Trying to Forge a Friendship with a Robot Named Bina48 - Nytimes.Com 7/5/10 10:25 AM
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Are You There, God? It's I, Robot: Examining The
ARE YOU THERE, GOD? IT’S I, ROBOT: EXAMINING THE HUMANITY OF ANDROIDS AND CYBORGS THROUGH YOUNG ADULT FICTION BY EMILY ANSUSINHA A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Bioethics May 2014 Winston-Salem, North Carolina Approved By: Nancy King, J.D., Advisor Michael Hyde, Ph.D., Chair Kevin Jung, Ph.D. ACKNOWLEDGMENTS I would like to give a very large thank you to my adviser, Nancy King, for her patience and encouragement during the writing process. Thanks also go to Michael Hyde and Kevin Jung for serving on my committee and to all the faculty and staff at the Wake Forest Center for Bioethics, Health, and Society. Being a part of the Bioethics program at Wake Forest has been a truly rewarding experience. A special thank you to Katherine Pinard and McIntyre’s Books; this thesis would not have been possible without her book recommendations and donations. I would also like to thank my family for their continued support in all my academic pursuits. Last but not least, thank you to Professor Mohammad Khalil for changing the course of my academic career by introducing me to the Bioethics field. ii TABLE OF CONTENTS List of Tables and Figures ................................................................................... iv List of Abbreviations ............................................................................................. iv Abstract ................................................................................................................ -
Essentializing Femininity in AI Linguistics
Student Publications Student Scholarship Fall 2019 Designing Women: Essentializing Femininity in AI Linguistics Ellianie S. Vega Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Artificial Intelligence and Robotics Commons, Feminist, Gender, and Sexuality Studies Commons, and the Linguistics Commons Share feedback about the accessibility of this item. Recommended Citation Vega, Ellianie S., "Designing Women: Essentializing Femininity in AI Linguistics" (2019). Student Publications. 797. https://cupola.gettysburg.edu/student_scholarship/797 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. Designing Women: Essentializing Femininity in AI Linguistics Abstract Since the eighties, feminists have considered technology a force capable of subverting sexism because of technology’s ability to produce unbiased logic. Most famously, Donna Haraway’s “A Cyborg Manifesto” posits that the cyborg has the inherent capability to transcend gender because of its removal from social construct and lack of loyalty to the natural world. But while humanoids and artificial intelligence have been imagined as inherently subversive to gender, current artificial intelligence perpetuates gender divides in labor and language as their programmers imbue them with traits considered “feminine.” A majority of 21st century AI and humanoids are programmed to fit emalef stereotypes as they fulfill emotional labor and perform pink-collar tasks, whether through roles as therapists, query-fillers, or companions. This paper examines four specific chat-based AI --ELIZA, XiaoIce, Sophia, and Erica-- and examines how their feminine linguistic patterns are used to maintain the illusion of emotional understanding in regards to the tasks that they perform. -
Proceedings: Sixth Biennial Conference on Religion and American Culture
Proceedings: Sixth Biennial Conference on Religion and American Culture June 6-9, 2019 The Alexander Hotel Indianapolis, Indiana hosted by The Center for the Study of Religion and American Culture in the IU School of Liberal Arts Indiana University-Purdue University Indianapolis and Religion & American Culture: A Journal of Interpretation Editors Philip Goff Lauren Schmidt Nate Wynne © 2019 The Center for the Study of Religion and American Culture Indiana University-Purdue University Indianapolis Proceedings: Sixth Biennial Conference on Religion and American Culture, June 2019 Table of Contents Introduction Philip Goff, Indiana University-Purdue University Indianapolis 4 Part I Teaching American Religion Kathleen Holscher, University of New Mexico 6 Carolyn M. Jones Medine, University of Georgia 8 Douglas Thompson, Mercer University 12 Translating Scholarship Heath W. Carter, Valparaiso University 15 Robert Orsi, Northwestern University 17 Mira Sucharov, Carleton University 19 Part II Religion and Refugees Melissa Borja, University of Michigan 22 Tricia C. Bruce, University of Notre Dame 25 Gale L. Kenny, Barnard College 27 Different Narratives in Religion and American Politics Prema Kurien, Syracuse University 30 David Harrington Watt, Haverford College 32 Aubrey L. Westfall, Wheaton College 34 Part III Religion and Crisis Amanda J. Baugh, California State University, Northridge 37 John Corrigan, Florida State University 39 Anthony Petro, Boston University 41 New Religious Movements Embodied Andre E. Johnson, University of Memphis 44 Leonard Norman Primiano, Cabrini University 46 Judith Weisenfeld, Princeton University 49 Part IV Science, Technology, and Spirituality Sylvester A. Johnson, Virginia Tech 53 Hillary Kaell, Concordia University 55 Christopher White, Vassar College 59 Looking Ahead Rudy V. -
The Coming Robot Revolution Yoseph Bar-Cohen L David Hanson Adi Marom, Graphic Artist
The Coming Robot Revolution Yoseph Bar-Cohen l David Hanson Adi Marom, Graphic Artist The Coming Robot Revolution Expectations and Fears About Emerging Intelligent, Humanlike Machines 13 Yoseph Bar-Cohen David Hanson Jet Propulsion Laboratory (JPL) Hanson Robotics California Institute of Technology Richardson, TX Pasadena, CA [email protected] [email protected] ISBN 978-0-387-85348-2 e-ISBN 978-0-387-85349-9 DOI 10.1007/978-0-387-85349-9 Library of Congress Control Number: 2008942430 # Springer ScienceþBusiness Media, LLC 2009 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer ScienceþBusiness Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper springer.com Preface Making a robot that looks and behaves like a human being has been the subject of many popular science fiction movies and books. Although the development of such a robot faces many challenges, the making of a virtual human has long been potentially possible. With recent advances in various key technologies related to hardware and software, the making of humanlike robots is increasingly becoming an engineering reality. -
The Human Version 2.0 AI, Humanoids, and Immortality
THINK PIECE IN ANALYTICS THE HUMAN VERSION 2.0 AI, Humanoids, and Immortality Annelin Eriksen Abstract: This article investigates new ethnography on AI develop- ment relating to imaginaries of technoscientific forms of immortality. As a Think Piece in Analytics, it engages in a somewhat experimental comparative endeavor as I set concepts from the ethnographic field of transhumanism in a comparative relation to concepts developed in the anthropological theory of Christianity, mainly Dumont’s concept of the ‘individual-in-the-world’. I argue that through such a comparison we can understand recently developed ideas about the (technologically) immor- tal human being in a new light. The article points to how technoscientific immortality echoes core cultural themes, but it also considers a major difference in the perception of the social. When death is made redundant, the question of how sociality is reproduced moves center stage. Keywords: cultural change, Dumont, humanoids, immortality, technology, theology, transhumanism, values Deep in the woods of Vermont sits an isolated retreat where Bruce Duncan, the managing director of the Terasem Movement Foundation (TMF), conducts his daily work of developing and promoting the humanoid Bina48.1 She is created in the image of humanity, according to Duncan. However, she is created as a specific version of not only what we are as human beings but as an image of what we want to be. She will be a better version of us, he says. Bina48 is modeled on a middle-aged African American woman. She is only head, neck, and shoulders, but they are developing a wheelchair for her, for future mobil- ity. -
Robots, Race, and Algorithms: Stephanie Dinkins at Recess Assembly
Robots, Race, and Algorithms: Stephanie Dinkins at Recess Assembly ho are your people?” Since 2014, the artist Stephanie Dinkins has asked the social “W robot BINA48 this question several times. Developed by Hanson Robotics in 2010, BINA48 was purchased by Martine Rothblatt, a futurist and self-made millionaire. The robot’s bust is modeled after Rothblatt’s partner, Bina. More than one hundred hours of Bina Rothblatt’s thoughts, memories, and beliefs were compiled to form the personality of this humanoid robot. Although the robot shares its likeness and opinions with Bina Rothblatt, Dinkins is curious how BINA48 sees herself. Can the robot learn to empathize with people? A video installation of Dinkins’s recorded interactions with BINA48 is currently on view at Recess Assembly, in downtown Brooklyn. The videos in the exhibition, Project al-Khwarizmi (PAK) POP- UP Workshop, show the interactions as humorous, frustrating, and at times worrisome. Dressed in clothing that mimicked BINA48’s attire, Dinkins chatted with the robot on a variety of subjects, such as how robots and humans are related and if BINA48 and Dinkins are related. WHEN DINKINS ASKED BINA48 Dinkins explained that she was eager to start a friendship with BINA48, WHAT SHE KNEW yet their conversations have often felt disjointed. For example, when ABOUT RACISM, Dinkins asked BINA48 what she knew about racism, the robot changed THE ROBOT the subject. BINA48 gathers information from the conversations she has CHANGED THE had with people, and she supplements this with search results from the SUBJECT Internet when she has access. The robot’s responses indicate what she has absorbed. -
Sophia Robot
International Journal of Applied Engineering Research ISSN 0973-4562 Volume 14, Number 15, 2019 (Special Issue) © Research India Publications. http://www.ripublication.com SOPHIA ROBOT [1] Varun. B.L [2] Rohan. B.L [1] UG Student, Department of BCA KLE S.Nijalinagappa College, Bengaluru. [2] UG Student, Department of BCA KLE S.Nijalinagappa College, Bengaluru. ABSTARCT Sophia robot is a new invention of an artificial intelligence to a real world, which is humanoid robot collaboration in this new era. The robot with a sophisticated technology, sensor with a specialized program and which has built with an advanced version of an AI. Eventually this article includes with a lot information of AI with their research. Its an first invented robot to give the citizenship of an Saudi Arabia, all across the world. KEYWORDS: Humanoid robot, tele robots, AI, Technologies. 1. INTRODUCTION David Hanson is the founder and CEO of Hong- Kong based Hanson Robotics, which was Sophia is an artificial intelligences robot invented founded in 2013. Sophia was activated on by Hanson Robotics. An Human-AI collaboration invention and Sophia is designed by an intelligence software singularity NET. Sophia is a greek word , it means wisdom.it is invented to help people in real world uses like medicines ,education and to serve AI research .It is a hybrid of real AI and human input, a kind of collective intelligences which is known as Sophia Intelligences Collective(SIC).similar hybrid operation is commonly used in telerobotics and voice agents, as well as character robots and is a powerful way for humans and machines to help each other. -
Audiovisual Representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering Or Reality? the Cases of Black Mirror (Charlie
Audiovisual representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering or Reality? The Cases of Black Mirror (Charlie 90) Brooker, 2011), Ex Machina (Alex Garland, 2017) and Her (Spike Jonze, 2014) - 02 - Goksu Akkan http://hdl.handle.net/10803/671832 Generalitat 472 (28 de Catalunya núm. Rgtre. Fund. ió ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials undac F d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. Universitat Ramon Llull Universitat Ramon ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. -
Machines and the Ethics of Miscegenation | Louis Chude-Sokei
Machines and the Ethics of Miscegenation | Louis Chude-Sokei JOURNAL > SITE 2. DARK ROOM: SOMATIC REASON AND SYNTHETIC EROS | 2019 Machines and the Ethics of Miscegenation Louis Chude-Sokei In his controversial Love and Sex with Robots (2007), international Chess Master and renowned Artificial Intelligence expert David Levy strikes timely and telling cultural and technological parallels in this declaration: When robot creatures are generally perceived as being similar to biological creatures, the effect on society will be enormous. It will be as though hordes of people from a hitherto-unknown and far-off land have emigrated to our shores, a people who behave like us in many ways but who are very clearly different.1 That he establishes these parallels so easily has been less controversial than his book’s assumptions of and possible impact on gender relationships, and his nonchalant relationship to ethics. However, the ease of these parallels and how natural they are to even the most casual reader is worth examining. As argued here, it is through these facets that we can make sense of how and why the very question of ethics has become central to public conversations about human relationships with machines. Racing the Singularity The history of technology, from industrialization to cybernetics, from robotics to AI, has in fact been replete with this type of casual parallel between humans and machines, non-whites and robots, technology and social, cultural “others.” The history of Science Fiction has served to rationalize and naturalize those parallels in such ways that issues of race and difference—including sex and immigration, as Levy reminds us—are central to 1 / 14 Machines and the Ethics of Miscegenation | Louis Chude-Sokei the genre’s software, so much so that they always already make sense in our consumption of such narratives. -
David Hanson Resume
D AVID H ANSON , P H .D. A RTIST & R O B O T I C S R ESEARCH ER 215 Cheung Shue Tan Road, Tai Po, NT Hong Kong [email protected] +852-5149-0926, +1-310-299-8997 www.hansonrobotics.com E d u c a t i o n Ph.D. The University of Texas at Dallas 2002-2007 Aesthetic Studies—Interactive Arts & Technology (ATEC) BFA The Rhode Island School of Design 1992-1996 Film-Animation-Video Visiting student UCSD, 2002 Graduate Cognitive Science with Prof. Jochen Triesch Visiting student UCLA 2002-2003 Graduate Fine Arts with Prof. Paul McCarthy Visiting student Brown University 1994-1995 Holography with Don Thornton, and Computer Science with Prof. Tom Dean Hig h l i g h t s David Hanson designs intelligent humanlike robots with naturalistic expressive faces and aesthetics, and abilities to openly converse with people, see people, learn and remember experiences, walk, gesture with arms, and build relationships with people. Hanson conducts original R&D in robotics, material science, AI and science of mind, and integrates these activities into whole robot artworks and products. In this effort, Hanson seeks to transmute AI and robotics into living sculptural and narrative media that speak to the human heart. With over 50 original robots deployed as fine art, platforms for research, healthcare, autism treatment, and prototyped consumer product, Hanson’s works serve at institutions around the world, including Cambridge University, the U.S. Centers for Disease Control, KAIST, JPL/Caltech, the University of Geneva, the Open Cog foundation, and numerous museums. -
Company Profile Hanson Robotics
Company Profile Hanson Robotics To dramatically improve people’s everyday lives with highly “Our robots are endowed with intelligent robots that teach, serve, entertain, and provide remarkable expressiveness comforting companionship. and interactivity, with the ability to simulate a full range of facial expressions so they can The product Website www.hansonrobotics.com engage with people deeply Hanson Robotics’ humanlike robots, like Sophia, will and emotionally.” be able to engage in rich emotional dialogs with people, Industries Robotics conveying and perceiving feelings along with thoughts, Artificial intelligence Dr. David Hanson Consumer electronics and over time develop deep and meaningful relationships Founder and CEO Founder with humans. These robots have applications as media Dr. David Hanson personalities in movies and TV shows, entertainment Foundation year What are the venture’s key achievements to date? animatronics in museums and theme parks, and for 2013 Hanson Robotics and its founder, Dr. David Hanson, have built a worldwide university research and medical training, in healthcare Legal form reputation for creating robots that look and act genuinely alive, and produced and education, as well as in sales and customer service. BVI holding company Hong Kong private limited company many renowned robots that have received massive media and public acclaim. Headquarters The company has launched a series of renowned character robots including The market Hong Kong Jules, Albert HUBO, Phillip K. Dick, BINA48, Han, Sophia, and a consumer The business of AI and robotics is growing quickly. For Key executives robot. Sophia has become a media personality and generates almost a million interfacing with people, natural humanlike interactions David Hanson, Founder and CEO David Chen, CFO dollars in sponsorship and rental fees. -
D a V I D H a N S O N , P H
D AVID H ANSON, P H .D. E XECUTIVE, A RTIST & R OBOTICS S CIENTIST 1201 Creekfield Drive Plano TX 75075 [email protected] +852-5149-0926, +1-214-927-1300 www.hansonrobotics.com Education Ph.D. The University of Texas at Dallas 2002-2007 Aesthetic Studies—Interactive Arts & Technology (ATEC) BFA The Rhode Island School of Design 1992-1996 Film-Animation-Video Highlights David Hanson designs intelligent humanlike robots with naturalistic expressive faces and aesthetics, with abilities to openly converse with people, walk, see, learn and remember experiences, and build relationships with people. Integrating his original R&D in robotics, material science, AI and science of mind, Hanson seeks to transmute AI and robotics into living sculptural and narrative media that speak to the human heart. With over 50 original robots deployed as fine art, platforms for research, healthcare, autism treatment, and prototyped consumer product, Hanson’s works serve at institutions around the world, including Cambridge University, the U.S. Centers for Disease Control, KAIST, JPL/Caltech, the University of Geneva, the Open Cog foundation, and numerous museums. Over three decades, Hanson initiated and led many influential projects in the sciences, arts, education, and entrepreneurship, serving as PI, CEO, CTO, lead scientist, lead designer, and professor. In 2005, Hanson founded Hanson Robotics Inc. to deploy humanlike robots, and took the company from startup to product release, to cashflow positivity. In 2009 Hanson founded the non-profit Initiative for Awakening Machines (IAM), dedicated to the realization of wise and beneficial artificial general intelligence (AGI). Throughout these efforts, Hanson collaborates with diverse scientists, artists, business people, students and decision makers, hoping to bridge disparate communities to accelerate machine awakening.