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Hens Lay, People Lie: a Novel and an Exegesis
HENS LAY, PEOPLE LIE A Novel and an Exegesis Beyond Epistolarity: The Warp, the Weft and the Loom Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Glenice Joy Whitting Swinburne University of Technology Faculty of Higher Education, Lilydale 2012 Abstract This thesis is comprised of two components: 'Hens Lay, People Lie', a novel, and an exegesis, Beyond Epistolarity the Warp, the Weft and the Loom. Together they propose that 'creative epistolarity', namely imaginative writing with factual material, including personal letters, emails and journals, provides women with a safe space where knowledge can be intuited, articulated or performed. In this space, women find their own creative voice, write their stories and in turn, understand themselves. 'Hens Lay, People Lie' draws heavily on the epistolary genre but aims to move beyond that genre by using an auto/biographical and creative epistolary style better suited to reveal emotion and character. The novel illustrates that creative epistolarity intersects with feminism and postmodernism and is uniquely placed to empower women to write their stories. The exegesis discusses theories, methodologies, fictional techniques and creative decisions made during the writing of the novel. Key writerly choices are examined: the choice of an epistolary novel and the importance of creative epistolarity as a way of knowing the self as well as production of knowledge. The research process is practice-led research informed by personal correspondence and personal history in the autoethnographic mode. The exegesis presents a reflective examination of existing works in the genre of epistolary fiction and calls on the practices of exponents of the epistolary form such as Elizabeth Jolley, Nancy Turner and Lionel Shriver. -
The One Who Even Did It, but It’S Methodist Bishop-In-Residence
182462 BU 182462 Cover~P.pdf 1 5_17_2018 Nonprofit Inside: US Postage PAID Equality for women pastors Boston MA Cornell William Brooks on training 745 Commonwealth Avenue Permit No. 1839 seminarians to fight injustice Boston, Massachusetts 02215 2018 At STH, I was surrounded by professors and supervisors who were passionate about preparing me for the journey that followed, and colleagues who were exploring how God was involved in their lives and in the world. The impact of my theological education on my personal and professional SINGING development has been long-standing, for which I am very grateful. THE Frank J. Richardson, Jr. (’77,’82) Richardson has included a gift to STH in his estate plans. BLUESON Education is a gift. Pass it on. We can find faith for the future even in the depths of despair MAKE YOUR IMPACT THROUGH A PLANNED GIFT Contact us today at [email protected] or 800-645-2347 focus is made possible by donations Dotty Raynor from BU STH alumni and friends 182462 BU 182462 Cover~P.pdf 2 5_17_2018 182462 BU 182462 Text~P.pdf 3 5_17_2018 TABLEof Boston University CONTENTS School of Theology 2018 DEAN’S MESSAGE 2 JOURNAL: LEADERSHIP IN A TIME OF TURMOIL Dean MARY ELIZABETH MOORE Director of Development FEATURES Singing the Blues on a Note of Hope 20 Martin Luther, Rebel with a Cause 36 RAY JOYCE (Questrom’91) Holding on when we’re harassed by hell A profile of the reformer who upended the Alumni Relations Officer By Julian Armand Cook (’16) Church in his quest to heal it Tiny Homes for Big Dreams 10 JACLYN K. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Song List by Artist
AMAZING EMBARRASSONIC Song list by Artist CALIFORNIA LUV 2PAC AND DR.DRE DANCING QUEEN ABBA MAMA MIA ABBA S. O. S. ABBA BIG BALLS AC/DC HAVE A DRINK ON ME AC/DC HELLS BELLS AC/DC HIGHWAY TO HELL AC/DC LIVE WIRE AC/DC SIN CITY AC/DC TNT AC/DC WHOLE LOT OF ROSIE AC/DC YOU SHOOK ME ALL NIGHT LONG AC/DC CUTS LIKE A KNIFE ADAMS, BRYAN SUMMER OF '69 ADAMS, BRYAN DRAW THE LINE AEROSMITH SICK AS A DOG AEROSMITH WALK THIS WAY AEROSMITH REMEMBER( WALKING IN THE SAND) AEROSMITH BEAUTIFUL AGUILARA, CHRISTINA LOST IN LOVE AIR SUPPLY MOUNTAIN MUSIC ALABAMA ROOSTER ALICE IN CHAINS ONE WAY OUT ALLMAN BROS RAMBLIN MAN ALLMAN BROS SISTER GOLDEN HAIR AMERICA SHE'S HAVING MY BABY ANKA, PAUL SUGAR, SUGAR ARCHIES AINT SEEN NOTHING YET BACHMAN TURNER OVERDRIVE LET IT RIDE BACHMAN TURNER OVERDRIVE TAKIN CARE OF BUSINESS BACHMAN TURNER OVERDRIVE EVERYBODY BACKSTREET BOYS FEEL LIKE MAKIN' LUV BAD CO. GOOD LOVIN' GONE BAD BAD CO. SHOOTING STAR BAD CO. NO MATTER WHAT BADFINGER DO THEY KNOW IT'S X-MAS BAND-AID MANIC MONDAY BANGLES WALK LIKE AN EGYPTIAN BANGLES SATURDAY NIGHT BAY CITY ROLLERS IN MY ROOM BEACH BOYS FIGHT FOR YOUR RIGHT TO PARTY BEASTIE BOYS COME TOGETHER BEATLES DAY TRIPPER BEATLES HARD DAYS NIGHT BEATLES LET IT BE BEATLES HELTER SKELTER BEATLES HEY JUDE BEATLES SOMETHING BEATLES TWIST AND SHOUT BEATLES LOSER BECK JIVE TALKIN' BEE GEES www.amazingembarrassonic.com Page 1 9/30/15 AMAZING EMBARRASSONIC Song list by Artist MASSACHUSETTS BEE GEES STAYIN' ALIVE BEE GEES HEARTBREAKER BENATAR, PAT HELL IS FOR CHILDREN BENATAR, PAT HIT ME W/YOUR BEST SHOT -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Book Notes #71
Book Notes #71 August 2021 By Jefferson Scholar-in-Residence Dr. Andrew Roth Songs of Freedom, Songs of Protest Part One As always, reader responses give me ideas for future Book Notes. In this and next week’s Book Notes, I’ll be following the suggestion of several readers who, in response to the two Book Notes in June on patriotic music, thought it might be interesting to canvass America’s tradition of protest music. If one of my The American Tapestry Project’s major threads is “Freedom’s Faultlines”, those tales of race and gender, those tales of exclusion and the many times America did not live up to its stated ideals, then the songs those excluded sang as they fought for inclusion ring patriotic. For, as the Rev. Martin Luther King, Jr. said in his last speech the night before he was murdered, “Somewhere I read that the greatness of America is the right to protest for right!” [1] And, those “rights” found some of their most memorable expressions in songs of protest exhorting America, as King said, “Be true to what you said on paper.” [2] In this Note, we’ll answer “What is a protest song?”, and we’ll consider three approaches to exploring protest music: a chronological approach, a thematic- genre approach, and although it sounds kind of silly a “Greatest Hits” approach. There actually are “Top Ten”, “Top Fifty” protest song lists from reputable sources floating around the internet. Finally, we’ll dive into two of the genres for a closer look at songs protesting environmental issues and, most famously, anti-war songs from World War I through the War in Viet Nam to Operation Iraqi Freedom. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
*Press Release- AWMA Finalists Announced
MEDIA RELEASE For Immediate Release FINALISTS ANNOUNCED FOR INAUGURAL AUSTRALIAN WOMEN IN MUSIC AWARDS Amy Shark, Ka:e Noonan, Deborah Cheetham, Gordi, Jen Cloher, Stella Donnelly, Ngaiire, Camp Cope, Sarah Blasko, Tiddas, and the Mission Songs Project are amongst the stellar list of finalists in the inaugural Australian Women in Music Awards (AWMA), which will be presented at a star-studded ceremony and party in Brisbane on Wednesday evening 10th October. For the first Ame in Australian music history, AWMA will recognise the outstanding contribuAons of women across a range of categories including: excellence in arAstry, song- wriAng, technical and producAon skills, cross-cultural development, music educaAon, music photography, music leadership and humanitarian work. “I welcome the inaugural AMWA to Queensland’s thriving arts scene. This iniAaAve perfectly reflects our government’s vision for the future. We want to see the excepAonal talents and achievements of our many female arAsts, and women from all fields, fully recognised, keenly supported and enthusiasAcally celebrated at every opportunity,” Queensland Minister for Child Safety, Youth and Women and Minister for the PrevenAon of DomesAc and Family Violence Di Farmer said. “This will be a very special celebra0on of women in Australian music, those who have come before and those who con0nue to light the way. We are overwhelmed with support which we con0nue to receive from ar0sts, the music community and the broader crea0ve sector all of whom agree that the 0me for change has come” says AWMA Founding Director and ExecuAve Producer, Vicki Gordon. Fourteen AWMAs are up for grabs, from a public nominaAon process that aUracted hundreds of individual nominaAons, each assessed by a specially-convened Jury Council comprised of industry professionals and pracAAoners of the highest calibre. -
Helen Reddy Concert” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 6, folder “3/27/76 - Helen Reddy Concert” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON March 19, 1976 MEMORANDUM TO: SORUM P~R FROM: S ~ PORTER SUBJECT: Ac on Memo Mrs. Ford has accepted the following out-of-house invitation: EVENT: Helen Reddy Concert GROUP: To Benefit ERAmerica DATE: Saturday, March 27; 1976 TIME: 10:30 p.m. PLACE: Constitution Hall CONTACT: Jane Wells, ERAmerica 0: 833-4354 COMMENTS: Mrs. Ford will attend the Helen Reddy Concert Saturday evening, March 27th at 10:30 p.m. at Constitution Hall. Helen Reddy will donate her personal earnings for the Equal Rights Amendment and the ERAmerica efforts. A private reception will follow the concert but Mrs. Ford will not attend. Susan Ford had originally planned to attend but .now thinks she will be out of town. -
An Act of Resistance: a Comparative Study of Indigenous Women's
An Act of Resistance: A Comparative Study of Indigenous Women’s Narratives Debashree Dattaray Jadavpur University Kolkata Feminist cultural practice which defines specific gender roles has often been inadequate to the agenda of Indigenous1 North American2 women’s concerns for identity and self-determination. Through a few comparative case studies, this paper focuses on how such authors have tried to negotiate the challenge of representing the past from the unspoken but inexorable reality of the present. In her essay on “A Vanishing Indian? Or Acoose: Woman Standing Above Ground?”, Janice Acoose (Sakimay (Saulteaux) First Nation and Ninankawe Marival Métis) analyses her experiences in teaching as an Indigenous professor of English at the Saskatchewan Indian Federated College and as a PhD candidate in English at the University of Saskatchewan. As an indigenous woman and as a writer/critic, her dilemma is in the fact that “her resolve to resist the ideological influences of the colonizer becomes weaker” when she has to negotiate with the “Wiintigolike forces of Western literary criticism and its accompanying critical language.”3 Most importantly, indigenous women have often been concerned with issues related to land, sacred places, education stemming from a communal space. Therefore, issues related more directly to gender have not been prioritized. 1According to the United Nations, Document, NUE/CNH/SUB2/L566 of June 29, 1972, “Indigenous” populations are the existing descendants of the people who inhabited the present territory of a country at the time when persons of the world overcame them and somehow reduced them to a non-dominant or colonial situation, and who today look more in conformity with their particular social, economic, and cultural customs and traditions than with the institutions of which now they form a part. -
The Daily Egyptian, January 28, 1976
Southern Illinois University Carbondale OpenSIUC January 1976 Daily Egyptian 1976 1-28-1976 The aiD ly Egyptian, January 28, 1976 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_January1976 Volume 57, Issue 86 Recommended Citation , . "The aiD ly Egyptian, January 28, 1976." (Jan 1976). This Article is brought to you for free and open access by the Daily Egyptian 1976 at OpenSIUC. It has been accepted for inclusion in January 1976 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ... > gus 'Bode 'Daily 13gyptian Gus says searching for search com Wednesday, January 28, 1976-Vol. ~ , No. 86 fjouthern nlinois University mittee5 around here is as searching a Job as the search itself. Brandt, F -Senate clash over guidelines By Ka thleen TakemolO ·dependenl rrom the administration Dally Egyptian Starr Writer regarding search committees. He said the guidelines "in no way ren eet what ' President Warr<'ll W. Brandt called other search committees have done." guidelines for participation on search Malvin Moor e Jr., professor in comm ittees approvc'<1 Tuesday by thp education adm inistration and foun· Faculty Senate a " censure" or his dations. pointed out that the guideline method of handling sea rch co mmittees. recommendations had been formulated The guidelines. passed unanimously before Brandt's administration at St U. by the Faculty ~nale . contain s{'veraJ 1\100r(' said the recommendation had recommendations which run counter to "no direction to him (Brandt ) in any procedures followed by past search way." commitu't-'S . Bra ndt sa id prlllr to Iht· Brandt qucsttont'rl the ~c mH (' bdore vole that tht.' ,l!u lch.' li nt>s W('n,' "ob· the vote (In whethl'r it intcndl'(i the vinus)v wrilll'n In ('ounl {'r whilt ha ~ ~ uldt'llIle5 to be adopted by all Ll nin'r alreact", h~n don('." !" lIy constltu(> nClt'S p~lrtl cl patin g on The rH.'w gUIJclinl's s t ~ ll e Ihal Ih(' ad S{'~If(' h ('ommlfl l"l'S .