DOCSLIB.ORG

Till Eulenspiegel by Erich Kästner

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Till Eulenspiegel by Erich Kästner Read and Download Ebook Till Eulenspiegel... Till Eulenspiegel Erich Kästner PDF File: Till Eulenspiegel... 1 Read and Download Ebook Till Eulenspiegel... Till Eulenspiegel Erich Kästner Till Eulenspiegel Erich Kästner Till Eulenspiegel war wohl einer der größten und seltsamsten Clowns aller Zeiten. Denn er trat nicht im Zirkus auf, sondern mitten im richtigen Leben, weil er es vorzog, über andere zu lachen statt selber ausgelacht zu werden. Von den vielen Geschichten über Till Eulenspiegel hat Erich Kästner zwölf ausgewählt. Und wie es sich gehört, fängt er beim Erzählen mit dem Anfang an, mit der Taufe. Gleich dreimal getauft - und was zuviel ist, ist zuviel! - zeigt Till früh, was einmal aus ihm werden wird: ein Schelm, der seinesgleichen sucht. Mit den ausdrucksstarken und originellen Illustrationen von Walter Trier kann man nicht nur lesen, sondern auch sehen, wie Eulenspiegel sich als Kind gleich dreimal taufen lassen muß, wie er zum Seiltänzer wird, einem Esel das Lesen beibringt, von Ort zu Ort zieht, sich immer wieder als Handwerksgeselle ausgibt, obwohl er vom Schneidern, Backen oder Zimmerhandwerk keine Ahnung hat, und bald berühmt und berüchtigt wird wegen all dem Unfug, den er immer wieder anstellt, um die Menschen -- aber vor allem sich selber -- zum Lachen zu bringen. Till Eulenspiegel Details Date : Published February 2005 by Dressler (first published 1938) ISBN : 9783791530390 Author : Erich Kästner Format : Hardcover 74 pages Genre : Childrens, European Literature, German Literature, Fiction, Classics Download Till Eulenspiegel ...pdf Read Online Till Eulenspiegel ...pdf Download and Read Free Online Till Eulenspiegel Erich Kästner PDF File: Till Eulenspiegel... 2 Read and Download Ebook Till Eulenspiegel... From Reader Review Till Eulenspiegel for online ebook leynes says One of the best I read in elementary school. It's always so fun to look back on what I've read as a child. Siv30 says ?????. ???????? ?? ????? ??????? ???????. ?????? ??????? ???? ?? ???? ??????? ?????? ?????? ??????? ???? ??????? ?????? ?? ?????. Manybooks says While Erich Kästner's Till Eulenspiegel is child-friendly, chatty, as well as indeed much fun and entertaining, and certainly does to a point present the general German lore associated with the actual historical figure of Till Eulenspiegel as the vagabond and jokester he reportedly always was (as an individual who clearly and obviously enjoyed nothing better than engaging in pranks, practical jokes, wordplays etc.) I do have to personally admit being more than a bit disappointed with and by Erich Kästner's story as a whole (or rather with and by his 1938 adaptation and retelling of the Till Eulenspiegel tradition). For one, I have found ever since I read Hermann Bote's original 15th century Till Eulenspiegel in 1993 for university (with its wickedly funny and scathing satires, with its at times weirdly scatological humour and main protagonist Till Eulenspiegel acting as both trickster and wise fool and as such always being considerably more intelligent and insightful than society in general) that nearly ALL of the more child friendly adaptations of the Eulenspiegel thematic and lore I have read since then are rather frustratingly and sadly pale and lifeless in comparison (and this also includes Erich Kästner's Till Eulenspiegel which while I did love this as a child, when my grandparents read some of the diverse anecdotes to me, I now consider more than somewhat tedious, much too sedate and not really ever satirical enough for my own literary and reading tastes). And for two, I also and personally do consider it more than a bit problematic that Erich Kästner keeps describing Till Eulenspiegel as being akin to a circus clown, when at least in my opinion (and actually if one looks at Till Eulenspeigel historically and from a folkloric point of view) he has at least in my opinion NEVER been considered a typical circus clown but more akin to a jester, a travelling trickster, what in Germany one would call a "Narr" and I really do wish that Kästner had chosen to still label his Eulenspiegel as this in his retellings, in his Till Eulenspiegel (even if he might have had to use a footnote in order to explain the historical and literary significances of what jesters tended to be and represent). Combined with the fact that in many of the featured anecdotes of Erich Kästner's Till Eulenspiegel, the satirical and society criticising, condemning and punishing wise fool Till Eulenspiegel of tradition (or at least of Hermann Bote's tradition) is sadly much much too often replaced by the author with a person, a character exuding and engaging in maliciousness and nastiness simply for its own sake, that the satire and societal criticisms present in Bote's original folk-book on Eulenspiegel often seem to morph with Kästner's retelling and adaptation more into just a typical collection of anecdotes about a rather nasty, curmudgeonly, often trickily vicious and unlikable by nature individual, I have really not at all enjoyed reading (or rather revisiting) Till Eulenspiegel and can (especially considering how much I have truly and heartily loved and appreciated Hermann Bote's 15th century Till Eulenspiegel) only now consider two stars at best (a high two stars to be sure, but two stars just the same) for Erich Kästner's Eulenspiegel retellings. PDF File: Till Eulenspiegel... 3 Read and Download Ebook Till Eulenspiegel... Paulo Girão says German version. Entertaining and simple. Sometimes I feel that Erich Kästner is the german version of Thorbjørn Egner in Norway. Till Eulenspiegel is a national icon in the german culture, and it is way more accessible to the younger audiences than the Grimm brothers fairytales. A light read. Nikki says Molto divertente, ironico, e con qualche piccola perla di saggezza. Till ne combina davvero di tutti i colori... Se avete almeno un livello base di tedesco, ve lo consiglio! Nabila Tabassum Chowdhury says ??? ?????? ???? ??????????? ???? ??? ?????? ???? ?? ??? ??? ????????? ???? ?????? ??? ?? ?????????? ??? ??? ????????????? PDF File: Till Eulenspiegel... 4.
Load more

Recommended publications
  • Till Eulenspiegel As a “Recurring Character” in the Works of Hans Sachs
    Narrative Arrangement in 16th-Century Till Eulenspiegel Texts: The Reinvention of Familiar Structures A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Isaac Smith Schendel IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Dr. Anatoly Liberman June 2018 © Isaac Smith Schendel 2018 i Acknowledgements First and foremost, I would like to thank my doctoral advisor, Dr. Anatoly Liberman, for his kind direction, ideas, and guidance through the entire process of graduate school, from the first lectures on Middle High German grammar and Scandinavian Literature, to the preliminary exams, prospectus and multiple thesis drafts. Without his watchful eye, advice, and inexhaustible patience, this dissertation would have never seen the light of day. Drs. James A. Parente, Andrew Scheil, and Ray Wakefield also deserve thanks for their willingness to serve on the committee. Special gratitude goes to Dr. Parente for reading suggestions and leadership during the latter part of my graduate school career. His practical approach, willingness to meet with me on multiple occasions, and ability to explain the intricacies of the university system are deeply appreciated. I have also been helped by a number of scholars outside of Minnesota. The material discussed in the second chapter of the dissertation is a reformulated, expanded, and improved version of my article appearing in Daphnis 43.2. Although the central thesis is now radically different, I would still like to thank Drs. Ulrich Seelbach and Alexander Schwarz for their editorial work during that time, especially as they directed my attention to additional information and material within the S1515 chapbook.
    [Show full text]
  • Hearing Wagner in "Till Eulenspiegel": Strauss's Merry
    Hearing Wagner in Till Eulenspiegel: Strauss's Merry Pranks Reconsidered Matthew Bribitzer-Stull and Robert Gauldin Few would argue the influence Richard Wagner has exerted upon the history of Western art music. Among those who succeeded Wagner, this influence is perhaps most obvious in the works of Richard Strauss, the man Hans von Biilow and Alexander Ritter proclaimed Wagner's heir.1 While Strauss's serious operas and tone poems clearly derive from Wagner's compositional idiom, the lighter works enjoy a similar inheritance; Strauss's comic touch - in pieces from Till Eulenspiegel to Capriccio - adds an insouciant frivolity to a Wagnerian legacy often characterized as deeply emotional, ponderous, and even bombastic. light-hearted musics, however, are no less prone to posing interpretive dilemmas than are their serious counterparts. Till, for one, has remained notoriously problematic since its premiere. In addition to the perplexing Rondeauform marking on its title page, Till Eulenspiegels lustige Streicbe also remains enigmatic for historical and programmatic reasons. In addressing these problems, some scholars maintain that Strauss identified himself with his musical protagonist, thumbing his nose, as it were, at the musical philistines of the late romantic era. But the possibility that Till may bear an A version of this paper was presented at the Society for Music Theory annual meeting in Seattle, 2004. The authors wish to thank James Hepokoski and William Kinderman for their helpful suggestions. 'Hans von Biilow needs no introduction to readers of this journal, though Alexander Ritter may be less familiar. Ritter was a German violinist, conductor, and Wagnerian protege. It was Ritter, in part, who convinced Strauss to abandon his early, conservative style in favor of dramatic music - Ritter*s poem Tod und Verklarung appears as part of the published score of Strauss's work by the same name.
    [Show full text]
  • Masterarbeit
    „Schabernack über Schabernack.“ Till Eulenspiegel in deutschsprachigen Komödien des 19. und 20. Jahrhunderts. Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Andrea SCHABERNACK am Institut für Germanistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil. Beatrix Müller Kampel Graz, 2012 Inhaltsverzeichnis 1. Einleitung..........................................................................................................................................................3 2. Das Eulenspiegel-Buch und sein Held..............................................................................................................4 2.1. Anmerkung zur Quellenlage.....................................................................................................................4 2.2. Frühe Drucke und Zeugnisse, Verfasserschaft und stoffliche Grundlagen..............................................4 2.3. Form und Inhalt der Schwanksammlung..................................................................................................8 2.4. Till Eulenspiegel – Ein Widerspruch in Person......................................................................................11 3. Zur Rezeptionsgeschichte der Schwanksammlung.........................................................................................19 3.1. Ein Überblick über die Rezeptionsgeschichte des Eulenspiegel-Buches..............................................19 3.2. Rezeptionstypen der Eulenspiegelfigur..................................................................................................24
    [Show full text]
  • Till Eulenspiegel's Merry Pranks, Op. 28 (1894-1895) Petrushka, Ballet In
    Overture to William Tell (1828-1829) GIOACCHINO ROSSINI ■ 1792-1868 In 1824, Rossini moved to Paris to direct the Théâtre Italien, and there became fully aware of the revolutionary artistic and political trends that were then gaining popularity. Rossini was too closely attuned to public fashion to ignore the changing audience tastes, and he began to cast about for a libretto that would keep him abreast of the latest developments in the musical theater while solidifying his new position in Paris. Schiller’s play William Tell, based on the heroic Swiss struggle against tyranny in the 14th century, had recently created much interest when it was introduced to Paris in a French translation. Rossini decided that the drama would make a fine opera (or, at least, a saleable one), and he seems to have taken special care to incorporate the emerging Romantic style into this epic work, as evidenced by its subject matter, symphonic scope and attention to dramatic and poetic content. The four sections of the Overture, virtually a miniature tone poem, represent dawn in the mountains, a thunderstorm, the pastoral countryside and the triumphant return of the Swiss troops. Till Eulenspiegel’s Merry Pranks, Op. 28 (1894-1895) RICHARD STRAUSS ■ 1864-1949 “If you want to create a work that is unified in its mood and consistent in its structure, and if it is to give the listener a clear and definite impression, then what the author wants to say must have been just as clear and definite in his own mind. This is only possible through the expression of a poetical idea.” Thus wrote Richard Strauss in 1888 in a letter to his mentor, the great pianist and conductor Hans von Bülow, even before he had composed his first successful tone poem, Don Juan.
    [Show full text]
  • A Millennium of Turkish Literature (A Concise History)
    A Millennium of Turkish Literature (A Concise History) by TALAT S. HALMAN edited by Jayne L. Warner REPUBLIC OF TURKEY MINISTRY OF CULTURE AND TOURISM PUBLICATIONS © Republic of Turkey Ministry of Culture and Tourism General Directorate of Libraries and Publications 3164 Handbook Series 5 ISBN: 978-975-17-3374-0 www.kulturturizm.gov.tr e-mail: [email protected] Halman, Talat S. A Millenium of Turkish literature / Talat S. Halman: Edited by Jayne L. Warner.- Second Ed. - Ankara: Ministry of Culture and Tourism, 2009. 224 pp.: col. ill.; 20 cm.- (Ministry of Culture and Tourism Publications; 3164. Handbook Series of General Directorate of Libraries and Publications: 5) ISBN: 978-975-17-3374-0 I. title. II. Warner, Jayne L. III. Series. 810 Cover Kâşgarlı Mahmud, Map, Divanü Lügâti’t Türk Orhon Inscription Printed by Fersa Ofset Baskı Tesisleri Tel: 0 312 386 17 00 Fax: 0 312 386 17 04 www.fersaofset.com First Edition Print run: 5000. Printed in Ankara in 2008. Second Edition Print run: 5000. Printed in Ankara in 2009. TABLE OF CONTENTS Foreword: A Time-Honored Literature 5 Note on Turkish Spelling and Names 11 The Dawn in Asia 17 Selçuk Sufism 31 Ottoman Glories 49 Timeless Tales 83 Occidental Orientation 93 Republic and Renascence 115 Afterword: The Future of Turkish Literature 185 Suggested Reading 193 Biographical Notes 219 - 4 - Foreword A TIME-HONORED LITERATURE - 5 - ROM O RHON INSCRIPTIONS TO O RHAN P AMUK. That could serve as a definition of the life-story of F Turkish Literature from the eighth century A.D.
    [Show full text]
  • Hermann Bote
    Till Eulenspiegel berichtet von den Erlebnissen des gleichnamigen Spaßmachers aus dem 14. Jahrhundert, der im Braunschweiger Land sein Unwesen trieb. Das erstmals Hermann Bote 1510 erschienene Buch, das vermutlich von Hermann Bote, einem Braunschweiger Zollschreiber und Amtsvogt, geschrieben wurde, wurde schnell zu einem Weltbestseller Till Eulenspiegel und bereits im 16. Jahrhundert in zahlreiche europäische Ein kurzweiliges Buch von Till Eulenspiegel aus dem Sprachen übersetzt. Lande Braunschweig. (Wie er sein Leben vollbracht hat.) Die 96 Historien des Buches berichten vom Leben Damnick Classics Eulenspiegels. Dieser verlässt seine Mutter und macht sich auf zu einer lebenslangen Wanderung über den gesamten europäischen Kontinent. Dabei geht er verschiedensten Berufen nach, zieht jedoch am Ende jeder Historie weiter. Seinen Mitmenschen spielt er Streiche, meist indem er deren Aufforderungen zu wörtlich nimmt. Bei der vorliegenden Ausgabe handelt es sich um die ungekürzte und unbearbeitete Originalfassung des Werkes. Ein begleitendes eBook kann kostenfrei von der Webseite des Damnick Verlag heruntergeladen werden. Hermann Bote: Till Eulenspiegel Hermann Bote: damnick.de Damnick Damnick Hermann Bote Till Eulenspiegel Ein kurzweiliges Buch von Till Eulenspiegel aus dem Lande Braunschweig. (Wie er sein Leben vollbracht hat.) Damnick Das kostenfreie eBook zu diesem Buch lässt sich auf unserer Webseite herunterladen: damnick.de/buch/till-eulenspiegel Das vorliegende Werk ist gemeinfrei, das heißt unter anderem, dass in Deutschland und anderen Ländern niemand das Urheberrecht daran hält und es frei verbreitet werden darf. Wir stellen darüber hinaus auch diese Ausgabe (in Print und eBook) zur beliebigen Verwendung und Weitergabe, privat und kommerziell, frei. Weitere Informationen können über die unten angegebenen Kontaktdaten angefragt werden. Paperback: ISBN 978-1-5114-7026-1 Bestellnummer: 5114-7026 1.
    [Show full text]
  • Till Eulenspiegel Und Der Bauernkrieg
    Till Eulenspiegel und der Bauernkrieg Eine Studie zur literarischen Rezeption des originellen Eulenspiegelbuches in der sozialistischen DDR Name: Oscar de Bont Kurs: Masterarbeit Master Letterkunde Begleiterin: dr. Yvonne Delhey Inhaltsverzeichnis Abstract S. 4 1. Einleitung S. 4 2. Botes Eulenspiegel 2.1 Schwerpunkte der Eulenspiegelforschung i. Die symbolische Bedeutung des Namens Eulenspiegel S. 13 ii. Grobianismus S. 17 iii. Negative Didaxe S. 20 iv. Eulenspiegel als Außenseiter S. 24 v. Eulenspiegels Überlegenheit S. 26 vi. Eulenspiegels Schalkheit S. 27 vii. Eulenspiegels Vielseitigkeit S. 32 2.2 Verschiedene Gruppen in der Gesellschaft i. Eulenspiegels Umgang mit den Machthabern S. 35 ii. Eulenspiegels Umgang mit Klerikern S. 37 iii. Eulenspiegels Umgang mit Handwerkern S. 40 iv. Eulenspiegels Umgang mit Bauern S. 45 3. Der Eulenspiegel von Christa und Gerhard Wolf 3.1 Bezug auf Bote i. Botes Eulenspiegel in der DDR S. 48 ii. Übernommene Historien S. 54 iii. Wichtigste Veränderungen a) Die Entwicklung der Hauptfigur S. 59 b) Eulenspiegels Beziehungen zu anderen Menschen S. 61 c) Überlegenheit und Unterlegenheit S. 64 3.2 Eulenspiegel als Vorläufer-Figur S. 68 3.3 Verschiedene Gruppen in der Gesellschaft S. 73 i. Eulenspiegels Umgang mit den Machthabern a) Die Hochstätters S. 74 b) Der Fürst S. 75 c) Der Kaiser S. 79 2 ii. Eulenspiegels Umgang mit Klerikern a) Mönch Anton S. 86 b) Bischof Albrecht S. 89 iii. Eulenspiegels Umgang mit Handwerkern a) Meister Gottlob S. 92 b) Balthasar S. 94 iv. Eulenspiegels Umgang mit Gelehrten a) Scholastiker S. 96 b) Humanisten S. 98 v. Eulenspiegels Umgang mit Bauern S. 101 4. Schlussfolgerung S.
    [Show full text]
  • Hodża Nasreddin – Antybohater W Służbie Kultury
    36 ZNUV 2015;39;36-47 Agnieszka Ayşen Kaim Uniwersytet Łódzki Hodża Nasreddin – antybohater w służbie kultury Streszczenie Niniejszy artykuł ma charakter badawczy, jego celem jest przedstawienie ustnej tradycji anegdo- tycznej, żywej zarówno w Azji, jak i na Bliskim Wschodzie, która skupia się wokół postaci mądrego głupca. Występuje on w różnych trawestacjach o imieniu Hodża Nasreddin i łączy ludowe poczucie humoru z autoironiczną krytyką społeczną. Po rozpoznaniu specyficznych warunków społeczno-kul- turowych, zmiany trybu życia z koczowniczego na osiadły i trudności adaptacyjnych tego procesu, przedstawiono zasięg ich oddziaływania i specyfikę w zależności od lokalnych tendencji. Następ- nie, po zarysowaniu studium postaci bliskowschodniego żartownisia pod kątem antropologicznym i turkologicznym, przywołane zostały analogiczne postacie bohaterów plebejskich i antybohaterów z kultury anatolijskiej. Jako przedstawiciel tradycji zachodnioeuropejskiej dla celów porównawczych przedstawiony został Dyl Sowizdrzał (niem. Till Eulenspiegel, ang. Owlglass). W pracy wykorzysta- no przykłady anegdot Hodży Nasreddina, towarzyszące po dziś dzień codziennemu życiu na Bliskim Wschodzie. W studium przypadku wykorzystano prace tureckich folklorystów i antropologów jak Ilhan Başgöz i Mary Douglas. Słowa kluczowe: trickster, bohater tradycyjny i kulturowy, anegdota, satyra, nomad. Żartowniś Nasreddin – bohater tradycyjny czy antybohater? Cóż to za heros, który dosiada osła zamiast rączego rumaka, a zamiast łukiem lub ostrą szablą szarżuje ciętym językiem?
    [Show full text]
  • Mulla Nasruddin in Cinema
    www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 2 April 2018 | ISSN: 2320-2882 MULLA NASRUDDIN IN CINEMA Mona Agnihotri PhD Scholar Centre of Russian Studies (CRS) School of Language, Literature and Culture Studies (SLL&CS) Jawaharlal Nehru University (JNU), New Delhi, India Abstract: Mulla Nasruddin is a folk hero. His tales are popular the world over. It is believed that he originally belonged to Turkey. His tales are short and humorous. But through humor these tales teach important life- lessons which people otherwise fail to learn. This paper portrays Mulla Nasruddin in a new role – that of a film hero. During the Soviet period many of his tales were made into films in the Central Asian Republics of the erstwhile Soviet Union, mainly Uzbekistan and Tajikistan. Some of his films are described in this paper. The material for this paper has been collected from the Internet sources especially Youtube.com which has these Mulla Nasruddin full-length feature films. The links to these films have been provided as footnotes in the paper. Keywords: Mulla Nasruddin, Films, Soviet Union, Central Asian Republics. Otto von Bismarck ones quoted that – “Only a fool learns from his own mistakes. The wise man learns from the mistakes of others.”1 Mulla Nasruddin’s version, who is considered to be a ‘wise fool’2, goes one step further than this, saying – “However, a wise fool is generous enough to let others learn from his failures.” The moment one hears the name Mulla Nasruddin, an image of an old man with a long beard riding backwards on his donkey appears before one’s eyes.
    [Show full text]
  • Cumhuriyet Dönemi Mizahı Üzerinde Değerlendirmeli Bir Bibliyografya Çalışması
    EGE ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TDA -TÜRK HALK BİLİMİ BİLİM DALI CUMHURİYET DÖNEMİ MİZAHI ÜZERİNDE DEĞERLENDİRMELİ BİR BİBLİYOGRAFYA ÇALIŞMASI YÜKSEK LİSANS TEZİ Hazırlayan: Esengül EŞİGÜL Danışman: Doç. Dr. Metin EKİCİ İZMİR-2002 Ege Üniversitesi Sosyal Bilimler Enstitüsü Müdürlüğüne sunduğum “Cumhuriyet Dönemi Geleneksel Türk Mizahı Üzerinde Değerlendirmeli Bir Bibliyografya Çalışmasıi” adlı yüksek lisans tezinin tarafımdan bilimsel, ahlâk ve normlara uygun bir şekilde hazırlandığımı, tezimde yararlandığım kaynakları bibliyografyada ve dipnotlarda gösterdiğimi onurumla doğrularım. 27.08.2002 Esengül EŞİGÜL TUTANAK Ege Üniversitesi Sosyal Bilimler Enstitüsü Yönetim Kurulu’nun 14/08/2001 tarih ve 2175 sayılı kararı ile oluşturulan jüri, TDAE-Türk Halk Bilimi anabilim dalı yüksek lisans öğrencisi Esengül EŞİGÜL’ün “Cumhuriyet Dönemi Geleneksel Türk Mizahı Üzerinde Değerlendirmeli Bir Bibliyografya Çalışması” başlıklı tezini incelemiş ve adayı 23/08/2001 günü saat 10:00’da tez savunmasına almıştır. Sınav sonunda adayın tez savunmasını ve jüri üyeleri tarafından tezi ile ilgili kendisine yöneltilen sorulara verdiği cevapları değerlendirerek tezin başarılı olduğuna oybirliğiyle karar vermiştir. BAŞKAN ÜYE ÜYE YÜKSEK ÖĞRETİM KURULU DOKÜMANTASYON MERKEZİ TEZ VERİ FORMU Tez No: Konu: Üniv. Kodu: Not: Bu bölüm merkezimiz tarafından doldurulacaktır. Tezin Yazarının: Soyadı : DÖNMEZ Adı : PINAR Tezin Türkçe Adı : TÜRK MİTOLOJİSİ ÜZERİNE TÜRKİYE'DE YAPILMIŞ YAYINLARIN BİBLİYOGRAFYASI VE BU YAYINLARIN ANALİZİ Tezin Yabancı Dilde Adı : A Bibliography of Mythology Studies on Turkish Mythology in Turkey and Analysis of These Studies Tezin Yapıldığı : Üniversite : EGE ÜNİVERSİTESİ Enstitü : SOSYAL BİLİMLER ENSTİTÜSÜ Yılı : 2001 Tezin Türü : Yüksek Lisans Doktora Tıpta Uzm. Sanatta Yeterlilik [ X ] [ ] [ ] [ ] Dili : TÜRKÇE Sayfa Sayısı : 90 Referans Sayısı : 61 Tez Danışmanlarının : Ünvanı : Prof. Dr. Ünvanı : Adı : FİKRET Adı : Soyadı : TÜRKMEN Soyadı : Türkçe Anahtar Kelimeler İngilizce Anahtar Kelimeler 1.
    [Show full text]
  • Die Rezeption Der Eulenspiegel-Figur Im Rumänischen Sprachraum Cristina DOGARU Assist
    Die Rezeption der Eulenspiegel-Figur im rumänischen Sprachraum Cristina DOGARU Assist. Drd. Universität Bukarest; E-mail: [email protected] Abstract: The following article analyses the perception of the famous character Till Eulenspiegel (Howleglas) in Romania, mostly focusing on „Întâmplãrile ºi faptele de pominã ale nãzdrãvanului Til Buhoglindã”, retold by Al. Alexianu. His fame was currently brought by the numerous translations, in 280 languages. The first complete Roma- nian translation was published in 1840, in Braºov. The book represented a major success towards the Romanian audience, following other editions being published (1848, 1856, 1858, etc.). The 43 tales chosen in the 1970s edition are focused on Till Eulenspiegels-character (translated in Romanian as Til Buhoglindã), revealing his complex per- sonality, as well as his amuzing and educational side. Key words: Perception, Buffoon, Entertainment, Educa- tion, Morale Der vorliegende Beitrag nimmt sich vor, die Rezeption der Eulenspiegel-Gestalt in Rumänien anhand der rumänischen Nach- erzählung, die unter dem Titel Întîmplãrile ºi faptele de pominã ale nãzdrãvanului Til Buhoglindã, repovestite pentru copii de Al. Alexianu 1970 erschienen ist, zu skizzieren. Eulenspiegels Ruf als beliebtester deutscher Schalk, und sogar als Volksheld, hat sich durch die unzähligen Bearbeitungen und Übersetzungen gefestigt. Die ersten Ausgaben des im frühen Mittelalter für Erwachsene geschriebenen Volksbuches ist heut- 197 198 Cristina Dogaru zutage wenigen in der Originalfassung1, die 1510-1511 erschienen ist und vom Zollschreiber Hermann Bote stammt, bekannt, präsentieren einen faulen Gelegenheitsarbeiter, einen außer- ständischen Landfahrer, der mit überlegener List immer nur Schaden anrichtet und der dennoch Abscheu und zugleich Bewun- derung hervorruft“2. Eulenspiegel hat sich im Rahmen der ger- manistischen Forschung immer schon einer besonderen Aufmerksamkeit erfreut, die sich umso mehr seit der Entdeckung eines neuen Eulenspiegel-Fragments Mitte des 20.
    [Show full text]
  • Little Johnny and the Wizard of OS: the PC User As a Fool Hero Dariusz Jemielniak
    7 Little Johnny and the Wizard of OS: The PC User as a Fool Hero Dariusz Jemielniak ‘When you look into the abyss, the abyss looks back into you.’ (Nietzsche, 1966, p. 89) There are only 10 types of people in the world: those who understand binary and those who don’t. This pun has made a career as a status message in IMs, emails, forum signature notes, and on a T-Shirt in a ThinkGeek.com online store. It has been indexed by Google half a mil- lion times. Still, it is only one of millions of similar jokes that deprecate those who are not adept at technology and mathematics. Users (‘users-losers’, as they are sometimes called by IT specialists) are depicted in these anecdotes as imbeciles, stupid beyond imagination. Certainly, support specialists often have to deal with problems that appear trivial to them, and they get over the frustration by sharing these archetypical stories. Some stories are obviously made up, some are urban legends, and some are pranks that geeks play upon each other. After all, computer work can be very demanding, since software companies often foster an atmosphere of distrust (Latusek, 2007) and of high time pressure (Jemielniak, 2005). However, such stereotypes shared by the group are also reenactments of their professional roles and help define their workplace (Berger and Luckman, 1966; Boje, 1991; Feldman and Skölberg, 2002; Weick, 1969/1979). In this sense, they do not describe the truth in a historical, factual sense. Rather, they are much more sig- nificant, because they reveal the symbolism that constitutes the actor’s script, the underlying assumptions of what is and what is not important (Czarniawska and Calás, 1998).
    [Show full text]