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Newsletter Summer 2002 Issue 39 Volume 10 Number 3
Kentucky Thumbpickers Club Newsletter Summer 2002 Issue 39 Volume 10 Number 3 Pat Kirtley South of the Border at the Lincoln Jamboree Fingerstyle champion Pat Kirtley performed at the played his new Latin beat music like on “Just Listen” Lincoln Jamboree in Hodgenville on Friday night, April accompanied by a bass player and Congo drummer. He 12 and was accompanied by singer/songwriter Tim played Michael and Monica, Waiting for the Times to Grimm. Tim opened the show Get Better, The One Note and sang and played all his Samba, El Sureto and own compositions except one Picatta. In order to fully from Woody Guthrie. He has appreciate the Latin beat, a nice rich voice and writes producer Eddie Mattingly interesting story telling songs. tossed egg shaped maracas My favorite tune was one that into the crowd for a little was requested by someone in audience participation. Pat's the audience. But, I was really latest CD in the works has a just waiting for Pat. lot more of the South Most of you know Pat American style and it's Kirtley by now and many of promised to be out soon. I you know that he's the reason hope we can see it at CAAS I rediscovered my guitar and shortly. began playing fingerstyle and Of course Pat also played thumbpicking. I bought his ‘Kentucky Guitar’ CD full the fingerstyle and thumbpicking that won him the of great thumbpicking classic tunes like Merle’s Guitar Winfield National Championship. He picked several Rag, Old Joe Clark, Ghost Riders in the Sky, Steel from his Kentucky Guitar CD - B Rod's Rag, Shufflin' Guitar Rag and Pat’s own Ripplin’ and I was hooked. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
First Nations Popular Music in Canada: Identity, Politics
FIRST NATIONS POPULAR MUSIC IN CANADA: IDENTITY, POLITICS AND MUSICAL MEANING by CHRISTOPHER ALTON SCALES B.A., University of Guelph, 1990 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1996 * © Christopher Alton Scales In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of M0S \ C The University of British Columbia Vancouver, Canada Date flffoL 3.6 Rqfe DE-6 (2/88) ABSTRACT In this thesis, First Nations popular music is examined as a polysemic sign (or symbolic form) whose meaning is mediated both socially and politically. Native popular music is a locus for the action of different social forces which interact in negotiating the nature and the meaning of the music. Music is socially meaningful in that it provides a means by which people construct and recognize social and cultural identities. As such, First Nations popular music functions as an emblem of symbolic differentiation between Canadian natives and non-natives. Native pop music plays host to a number of political meanings embedded in this syncretic musical form. -
Public Song List 06.01.18.Xlsx
Title Creator 1 Instrument Setup Department Cover Date Issue # The 2nd Law Michael Hedges A A D G B D Feature Mar‐97 51 Ferry Cross the Mersey Gerrard Marsden A D G C E A Off the Record Oct‐04 142 Klimbim Don Ross B F# C# F# B F# Off the Record Sep‐99 81 Embaixador Paolo Bellinati B F# D G B E Solo May‐98 65 The Bells of Rhymney Idris Davies Bb F Bb Eb G C Feature Jul‐02 115 Brother Bill Frisell C A D G B E Feature Sep‐97 57 Studying Stones Ani DiFranco C F Bb Eb G C Feature May‐05 149 From the Morning Nick Drake C F C F C F Feature Jan‐99 74 Lovely Joan Traditional C G C D G A Feature Mar/Apr 1992 11 Nothing Ever Lasts Clive Gregson C G C E G C Song Craft Jul‐99 79 If You Love Somebody Guy Davis C G C E G C Song Craft Sep‐98 69 Georgie Traditional C G C F C D Feature Mar‐04 135 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 I Can't Keep from Crying Sometimes Traditional C G C F C D Private Lesson May‐04 137 Bottle of Blues Beck Hansen C G C F C E Feature Jan‐99 74 Ciara Luka Bloom C G C F G C Song Craft Apr‐00 88 Canadee‐I‐O Nic Jones C G C G C D Off the Record Nov‐00 95 Wolf at the Door Patty Larkin C G C G C D Feature Jan‐98 61 Sunflower River Blues John Fahey C G C G C E Feature Oct‐01 106 Requiem for John Hurt John Fahey C G C G C E Feature Oct‐06 166 Gone Peter Case C G C G C E Feature Nov‐02 119 Swanee River Boogie (Old Folks at Home) Stephen Foster C G C G C E Solo Sep/Oct 1991 8 I Am a Pilgrim Traditional C G C G C E Private Lesson Apr‐00 88 Eye of the Hurricane David Wilcox C G C G C E, Capo III Feature -
2010 Price List U.S
2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 U.S. CUSTOM COLLECTION 2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S 2010 GRETSCH Above: G6120EC Eddie Cochran TRIBUTE Hollow Body 2 U.S. CUSTOM COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F CONTENTS: Amplifier Collection p. 4 - 5 U.S. Custom Collection p. 6 - 7 SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P Professional Collection: p. 8 - 45 Electromatic® Collection p. 46 - 54 Accessories, Clothing & Collectibles p. 54 - 71 | PRICES AND S Every product is made with pride and care–and is backed by a product-specific warranty. Consult your local retailer, distributor, or the Gretsch® Guitars website for the latest information (www.gretschguitars.com). Features, colors, pricing and specifications are subject to change without notice. The trademarks identified in this Price List are owned by Fred W. Gretsch Enterprises Ltd. 2010 GRETSCH The following trademarks are not owned by Gretsch Guitars: Cadillac®, Fishman®, Matrix™, Prefix™, Eminence®, Grover®, Imperial™, Rotomatic®, Sta-Tite™, Jensen®, Seymour Duncan®, TV Jones®, Power’Tron™, Schaller® and Sperzel®. Copyright 2010 Gretsch Guitars. All rights reserved. 3 U.S. PROFESSIONAL AMP COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S G6163 Executive™ Like the name implies, the Executive™ is all business! With its incredibly expansive tonal frequencies and articulate and “sparkly” nature, the Executive™ is the perfect amp for the Gretsch® enthusiast who longs for stratospheric clean tones. -
Ewandobsonbio.Pdf
EWAN DOBSON Ewan Dobson has established himself as one of Canada’s accomplished guitarists, having won first prize in many guitar competitions across the country. His impressive list of credentials include winning the Grand Prizes from both the Burlington Rotary Fall Music Festival and the Pickering Rotary Music Festival where he emerged victorious, after having competed against the top prize winners of all of the other disciplines. In addition to dominating the provincial competition circuit, Dobson has made his mark nationally having represented Ontario twice at the National Finals of the prestigious Canadian Music Competitions (CMC) and having been awarded the top prize in guitar. In the summer of 2009, Dobson was crowned the Canadian Fingerstyle Guitar Champion at the prestigious 5th annual Canadian Fingerstyle Guitar Competition held in Kingston, Ontario. Shortly after this victory, he captured another first prize in the acoustic category at the 4th Montreal Guitar Grand Prix. However, the highlight of this season took place when he caught the attention of the world by capturing 3rd place at the 38th International Fingerstyle Guitar Championship held in Winfield, Kansas. In addition to his hectic competition history, Dobson has performed at many prestigious venues across Ontario including Hammerson Hall in Mississauga’s Living Arts Centre, the George Weston Recital Hall in the Toronto Centre for the Performing Arts and his recital debut in the Royal Bank Theatre of the Living Arts Centre under the auspices of the Chamber Music Society of Mississauga to name but a few. A versatile artist, he has been featured on many television programs on Rogers and CityTV and was in the top 10 on CKXU 88.3 FM Lethbridge, AB. -
Guitar Instruction & Technique
guitar instruction & technique 1280 Absolute Beginners Series 1290 Hal Leonard Guitar Starter Kits 1320 At a Glance Series 1272 Hal Leonard Guitar Tab Method 1330 Capo 1286 Kids Instructional Methods 1287 ChordBuddy 1285 Wolf Marshall Guitar Method 1302 Chords, Scales, Arpeggios & 1331 Music Theory Picking 1332 Pedals/Effects 1282 The Complete Guitar Player 1276 Play Today®! 1326 Compact Reference Library 1323 Pocket Guides 1322 Crash Course Collection 1314 Posters ® 1330 Dobro 1333 Reading, Notation & Arranging 1295 DVDs 1329 REH Guides 1269 Essential Elements for Guitar 1335 Rhythm Guitar 1283 Fast Forward 1336 Set-Ups and Maintenance 1274 FastTrack Music Instruction 1337 Slide Guitar 1288 General Guitar Instruction 1290 Starter Kits 1325 Gig Bag Series 1278 Step One Series 1301 Guitar Decks 1340 Technique 1260 Hal Leonard Guitar Method 1338 Tuning 2015 1260 HAL LEONARD GUITAR METHOD METHOD BOOKS HAL LEONARD GUITAR METHOD BOOK 1 – 2ND EDITION HAL LEONARD The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 provides beginning instruction which includes tuning; playing position; musical symbols; notes in first position; GUITAR METHOD the C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; and 100 great songs, riffs, and examples. Added features are a chord chart and a selection of well-known songs, including Ode to Joy • Rockin’ Robin • Greensleeves • Give My Regards to Broadway The #1 selling guitar method in the world, the • and Time Is on My Side. -
Feb Ru Ary 2019
9 1 0 2 y r a u r b e F z e n e m i J a i c r a G d i v a D PRINCE EDWARD ISLAND’S GUIDE TO WHAT’S GOING ON / BUZZPEI.COM Page 2 The BUZZ February 2019 The BUZZ February 2019 Page 3 Page 4 The BUZZ February 2019 Profile: Grace Kimpinski by Jane Ledwell tival’s “creativity and energy,” and com - munal spirit. “The Fringe is fun and unique in the sense that it’s non-tradi - tional theatre in non-traditional spaces – it adds a rawness to it. Also, there is a cool group of people associated with the The Producer Fringe, and I’m pretty boring day to day,” she smiles. Grace was an English major but admits drama classes didn’t pique her interest. So how did she end up with theatre as “a side gig that takes up more time than my actual paid work”? Five years back, ACT PEI put on “plays in a day”: writers had 12 hours to write a play; directors had 12 hours to produce it. Grace signed up to the open call for performers. “It was so fun,” Grace recalls. When ACT later called for people to get into the production side of theatre, Grace signed up again, and has been producing theatre ever since. She is now also on the ACT board as director of the - atre, helping to recruit shows. And, independent of ACT, she produces shows herself. In February, the show is Raised on TV 3 , the third iteration of a sketch comedy show conceived by Grace’s friend Rod Weatherbie, inspired by television. -
Guitar-Now-Program.Pdf
WORDS OF WELCOME When something is too good to be true, it may be promoted as "no strings attached." Today, however, all strings are not only well secured, but they are humming with beautiful airs, having been set in motion by talented musicians. A conclave of expert guitarists will certainly find a warm welcome at Carleton University. We are proud of our talented faculty including James Wright, Roddy Ellias and Wayne Eagles who put their minds together to create this event. At Carleton we have a particular fondness for interdisciplinarity so, this featured myriad of styles is most appropriate. Our musicians dlve daily into history, global, cultural influences, and brilliant interpretations. They have prepared this audience well for the international stars joining us. Carleton is located at the confluence of the Rideau Canal and Rideau River. Between the UNESCO heritage site recognizing the past and a rapid stream racing confidently to the future, Carleton provides a beautiful, natural setting from which you will find inspiration. On behalf of all my colleagues, I welcome you warmly. Sincerely yours, Roseann O'Reilly Runte President, Carleton University It gives me great pleasure to welcome you to Guitar Now 2013, a celebration of music and guitars which brings together a variety of styles and musicians of all levels for an outstanding weekend of workshops and performances and everything in between. One of the greatest joys in music is to listen and connect with other musicians, to share and discover new styles and different approaches. Guitar Now has gathered guitarists from all over the world, as well as local and regional performers, whose styles range from country picking to classical to contemporary improvisation. -
FAQ's and More…
FAQ’s and More… The following paragraphs contain answers to some of the most often asked questions about Chet Atkins, his life and times and most of all his gear as answered on the Chetboard and pioneer ‘Fretboard” posting board by Paul Yandell. All of these answers are from his posts that I have gathered and combined but the words in italics are Paul’s own that have been ‘blended’ for continuity. In compiling this list we thought it best to sometimes describe in depth on certain points rather than split it into hypothetical questions. Of course, we couldn’t have had the FAQ’s without the people, too numerous to list here, who asked the questions to begin with. They too deserve our thanks. How did the C.G.P. award come about ? “It was my idea to start the CGP awards. The year Jerry Reed got it, about two months before the CAAS gathering, I suggested to Chet that they give Jerry an award and call it the CGP award. Chet had given me an obelisk of marble or jade he’d had sitting around in his office. We took that to Mark Pritcher and he had it engraved. Chet gave it to Jerry at the CAAS. A few years later I think Mark Pritcher got the idea to give one to John Knowles and he talked it over with Chet and they gave it to him. After Chet did that CD with Tommy Emmanuel and we all saw what a great player he was I suggested to Chet that they give one to Tommy which they did. -
Fingerstyle Guitar Solo (Downloadable) Amazing Grace
Guitar By Ear Fingerstyle Titles Always on my Mind - Fingerstyle Guitar Solo (Downloadable) Amazing Grace - Fingerstyle guitar solo (Downloadable) Angels We Have Heard on High (Downloadable) Are You Washed - Fingerstyle Solo (Downloadable) Because He Lives - Fingerstyle (Downloadable) Beyond the Gates - Fingerstyle (Downloadable) Blessed Jesus Hold My Hand - Fingerstyle (Downloadable) Blue Eyes Crying in the Rain - Fingerstyle Guitar Solo (Downloadable) Blue Spanish Eyes - Fingerstyle Guitar Solo (Downloadable) Born to Serve the Lord - Fingerstyle Guitar Solo (Downloadable) By and By - Fingerstyle solo (Downloadable) Come and Dine - Fingerstyle solo (Downloadable) Deck the Halls - Fingerstyle Solo (Downloadable) Do Lord - Fingerstyle Guitar Solo (Downloadable) Down by the Riverside - Fingerstyle Guitar solo (Downloadable) Dream On - Edgar Cruz (Downloadable) Fingerstyle Special (Downloadable) Fire Dance - Guitar solo from Riverdance (Downloadable) Follow Me - Fingerstyle solo (Downloadable) Glory to His Name - Fingerstyle Guitar Solo (Downloadable) Had it not been - fingerstyle (Downloadable) Hark the Herald (Downloadable) He Looked Beyond My Fault (Downloadable) He Set Me Free - Fingerstyle (Downloadable) He Touched Me - Fingerstyle solo (Downloadable) Heaven on My Mind - Fingerstyle Solo (Downloadable) Heaven's Jubilee - Fingerstyle solo (Downloadable) Hey There Lonely Girl - Fingerstyle Solo (Downloadable) His Hand in Mine - Fingerstyle Guitar Solo (Downloadable) I am a Pilgrim (Brown) - Fingerstyle Guitar Solo (Downloadable) I Am Resolved -
August Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news February 2004 Vol. 3, No. 5 ssoonn ooff aa pprreeaacchheerr mmaann what’s inside TTiimm FFllaanneerryy Welcome Mat ………3 Mail Box Mission Statement Contributors Full Circle.. …………4 Listen/Mark Intravaia Lou Curtiss Front Porch …………6 Tim Flannery Parlor Showcase... …8 Granger Music Hall Don Gibson Saba Louie and Morin Ramblin’... …………10 Bluegrass Corner Zen of Recording José Sinatra Radio Daze Highway’s Song... …12 Men of Steel Of Note. ……………13 Tom Freund Tubby Joel Rafael Band Chris Stuart & Backcountry Mark O’Connor ‘Round About ....... …14 February Music Calendar The Local Seen ……15 Photo Page Phil Harmonic Sez: An individual has not yet started living until he can rise above the narrow confines of individualistic concerns to the broader concerns of all humanity. — Martin Luther King San Diego Troubadour • February 2004 wweellccoommee mmaatt SAN DIEGO MAILBOX ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news performers . Earl Thomas (if you perfectly the very first time. haven’t seen him in concert yet, do Joe lived in Compton then, and he MISSION CONTRIBUTORS it soon — you’ll be glad you did!). gave me his home phone number. I Commentary in regards to the called him semi frequently over the To promote, encourage, and Skip James Rare and Unreleased CD next few years and he invited me to provide an alternative voice for the FOUNDERS Lyle & Ellen Duplessie review by Mr. Lou Curtiss also gives a few weddings that the great local music that is generally us all something else to look forward Honeydrippers were playing in the overlooked by the mass media; Liz Abbott to.