Sample Lesson Plan Social Studies Grades 1-3 – American Pioneers (Contributed by Dr
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A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
The Tampa Tampa Bay
THE TAMPA TAMPA BAY ® Monthly E-Newsletter August 2015 A monthly publication of the Tampa, Florida, Chapter, Barbershop Harmony Society Herald Volume 70 • Issue 8 In this issue: HoH Calendar of Events ............................2 Labor Day Jamboree .................................3 Welcome New Members ..........................4 From the President ...................................5 In Remembrance ......................................6 In Remembrance Quartet News ...........................................7 Gene Cokeroft History Corner ..........................................8 See Page 6 Pun of the Month .....................................8 Newsletter News ......................................9 Angel Notes............................................10 From the Groupanizer Guy .....................11 Upcoming Birthdays ..............................11 Rehearsal Notes .....................................12 Barbershopper of the Month ..................12 Songs & Sounds of HoH ..........................13 Guest Night ............................................14 Chapter Quartets ....................................15 Support Our Advertisers .........................16 Board Meeting Info ................................16 Friends of the Heralds ............................17 BACK PAGE 2015 Chapter Leadership Directory HoH Contact Info • Helpful Links HoH Website Gets a Face-lift Rehearsals (most Mondays) at 7 p.m.: See the results at www.heraldsofharmony.org August 17, 24, 31 September 9, 14, 21, 28 Terrace Palms Community Church -
Catalogue of Titles – 30Th April 2021
Catalogue of Titles – 30th April 2021 = Christmas = Young Voices = Licensed for the US and Canada Only = Licensed for the UK only Title Artist Voices Genre Arranger / Sheet Music Learning Composer Tracks 50 Ways to Leave Your Lover Paul Simon SATB Pop Gitika Partington Click Here Click Here A Keelie Makolay African Folk SATB World Music Craig McLeish Click Here Click Here A La Nanita Nana Christmas Carol SAB Traditional Wendy Sergeant Click Here Click Here A Little Bit Of Love Graham Kendrick SATB Modern Craig McLeish Click Here Click Here A Rovin’ Sea Shanty SATB Traditional Gitika Partington Resources Pack A Quiet Life Aran Browning SATB Modern Aran Browning Click Here A Spaceman Came Travelling Chris De Burgh SATB Pop Doug Watts Click Here Click Here A Virgin Most Pure Christmas Carol SAB / SAT Traditional Paul Ayres Click Here Click Here After The Goldrush Neil Young SAT Rock Abi Moore Click Here Click Here Agua De Beber Antonio Carlos Jobim SSAATTBB Jazz Sam Burns Click Here Click Here Ain’t No Cure For Love Leonard Cohen SATB Pop Val Regan Click Here Click Here Ain’t No Mountain Marvin Gaye SAT/SATB Soul / Funk Abi Moore Click Here Click Here Ain’t No Mountain Marvin Gaye SSAA Soul / Funk Gitika Partington Click Here Click Here Ain’t No Mountain Marvin Gaye SATB Soul / Funk Gitika Partington Click Here Click Here Ain't No Sunshine Bill Withers SATB,SSAA Soul / Funk Gitika Partington Click Here Click Here Ain’t Nobody Chaka Khan SAATB Soul / Funk Gitika Partington Click Here Click Here Catalogue of Titles – 30th April 2021 = Christmas -
Oh Shenandoah! the Northern Shenandoah Valley's Black Borderlanders Make Freedom Work During Virginia's Reconstruction, 1865-1870
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects Fall 2016 Oh Shenandoah! The Northern Shenandoah Valley's Black Borderlanders Make Freedom Work during Virginia's Reconstruction, 1865-1870 Donna Camille Dodenhoff College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Dodenhoff, Donna Camille, "Oh Shenandoah! The Northern Shenandoah Valley's Black Borderlanders Make Freedom Work during Virginia's Reconstruction, 1865-1870" (2016). Dissertations, Theses, and Masters Projects. Paper 1477068107. http://doi.org/10.21220/S25P41 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Oh Shenandoah! The Northern Shenandoah Valley’s Black Borderlanders Make Freedom Work during Virginia’s Reconstruction, 1865-1870 Donna Camille Dodenhoff Willliamsburg, Virginia Master of Arts in American Studies, The George Washington University, 1991 Masters of Arts in Liberal Studies, Georgetown University, 1984 Bachelor of Arts, State University of New York at Stony Brook, 1967 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies -
Swarthmore Folk Alumni Songbook 2019
Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Concert Program
Lutheran Church of Honolulu proudly presents Tradewind s Febuary 1, 2021 • 7:00 PM F I R S T M O N D A Y S C H A M B E R C O N C E R T S Featuring Tomás Ramos, clarinet Brian Kavolius-Matherne, horn Maika‘i Nash, piano Program Three Irish Country Songs Brad Edwards (b. 1963) 1. Black is the Color of My True Love's Hair 2. Soldier Boy 3. Shenandoah 4. All the Pretty Little Horses 5. Dunderbeck Sonata in B minor, K. 87 Domenico Scarlatti (1685–1757) First Takes, No. 4 Brian Kavolius-Matherne (b. 1993) Still Kavolius-Matherne Sonata for Clarinet and Piano, Op. 120, No. 1 Johannes Brahms (1833–1897) III. Allegretto grazioso Evening Song David Maslanka (1943–2017) Valse Caressante Ottorino Respighi (1879–1936) Hommage à Manuel de Falla Béla Kovács (b. 1937) Program Notes Three Irish Country Songs It is a tricky thing to refer to any folk song as being “American.” As immigrants came to this country, they brought their language, traditions and naturally, their folk music. While some may quibble over the true origins of many American folk tunes, few can question the imprint that folk songs have made on the American soul. Black is the Color of My True Love’s Hair is a yearning Appalachian song dating roughly from the early 20th century. It has been recorded many times and was included in Luciano Berio’s cycle of folk songs. The singer speaks wistfully of her true love: Black, black, black is the color of my true love's hair. -
The Extent to Which American Children's Folk Songs Are Taught by General Music Teachers Throughout the United States
THE EXTENT TO WHICH AMERICAN CHILDREN’S FOLK SONGS ARE TAUGHT BY GENERAL MUSIC TEACHERS THROUGHOUT THE UNITED STATES By MARILYN J. WARD A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2003 Copyright 2003 by Marilyn J. Ward ACKNOWLEDGMENTS I would like to thank God for His help in this endeavor. I believe that He was responsible for the good response rate and provided direction, assistance, and wisdom along the way. I would also like to thank my mother, Dr. Iva Maybelle Hollingshead, who funded and personally delivered, retrieved, and processed the information from the majority of elder study instruments. Not only did my mother physically and financially assist in this project, she has also been a constant source of inspiration and encouragement throughout my life. I owe a great debt of gratitude to both my mother and father, who are some of the most wonderful people I have ever known. Sincere appreciation is expressed to the members of my supervisory committee for their insight, wisdom, and wonderful suggestions for improvement through the many stages of this research study: Dr. Russell Robinson (chairman, music education); Dr. Charles Hoffer (music education); Dr. Budd Udell (theory/composition); and Dr. David Young (directing/theatre). Many thanks are extended to Brad Ward, my husband, who has ever so graciously funded this project, in its enormity. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ................................................................................................ -
Shenandoah Valley BATTLEFIELDS FOUNDATION
Shenandoah Valley BATTLEFIELDS FOUNDATION 2012 ANNUAL REPORT THE CIVIL WAR SESQUICENTENNIAL With our regional mission and national reach, the Foundation has taken the lead in coordinating and promoting Sesquicentennial programs in the Valley, as well as presenting flagship events of our own... “A Wind From the Mountains”: 150th Anniversary of Stonewall Jackson’s Valley Campaign, 1862-2012 From the beginning of the Sesquicentennial, the 150th Anniversary of Stonewall Jackson’s 1862 Valley Campaign was seen as a once-in- a-lifetime opportunity for the Shenandoah Valley. During 2012, the Battlefields Foundation and its partners took full advantage, presenting a series of 40 programs that followed along with the historical events of the campaign, and in the paths of the armies that crisscrossed the Valley – giving each site its chance to shine. There were programs of all types, from large-scale reenactments to quiet memorials, focusing on the stories great and small. Eric Campell Tour The commemoration was bookended by two major SVBF events, a March 3 conference, Perspectives on Stonewall Jackson’s Valley Campaign, and the closing event on June 9, “If This Valley is Lost”: Preserving the Legacy of Stonewall Jackson’s Valley Campaign. In between, visitors were able to “walk in the footsteps” of the campaign: the stone wall at First Kernstown, Jackson’s headquarters at Miller-Kite, Sitlington’s Hill at McDowell, the last Union stand at Front Royal, the path of the Louisiana Tigers at First Winchester, Bank’s Fort in Strasburg, Turner Ashby’s death site in Harrisonburg, the 8th New York’s repulse at Cross Keys, and the Coaling, where the campaign came to a furious climax at Port Republic. -
Music Therapy Master Song Resource List
University of Kansas Music Therapy Song Repertoire Resource List Spring 2021 The KU music therapy song repertoire resource list acts as a reference for music therapy students as they work to develop a diverse repertoire of songs for use in their musical, pre-clinical, and clinical work. As such, it is a both a document of important songs that have historically been used in music therapy processes, and a living, breathing document that will be updated intermittently to maintain the dynamic of new musics. Songs are categorized and divided into music genres. Genres provide some level of diversity. Current genres in the book are provided as a general list on page 2, and then each genre is presented alphabetically, with songs in each genre also presented alphabetically. This approach helps to make finding songs easier. Some songs will be cross-referenced. Each song will include either an original artist or the song’s author (or both), as well as the year the song was written. This list can help students learn more songs, not only for singing and accompaniment purposes, but also for using recordings of songs when appropriate. Students are strongly encouraged to locate and listen to original recordings of songs to help their learning processes. Original notation in lead sheets is also helpful, especially for students that excel in reading. A good ear and solid music reading skills help for music therapists to be efficient in their learning of new songs. Also, looking up the history of a song helps a clinician make important decisions on how the music may connect with a client, increasing the potential for its effective use. -
Spring Concert
ANCHOR BAY BAND BOOSTER EXECUTIVE BOARD The Anchor Bay High School Instrumental Music Department Tom Stanton, President Chris Worton, Vice President - Fundraising proudly presents the Kathy Simpson, Vice President - Bingo Holly Bennett, Treasurer Dean Larson, Financial Secretary SYMPHONIC BAND Lynnette O’Brien, Secretary SYMPHONIC BAND P. David Visnaw II, Instrumental Music Director WIND ENSEMBLE ANCHOR BAY HIGH SCHOOL ADMINISTRATION and the Ms. Judy Stefanac, Principal Mr. Hank Anderson, Assistant Principal JAZZ ENSEENSEMBLEMBLE Mr. Vic Balaj, Assistant Principal Mrs. Sherry Kenwood, Assistant Principal ininin a TQSJOH DPODFSU WWW.ANCHORBAYBANDS.ORG UPCOMING INSTRUMENTAL MUSIC EVENTS 5/18/05 - 5/21/05 — Florida Trip! 5/26/05 — New Marcher Orientation 5/30/05 — New Baltimore Memorial Day Parade Thursday, May 5, 2005 5/31/05 — Instrumental Music Banquet (Salt River) 7:30 P.M. 6/5/05 — Graduation (McMorran Auditorium, Port Huron) Anchor Bay High School Auditorium 6/13/05-6/15/05 — Pre-Marching Band Camp (‘05 - ‘06 MB) 6/26/05 — Bay Rama Parade (‘05 - ‘06 MB) 8/1/05-8/6/05 — Marching Band Camp (CMU) Michael R. SauerSauer,, Instrumental Music Director P. David Visnaw II, Instrumental Music Director PROGRAM SYMPHONIC BAND PICCOLO BASS CLARINET FRENCH HORN 2nd HOUR SYMPHONIC BAND Apryl O'Leary Vida Austin Kristina Croes Jenna Hill Michael Johnson II Amanda Davidson + Shenandoah..…………......……….…..……………………Ticheli Amanda Shirey Elise Holderbaum Jennifer Wilssens * Jeff Payne * FLUTE Karen Rosenbusch Amanda April Tim Steffens 3rd HOUR SYMPHONIC -
De Tocqueville's Or Jackson's America?
de Tocqueville’s or Jackson’s America? Life in the Early 1800s The Basics Time Required Subject Areas AP US History Expansion and Reform, 1800-1860 Common Core Standards Addressed: Writing Standards for Literacy in History/Social Studies 6-12 Author Lisa Waligora (2006) The Lesson Introduction Once James Monroe leaves the presidency in 1824, the Founding Fathers era is over and the United States finds itself redefining America and Americans. The election of 1824 brought a new breed of politicians and voters. The country begins to force its way to the west under Manifest Destiny as immigrants and citizens alike find themselves moving from rural to urban areas. Industry begins its takeover of the U.S. economy setting the foundations for trust building and hurling the United States into economic depression. The song selections incorporated into this lesson illustrate many of the feelings of everyday citizens regarding issues facing Americans in this new era of U.S. History. They also serve as a new way of thinking about the events dryly explained in textbooks. Guiding Questions • What jobs were available in the early 1800s and what was the work like? • What technology was available to make work easier? • How did everyday life reflect the changes in the work place? Learning Objectives After completing this lesson students will: 1. Analyze several primary source songs, art, and other documents regarding life in the 1830s. 2. Evaluate the working class American society according to de Tocqueville’s observations and Andrew Jackson’s vision. Preparation Instructions Song used in this lesson: “Oh, Shenandoah” Lesson Activities 1.