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Encore Day Trips for 2020
ENCORE DAY TRIPS FOR 2020. Saturday 22nd February 2020. Upton House and Gardens (NT), Edgehill, Banbury. Come and see how Lord & Lady Bearsted made Upton House and Gardens the perfect country retreat for their family in the 1930s. You can also discover Lord Bearsted's famous art collection including works by Bosch, Stubbs and Canaletto. The coach fare will be £15.00 each. Admission to Upton House is free for NT members and £12.00 for non-members. Pick Up Times - Windermere Way: 09:15 Francis Road: 09:17 Woodbury Road: 09:18 Dorsett Road: 09:20 Red Lion: 09:45 St Andrews House: 09:50 Mavis’s Layby: 09:52 Ombersley Way: 09:55 Upton House: 11:00 Depart: 16:00 ENCORE DAY TRIPS FOR 2020. Saturday 21st March 2020. Chirk Castle (NT), Chirk, Wrexham. A stark symbol of power, Chirk Castle was completed in 1310 during the reign of the conquering Edward I to subdue the last princes of Wales. Built on an outcrop above the meeting point of the rivers Dee and Ceiriog, the imposing silhouette of the castle was a brooding statement of English intent in these disputed lands. The coach fare will be £18.00 each. Admission to Chirk Castle is free for NT members and £13.50 for non-members. Pick Up Times - Red Lion: 08:30 St Andrews House: 08:35 Mavis’s Layby: 08:37 Ombersley Way: 08:40 Dorsett Road: 09:05 Woodbury Road: 09:07 Frances Road: 09:08 Windermere Way: 09:10 Chirk Castle: 10:45 Depart: 16:00 ENCORE DAY TRIPS FOR 2020. -
Contents More Information
Cambridge University Press 978-0-521-58131-8 - Greater Medieval Houses of England and Wales 1300–1500: Volume II: East Anglia, Central England, and Wales Anthony Emery Table of Contents More information CONTENTS Acknowledgements page xii List of abbreviations xiv Introduction 1 PART I EAST ANGLIA 1 East Anglia: historical background 9 Norfolk 9 / Suffolk 12 / Essex 14 / The Peasants’ Revolt of 1381 15 / Cambridgeshire 16 / Late medieval art in East Anglia 16 2 East Anglia: architectural introduction 19 Castles 19 / Fortified houses 20 / Stone houses 21 / Timber- framed houses 22 / Brick houses 25 / Monastic foundations 29 / Collegiate foundations 30 / Moated sites 31 3 Monastic residential survivals 35 4 East Anglia: bibliography 45 5 East Anglia: survey 48 Abington Pigotts, Downhall Manor 48 / Baconsthorpe Castle 49 / Burwell Lodging Range 50 / Bury St Edmunds, Abbot’s House 51 / Butley Priory and Suffolk monastic gatehouses 53 / Caister Castle 56 / Cambridge, Corpus Christi College and the early development of the University 61 / Cambridge, The King’s Hall 65 / Cambridge, Queens’ College and other fifteenth century University foundations 68 / Carrow Priory 73 / Castle Acre, Prior’s Lodging 74 / Chesterton Tower 77 / Clare, Prior’s Lodging 78 / Claxton Castle 79 / Denny Abbey 80 / Downham Palace 83 / East Raynham Old Hall and other displaced Norfolk houses 84 / Elsing Hall 86 / Ely, Bishop’s Palace 89 / Ely, Prior’s House and Guest Halls 90 / Ely, Priory Gate 96 / Faulkbourne Hall 96 / Framsden Hall 100 / Giffords Hall 102 / Gifford’s Hall -
Derbyshire Attractions
Attractions in Derbyshire Below is a modified copy of the index to the two folders full of 100 leaflets of attractions in Derbyshire normally found in the cottages. I have also added the web site details as the folders with the leaflets in have been removed to minimise infection risks. Unless stated, no pre-booking is required. 1) Tissington and High Peak trail – 3 minutes away at nearest point https://www.peakdistrict.gov.uk/visiting/places-to-visit/trails/tissington-trail 2) Lathkill Dale 10 minutes away – a popular walk down to a river from nearby Monyash https://www.cressbrook.co.uk/features/lathkill.php 3) Longnor 10 minutes away – a village to the north along scenic roads. 4) Tissington Estate Village 15 minutes away – a must, a medieaval village to wander around 5) Winster Market House, 17 minutes away (National Trust and closed for time-being) 6) Ilam Park 19 minutes away (National Trust - open to visitors at any time) https://www.nationaltrust.org.uk/ilam-park-dovedale-and-the-white-peak 7) Haddon Hall 19 minutes away https://www.haddonhall.co.uk/ 8) Peak Rail 20 minutes away https://www.peakrail.co.uk/ 9) Magpie Mine 20 minutes away https://pdmhs.co.uk/magpie-mine-peak-district/ 10) Bakewell Church 21 minutes 11) Bakewell Museum 21 minutes open tuesday, wednesday Thursday, saturday; https://www.oldhousemuseum.org.uk/ 12) Thornbridge brewery Shop 23 minutes https://thornbridgebrewery.co.uk/ 13) Thornbridge Hall – open 7 days a week https://www.thornbridgehall.co.uk 14) Cauldwells Mill – Rowsley 23 minutes upper floors of mill -
以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
POLITICS, SOCIETY and CIVIL WAR in WARWICKSHIRE, 162.0-1660 Cambridge Studies in Early Modern British History
Cambridge Studies in Early Modern British History POLITICS, SOCIETY AND CIVIL WAR IN WARWICKSHIRE, 162.0-1660 Cambridge Studies in Early Modern British History Series editors ANTHONY FLETCHER Professor of History, University of Durham JOHN GUY Reader in British History, University of Bristol and JOHN MORRILL Lecturer in History, University of Cambridge, and Fellow and Tutor of Selwyn College This is a new series of monographs and studies covering many aspects of the history of the British Isles between the late fifteenth century and the early eighteenth century. It will include the work of established scholars and pioneering work by a new generation of scholars. It will include both reviews and revisions of major topics and books which open up new historical terrain or which reveal startling new perspectives on familiar subjects. It is envisaged that all the volumes will set detailed research into broader perspectives and the books are intended for the use of students as well as of their teachers. Titles in the series The Common Peace: Participation and the Criminal Law in Seventeenth-Century England CYNTHIA B. HERRUP Politics, Society and Civil War in Warwickshire, 1620—1660 ANN HUGHES London Crowds in the Reign of Charles II: Propaganda and Politics from the Restoration to the Exclusion Crisis TIM HARRIS Criticism and Compliment: The Politics of Literature in the Reign of Charles I KEVIN SHARPE Central Government and the Localities: Hampshire 1649-1689 ANDREW COLEBY POLITICS, SOCIETY AND CIVIL WAR IN WARWICKSHIRE, i620-1660 ANN HUGHES Lecturer in History, University of Manchester The right of the University of Cambridge to print and sell all manner of books was granted by Henry VIII in 1534. -
Sir Robert Throckmorton (1510-1581)
Sir Robert Throckmorton (1510-1581) William Norwood, Dorothy Spann CENTER's eighth great grandfather and father of Richard Norwood appearing in the lower right in the tree for Captain Richard Spann, was the son of Henry Norwood and Catherine Thockmorton. Catherine Thockmorton was the daughter of Robert Thockmorton and Muriel Berkeley. Sir Robert Thockmorton: Birth: 1510 Alcester; Warwickshire, England Death: Feb. 12, 1581 Alcester; Warwickshire, England St Peters Church, Coughton, Warwickshire, England where he is buried. Sir Robert Throckmorton of Coughton Court, was a distinguished English Tudor courtier. Sir Robert was the eldest son and heir of Sir George Throckmorton (d.1552) by Katherine Vaux, daughter of Nicholas Vaux, 1st Baron Vaux of Harrowden (d.1523). He had many brothers, the most notable being, in descending seniority: Sir Kenelm, Sir Clement Throckmorton MP, Sir Nicholas Throckmorton(1515-1571), Thomas, Sir John Throckmorton(1524-1580), Anthony and George. Robert Throckmorton may have trained at the Middle Temple, the inn attended by his father. At least three of his younger brothers and his own eldest son studied at Middle Temple, but as the heir to extensive estates he had little need to seek a career at court or in government. He was joined with his father in several stewardships from 1527 and was perhaps the servant of Robert Tyrwhitt, a distant relative by marriage of the Throckmortons, who in 1540 took an inventory of Cromwell's goods at Mortlake. He attended the reception of Anne of Cleves and with several of his brothers served in the French war of 1544. Three years later he was placed on the Warwickshire bench and in 1553 was appointed High Sheriff of Warwickshire. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
2018 Annual Report
2A018 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT WMS VOLUNTEER ROLES Registered address: Jan Marsh (to 12 May 2018) Journal Editor: Owen Holland Kelmscott House Lord Sawyer of Darlington (from 12 May 2018) Magazine Editor: Susan Warlow 26 Upper Mall Librarian: Penny Lyndon Hammersmith TRUSTEES Journal Proofreader: Lauren McElroy London W6 9TA Martin Stott, Chair (to 12 May 2018) Stephen Bradley, Chair (from 12 May 2018) The William Morris Society is extremely Tel: 020 8741 3735 Rebecca Estrada-Pintel, Vice Chair fortunate to be able to draw on a wide range Email: [email protected] Andrew Gray, Treasurer of expertise and experience from our www.williammorrissociety.org Natalia Martynenko-Hunt, Secretary volunteers, who contribute many hundreds of Philip Boot (from 12 May 2018) hours of their time to help with welcoming TheWilliamMorrisSociety Jane Cohen visitors to the museum, delivering education @WmMorrisSocUK Serena Dyer (to 12 May 2018) sessions to schools and families, giving printing williammorrissocietyuk Michael Hall demonstrations, answering enquiries, Kathy Haslam (to 12 May 2018) cataloguing and caring for our collections, Registered Charity number 1159382 Jane Ibbunson (from 12 May 2018) office administration, serving refreshments and Fiona Rose maintaining our garden. John Stirling (from 12 May 2018) We are grateful to all who give up their time The Trustee Board operates through five to help with the work of the Society. committees. These are: Finance and General -
A Series of Picturesque Views of Seats of the Noblemen
w8^ 1>w_f,\f \ r_^m.: \^n jmi^. / 'b" ^eK\ WrAmimi Vm SIk mSf^^^^ 1^mi^ Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/seriesofpictures03morr tt < o n oi n ^ ^ERIES OF p^CTOiinooi fiKis Dr PF niliaii m$n PF GREAT BRITAIN AND IRELAND. VOL. HI L () N D () N : willi a im mac k 1-. n 7. 1 k. uq, l u dg a t k hill. ki)inhur(;h and dublin. ^ ^32-^ A SERIES OF Y. &. PICTUBESQUE VIEWS OF SEATS OF THE JSrOBLEMEN AND GENTLEMEN" OF GREAT BRITAIN AND IRELAND. WITH DESCRIPTIVE AND HISTORICAL LETTERPRESS. EDITED BY THE REV. F. O. MORRIS, B.A., AUTHOR OF A "HISTOKV OP BRITISH BIRDS," DEDICATED BY PERMISSION TO HER JIOST GRACIOUS MAJESTY THE QUEEN. VOL. HI. LONDON: WILLIAM MACKENZIE, 69, LUDGATE MILL. EDINBURGH AND DUBLIN. THE LIBRARY BRIGHAM YOUNG U ^RSITY ^--^ EROyo. UTAH CONTENTS. PAGE —His Royal Highness Sandeingham. the Peixce of "Wales . .1 — CoMPTON Vekney. Lord Willotjghby de Broke .... 3 — . , Castle. of Durham . Lambton Earl . .5 — Mamhead. Newman, Baronet ...... 7 — . , Keele Hall. Snetd . .9 Castle. — of Macclesfield . SHiRBxrEN Earl . H — . "WYifYAED Park. Marquis of Londonderry , . .13 — . HuTTON Hall. Pease . 15 — . MtTNCASTER Castle. Lord Muncaster . .17 . BEAlfTINGHAM ThORPE. SyKES . 19 — Hall. Baron Tollemache . Helmingham . .21 — Trafalgar House. Earl Nelson . 23 — Broughton Castle. Lord Sate and Sele . .25 — . Stowlangtoft Hall. Wilson . 27 — Davenport . Capesthorne. .29 PoWERSCOURT. —VlSCOUNT PoWERSCOURT . 31 — . Studley Castle. Walker . .33 — EsHTON Hall. Wilson, Baronet ..... 35 Towers.—Brooke . Caen Wood . .37 ' — . Birr Castle. Earl of Eosse . 39 ' — . Hall. Newdegate . -
D534 LA10 Tibshelf to Shuttlewood (Midlands)
June 2018 | www.hs2.org.uk In your area Tibshelf to Shuttlewood | LA10 LA10 to Leeds High Speed Two (HS2) is the Government’s planned M1 Shuttlewood new high speed railway. Calow A6192 High Speed Two Limited Arkwright HS2 Phase 2b A632 Town is the company responsible Long Bolsover Duckmanton for developing and A632 Cock Alley Carr Vale promoting the UK’s new Scarcliffe Sutton Scarsdale high speed rail network. In Palterton Temple July 2017, the Government Normanton A617 Stony confi rmed the route for Heath Grassmoor Houghton Holmewood Glapwell the next phase of HS2: North New Wingfield Doe Lea Crewe – Manchester and Stainsby Houghton A617 A6175 West Midlands – Leeds Rowthorne (Phase 2b). Hardwick Hall Hardstoft Teversal Skegby Tibshelf Stanton Hill N to Birmingham Introduction This information has been produced by HS2 Ltd to update you about the route from Tibshelf to Shuttlewood. It includes: • a summary of the proposed route in your area and how the design has developed since July 2017; • what we are currently working on and what we will be consulting on later in the year; • the benefi ts that HS2 will bring to your area; • how to fi nd out more about the project; and • how to get in touch with us. Page 1 of 8 The route of the proposed scheme from Tibshelf to Shuttlewood The route follows the M1 corridor from Tibshelf Services to Woodthorpe Road at Shuttlewood. The Tibshelf to Shuttlewood community area covers approximately 14km of the route beginning at the parish boundary between Blackwell and Tibshelf to the east of the M1, passing northwards beneath the B6014 Mansfield Road before crossing beneath the M1 to the west side of the motorway. -
4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands
4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands, WV6 8DR 4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands, WV6 8DR A delightful, period semi-detached cottage standing in a prestigious address with fully refurbished accommodation, a good sized garden and off street parking for several cars LOCATION KITCHEN has a range of freestanding wall and base units with slate work surfaces, a co- 4 Wightwick Bank stands in a fine, elevated position on Wightwick Bank, close to the ordinating breakfast bar, under-mounted ceramic sink, space for a range style cooker junction with Perton Brook Vale, in an exclusive and sought after residential address. with Rangemaster extraction chimney above, double glazed windows to two elevations and a part double glazed door to the courtyard together with plumbing for a washing The extensive amenities provided by Tettenhall village, Tettenhall Wood and the machine, wiring for wall mounted television, integrated ceiling lighting and ceiling beam. Compton shopping centre are all within easy reach as are the further, full range of amenities provided by the City Centre and excellent schooling in both sectors. A fine, oak staircase rises to the LANDING with a rear window. BEDROOM 1 has a light, corner aspect with double glazed windows to two elevations, ceiling timbering and a DESCRIPTION decorative black-painted cast iron fireplace, wiring for a wall mounted television, 4 Wightwick Bank is an attractive semi-detached cottage dating from the Victorian era shelving and a built-in wardrobe. BEDROOM 2 is also a good double room in size with a which was originally believed to have been built on behalf of Sir Geoffrey Mander by the double glazed window, decorative cast iron black-painted fireplace and ceiling timbering.