONTAINING LATEST STYLES OF MOULDINGS AND Architectural Designs of Exterior and Interior Finish In great variety, giving full size of Mouldings, and their exact measurement in inches on each Moulding. RAILS, BALUSTERS |AND NEWEL POSTS, ARCHITF^AVRS, Front, Interior and Store Doors, Wood Mantels, Pew Ends, Office Counters, SCROLL AND TURNED BALUSTRADES, - BRACKETS AND DRAPERY, ELEVATIONS OF DOOR AND WINDOW FRAMES. Entered to of according Act Congress, in the year 1891, by RAND, McNALLY & Co., in the Office of the Librarian of Congress, at Washington, D. C. CHICAGO : PUBLISHED BY RAND, McNALLY & COMPANY, Printers, Engravers, and Electrotypers. 1891. INDEX. Balusters, ....... og Bay Windows, ..... '. Brackets, ............' 48 to 53 on with Chapter . i Mouldings, Illustrations, * V) v> ^ v {{ Columns and the Orders of with Architecture, Illustrations, . yiii ix x Cornice Drapery, ...... '47 Office or Counters, Bank, ' gO .... - . Front and . Doors, Frame, . t t . 73 to 75 Interior Doors, Finish, ....;. 65 to 68 Fence, ...... 56 Frames, Window, .... 76 to 79 Fronts, Store, ....... 62 Gate > ..'.. 1 !.'! 56 Glossarial -; Index, ... TLi T1 ' Mantels, Wood, '.'.'.'. 61 ..... \ MOULDINGS Astragal, 12 and 28 Band, . 18 to 22 Base, Battens, 28 Bed, . 6,7 Casings, 44 and 41, Ceiling Window Stools, . 38 Crown, ...... to 5 and Drop Siding, Flooring Ship Lap, . ! 46 Eastlake and Queen Anne Casings for Windows and Doors *42 4 Inside Finish, ....... 39' 40 Interior Cornice and Bead, .....' 33* 34 Lattice, Back Band and Transom Bar, O G btops, 10 Panel and Base, | ..... 15 to 17 Pew Back Rail, Wainscoting Cap and Thresholds, 30 P G and Bead Stops, ..... -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
Mediterranean Legends Itinerary and Registration Form
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Villa Mirascilla Region: Sicily Sleeps: 8
Villa Mirascilla Region: Sicily Sleeps: 8 Overview This gorgeous four-bed home is situated on the northeast coast of Sicily, overlooking an incredible lake. Admire the breathtaking coastal views of the strait of Messina while relaxing in the garden or sitting under the veranda. Cool off from the warm Italian sun by taking a dip in the villa’s exclusive infinity pool. With a billiards room and terraced outdoor dining area, you can create lots of special moments with your loved ones. Inside the villa, there is a blend of old and new styles, giving the place a unique character. Antique décor such as impressive paintings and beautiful candle-holders and ornate rugs create a timeless look. The kitchen is equipped with shiny modern appliances – everything you need to cook up something delicious for the family. The billiards room is the ideal place to play a game with loved ones, and it opens out onto a large veranda with panoramic views. Villa Mirascilla has a gorgeous infinity pool that overlooks Lake Ganzirri. Take in the incredible landscape while enjoying a swim or relaxing in one of the sunbeds. The terraced outdoor dining area is ideal for eating meals with family or friends al fresco, whether it’s a morning brunch or a group dinner. With a well-maintained garden, various verandas and a barbecue, this villa has everything you need to spend some time in the sunshine. Located just a short drive away from Sicily’s coastline, Villa Mirascilla is nearby blissful shores and quaint alcoves. Torre Faro beach is popular with both tourists and locals, thanks to its brilliant sand and sapphire-coloured waters. -
The Growth of the English House
THE GROWTH OF THE ENGLISH HOUSE J.ALFRED GOTCH UNIV. OF CALIF. LIBRARY. LOS UNIV. OF CALIF. LIBRARY. LOS LIBRARY OF ARCHITECTURE AND ALLIED ARTS Gift of WILLIAM M. CURKE The Growth of the ENGLISH HOUSE WORKS BY THE SAME AUTHOR. ARCHITECTURE OF THE RENAISSANCE IN ENGLAND. Illustrated by a Series of Views and Details from Buildings erected between the years 1560 and 1635, with Historical and Critical Text. Contain- ing 145 folio Plates reproduced from Photographs, to- with measured &c. gether drawings, plans, details, , dispersed throughout the text. 2vols., large folio, in cloth or 2 vols. hand- portfolios, gilt, $50.00 net; , somely bound in half morocco, gilt, $60.00 net. "A work of national importance. Though these halls are with us now, it would be rash to say that we shall have them for ever, but while these volumes remain we shall always have a memorial the most remains splendid " of splendid oj the England of the past, The Daily News. EARLY RENAISSANCE ARCHITECTURE IN ENGLAND. An Historical and Descriptive Account of the Development of the Tudor, Elizabethan, and Jacobean Periods, 1500-1625. With 87 Collotype and other Plates and 230 Illustrations in the Text from Drawings by various accomplished Draughtsmen, and from Photographs specially taken. Medium 8vo. $9.00 net. This work is quite independent and distinct, both in plan and illustration, from the author's larger work, and is in no sense a reduced or cheaper edition of it. Of the 317 Illustra- tions only about twelve are taken from the larger book. SHELDONS, WILTSHIRE. The Growth of the ENGLISH HOUSE A Short Hiftory of its Architectural Development from HOOtoiSOO B7 J.ALFRED GOTCH, F.S.A.