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Editors All Shook up Over Ears'new Release
Page 8· THE AQUINAS· November 17, 1981 -.. contrast Editors allshook up over ears'new- release Cars mature Cars stagnate BY TONY NICHOLAS BY PAUL MAURER Aquinas C&R Editor Aquinas C&R Editor Panorama, the Cars' last LP, was a mistake The cover design ofthe Car's fourth and that never should have been released. Most Jatest album Shake It Up appears both . Cars' enthusiasts atthat time immediately promising and suspicious. The red and green went down to their local record shops and motif is eithera subliminal sales pitch to the bought the album without hearing it first, Christmas record buyer oran example of the and consequently felt like they got burned. Cars' penchant for gimmicks. "Burn me once, shame on you; burn me .The sexy female on the cover brings back TWICE, shame on me!" memories ofthe group's epi~ debut album. The Cars latest project, Shake It Up, may Does the cover similarity signify a suffer as a result and, this time, critics and renaissance ofthe Cars' musical style~ fans alike might tend to over-scrutinize the Unfortunately, the suggested . new release. foreshadowing ofthe album cover does not Most feel when a w:.:oup like the Cars describe the musical content of the LP. churns out two smasn LP's (The Cars and Gimmicks abound in this nine-song Candy-o), and then release a real stinker, the compilation, but the Package sounds next one better be exactly like the first two or suspiciously similar to lastyear'sanemic scrap the group altoghe.ther. This really isn't third album, Panorama. -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Training Your Musical Muse with Richard Gilewitz... an Exclusive
Training Your Musical Muse with Richard Gilewitz... an exclusive guitar and ukulele 1 day workshop for beginner/intermediate instrumentalists (guitar or ukulele) and singer/songwriters No matter if you play a guitar or ukulele, sing or don’t sing, compose originals or play covers, it’s all the same when teaching your musical muse the solid basics of good technique. During this 1-day workshop, you’ll learn about fingerpicking patterns and strumming, rhythm, why some notes work while others are a train wreck, and how to develop good habits that will protect your inner muse from the dole drum of sameness and predictability. Join master teacher, Richard Gilewitz, for an experience for both ukulele and guitar. These workshops offer players and/or singers the techniques for developing and expanding a life-long craft in a most satisfying direction. It’s an opportunity to witness and join in on the fun and challenges presented by learning new techniques and how the Gilewitz method works for both guitar and ukulele. Class Sessions will be 50 minutes each with group exercises and special attention to every student in the class. Each class is $30 10:00am Guitar Class1: The Fingerpicking Engine, Effective Chord Transfers, & Food Rhythm Gather the ingredients for the picking fingers with very simple patterns that can be applied to literally any genre of music. The components of the Fingerpicking Engine are the foundation for fingerstyle guitar. Study and explore fingering techniques that power this playing style that include banjo- style inside and forward rolls, pairing, pinch-patterns, hammer-ons, and pull-offs, classical arpeggios, tapping and harmonics, as well as effective method of incorporating rhythmic/strumming techniques within your picking patterns. -
GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
- 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band. -
Jazz Concepts for Acoustic Guitar Block Chords
Jazz Concepts For Acoustic Guitar Block Chords © Guitar Mastery Solutions, Inc. Page !2 Table Of Contents A Little Jazz? 4 What Are Block Chords? 4 Chords And Inversions 5 The 3 Main Block Chord Types And How They Fit On The Fretboard 6 Major 7th ...................................................................................6 Dominant 7th ..............................................................................6 Block Chord Application 1 - Blues 8 Background ................................................................................8 Organising Dominant Block Chords On The Fretboard .......................8 Blues Example ...........................................................................10 Block Chord Application 2 - Neighbour Chords 11 Background ...............................................................................11 The Progression .........................................................................11 Neighbour Chord Example ...........................................................12 Block Chord Application 3 - Altered Dominant Block Chords 13 Background ...............................................................................13 Altered Dominant Chord Chart .....................................................13 Altered Dominant Chord Example .................................................15 What’s Next? 17 © Guitar Mastery Solutions, Inc. Page !3 A Little Jazz? This ebook is not necessarily for jazz guitar players. In fact, it’s more for acoustic guitarists who would like to inject a little -
Fingerstyle Guitar Arrangements
The Heritage Fingerstyle Guitar Arrangements Includes FREE CD! By Stuart Ryan The Heritage An Overview PICKING HAND TECHNIQUES There are several diferent approaches to the picking must ensure your fretting hand is clean and accurate hand that you will encounter in this book. Pieces so you can really keep these strings sounding. When like ‘Amazing Grace’ rely on the traditional ‘pima’ building your own arrangements you’ll fnd DADGAD is fngerpicking approach. In this system the thumb is ideal for pieces from the Irish and Scottish canon (and typically used to pluck the 6th, 5th and 4th strings whilst beyond) but you may come to a point where you fnd it the index, middle and ring fngers pluck 3rd, 2nd and always drags you to the key of D so make sure you try 1st strings respectively. Of course there are variations arranging in some other keys when using this tuning! on these patterns and sometimes the fngers move to diferent strings but if you come from a traditional Standard tuning is ideal for pieces requiring walking fngerpicking background then you will probably be basslines or chords that are commonly associated with already familiar with this approach. Other pieces like Gospel and Blues and you’ll fnd this used on pieces ‘Since I Lay My Burden Down’ rely on the traditional like ‘Amazing Grace’ and ‘Swing Low Sweet Chariot.’ American blues/Travis picking system where the thumb A close cousin of Standard tuning is Drop D where the is used to pluck alternating basslines on the 6th, 5th and 6th string is lowered a tone from E to D. -
Tale of Two Champions Guitarists Muriel Anderson and Helen Avakian Will Display Their Winning Styles at the Towne Crier
May 20-26, 2015 Creative Living celebrating all good things Tale of two champions Guitarists Muriel Anderson and Helen Avakian will display their winning styles at the Towne Crier. by Kate Goldsmith compositions by Ralph Towner, George Muriel Anderson Gershwin, Stevie Wonder, Lennon & also Helen Avakian McCartney and Avakian, herself. There’s Friday, May 22, 8:30 p.m. also a dual-guitar arrangement by Peter Towne Crier Café Huttlinger of the traditional “Monaghan 379 Main St., Beacon Jig,” with a guest performance by Tickets $20 advance, $25 door Huttlinger. (845) 855-1300• www.townecrier.com As an arranger, Avakian takes songs that she loves, listens carefully to all the parts What are the chances of the only two and transcribes them. female fingerstyle guitar champions in the “After that I often will give it to a guitar world performing on the same bill in ensemble I am working with. This gives me Beacon, New York? a chance to see how the parts fit together Pretty good, as it happens. and sound on guitar,” she said. “That leads Muriel Anderson and Helen Avakian to tweaking the arrangement, fixing prob- will share the Towne Crier stage this Friday lems and maybe getting a new idea or two. evening, demonstrating why they are Then I figure out how to fit it all on one gui- among the best of the best. Each will per- tar as effectively as I can.” form a solo set and then join forces for a She records throughout the process, too, few tunes. “so I can listen from more of an outsider A longstanding popular presence on the observer point of view.” The performance Hudson Valley music scene, Avakian is an process tweaks the piece further until a accomplished singer-songwriter who was “standardized” version emerges. -
Tour Brochure 6-4-08
Vince Neil performing with campers at the House of Blues, Las Vegas Slash visiting campers The lights are low. The crowd is roaring. The venue is shaking... Sample Schedule The opening act is about to take the stage…and the opening act is YOU! We’ve all dreamt about it, and now, it’s become a 9:00am - 10:00am Buffet breakfast, band formation reality. Rock ‘n’ Roll Fantasy Camp is hitting the road, allowing fans of all ages the unforgettable opportunity to move from 10:00am - 1:00pm Band rehearsals. Campers jam with celebrity counselors the spectator stands to the stage, sharing the limelight with living legends. 1:00pm - 2:00pm Lunch, up close and personal with celebrity musicians Camper with Mark Slaughter 2:00pm – 5:00pm Campers continue to rehearse with their celebrity During the Summer of 2008, rock enthusiasts across Here’s how it works counselors and prepare for Campalooza! North America will see their dreams come true when the Campers will learn, rehearse, jam and perform with some of the 5:00pm – 5:45pm Meet & Greet with Headlining Act nationally acclaimed Rock ‘n’ Roll Fantasy Camp takes the show best in the business providing an experience described as “life 6:00pm – 8:00pm Campalooza SHOWTIME! Vince Neil performing on the road. Critically acclaimed as the “Most Amazing Rock ‘n’ changing” by some, “incredible” and “unforgettable” by others. 8:30pm Headliner hits the stage with camper Roll Lifestyle Experience” by The London Times and “Brilliant” by Good Morning America, Rock ‘n’ Roll Fantasy Camp will give Over the course of a ‘stuff that dreams are made of’ day, you’ll campers a once in a lifetime chance to meet, greet, rehearse go from being an aspiring rocker to a bona fide performer. -
Acoustic Guitar
45 ACOUSTIC GUITAR THE CHRISTMAS ACOUSTIC GUITAR METHOD FROM ACOUSTIC GUITAR MAGAZINE COMPLETE SONGS FOR ACOUSTIC BEGINNING THE GUITAR GUITAR ACOUSTIC METHOD GUITAR LEARN TO PLAY 15 COMPLETE HOLIDAY CLASSICS METHOD, TO PLAY USING THE TECHNIQUES & SONGS OF by Peter Penhallow BOOK 1 AMERICAN ROOTS MUSIC Acoustic Guitar Private by David Hamburger by David Hamburger Lessons String Letter Publishing String Letter Publishing Please see the Hal Leonard We’re proud to present the Books 1, 2 and 3 in one convenient collection. Christmas Catalog for a complete description. first in a series of beginning ______00695667 Book/3-CD Pack..............$24.95 ______00699495 Book/CD Pack...................$9.95 method books that uses traditional American music to teach authentic THE ACOUSTIC EARLY JAZZ techniques and songs. From the folk, blues and old- GUITAR METHOD & SWING time music of yesterday have come the rock, country CHORD BOOK SONGS FOR and jazz of today. Now you can begin understanding, GUITAR playing and enjoying these essential traditions and LEARN TO PLAY CHORDS styles on the instrument that truly represents COMMON IN AMERICAN String Letter Publishing American music: the acoustic guitar. When you’re ROOTS MUSIC STYLES Add to your repertoire with done with this method series, you’ll know dozens of by David Hamburger this collection of early jazz the tunes that form the backbone of American music Acoustic Guitar Magazine and swing standards! The and be able to play them using a variety of flatpicking Private Lessons companion CD features a -
The Comment, September 24, 1987
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, September 24, 1987 Bridgewater State College Volume 65 Number 1 Recommended Citation Bridgewater State College. (1987). The Comment, September 24, 1987. 65(1). Retrieved from: http://vc.bridgew.edu/comment/603 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College September 24, 1987 Vol. LXV No. 1 Bridgewater, MA Changes are in store for next year's freshman applicants By Chris Perra in which a student can apply. two years, this cap on admissions The College will inform students will be continued in an effort to Students applying to of acceptance or rejection between reduct the student to faculty ratio. Bridgewater next year will April 1 and April 15; the student, As it stands now, the ratio is encounter a system very different in turn. must notify the College approximately 23: 1. The ideal from the one present students as to his intention by May 1. In ratio that is being worked towards met. order to give a student a chance to is 17:1. Prospective students will express him or herself in works, have to submit a writing sample separate from their academic President Indelicato stated that ·in addition to their application. credentials, the College will is was the administration's hope This essay ,on an as yet undecided institute a system for that the . admissions topic, will be reviewed by the administering voluntary competitiveness level will be admissions office. -
Review of Jim Bruce's Ragtime and Blues Guitar Picking Course
Review of Jim Bruce's Ragtime and Blues Guitar Picking Course Learn to Play Finger Style Acoustic Blues Guitar Something great has happened for anybody wanting to learn how to play acoustic blues guitar. It's called Jim Bruce Ragtime and Blues Guitar Picking Course - From Texas to the Delta. Now there's a mouthful! So what is it? Well, pretty much as the title says, it's a guitar course for learning how to play ragtime and blues finger style acoustic guitar. Before I go on, let me just say this isn't something for the absolute beginner guitarist. If you aren't yet comfortable or reasonably fluent in playing common chords, then you probably aren't ready for this just yet, unless you are hyper determined! About the Course The course is quite straightforward. It jumps straight in and shows you how to play a collection of 40 blues songs from blues guitarists such as Blind Blake, Robert Johnson and Big Bill Broonzy to name but a few. Each of the songs are shown on video (MP4 format), first at normal speed and then broken down into small sections, played slowly. The video also uses split screen for showing the left and right hands independently and displaying on screen Tabs and chord diagrams. All of the songs also come with a printable pdf file with the full guitar Tab. Although Jim offers a few tips in the videos, you are expected to know certain things like how to read guitar tab and are already familiar with the basic chords. -
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SEPTEMBERalealealeatieleelleanzetellaleallehhelllelel 1979 133 030 The Cars: East Coast Surfin' Music by Toby Goldstein ...9 M i 1 14":,1j .... ;; .... l v . Still speeding: Ric Ocasek, Greg Hawkes, Dave Robinson, Ben Orr, Elliot Easton < < just go out like I'm normal." insists band would be the ones to crack AM ra- We didn't write any I Ric Ocasek. the Cars' towering., dio's resistance to New Wave rock & roll. reedy writer and mastermind. "I was sur- clearing the field for such others as the clone songs." prised by the Grammy nomination [for Police and Joe Jackson. And certainly no Best New Group]. I was surprised about one would have guessed that they would all the polls we won. Six months ago I do so via a basement demo tape of Oca- could walk down the street unnoticed. and sek's Just What 1 Needed. It was when that today. on the way over here. I had to sign tape became a top request item on two of four autographs. Yeah. I guess that's a Boston's FM stations that Elektra records change. but I can't say I mind it too much." got smart and signed the Cars. Prior to No one, least of all the Cars, expected that time. Ocasek supported himself by their eponymous first album. released in playing the bar circuit with Cars bassist May 1978, to cling tenaciously to the and friend of eight years. Ben Orr. Key- charts for over a year and sell more than 2 boardist / saxophonist /arranger Greg million copies. No one would have pre- Hawkes.