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Press Book Biography
THRASH & DEATH METAL Press Book Biography Since 2015 REDSPHERE «ball of glowing energy» the American band Master, to conquer an audience of has been brilliantly taking on its thrash and death fans of the genre. metal, influenced by big names of the genre such as Sepultura, Slayer or In Flames... In 2018, with a renewed formation, REDSPHERE The band, straight from New Caledonia (South performed the first part of Lofofora at the Black Pacific), amazes with its mastery of a register to Woodstock festival in New Caledonia, and shows an which it has been able to infuse a welcome precision. assertive death metal orientation. In Redsphere’s compositions, the virtuosity of the instruments is matched only by David Gigante’s Its new album «Immortal Voids» released in impressive guttural voice. September 2019, embodies this trend with a more violent sound, a faster pace and a more accomplished The band made a name for itself with the release of work in terms of technique and structure of the «Facts», their first EP signed by M-O music. Highly pieces. On the inspirational side, the band does not acclaimed by critics, he won the award for «Best deviate from the expected pessimism, describing the Discovery 2017 of the South Pacific Zone» at the future sinister of a humanity instigating its own fall... Global Metal Apocalypse Awards. The same year, the musicians flew for a major European tour, The End of REDSPHERE has not finished glowing outside its the world tour 2017 where they played the opening of borders, with a tour of Europe scheduled for 2020. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Venues & Series
Ticket Megadeth, fueled by Dave Mustaine’s 7:30 p.m. Saturday, May 2. The concert is a return to the stage following throat cancer, is Venues & series GCRMC Benefit for the building of the new Cont’d from Page 9 on their first North American tour since Cancer Center, and features Las Cruces trib- 2017. Lamb of God released their first new Lowbrow Palace — 111 E. Robinson. Juanes — The Latin rock icon and multiple ute artist Chris Waggoner, backed by his 10- music in five years recently with the single Doors usually open one hour prior to show Grammy award-winning artist’s “Mas Futuro piece “Play Me” Band. Concert tickets: $45. “Checkmate,” to be released from the time. All concerts listed are all ages. Que Pasado” Tour is 8 p.m. Friday, Oct. 2, A private reception with hors d’oeuvres, band’s self-titled eighth studio album. Surcharge for ages under 21. Available in at the Plaza Theatre. The performance is a cash bar, and live auction begins at 5:30 p.m. advance at The Headstand or journey through all the greatest hits of his — The Mexican come- Combo reception/concert tickets are $65. Franco Escamilla past, combined with the guitar interpreta- eventbrite.com. Information: lowbrow- dian, musician and radio announcer returns Inn of the Mountain Gods Resort tions of Latin America’s most beloved to El Paso for his brand new “Payaso” Tour palace.com. See separate listing for outdoor and Casino — Mescalero, N.M. Most rhythms found on his new album. Tickets: at 7 p.m. -
Gesamtübersicht
Gesamtübersicht: INTERPRET TITEL ACCEPT BLOOD OF THE NATIONS ACCEPT RISE OF CHAOS,THE ALTER BRIDGE AB III AMITY AFFLICTION,THE THIS COULD BE HEARTBREAK AMORPHIS UNDER THE RED CLOUD ANNIHILATOR ALICE IN HELL ANNIHILATOR NEVER,NEVERLAND DIE APOKALYPTISCHEN REITER DER ROTE REITER ASKING ALEXANDRIA ASKING ALEXANDRIA AVATARIUM HURRICANES AND HALOS AVENGED SEVENFOLD HAIL TO THE KING BEHEMOTH THE SATANIST BELPHEGOR BLOOD MAGICK NECROMANCE BETONTOD 1000XLIVE BIFFY CLYRO ONLY REVOLUTIONS BIFFY CLYRO OPPOSITES BILLY TALENT AFRAID OF HEIGHTS BLACKBERRY SMOKE LIKE AN ARROW BLINK-182 CALIFORNIA BLUES PILLS LADY IN GOLD BOLT THROWER REALM OF CHAOS BONFIRE PEARLS BROKEN TEETH HC AT PEACE AMONGST CHAOS CAVE,NICK&THE BAD SEEDS LOVELY CREATURES-THE BEST OF CELLAR DARLING THIS IS THE SOUND CELTIC FROST INNOCENCE AND WRATH (BEST OF) CELTIC FROST INTO THE PANDEMONIUM (DELUXE E CELTIC FROST TO MEGA THERION (DELUXE EDITIO CELTRIC FROST MORBID TALES (DELUXE EDITION) CHILDREN OF BODOM HALO OF BLOOD DEFTONES GORE DESTRUCTION UNDER ATTACK DIABLO BLVD ZERO HOUR DIMMU BORGIR DEATH CULT ARMAGEDDON DISTURBED DISTURBED-LIVE AT RED ROCKS DISTURBED IMMORTALIZED DISTURBED INDESTRUCTIBLE THE DOOMSDAY KINGDOM THE DOOMSDAY KINGDOM DORO STRONG AND PROUD DREAM THEATER THE ASTONISHING ENSLAVED E EPICA THE QUANTUM ENIGMA FISCHER-Z BUILDING BRIDGES GOJIRA L‘ENFANT SAUVAGE HALESTORM INTO THE WILD LIFE (DELUXE) HATEBREED THE CONCRETE CONFESSIONAL INTERPRET TITEL IN FLAMES BATTLES IN THIS MOMENT BLACK WIDOW IRON MAIDEN DEATH ON THE ROAD (LIVE) IRON MAIDEN FEAR OF THE DARK IRON MAIDEN -
Training Your Musical Muse with Richard Gilewitz... an Exclusive
Training Your Musical Muse with Richard Gilewitz... an exclusive guitar and ukulele 1 day workshop for beginner/intermediate instrumentalists (guitar or ukulele) and singer/songwriters No matter if you play a guitar or ukulele, sing or don’t sing, compose originals or play covers, it’s all the same when teaching your musical muse the solid basics of good technique. During this 1-day workshop, you’ll learn about fingerpicking patterns and strumming, rhythm, why some notes work while others are a train wreck, and how to develop good habits that will protect your inner muse from the dole drum of sameness and predictability. Join master teacher, Richard Gilewitz, for an experience for both ukulele and guitar. These workshops offer players and/or singers the techniques for developing and expanding a life-long craft in a most satisfying direction. It’s an opportunity to witness and join in on the fun and challenges presented by learning new techniques and how the Gilewitz method works for both guitar and ukulele. Class Sessions will be 50 minutes each with group exercises and special attention to every student in the class. Each class is $30 10:00am Guitar Class1: The Fingerpicking Engine, Effective Chord Transfers, & Food Rhythm Gather the ingredients for the picking fingers with very simple patterns that can be applied to literally any genre of music. The components of the Fingerpicking Engine are the foundation for fingerstyle guitar. Study and explore fingering techniques that power this playing style that include banjo- style inside and forward rolls, pairing, pinch-patterns, hammer-ons, and pull-offs, classical arpeggios, tapping and harmonics, as well as effective method of incorporating rhythmic/strumming techniques within your picking patterns. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Jazz Concepts for Acoustic Guitar Block Chords
Jazz Concepts For Acoustic Guitar Block Chords © Guitar Mastery Solutions, Inc. Page !2 Table Of Contents A Little Jazz? 4 What Are Block Chords? 4 Chords And Inversions 5 The 3 Main Block Chord Types And How They Fit On The Fretboard 6 Major 7th ...................................................................................6 Dominant 7th ..............................................................................6 Block Chord Application 1 - Blues 8 Background ................................................................................8 Organising Dominant Block Chords On The Fretboard .......................8 Blues Example ...........................................................................10 Block Chord Application 2 - Neighbour Chords 11 Background ...............................................................................11 The Progression .........................................................................11 Neighbour Chord Example ...........................................................12 Block Chord Application 3 - Altered Dominant Block Chords 13 Background ...............................................................................13 Altered Dominant Chord Chart .....................................................13 Altered Dominant Chord Example .................................................15 What’s Next? 17 © Guitar Mastery Solutions, Inc. Page !3 A Little Jazz? This ebook is not necessarily for jazz guitar players. In fact, it’s more for acoustic guitarists who would like to inject a little -
Fingerstyle Guitar Arrangements
The Heritage Fingerstyle Guitar Arrangements Includes FREE CD! By Stuart Ryan The Heritage An Overview PICKING HAND TECHNIQUES There are several diferent approaches to the picking must ensure your fretting hand is clean and accurate hand that you will encounter in this book. Pieces so you can really keep these strings sounding. When like ‘Amazing Grace’ rely on the traditional ‘pima’ building your own arrangements you’ll fnd DADGAD is fngerpicking approach. In this system the thumb is ideal for pieces from the Irish and Scottish canon (and typically used to pluck the 6th, 5th and 4th strings whilst beyond) but you may come to a point where you fnd it the index, middle and ring fngers pluck 3rd, 2nd and always drags you to the key of D so make sure you try 1st strings respectively. Of course there are variations arranging in some other keys when using this tuning! on these patterns and sometimes the fngers move to diferent strings but if you come from a traditional Standard tuning is ideal for pieces requiring walking fngerpicking background then you will probably be basslines or chords that are commonly associated with already familiar with this approach. Other pieces like Gospel and Blues and you’ll fnd this used on pieces ‘Since I Lay My Burden Down’ rely on the traditional like ‘Amazing Grace’ and ‘Swing Low Sweet Chariot.’ American blues/Travis picking system where the thumb A close cousin of Standard tuning is Drop D where the is used to pluck alternating basslines on the 6th, 5th and 6th string is lowered a tone from E to D. -
Tale of Two Champions Guitarists Muriel Anderson and Helen Avakian Will Display Their Winning Styles at the Towne Crier
May 20-26, 2015 Creative Living celebrating all good things Tale of two champions Guitarists Muriel Anderson and Helen Avakian will display their winning styles at the Towne Crier. by Kate Goldsmith compositions by Ralph Towner, George Muriel Anderson Gershwin, Stevie Wonder, Lennon & also Helen Avakian McCartney and Avakian, herself. There’s Friday, May 22, 8:30 p.m. also a dual-guitar arrangement by Peter Towne Crier Café Huttlinger of the traditional “Monaghan 379 Main St., Beacon Jig,” with a guest performance by Tickets $20 advance, $25 door Huttlinger. (845) 855-1300• www.townecrier.com As an arranger, Avakian takes songs that she loves, listens carefully to all the parts What are the chances of the only two and transcribes them. female fingerstyle guitar champions in the “After that I often will give it to a guitar world performing on the same bill in ensemble I am working with. This gives me Beacon, New York? a chance to see how the parts fit together Pretty good, as it happens. and sound on guitar,” she said. “That leads Muriel Anderson and Helen Avakian to tweaking the arrangement, fixing prob- will share the Towne Crier stage this Friday lems and maybe getting a new idea or two. evening, demonstrating why they are Then I figure out how to fit it all on one gui- among the best of the best. Each will per- tar as effectively as I can.” form a solo set and then join forces for a She records throughout the process, too, few tunes. “so I can listen from more of an outsider A longstanding popular presence on the observer point of view.” The performance Hudson Valley music scene, Avakian is an process tweaks the piece further until a accomplished singer-songwriter who was “standardized” version emerges. -
Acoustic Guitar
45 ACOUSTIC GUITAR THE CHRISTMAS ACOUSTIC GUITAR METHOD FROM ACOUSTIC GUITAR MAGAZINE COMPLETE SONGS FOR ACOUSTIC BEGINNING THE GUITAR GUITAR ACOUSTIC METHOD GUITAR LEARN TO PLAY 15 COMPLETE HOLIDAY CLASSICS METHOD, TO PLAY USING THE TECHNIQUES & SONGS OF by Peter Penhallow BOOK 1 AMERICAN ROOTS MUSIC Acoustic Guitar Private by David Hamburger by David Hamburger Lessons String Letter Publishing String Letter Publishing Please see the Hal Leonard We’re proud to present the Books 1, 2 and 3 in one convenient collection. Christmas Catalog for a complete description. first in a series of beginning ______00695667 Book/3-CD Pack..............$24.95 ______00699495 Book/CD Pack...................$9.95 method books that uses traditional American music to teach authentic THE ACOUSTIC EARLY JAZZ techniques and songs. From the folk, blues and old- GUITAR METHOD & SWING time music of yesterday have come the rock, country CHORD BOOK SONGS FOR and jazz of today. Now you can begin understanding, GUITAR playing and enjoying these essential traditions and LEARN TO PLAY CHORDS styles on the instrument that truly represents COMMON IN AMERICAN String Letter Publishing American music: the acoustic guitar. When you’re ROOTS MUSIC STYLES Add to your repertoire with done with this method series, you’ll know dozens of by David Hamburger this collection of early jazz the tunes that form the backbone of American music Acoustic Guitar Magazine and swing standards! The and be able to play them using a variety of flatpicking Private Lessons companion CD features a -
First Nations Popular Music in Canada: Identity, Politics
FIRST NATIONS POPULAR MUSIC IN CANADA: IDENTITY, POLITICS AND MUSICAL MEANING by CHRISTOPHER ALTON SCALES B.A., University of Guelph, 1990 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1996 * © Christopher Alton Scales In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of M0S \ C The University of British Columbia Vancouver, Canada Date flffoL 3.6 Rqfe DE-6 (2/88) ABSTRACT In this thesis, First Nations popular music is examined as a polysemic sign (or symbolic form) whose meaning is mediated both socially and politically. Native popular music is a locus for the action of different social forces which interact in negotiating the nature and the meaning of the music. Music is socially meaningful in that it provides a means by which people construct and recognize social and cultural identities. As such, First Nations popular music functions as an emblem of symbolic differentiation between Canadian natives and non-natives. Native pop music plays host to a number of political meanings embedded in this syncretic musical form. -
Public Song List 06.01.18.Xlsx
Title Creator 1 Instrument Setup Department Cover Date Issue # The 2nd Law Michael Hedges A A D G B D Feature Mar‐97 51 Ferry Cross the Mersey Gerrard Marsden A D G C E A Off the Record Oct‐04 142 Klimbim Don Ross B F# C# F# B F# Off the Record Sep‐99 81 Embaixador Paolo Bellinati B F# D G B E Solo May‐98 65 The Bells of Rhymney Idris Davies Bb F Bb Eb G C Feature Jul‐02 115 Brother Bill Frisell C A D G B E Feature Sep‐97 57 Studying Stones Ani DiFranco C F Bb Eb G C Feature May‐05 149 From the Morning Nick Drake C F C F C F Feature Jan‐99 74 Lovely Joan Traditional C G C D G A Feature Mar/Apr 1992 11 Nothing Ever Lasts Clive Gregson C G C E G C Song Craft Jul‐99 79 If You Love Somebody Guy Davis C G C E G C Song Craft Sep‐98 69 Georgie Traditional C G C F C D Feature Mar‐04 135 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 I Can't Keep from Crying Sometimes Traditional C G C F C D Private Lesson May‐04 137 Bottle of Blues Beck Hansen C G C F C E Feature Jan‐99 74 Ciara Luka Bloom C G C F G C Song Craft Apr‐00 88 Canadee‐I‐O Nic Jones C G C G C D Off the Record Nov‐00 95 Wolf at the Door Patty Larkin C G C G C D Feature Jan‐98 61 Sunflower River Blues John Fahey C G C G C E Feature Oct‐01 106 Requiem for John Hurt John Fahey C G C G C E Feature Oct‐06 166 Gone Peter Case C G C G C E Feature Nov‐02 119 Swanee River Boogie (Old Folks at Home) Stephen Foster C G C G C E Solo Sep/Oct 1991 8 I Am a Pilgrim Traditional C G C G C E Private Lesson Apr‐00 88 Eye of the Hurricane David Wilcox C G C G C E, Capo III Feature