Freedom Song Classroom by K

Total Page:16

File Type:pdf, Size:1020Kb

Freedom Song Classroom by K Freedom Song Classroom by K. Strong Music and Lyrics by Various Writers and Composers Connections Teacher Resources In the Classroom For Teachers & Students Grades 3 - 12 Freedom Song and the Class- room Connections Study Guide are produced in support of the teaching of: the Language Arts, History, and Music. The following Virginia Standards of Learning are supported: Social studies: 3.12, USI.1, USII.1, USII.9, VUS.2, VUS.3, VUS.7, VUS8, VUS.9, VUS.10 English: 3.1, 3.6, 4.2, 4.5, 5.1, 5.6, 6.2, 6.3, 6.4, 7.2, 7.3, 7.5, 8.3, 8.4, 8.5, 9.1, 9.5, 10.5, 10.6, 11.5, 11.6, 12.5. At the Library African American Musicians (Black Stars) by Eleanora E. Tate Be a Friend: The Story of African Ameri- can Music in Song, Words, and Pictures In Freedom Song, your students will embark on a musical journey through Afri- by Leotha Stanley, illustrated by Henry can American history. From slave spirituals and hymns to minstrel music, from Hawkins ragtime to blues, and from jazz to rap, African American music has reflected the feelings and soul of a people who have suffered, triumphed, grown, and Freedom Song: Young Voices and the changed. Struggle for Civil Rights by Mary C. Turck Throughout American history, music reflects our American society. African American music adds to that an insight into their tumultuous and changing place within it. It reflects the emotions of the musicians - joy, sorrow, love, and On the Web pain; music is, and always has been, a glimpse into the soul of a people. Carnegie Hall: Honor! “For hundreds of years, African Americans have expressed what they A Celebration of the African American feel in their music in this country and have had an enormous influence Cultural Legacy on everybody. There is no end to the African American contribution to http://www.carnegiehall.org/honor/ America’s music, and to the world’s. Public Broadcast Service: It is so important for us to keep our culture alive and be proud. Look at African American World all that has sprung from the past. Just see how much we’ve done. Think http://www.pbs.org/wnet/aaworld of all we have to look for in our futures!” African American Milestones Review the following timeline of African American milestones. There are some events missing! Place the events from the box at the bottom of the page into the timeline in chronological order. Use the space on the right of the timeline to add the missing events! 1758 - Slaves on William Byrd III’s plantation in Lunen- burg County form the earli- est Black church in Virginia. 1800 - Gabriel Prosser, a Virginia slave, is betrayed in his plot to lead thousands of slaves in an at- tack on Richmond, VA. Dozens of slaves are imprisoned or hanged on the spot. Gabriel himself is publicly hanged. 1912 - The first in a series of annual black symphony orchestra concerts was performed at Carnegie Hall. 1921 - The doctor of philosophy degree is awarded for the first time to Black women, Sadie T. Mossell , Eva B. Dykes, and Georgiana R. Simpson. 1990 - The first elected African American Gov- ernor, Douglas Wilder, is inaugurated in Virginia. 2005 - Condoleezza Rice is sworn in as Secretary of State. 2008, November 4th. Bar- rack Obama is elected 44th President of the United States and first African American president. The National Association for the Advancement of Colored People (NAACP) is founded. President Ronald Reagan signs bill establishing January 20 a federal holiday in honor of Martin Luther King, Jr. Congress passes the Thirteenth Amendment which, on ratification, abolishes slavery in the U.S. Maynard Jackson is elected first black mayor of Atlanta, Georgia. United Negro College Fund is established. 2 Set the Stage for Learning™ Theatre IV, Richmond, VA Musical Words Use what you learned while watching Freedom Song to match the following words and descriptions. Work with a partner, and use a dictionary to help. The combination of musical notes played together as Ragtime chords. Popular in the early 1900’s, this music was created and performed by Black artists and expressed the Blues moods and feeling that were related to by the Black American audience. Jazz Modern version of slave spiritual music, sung in churches. Popular during the Harlem Renaissance, this type of music had unusual rhythms, chords, tempos, tones Swing and mood. Style of music that became popular in the late 1800’s - combined traditional African American music with Gospel “ragged” rhythms. A type of music that grew from Jazz, but had a freer feel and a happier sound, which was just what was Rhythm needed for the post-Depression and beginning World War II days. A flow of rising and falling sounds in language that is Harmony produced in verse by a regular repeating of stressed and unstressed syllables. Music that originated in black American gospel Soul singing, is closely related to rhythm and blues, and is characterized by intensity of feeling. Challenge: Toni Morrison, Mary J. Blige, Alicia Keys, Beyonce Knowles are all contemporary and famous African American women mentioned in the play. Which one is not a musician, and what is she known for? Set the Stage for Learning™ Theatre IV, Richmond, VA 3 Genre Comparison Compare three of the following musical genres “Come on now sugar. You got to make discussed in Freedom Song: jazz, gospel, blues, your own happiness some kind of way in ragtime, swing, rap, hip hop. this ol‘ world, and when you sing, watch that happiness a-comin’. These are our Listen to examples of each genre, and use the songs, from our people. That’s really graphic organizer below to record your something. Be proud child.” ~ Freedom Song comparisons. 4 Set the Stage for Learning™ Theatre IV, Richmond, VA Lyrics & Rhyme Definition: Many songs contain words that rhyme. Read the blues song rhyme (noun): a repetition of similar from Freedom Song. Use different colored pencils to circle sounds in two or more different words; most often used in poetry. the pairs of words that rhyme. I’m so forlorn Life’s just a thorn My heart is torn Why was I born What did I do To be so black & blue African Americans have expressed their feelings through music for hundreds of years. Use the speech bubble below to write a song about your feelings. Be sure to use rhyming words! A Resource to Use: www.wordcentral.com Click “Rhyming” Set the Stage for Learning™ Theatre IV, Richmond, VA 5 Cues at the Theatre 114 West Broad St. Richmond, VA 23220 1.800.235.8687 www.TheatreIV.org Theatre IV Presents... Words to Know Freedom Song by K. Strong Playwright: (n.) a person who Music and Lyrics by writes a play Various Writers and Composers Play: (n.) a story acted out with dialogue Theatre IV... Adapted: (v.) changed to fit a new use or Bruce C. Miller, situation Artistic Director : (n.) a play that includes songs Phil Whiteway, Musical Managing Director Dialogue: (n.) words spoken by the Classroom Connections characters in a play Study Guide written by Heather Widener, MAT Widener Consulting LLC Lyrics: (n.) words of a song This Classroom Connec- Using the list above, fill in the word: tions Study Guide and the text contained herein are the property of Theatre A ______that uses music is called IV. Photocopying of the study guide is permitted. a ______________. Actors in a play Any other use of the con- speak words called __________ tents must be accompa- nied by the phrase, “Text and sing __________ of a song. used with permission from Theatre IV - Richmond, The person who writes a play is VA.” © Theatre IV, 2012. called a _____________. Often, a play is ____________ from another source. Set the Stage for Learning™ Theatre IV, Richmond, VA 6.
Recommended publications
  • A Framework for Teaching American Slavery
    K–5 FRAMEWORK TEACHING HARD HISTORY A FRAMEWORK FOR TEACHING AMERICAN SLAVERY ABOUT THE SOUTHERN POVERTY LAW CENTER The Southern Poverty Law Center, based in Montgomery, Alabama, is a nonpar- tisan 501(c)(3) civil rights organization founded in 1971 and dedicated to fighting hate and bigotry, and to seeking justice for the most vulnerable members of society. ABOUT TEACHING TOLERANCE A project of the Southern Poverty Law Center founded in 1991, Teaching Tolerance is dedicated to helping teachers and schools prepare children and youth to be active participants in a diverse democracy. The program publishes Teaching Tolerance magazine three times a year and provides free educational materials, lessons and tools for educators commit- ted to implementing anti-bias practices in their classrooms and schools. To see all of the resources available from Teaching Tolerance, visit tolerance.org. © 2019 SOUTHERN POVERTY LAW CENTER Teaching Hard History A K–5 FRAMEWORK FOR TEACHING AMERICAN SLAVERY 2 TEACHING TOLERANCE // TEACHING HARD HISTORY // A FRAMEWORK FOR TEACHING AMERICAN SLAVERY CONTENTS Introduction 4 About the Teaching Hard History Elementary Framework 6 Grades K-2 10 Grades 3-5 18 Acknowledgments 28 Introduction Teaching about slavery is hard. It’s especially hard in elementary school classrooms, where talking about the worst parts of our history seems at odds with the need to motivate young learners and nurture their self-confidence. Teaching about slavery, especially to children, challenges educators. Those we’ve spoken with—especially white teachers—shrink from telling about oppression, emphasizing tales of escape and resistance instead. They worry about making black students feel ashamed, Latinx and Asian students feel excluded and white students feel guilty.
    [Show full text]
  • 2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
    2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era.
    [Show full text]
  • Vuu/Chamberlayne Neighborhood Plan
    vuu/Chamberlayne Neighborhood Plan Richmond, Virginia urban design associates ADOPTED November 16, 2015 MA YOR DWIGHT C. JONES PLANNING COMMISSION STEERING COMMITTEE Erica Wheeler, Rodney M. Poole, Esquire, Chait Tonya Scott-Hickman, VUU/Chamberlayne CHIEF ADMINISTRATORS President, Edgehill Civic VUU School of Business Association Selena Cuffee-Glenn Melvin Law, Vice Chair Neighborhood Plan Chief Administrative Officer Dr. Juritsa Ford, Anita Hackett Ellen F. Robertson, VUU School of Business Peter L. Downey, City Council Representative Eugertha Minnicks Acting Deputy CAO, Economic Dr. Julius Scipio, Selena Cuffee-Glenn, Margaret Houchens PREPARED FOR Development and Planning Provost, Academic Affairs, VUU CAO Representative City of Richmond Jean Williams CITY COUNCIL Thomasina Binga, David Johannas The Metropolitan Business League PREPARED BY Michelle R. Mosby Willie Williams President, South Central (9th) Lynn McAteer Urban Design Associates Julie Paul Danene Brown, VHB Chris A. Hilbert, Doug Cole Doug Cole, Cite Design Edgehill Civic Association RDS Vice President, Northside (3rd) Vik Murthy Willie Lanier, Jr., Paul Weissend, Snead Jonathan T. Baliles, Dovetail Construction Jeffrey W. Sadler Lanier United Miles Agency West End (1st) D EPARTMENT OF PLANNING & Julie Wray, Julie Weissend, Charles R. Samuels, Dovetail Construction DEVELOPMENT REVIEW Human Resources, Pfizer North Central (2nd) Mark A. Olinger, Director Sharon Darby, Michele Martel, Kathy C. Graziano, Children’s Hospital of District Communications Kim Chen, Senior Planner Southwest (4th) Richmond at VCU Coordinator, USPS ADOPTED by CITY PLANNING Jeffrey Eastman, Senior Planner Parker C. Agelasto, Leslie G. Wyatt, Laura Lafayette, COMMISSION: NOVEMBER 16, 2015 Central (5th) Matthew Ebinger, Senior Planner Executive Director, Richmond Association of Realtors Children’s Hospital of Resolution No.
    [Show full text]
  • Rebellions in America.Indd
    enslaved Africans. They didn’t Enslaved Africans Rebel speak English. It would usually Enslaved Africans plotted insurrections. take 6-8 months before they could speak English. Like other Enslaved Africans in the North Fight enslaved Africans they didn’t A rebellion would only have a chance have any maps, and didn’t know to succeed if Africans were armed. where they were. Whether they Unfortunately whites had more weapons, were on a plantation in Georgia since it was against the law for an African or Louisiana, it might take years to own a weapon. before they knew whether they were close to a free state or far In 1712 enslaved Africans were able to arm away. themselves. Twenty-fi ve enslaved Africans with guns and clubs decided to burn down But back home in Africa, the homes of white enslavers in New York many of these “new” enslaved City. Nine whites were killed in the attack. Africans had been warriors or Eventually, soldiers arrived and they leaders, and they were not defeated the rebelling Africans. Eighteen willing to accept slavery. Africans involved in the rebellion were Drums were used by killed. Whenever a rebellion was defeated Africans in America to Stono Rebellion usually everyone involved in the rebellion communicate and orga- One African, a man named was executed. nize. Jemmy, organized a rebellion in by using drums Africans could 1739. Jemmy had just recently Born in Africa, Enslaved in America communicate. At the time been kidnapped and brought Not every enslaved African planned a whites would have to walk or to America from Angola.
    [Show full text]
  • Key Moments in Black History, Starting in the 1600S and Ending in 2014
    Key moments in Black History, starting in the 1600s and ending in 2014. DATE KEY MOMENTS IN BLACK HISTORY 1619 The first African slaves arrive in Virgina, 1746 Lucy Terry, an enslaved person in 1746, becomes the earliest known black American poet when she writes about the last American Indian attack on her village of Deerfield, Massachusetts. Her poem, Bar's Fight, is not published until 1855 1773 Phillis Wheatley's book Poems on Various Subjects, Religious and Moral is published, making her the first African American to do so. Slavery is made illegal in the Northwest Territory. The U.S Constitution states that Congress may not ban the slave trade until 1808. 1793 Eli Whitney's invention of the cotton gin greatly increases the demand for slave labor A federal fugitive slave law is enacted, providing for the return slaves who had escaped and crossed state lines. 1800 Gabriel Prosser, an enslaved African-American blacksmith, organizes a slave revolt intending to march on Richmond, Virginia. The conspiracy is uncovered, and Prosser and a number of the rebels are hanged. Virginia's slave laws are consequently tightened 1808 Congress bans the importation of slaves from Africa. 1820 The Missouri Compromise bans slavery north of the southern boundary of Missouri. 1822 Denmark Vesey, an enslaved African-American carpenter who had purchased his freedom, plans a slave revolt with the intent to lay siege on Charleston, South Carolina. The plot is discovered, and Vesey and 34 coconspirators are hanged. 1831 Nat Turner, an enslaved African-American preacher, leads the most significant slave uprising in American history.
    [Show full text]
  • Gabriel's Challenge: Slaves and Crime in Late Eighteenth-Century Virginia Philip J
    Virginia Commonwealth University VCU Scholars Compass History Publications Dept. of History 1982 Gabriel's Challenge: Slaves and Crime in Late Eighteenth-Century Virginia Philip J. Schwarz Virginia Commonwealth University, [email protected] Follow this and additional works at: http://scholarscompass.vcu.edu/hist_pubs Part of the United States History Commons Copyright © 1982 Virginia Magazine of History and Biography Downloaded from http://scholarscompass.vcu.edu/hist_pubs/6 This Article is brought to you for free and open access by the Dept. of History at VCU Scholars Compass. It has been accepted for inclusion in History Publications by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. OF HISTORY AND BIOGRAPHY VOL. 90 JULY 1982 GABRIEL'S CHALLENGE Slaves and Crime in Late Eighteenth-Century Virginia by PHILIP J. SCHWARZ* IN October 1799 a small but revealing fracas took place in Henrico County, Virginia. Gabriel, a slave who belonged to Thomas Henry Prosser, fought with Absalom Johnson, a white former overseer who had recently begun to rent part of Col. Nathaniel Wilkinson's plantation. The trouble began when Johnson caught Wilkinson's slave Jupiter stealing a hog from that farll).. Solomon, Gabriel's brother and another slave of Prosser's, threatened Johnson. Gabriel did far more. He struggled with Johnson and bit off ira considerable part" of his left ear. Johnson retaliated by bringing all three slaves before the Henrico County Court. 1 On 7 October 1799, five Henrico County justices of oyer and terminer tried Gabriel for the capital crime of maiming Johnson. Charles Copland, a young lawyer, defended Gabriel.
    [Show full text]
  • History Makers People Did Marry Each Other, Although Their Mar- Riages Were Not Legally Recognized
    CHAPTER 11 • SECTION 2 Families Under Slavery Perhaps the cruelest part of slavery was the sale of family members away from one another. Although some slavehold- ers would not part mothers from children, many RESEARCH & did, causing unforgettable grief. WRITINGGo online toCENTER explore more of the heated When enslaved families could manage to be debate at together, they took comfort in family life. Enslaved ClassZone.comHistory Makers people did marry each other, although their mar- riages were not legally recognized. They tried to Nat Turner raise children, while knowing that their children Find links to biographies of Nat Turner at could be taken from them and sold at any time. the Research and Writing Center Abolitionist Frederick Douglass, who was born @ ClassZone.com. Turner claimed that History Makers into slavery, recalled visits from his mother, who the ability to read came to him in a vision. lived 12 miles away. Nat Turner 1800–1831 However, some historians have speculated PRIMARY SOURCE that older slaves, perhaps his grandmother, Nat Turner (above left) was born into slavery in I do not recollect [remember] ever seeing my Virginia. He learned to read as a child and became taught him how to read. Others argue that mother by the light of day. She was with me in the an enthusiastic reader of the Bible. Enslaved people “ a son of one of Turner’s masters did so, night. She would lie down with me, and get me to gathered in forest clearings to listen to Turner’s despite laws that prohibited this practice. sleep, but long before I waked she was gone.
    [Show full text]
  • You Say You Want a Revolution: Slavery in Haiti and the United States in the Early 1800S Owen Reutlinger Western Oregon University, [email protected]
    Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History Spring 6-13-2019 You Say You Want A Revolution: Slavery in Haiti and the United States in the Early 1800s Owen Reutlinger Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the African History Commons, Social History Commons, and the United States History Commons Recommended Citation Reutlinger, Owen, "You Say You Want A Revolution: Slavery in Haiti and the United States in the Early 1800s" (2019). Student Theses, Papers and Projects (History). 270. https://digitalcommons.wou.edu/his/270 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. You Say You Want A Revolution: Slavery in Haiti and the United States in the Early 1800s By Owen Reutlinger Senior Seminar: HST499 Professor David Doellinger Western Oregon University June 5, 2019 Readers: Professor John Rector Professor Elizabeth Swedo 1 Abstract This thesis explores the remarkable success of the Haitian Revolution and its impact on slavery in the United States. The Haitian Revolution has been covered numerous times by historians and has sparked different themes, theories, and conclusions. One interesting angle is the white French plantation owners' overall role in the event. Their greed, cruelty, poor workforce management, and moral shortcomings contributed to the slave revolt, and the successful revolution shaped how the United States reacted and adapted its version of slavery.
    [Show full text]
  • Gabriel's Challenge: Slaves and Crime in Late Eighteenth-Century Virginia Philip J
    Virginia Commonwealth University VCU Scholars Compass History Publications Dept. of History 1982 Gabriel's Challenge: Slaves and Crime in Late Eighteenth-Century Virginia Philip J. Schwarz Virginia Commonwealth University, [email protected] Follow this and additional works at: http://scholarscompass.vcu.edu/hist_pubs Part of the United States History Commons Copyright © 1982 Virginia Magazine of History and Biography Downloaded from http://scholarscompass.vcu.edu/hist_pubs/6 This Article is brought to you for free and open access by the Dept. of History at VCU Scholars Compass. It has been accepted for inclusion in History Publications by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. OF HISTORY AND BIOGRAPHY VOL. 90 JULY 1982 GABRIEL'S CHALLENGE Slaves and Crime in Late Eighteenth-Century Virginia by PHILIP J. SCHWARZ* IN October 1799 a small but revealing fracas took place in Henrico County, Virginia. Gabriel, a slave who belonged to Thomas Henry Prosser, fought with Absalom Johnson, a white former overseer who had recently begun to rent part of Col. Nathaniel Wilkinson's plantation. The trouble began when Johnson caught Wilkinson's slave Jupiter stealing a hog from that farll).. Solomon, Gabriel's brother and another slave of Prosser's, threatened Johnson. Gabriel did far more. He struggled with Johnson and bit off ira considerable part" of his left ear. Johnson retaliated by bringing all three slaves before the Henrico County Court. 1 On 7 October 1799, five Henrico County justices of oyer and terminer tried Gabriel for the capital crime of maiming Johnson. Charles Copland, a young lawyer, defended Gabriel.
    [Show full text]
  • Learning from the Past: a Brief Historical Background
    University of New Mexico UNM Digital Repository Black History at UNM University Archives & Historical Records 6-19-2020 Learning from the Past: A brief historical background Steve Carr Follow this and additional works at: https://digitalrepository.unm.edu/black-history Part of the American Politics Commons, Archival Science Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, History Commons, Peace and Conflict Studies Commons, and the Social Justice Commons Recommended Citation Carr, Steve. "Learning from the Past: A brief historical background." (2020). https://digitalrepository.unm.edu/black-history/3 This Article is brought to you for free and open access by the University Archives & Historical Records at UNM Digital Repository. It has been accepted for inclusion in Black History at UNM by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 3/31/2021 Learning from the Past: A brief historical background : UNM Newsroom (HTTP://UNM.EDU/) UNM NEWSROOM (/) UNM NEWSROOM (/) / NEWS (/NEWS) / LEARNING FROM THE PAST: A BRIEF HISTORICAL BACKGROUND . (/FILE?FID=5EECEA932CFAC26A27075631) LEARNING FROM THE PAST: A BRIEF HISTORICAL BACKGROUND THE beGINNING aND eND oF THE U.S. sLAVE tRADE BY STEVE CARR JUNE 19, 2020 CATEGORIES: FRONT PAGE (/CATEGORIES/FRONT-PAGE?C=26410) COLLEGE oF ARTS & SCIENCES (/SCHOOLS/ARTS?C=20151) AMERICAN STUDIES (/SCHOOLS/ARTS/AMERICAN-STUDIES?C=20152) HISTORY (/SCHOOLS/ARTS/HISTORY? C=20162) AFRICANA STUDIES (/SCHOOLS/ARTS/AFRICANA-STUDIES?C=20263) news.unm.edu/news/learning-from-the-past-a-brief-historical-background 1/8 3/31/2021 Learning from the Past: A brief historical background : UNM Newsroom 11 A wISE man oNCE sAID “If yOU dON’T lEARN frOM tHE pAST (HISTORY) yOU aRE cONDEMNED tO rEPEAT iT” tO pARAPHRASE tHE QUOTE sLIGHTLY.
    [Show full text]
  • The Black Preacher As Educator from 1787 to 1909
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1979 The Black preacher as educator from 1787 to 1909. William Charles Larkin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Larkin, William Charles, "The Black preacher as educator from 1787 to 1909." (1979). Doctoral Dissertations 1896 - February 2014. 3505. https://scholarworks.umass.edu/dissertations_1/3505 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE BLACK PREACHER AS EDUCATOR FROM 1 78? TO 1909 A Dissertation Presented By WILLIAM CHARLES LARKIN Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION May 197Q Fduca t i on William Charles Larkin 1979 ( c ) All Fights Reserved THE BLACK PREACHER AS EDUCATOR FROM 178? TO 1909 A Dissertation Presented 3y WILLIAM CHARLES LARKIN Approved as to style and content by; // / / / y , Dr. Norma Jean Anderson, Chairperson of Committee wemoer ember Mario Fantini, Dean School of Education ACKN OWLEDCtEMSNTS T am indebted to God and to Dr. Norma Jean Anderson, without whose continous encouragement and guidance I would not have had the perseverance to complete this dissertation. Also, for the guidance and scholarly criticism of the committee: Dr. Norma Jean Anderson, Chairperson, and Dr. O.C. Bobby Daniels and Dr.
    [Show full text]
  • The Religious Development of the Negro in Virginia
    The Religious Development of the Negro in Virginia A DISSERTATION Submitted to the Faculty of the University of Virginia in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy K} V d g; ,4 JOSEPH B. EARNEST. In. M. A. Norfolk. Va. 511' I u ‘.'a ll. VI. mu m G: ‘l 5 7.4.- $ 3 ' COPYRIGHT. 1914. BY Josmz B. Exxxzs‘r. In. PREFACE. Virginia is one of the richest fields for historiml research; the Negro question is one of the most pressing of our day; the re- ligious is the most neglected phase of the great Negro problem. It could not seem strange therefore that this study should be un- dertaken in the face of such a challenge. It is a fact, not without significance. that of the four disserta- tions issued from the School of History at the University of Vir- ginia, two have had as their subject, the Negro. To the influence of Professor R. H. Dabney, we ascribe this interest. Dr. J. P. McConnell’s dissertation, “Negroes and Their Treatment in Vir- ginia from 1865 to 1867,” U. Va. 1905. is an intensive study of a strategic period in the life of the Negro, and embraces legal. political, social and religious considerations. This present dis- sertation, in contmdistinction to his, is an intensive study of one phase of the Negro’s life in Virginia—the religious—from the date of the landing in Amerim up to the present. The effort is conscientiously made to hew to that mark. Apologists and ex- coriators might shout the praises of the Negro or hurl at him verbal damnation.
    [Show full text]