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50Festival Dei P Opoli Festival internazionale del Film documentario firENzE 01-07 NovEmbrE 2009 50 www.FestivaldeiPoPoli.org Festival dei Popoli Festival Festival dei Popoli Istituto Italiano per il Film di Documentazione Sociale ONLUS Borgo Pinti, 82r 50121 Firenze - Italia Ca t a l o g o a C u r a D i uf f i C i o P rogrammazione tel. +39 055 244778 Alice Moroni Claudia Maci, responsabile fax +39 055 241364 Azzurra Padovano [email protected] Pr o g e t t o g r a f i C o www.festivaldeipopoli.org Paolo Rubei uf f i C i o o s P i t a l i t à Sandra Binazzi, responsabile re D a z i o n e s C h e D e Lucia Landi Co m i t a t o Di r e t t i v o i m a t e r i a l i D e l t e m P o : il C i n e m a D i th o m a s he i s e Luciano Barisone Giorgio Bonsanti (Presidente) Vittorio Iervese, Giona A. Nazzaro Daniele Dottorini uf f i C i o a cc r e D i t i Tullio Seppilli (Vice Presidente) Vittorio Iervese Marcello Mantovani Mario Simondi (Vice Presidente) th e fe e l i n g o f Be i n g th e r e . 1958-1965: Alberto Lastrucci Sandro Bernardi s e t t e a n n i D i C i n e m a D o C u m e n t a r i o Giona A. Nazzaro se g r e t a r i a D i giuria Maria Bonsanti Daniele Dottorini Edith Güntert Augusto Cacopardo Coordinamento tr a D u z i o n i Alberto Lastrucci Claudia Maci Jeremy Carden se g r e t e r i a w o r k s h o P Will Schutt Marta Zappacosta Pr e s i D e n t e on o r a r i o uf f i C i o s t a m P a n a z i o n a l e Carla Scura Antonio Breschi Arianna Monteverdi, Studio Sottocorno, Milano Luisa Tresca tu t o r giuria P r e m i o l o r e n z o D e ’ m e D i C i Paolo Grassini Pr e s i D e n t e Co l l e g i o si n D a C a l e uf f i C i o s t a m P a r e g i o n a l e Fabio Bargellini Antonio Pirozzi e Jacopo Storni vi D e o l i B r a r y Virginia Friggeri Marco Cipollini, responsabile amministrazione Elisa Natini Giulia Pasero Massimo Martini fo t o l i t o , imPianti e s t a m P a Alsaba Grafiche, Siena mo D e r a t o r i D i B a t t i t i in s a l a Carlo Chatrian Di r e t t o r e ar t i s t i C o Daniele Dottorini Luciano Barisone © Copyright 2009 Festival dei Popoli Vittorio Iervese © Copyright 2009 Protagon Editori su licenza Festival dei Popoli Alberto Lastrucci Co o r D i n a m e n t o Tutti i diritti riservati. Riproduzione vietata. Marco Luceri Maria Bonsanti Giona A. Nazzaro Alberto Lastrucci ISBN 978-88-8024-273-4 Pe r s o n a l e D i s a l a Co m i t a t o D i se l e z i o n e Valerio Capecchi Luciano Barisone Scilla De Flaviis Maria Bonsanti Lorenzo Pallini Daniele Dottorini Antonella Valeriano Vittorio Iervese Alberto Lastrucci L’immagine di copertina è tratta dal filmBlack Harvest, fe s t i v a l D e i Po P o l i memoraBilia Giona A. Nazzaro di Robin Anderson & Bob Connolly Valeriana Rizzuti vo l o n t a r i Co n t r o l l o C o P i e Irene Cagliesi Cingolani Jacopo Lapi sommario Giulia Calamai contents Vittoria Cappello Pr o i e z i o n i v i D e o C i n e m a o D e o n Caterina Carlini Alessandro Maffei Paolo Cocchi Michele Causero Assessore alla Cultura, Turismo e Commercio della Regione Toscana Sara Celeste ru n n e r f i l m 9 Layla Dari Marco Nocentini Marco Defonte Ugo Di Tullio Lorenzo Dell’Agnello au t i s t e Presidente Mediateca Regionale Toscana Film Commission Monica Do Monte Claudia Magnelli 11 Caterina Falotico Sara Terreni Costanza Lopez Giorgio Bonsanti Elena Marazzita so t t o t i t o l i Presidente Festival dei Popoli Margot Mecca Microcinema, Perugia 13 Leonardo Monfardini Margherita Novelli assiCurazione f i l m Luciano Barisone Elena Paglicci I.M.M. Italian Insurance Managers di Fabrizio Volpe & C. Snc Direttore Festival dei Popoli 15 Valentina Panza Elena Polverosi Chiara Odoardi selezione uFFiciale: concorso lungometraggi oFFicial selection: Feature documentary comPetition 28 in t e r P r e t i Monica Carbone selezione uFFiciale: concorso cortometraggi Donatella Baggio Betti oFFicial selection: short doc comPetition Lorenzo Grandi 64 Ute Pallada selezione uFFiciale: stile libero si t o w e B oFFicial selection: Free style Lorenzo Meriggi, Digital Design Firenze 82 gr a f i C a P romozionale the Feeling oF being there Serena Di Pietro 1959-1965: sette anni di cinema documentario Marco Cipollini 1959-1965: seven years oF documentary cinema 100 fo t o g r a f o i materiali del temPo: il cinema di thomas heise Lorenzo Carlomagno thomas heise: materials oF time 162 viDeosigla Francesca Casilli Indice dei registi lu o g h i D e l fe s t i v a l 250 ri P r e s e v i D e o Cinema Odeon Studenti dello Stage del documentario di Federico Micali Cinema Spazio Uno Indice dei film (Scuola di cinema Anna Magnani, Prato) Mediateca Regionale Toscana Film Commission 251 L’edizione 2009 è senza dubbio una tappa importante nella storia di quella che è la prima rasse- gna europea espressamente dedicata al film di documentazione sociale e, ancor oggi, il più im- portante festival italiano dedicato al documentario come forma di espressione cinematografica. Quest’anno, infatti, il Festival dei Popoli festeggia i suoi primi cinquant’anni con un programma di grande spessore: dal documentario classico alla sperimentazione, alla contaminazione fra realtà e finzione e, ancora, la prima personale in Italia di Thomas Heise e una retrospettiva dedi- cata alla ricca produzione documentaria tra il ‘58 e il ‘65. Un percorso, quello dei Festival dei Popoli, che negli anni ha incontrato anche difficoltà ma che sempre, grazie soprattutto alla grande qualità delle sue rappresentazioni e alla professionalità di quanti, con passione, si sono adoperati per dare vita a questa kermesse, ha saputo superare gli ostacoli tramutandoli in successi. È quindi con convinzione che la Regione Toscana, in col- laborazione con Fondazione Mediateca Regionale, sostiene da tempo il Festival dei Popoli che riconferma, per l’edizione 2009, la struttura di programma già sperimentata lo scorso anno. È quindi prevista la Selezione Ufficiale, dedicata alla più recente produzione internazionale, che comprende un Concorso internazionale per lungometraggi, uno per cortometraggi e la sezione Stile Libero, non competitiva e dedicata a omaggi ed eventi speciali. Ci saranno le due sezioni speciali The Feeling of Being There - 1958-1965: sette anni di cinema documentario (un omaggio sentito al cinema sotto il cui segno il Festival è nato) e Thomas Heise: Materiali del tempo, dedi- cata appunto al cineasta tedesco che ha documentato il passaggio di consegne dalla Germania della RDT alla caduta del muro e alla successiva riunificazione. La speranza quindi, nel salutare la 50a edizione del Festival dei Popoli, è che questa manifesta- zione di grande valore culturale, che rappresenta un fiore all’occhiello per Firenze e per la Tosca- na, prosegua il suo percorso di crescita, continuando a far conoscere ad un pubblico sempre più vasto e cosmopolita autori di grande rilevanza della cinematografia internazionale. Paolo Cocchi Assessore alla Cultura, Turismo e Commercio della Regione Toscana 9 The 2009 edition is without a doubt an important stage in the history of the first European festival Quest’anno il Festival dei Popoli festeggia una data importante del suo percorso: i cinquant’anni dedicated exclusively to social documentary filmmaking and, to this day, the most important Ital- di attività, tutti interamente dedicati a promuovere il cinema documentario. ian festival for documentaries as a form of cinematic expression. This year, in fact, the Festival Non una semplice ricorrenza ma un momento di riflessione, un giro di boa verso nuovi traguardi dei Popoli celebrates its first fifty years with a program of great depth: from classic experimental nella propria missione culturale. Se pensiamo alla data in cui è nato il festival, il 1959, sono dav- documentaries to films that blend reality and fiction to the first solo screening of Thomas Heise’s vero tanti gli anni percorsi, non solo da un punto di vista numerico, ma da un punto di vista del films in Italy, as well as a retrospective dedicated to the rich production between ’58 and ’65. cambiamento cui la società è andata incontro in questo lasso di tempo. On its path the Festival dei Popoli has, over the years, met with some difficulties but it has always, Alla fine degli anni ‘50 non si parlava di globalizzazione; internet esisteva solo nella mente di thanks to the great quality of its films and the professionalism of the many who have passionately qualche ricercatore americano del MIT e la circolazione delle informazioni non era così veloce done their best to give life to this festival, known how to overcome obstacles and transform them come oggi.
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