2020 February
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												
												1980 Brown and Gold Vol XII No 15 February 20, 1980
Regis University ePublications at Regis University Brown and Gold Archives and Special Collections 2-20-1980 1980 Brown and Gold Vol XII No 15 February 20, 1980 Follow this and additional works at: https://epublications.regis.edu/brownandgold Part of the Catholic Studies Commons, and the Education Commons Recommended Citation "1980 Brown and Gold Vol XII No 15 February 20, 1980" (1980). Brown and Gold. 485. https://epublications.regis.edu/brownandgold/485 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Brown and Gold by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. 60HD One Weekly C~llege Newspaper This newspaper may vary in. size, quality, .readability and taste determined by the amount of ti~e, energy and interest used in its creation. It is suitable for everyday consumption. 0 :Nei Wt. 6 oz. ~p~ag~~~2~~W~e~d~n!es~d~a~y~,~F~eb~ru~a~~2~0~,~1!9~80~~B~ro~w~n~&~G~o~ldL_ ____________~--------~--------~------~--------~~---------------------- Editorial . Letters to the Editor the constitution is a major views. o.f others clearly. Low Budget? Dear Editor, issue but other important Bemg a G.A. rep is a great After attending several re· thing~ are occuring that need hono~ but many are after the l?rest1ge that comes with th cent G.A. meetings, I have attention too. The main problem with the JOb. e Generic products, those black and white labeled, no come to question the creden· I feel that the student bod tials of the assembly voters. - 
												
												Add Leak at Plant Forces Evacuations Stepped Forward at the Democratic About Bolton Politics to Caucus Upl Photo Caucus in Bolton Wednesday Night, Members
2(1 _ MANCHFSTER h e r a l d . Thursday. J;in. '24. 1985 MANCHESTER FOCUS SPORTS WEATHER Pearson resignation Snow ends early; r> Test scores rise Hamlet Hill winery ^ Area towns for ninth-graders is fine winter fare not totally voluntary windy on Saturday ... pape 151 ... page 2 Andovei page ^ ... page 111 Bolton /Coventry UAW agent commences bid iiaurteslrr MrralJi for Bolton selectman’s seat Manchester, Conn. — A City of Village. Charm.r-ki * PriHav/Friday, .Ian Jan. 25, 1985 — Singie copy: 25<t the company in 1979 to work lor By Sarah Passell Local 376. where he now serves Herald Reporter both as a paid business agent and its elected recording secretary. BOLTON — A surprise candi After he was nominated, Madore date for the Board of Selectmen explained his change of heart Add leak at plant forces evacuations stepped forward at the Democratic about Bolton politics to caucus UPl photo caucus in Bolton Wednesday night, members. adding a political veteran whose Feeling the heat By Alex GIrelli influence has previously been felt “ WHAT CONCERNS ME Is the Herald Reporter more in Manchester than in Bolton participation that we have, not U-shaped copper tubes are bundled III. When a shell and head are added.the to the party ticket for town Two thousand gallons of a 2 only with the elderly, but with the into a heat exchanger by Wha Soon completed unit will heat or cool liquids 2 elections next May. younger people and the middle Kang at ITT Fluid Handling Division’s and gases in industrial process systems. - 
												
												Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing - 
												
												B a U M a N R a R E B O O
B A U M A N R A R E B O O K S The sixties With Dozens of New Acquisitions! BaumanRareBooks.com 1-800-97-bauman (1-800-972-2862) or 212-751-0011 [email protected] New York 535 Madison Avenue (Between 54th & 55th Streets) New York, NY 10022 800-972-2862 or 212-751-0011 (by appointment due to COVID-19) Las Vegas Grand Canal Shoppes The Venetian | The Palazzo 3327 Las Vegas Blvd., South, Suite 2856 Las Vegas, NV 89109 888-982-2862 or 702-948-1617 Daily: 11am to 7pm Philadelphia 1608 Walnut Street Philadelphia, PA 19103 215-546-6466 | (fax) 215-546-9064 (by appointment) all booKS aRE ShippEd on appRoval and aRE fully guaRantEEd. Any items may be returned within ten days for any reason (please notify us before returning). All reimbursements are limited to original purchase price. We accept all major credit cards. Shipping and insurance charges are additional. Packages will be shipped by UPS or Federal Express unless another carrier is requested. Next-day or second-day air service is available upon request. www.baumanrarebooks.com twitter.com/baumanrarebooks facebook.com/baumanrarebooks On the cover: Item no. 70. J u l y 2 0 2 0 First Edition Of Manchild In “Everybody was really The Promised Land 1. BROWN, Claude. Manchild in the Promised Land. New York, 1965. Octavo, original red cloth, digging themselves and dust jacket. $800. Click for more info thinking and saying in their First edition of this moving autobiography chronicling one man’s journey out of poverty and crime in Harlem. - 
												
												Revue De Presse
REVUE DE PRESSE Popeye, un policier sans états d'âme, traque un puissant trafiquant de drogue, M. Charnier (sic). Perquisitions, filatures... En remontant la filière française, la plaque tournante est localisée : Marseille. Inspiré d'un fait divers authentique survenu en 1962, French Connection a démythifié d'un coup tous les films policiers. Son morceau de bravoure : la longue course-poursuite entre une voiture... et une rame de métro aérien dont le conducteur est obligé de brûler les feux ! Très spectaculaire, la scène révèle l'acharnement, aux limites de l'absurde, du policier. L'action, ici, fait partie intégrante du caractère fruste des personnages. La violence ne peut se dissocier du côté exalté du policier, qui réagit viscéralement aux injustices de son métier. Popeye jubile dans des situations inquiétantes ! La mise en scène alterne les séquences de reportage et de brusques explosions de sauvagerie. En laissant les commandes à un jeune réalisateur, le producteur de Bullitt et le scénariste de Shaft (Les Nuits rouges de Harlem) ont fait le bon choix. C'était le cinquième film de William Friedkin, qui, à 36 ans, a remporté un triomphe international, confirmé par le suivant, L'Exorciste. Depuis, le cinéaste a livré, entre deux commandes, des films à l'ambiguïté et à la noirceur très peu hollywoodiennes, comme Police fédérale, Los Angeles, le dérangeant Bug ou, plus récemment, le percutant Killer Joe. On trouve ici les fondements de cet univers où le bien et le mal coexistent de façon troublante. Philippe Piazzo Gros bonnet marseillais, grosses voitures américaines et grosses transactions d’héroïne en vue… Un film américain de choc flaire ce gros coup, secoue ses indics et multiplie les filatures. - 
												
												Softer Skills of Engineering an Intermodal Perspective with a Millennial Twist: South East Association of Rail Shippers
Softer Skills of Engineering An Intermodal Perspective with a Millennial twist: South East Association Of Rail Shippers Dan Pallme University of Memphis Intermodal Freight Transportation Institute March 30, 2016 Softer Skills of Engineering Lessons (from the Big Screen) about the intermodal perspective Dan Pallme Director and Producer March 30, 2016 ! This 1954 storyline was about Terry Malloy (Marlon Brando) who dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly (Lee J. Cobb), the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry (Karl Malden), who tries to force him to provide information for the courts that will smash the dock racketeers. Nominated for three Oscars. ! IWLU / ILA Negotiations ! Chassis ! Shift to East Coast ! Liner Consolidation ! VGM or SOLAS ! Panama Canal ! Larger ships ! Port turn time ! This movie is a 1971 American dramatic thriller film directed by William Friedkin and produced by Philip D'Antoni. It stars Gene Hackman, Fernando Rey, and Roy Scheider. The film was adapted and fictionalized by Ernest Tidyman from the 1969 non-fiction book by Robin Moore. It tells the story of New York Police Department detectives, "Popeye" Doyle and Buddy "Cloudy" Russo, whose real- life counterparts were Narcotics Detectives Eddie Egan and Sonny Grosso. Don Ellis scored the film. It was the first R-rated movie to win the Academy Award for Best Picture. Key Takeaways ! Global World ! Overcapacity ! Security concerns A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. - 
												
												Literary Miscellany
Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. - 
												
												Galaprogramapril10final.Pdf
Founded in 1847, Xavier High School is an academically rigorous, Catholic, Jesuit, college preparatory school in New York City that educates intelligent, motivated young men of diverse backgrounds and means. Our current enrollment is 1,076 students from all five boroughs of New York City, parts of New Jersey, lower Westchester and Long Island. Xavier currently distributes $2.2M in need-based financial aid to 36% of the student body. For 167 years we have been committed to making a Xavier education accessible to all qualified, deserving applicants and we will continue to do so with your help. Sponsors SPECIAL THANKS TO OUR CELEBRATE XAVIER SPONSORS Maroon and Blue Sponsors Daniel ’65 and Kathleen Denihan Christopher and Mary Pia P ’15 ‘17 The Xavier Class of 1970 Knight Sponsors Bisogno & Meyerson Hatzel & Buehler, Inc. 16th Street Sponsors James ’83 and Jennifer Coster Richard ’83 and Jennifer Nolan Irma and Daniel V. Rodriguez ‘58 Xavier Jesuit Community Event Sponsors All information current as of March 28, 2014 Beer Donated by: Bruce Caulfield ’73 and Tracks Raw Bar and Grill Flowers Donated by: Dennis and Doreen Miskimmon P’15 Interactive Media Donated by: Whistlebox Theme Baskets Created and Donated by: Carol Waney P’17 Musicians: Members of Xavier’s Blue Night Band, led by Dr. William Pace Tonight’s Celebration 6:30 – 8:45 p.m. Silent Auction 8:15 – 9:00 p.m. Program Welcome John R. Raslowsky Student Speaker Dennis Muentes ‘14 Live Auction Barry Cherwin Cherwin & Cherwin Auctioneers 9:30 p.m. Evening Concludes Live Auction Prizes Join us for Xavier’s Live Auction. - 
												
												The French Connection
2 I MICHAEL SHEDLIN Police Oscar: The French Connection AND AN INTERVIEWWITH WILLIAMFRIEDKIN A film does not have to be made by Leni Rief- the relationshipbetween interpersonalcommu- enstahl or the USIA to be a propaganda film. nication and social functioning. All dramatic movies contain elements that Since propaganda,whether blatant or subtle, either reinforce or reject dominant cultural and whether "left" or "right,"works primarily phenomena. If prevailing social relations are through the emotions and not the intellect, it is reinforced or suggested as the normal state of not necessarily the explicit or easily recogniz- affairs, then the film becomes propaganda for able elements of a film that produce the strong- existing mores and institutions. While the film- est effect on the consciousness of the viewer. maker may not deliberately set out to make an Such is the case with a film like The French explicit political statement, he or she will Connection. The explicit values are evident. select countless situations, settings, and visual The film is exquisitely made. An unnerving details which point out the surrounding social tension is maintained, not by the plot or context as either natural (virtuous) or unnat- the music, but by our fascination with Pop- ural (unjust). Most films, of course, are com- eye's dementia, by the garish sound track of mitted to the former mode. The great majority screeching tires, screaming engines, slamming of commercial films are produced not to ex- doors and smashing flesh (Pauline Kael called press a particular artist's passions, but to insure the film "an aggravated case of New York"), immediate cash income to the producers. - 
												
												32 • Iissuessue 16 Afipreview
AMERICAN FILM INSTITUTE GUIDE Januaryuary 10–March 9, 2006 TO THEATRE AND MEMBER EVENTS VOLUMEVOLUME 32 • ISSUEISSUE 61 AFIPREVIEW PLUS: KING KONG: The Original! Fellini & Masina, Masterful Couple Martin Luther King: A Filmed Record Otto Preminger Centennial Norman Jewison LIVE! IN THE HEAT OF THE NIGHT FREE FILMS! The National Law Enforcement Museum at AFI Silver And More! David CronenbergTHE COMPLETE RETROSPECTIVE NOW PLAYING AWARD NIGHTS AT AFI 2 Oscar® and Grammy® Night Galas! 3 David Cronenberg: The Visceral BACK BY POPULAR DEMAND! and the Cerebral ® 6 A True Hollywood Auteur: Otto Preminger Oscar Night 2006! 9 Norman Jewison Presents Sunday, March 5 IN THE HEAT OF THE NIGHT AFI Silver is proud to host the only Academy®- 9 Martin Luther King Honored sanctioned Oscar Night® party in the Washington area, 9 SILVERDOCS: Save the Date! presented by First Star. On Sunday, March 5, at 6:30 10 About AFI p.m., AFI Silver will be abuzz with red carpet arrivals, 11 Calendar specialty cocktails, a silent auction and a celebrity- 12 Federico Fellini and Giulietta Masina, moderated showing of the Oscar® Awards broadcast— Masterful Pair presented on-screen in high definition! 12 ANA Y LOS OTROS, Presented by Cinema Tropical All proceeds 13 THE FRENCH CONNECTION, SE7EN, and DRAGNET! from this National Law Enforcement Museum’s exclusive event Inaugural Film Festival benefit First 13 Washington, DC, Premiere of Star, a national Terrence Malick’s THE NEW WORLD non-profit 14 One Week Only! CLASSE TOUS RISQUES public charity and SPIRIT OF THE BEEHIVE dedicated to 14 Exclusive Washington Engagement! SYMBIOPSYCHOTAXIPLASM improving life 15 Montgomery College Film Series for child victims 15 Membership News: It Pays to of abuse and Be an AFI Member! neglect. - 
												
												• PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman
• c I N E M A G • PRODUCTION GUIDE by Jamie Gaetz and Linda Gorman Marie Da oust ass!. cam. Jean-Mark Casavant Scobie, Richard Strafehl scJd. Rex Bromfield props. Jacques Chamberland ward. Laurie boom Pierre Blain sets Jean Bourret props. Mi line p. Gerry Arbe id I.p. Valri Bromlield, Dave Drew sd. ed. Jim Hopkins p.r. Rola Zayde. chele Nolet, Michel Comte asst. props. Real Thomas, Lesl ie Nielsen, Janet Wright casting he following is a list of films in production (actually before cameras) Baril make-up Louise Mignault hair Richard Ingrid Fisher. and In negotiation In Canada. Needless to say, the films which are Hansen cost. des. Sylvie Krasker asst. Mary NBC/20th CENTURY Tstill in the project stage are subject to changes. A th ird categorY,ln Jane Wallace dresser Ma rianne Ca rter gaffer HIGH ROAD Pre-Production, will be used to indicate films which are in active pre-pro Yves Charbonneau best boy Marcel Breton key FOX TELEVISION duction , having set a date for the beginning of principal photography and grip Marc De Ernsted grip Stephane De Erns PRODUCTIONS (416) 362-4937 ted. being engaged in casting and crewing. Films are listed by the name of the ----------------------- (4 16) 461-3089 POPEYE DOYLE company which initiated the project, or with which the project is popularly 'FILMLINE ORIGINS OF LANGUAGE American 2-hour pilot movie. Based on charac associated. This is not necessarily the name of the production company . One-hour documentary began shooting August ter In The French Connection. Shooting in Where the two companies are different, the name of the production com INTERNATIONAL INC.! 1 In Toronto . - 
												
												Reappraising the Renaissance
Reappraising the Renaissance The New Hollywood in Industrial and Critical Context Nicholas Godfrey Bachelor of Arts (Honours) A thesis submitted for the degree of Doctor of Philosophy December 2014 Department of Screen and Media School of Humanities and Creative Arts Flinders University South Australia i ii Contents Introduction… 1 The New Hollywood that Couldn’t… 1 Aims and Context: Which New Hollywood?... 8 Chapter One: Easy Rider… 22 Chapter Two: Variations on a Theme - Five Easy Riders… 54 Part I: Five Easy Pieces... 56 Part II: Two-Lane Blacktop… 79 Part III: Vanishing Point… 126 Part IV: Little Fauss and Big Halsy… 149 Part V: Adam at 6 A.M…. 162 Chapter Three: Politicising Genre… 175 Part I: Dirty Harry… 179 Part II: The French Connection… 202 Chapter Four: The Limits of Auteurism… 222 Part I: The Last Movie… 222 Part II: The Hired Hand… 254 Conclusion… 278 Bibliography and Filmography… 293 iii iv Thesis Abstract This thesis offers a reappraisal of the “New Hollywood” of the late 1960s and early 1970s that aims to move beyond the currently accepted reductive historical models. It challenges many of the assumptions underlying prevailing accounts of the period, including the makeup of the orthodox “canon” of New Hollywood movies, the time frame within which the movies were contained, and the role played by the critical establishment in determining the ways in which the movies of the period were understood. Bringing together industrial context, textual analysis and critical (re)interpretation, it examines the complex interplay of factors that allowed a movie such as Easy Rider to achieve commercial and canonical success, while so many of its contemporaries and imitators failed to make an impact, either at the box office or within the annals of film history.