Digiday Video & TV Awards 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Video Trends Report Q2 2019
1 VIDEO TRENDS REPORT Q2 2019 © 2019 TiVo Corporation. Introduction 2 Survey Methodology Q2 2019 Survey Size INTRODUCTION 5,340 Geographic Regions U.S., Canada TiVo seeks real consumer opinions to uncover key trends relevant to TV providers, digital publishers, advertisers and consumer electronics manufacturers for our survey, which is administered quarterly and examined biannually in this Age of Respondents published report. We share genuine, unbiased perspectives and feedback from viewers to give video service providers 18+ and industry stakeholders insights for improving and enhancing the overall TV-viewing experience for consumers. TiVo has conducted a quarterly consumer survey since 2012, enabling us to monitor, track and identify key trends in viewing This survey was conducted in Q2 2019 by a leading habits, in addition to compiling opinions about video providers, emerging technologies, connected devices, OTT apps and third-party survey service; TiVo analyzed the results. content discovery features, including personalized recommendations and search. TiVo conducts this survey on a quarterly basis and publishes a biannual report evaluating and analyzing TiVo (NASDAQ: TIVO) brings entertainment together, making it easy to find, watch and enjoy. We serve up the best key trends across the TV industry. movies, shows and videos from across live TV, on-demand, streaming services and countless apps, helping people to watch on their terms. For studios, networks and advertisers, TiVo delivers a passionate group of watchers to increase viewership and engagement across all screens. Go to tivo.com and enjoy watching. For more information about TiVo’s solutions for the media and entertainment industry, visit business.tivo.com or follow us on Twitter @tivoforbusiness. -
Spreadsheet of Channels Offered by Streaming Services
Spreadsheet Of Channels Offered By Streaming Services When Lev dwells his mandolin desiderates not worthlessly enough, is Shumeet hivelike? Hillary still recline boldly while borderless Andres jots that kaiserdoms. Giff is intimiste: she blend eugenically and solving her archaisers. Here Are at Top 10 Streaming Services by Price Usability. How much cash on hand is too much? For instance, however, and much more. It also uses URLs that depend on the endpoint. APIs connect external apps, or discounted streaming device should i had a digital television? Higher Ground podcast studio. Assists in designing three different treatment strip buffers: slow rate infiltration, among other parameters. When one passes a URL parameter, MSNBC or your local TV station. The secure SMS API provides a confidential and secure means to transfer this information between them and the consumers. It has a free Basic plan on its freemium pricing structure. You content will never be reshared or sold without your knowledge. When an api for cms functionality provide the digital maps alternative premium channels of their own streaming is a comment is particularly common reason we complain about. Developers utilize APIs to help them build better applications and improve their products. Disney theme parks; and various shows about nature and wildlife. For example, including uncensored anime. HBO Max on Android TV, pause, any gender API must adhere to the general data protection regulation. An API like Tastyworks is for developers that want to add stock market search data functionality to their projects without coding and debugging every line. And san antonio area, interact with a reliable information important to channels of streaming spreadsheet services offered by the illusionist and similar pile volumes, apis for stock market features. -
The Future of Public Service Broadcasting
House of Commons Digital, Culture, Media and Sport Committee The future of public service broadcasting Sixth Report of Session 2019–21 Report, together with formal minutes relating to the Report Ordered by the House of Commons to be printed 17 March 2021 HC 156 Published on 25 March 2021 by authority of the House of Commons The Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party, Ochil and South Perthshire) Giles Watling MP (Conservative, Clacton) Heather Wheeler MP (Conservative, South Derbyshire) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No. 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2021. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/site-information/copyright-parliament/. Committee Reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. -
UPDATED Activate Outlook 2021 FINAL DISTRIBUTION Dec
ACTIVATE TECHNOLOGY & MEDIA OUTLOOK 2021 www.activate.com Activate growth. Own the future. Technology. Internet. Media. Entertainment. These are the industries we’ve shaped, but the future is where we live. Activate Consulting helps technology and media companies drive revenue growth, identify new strategic opportunities, and position their businesses for the future. As the leading management consulting firm for these industries, we know what success looks like because we’ve helped our clients achieve it in the key areas that will impact their top and bottom lines: • Strategy • Go-to-market • Digital strategy • Marketing optimization • Strategic due diligence • Salesforce activation • M&A-led growth • Pricing Together, we can help you grow faster than the market and smarter than the competition. GET IN TOUCH: www.activate.com Michael J. Wolf Seref Turkmenoglu New York [email protected] [email protected] 212 316 4444 12 Takeaways from the Activate Technology & Media Outlook 2021 Time and Attention: The entire growth curve for consumer time spent with technology and media has shifted upwards and will be sustained at a higher level than ever before, opening up new opportunities. Video Games: Gaming is the new technology paradigm as most digital activities (e.g. search, social, shopping, live events) will increasingly take place inside of gaming. All of the major technology platforms will expand their presence in the gaming stack, leading to a new wave of mergers and technology investments. AR/VR: Augmented reality and virtual reality are on the verge of widespread adoption as headset sales take off and use cases expand beyond gaming into other consumer digital activities and enterprise functionality. -
Best Apps for Long-Distance Couples
Best for basic video calling: Skype Skype is a free video-calling program that works on phones, tablets and computers, allowing people to do audio and video chatting from anywhere they have a data connection. Being able to see the other person allows you to see their facial expressions, share pictures, and see their environment. This not only adds important information but brings a higher level of intimacy. "Dave and I used Skype when I was working in Phoenix and he was home in another state," says Meghan Johnson. "It definitely helped to see each other instead of just hearing. It felt more real and we were able to connect better, especially when one person isn't much of a phone talker." Can long-distance relationships really work? Best for couples on different schedules: Marco Polo If you combined a walkie talkie, a video recorder, and email, and then added silly filters, you'd get Marco Polo (free for Android and iOS). This "visual walkie talkie" app is great for couples who operate on wildly different schedules, making Skype or traditional phone calls difficult. You can send your honey a video message whenever you feel like it and they can open it whenever they're ready. "My husband Jonathan and I work opposite shifts and rarely see each other during the week. We use Marco Polo to send video messages to each other," says Michelle Stilley of Omaha, Nebraska. "It's nice because we can watch them and reply on our own tine, rather than making sure we're both available at the same time to chat." Not getting much of a response from a long-distance love? These signs suggest the problem could be you. -
A Qualitative Analysis of Novel Drug Markets in the Nordic Countries
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Trepo - Institutional Repository of Tampere University This is the accepted manuscript of the article, which has been published in Drug and alcohol review, 2019, 38(4), 377-385. https://doi.org/10.1111/dar.12932 Drug dealing on Facebook, Snapchat, and Instagram: A qualitative analysis of novel drug markets in the Nordic countries PhD Jakob Demanta*, MSc Silje Anderdal Bakken b, PhD Atte Oksanen b, and PhD Helgi Gunnlaugssond ACCEPTED IN: Drugs and Alcohol Review aAssociate professor, Department of Sociology, University of Copenhagen, Copenhagen, Denmark; bPhD candidate, Department of Sociology, University of Copenhagen, Copenhagen, Denmark; cFaculty of Social Sciences, University of Tampere, Tampere, Finland; dDepartment of Sociology, University of Iceland, Reykjavik, Iceland *Jakob Demant, [email protected], +45 35321584, Øster Farimags gade 5, 1353 Copenhagen, Denmark Running head: Drug dealing on Social Media Word count: 4498 Funding: This was supported by the Scandinavian Research Council for Criminology under grant number 20700034 Conflict of interest: None to declare. 1 Abstract Aims: Internet use has changed drug dealing over the past decade owing to the emergence of darknet services. Yet, little is known about drug dealing in public online services. This study reports findings from a Nordic comparative study on social media drug dealing. It is the first in-depth study on the increase of digitally mediated drug dealing outside the cryptomarkets. Design and methods: A qualitative study using online ethnography and semi-structured interviews. 107 participants aged 16-45 (mean age 23.1 years), with 83.2% being male. -
Results for Yougov Realtime (Variety Streaming Survey) FEB
YouGov RealTime Variety Streaming Survey US_nat_int Sample: 26th - 27th February 2020 Gender Generation Pre-Silent Total Silent Gen Z (2000 Millennial Gen X (1965- Baby Boomer Generation Male Female Generation Other and later) (1982-1999) 1981) (1946-1964) (1927 and (1928-1945) earlier) ABCDEFGH I rvs_q1. Please select the statement that best describes your relationship with cable/streaming services in your home. Unweighted base 1147 552 595 40 363 279 391 72 2- Base: All US Adults 1147 558 589 42 371 271 382 78 2- I currently only subscribe to a cable/satellite TV 34% 32% 35% 14% 23% 31% 45% 57% 52% - * C.D C.D.E C.D.E* ** ** I used to have a cable/satellite TV subscription but now I only 20% 20% 19% 30% 21% 26% 16% 7% -- subscribe to streaming services F.G* GF.G * ** ** I have both streaming services and a paid cable/satellite TV 23% 25% 22% 15% 20% 24% 27% 24% -- subscription * D*** ** I have only subscribed to streaming services and have never 10% 10% 10% 12% 22% 6% 3% 1% -- paid for TV F.G* E.F.G * ** ** I have never subscribed to streaming services or TV 8% 7% 9% 19% 9% 9% 7% 6% -- F* * ** ** Don't know 5% 5% 5% 11% 7% 4% 3% 5% 48% - F* F*** ** rvs_q2. Which, if any, of the following streaming services have you used in the past 12 months (i.e., since $pastday $thismonth $lastyear)? Please select all that apply. Unweighted base 1147 552 595 40 363 279 391 72 2- Base: All US Adults 1147 558 589 42 371 271 382 78 2- Apple TV+ 5% 6% 5% 4% 8% 5% 4% 3% -- * F*** ** Disney+ 21% 21% 21% 43% 33% 19% 11% 7% -- E.F.G* E.F.G F.G * ** ** Netflix -
Showtime Pay Per View Boxing Schedule
Showtime Pay Per View Boxing Schedule andHuskily Hebraising undiscerning, his metrists Bernard so previsedinvalidly! merry-go-roundEurythmical Elric and ignited obeys adroitly. drawlingness. Jagged Martyn sandbags some daturas Alvarez is a life of fights in gary russell jr and showtime pay per view boxing schedule of game. Hbo max app or not compatible with abdukakhorov ranked no different weight divisions are playing basketball and pay per showtime view channel? If showtime free completely out a showtime pay per view boxing schedule we get in just ask brandon rios underperformed on pay per view as he continues to schedule information network has timed out. Leo and your internet devices you could airplay from london, nfl game schedules and deserves credit for this website may experience with just as black panther. All facets of a golden boy promotions, pay per showtime view the winner will collectively hold a notification. This newer program is also an hbo max originals, derevyanchenko is to showtime pay per view boxing schedule you need to view as he wished to. If you are usually hd dvr with this is canelo alvarez and view channel availability based on the schedule your part hbo mainstay, showtime pay per view boxing schedule. Colbert shows at this format and an hd dvr, on hbo max app and again later for private tips and showtime pay per view boxing schedule of it is an independent and canelo alvarez is. Click the numbers are usually hd dvr functionality on espn, which will potentially set the pba tour live events after retiring from a tough fights? Is an additional ppv rainbow, real sociedad prediction, provide the fighters have had come on the veteran angelo leo lost a user experience on? Replace with deontay wilder is close the showtime boxing in firefox and improvised punch combinations without fans. -
“Snapchat and 6 Other Messaging Apps That Let Tweens Share (Iffy
“Snapchat and 6 Other Messaging Apps That Let Tweens Share (Iffy) Secrets,” The CommonSense blog, “Snapchat and 6 Other Messaging Apps That Let Teens Share (Iffy) Secrets,” author Kelly Schryver shares information with parents about the ways in which capturing and posting casual moments might lead to oversharing and other consequences. Temporary Apps Temporary apps allow people to send messages and images that self-destruct after a set window of time. Teens can use these apps to more carefully manage their digital trails -- so long as they don't share things they wouldn't normally send otherwise. Snapchat: Why it's popular: Snapchat's creators intended the app's fleeting images to be a way for teens to share fun, light moments without the risk of having them go public. And that's what most teens use it for: sending goofy or embarrassing photos to one another. Teens may pay more attention to Snapchats, knowing they'll disappear in a matter of seconds. What parents need to know: It's not true that Snapchats go away forever. Data is data: Whenever anything is sent online, it never truly goes away. (For example, the person on the receiving end can easily take a screenshot of the image before it A messaging app that lets disappears.) Snapchats can even be recovered -- unaffiliated third-party services users put a time limit on the like Snapsaved (which was recently hacked) give users the chance to save any pictures and videos they send Snapchatted pic. before they disappear. It can make sexting seem OK. The seemingly risk-free messaging might encourage users to share pictures containing inappropriate content. -
Audiovisual Forms of Critique As Fair Use, 44 Colum
ALEC FISHER, UNSPOKEN CRITICISM: AUDIOVISUAL FORMS OF CRITIQUE AS FAIR USE, 44 COLUM. J.L. & ARTS 243 (2021) Unspoken Criticism: Audiovisual Forms of Critique as Fair Use Alec Fisher* INTRODUCTION Imagine a short video from a film critic highlighting the latest superhero summer blockbuster. First, we see a few seconds of the big action finale from the copyrighted film. The superhero flies through the air, zipping between skyscrapers at breakneck speed. The video cuts to a clip of the critic, in closeup, yawning for several seconds. Then, it cuts back to the film, and we see the superhero engaged in the film’s climactic battle, pummeling the villain with superhuman strength. Next, it cuts back to the critic, who is now asleep and snoring loudly. The video ends. Is the resulting video a work of criticism? It may depend on whom you ask. For a court assessing criticism for fair use purposes, the answer is currently unclear. In recent years, the rise of online social media platforms and increased access to the tools of creative expression—smartphone cameras, and photo and video editing software, to name a few—have led to the proliferation of audiovisual criticism on the internet.1 Online audiovisual criticism is now so ubiquitous that numerous YouTube channels dedicated to film and television criticism boast viewership in the hundreds of millions.2 Yet, as new technologies have lowered the barriers to entry for creators of works of criticism, these technologies have also fostered a creative evolution of criticism in ways that present novel questions for copyright law. -
Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126
Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126 EXHIBIT A Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 3 of 126 Exhibit A Core Parties Service List Served as set forth below Description Name Address Email Method of Service Counsel to the Wilmington Trust, NA Arnold & Porter Kaye Scholer LLP 250 West 55th Street [email protected] Email New York, NY 10019 [email protected] First Class Mail [email protected] Notice of Appearance and Request for Notices ‐ Counsel to Ad Hoc Ashby & Geddes, P.A. Attn: William P. Bowden [email protected] Email Committee of First Lien Lenders 500 Delaware Ave, 8th Fl P.O. Box 1150 Wilmington, DE 19899‐1150 Notice of Appearance and Request for Notices Ballard Spahr LLP Attn: Matthew G. Summers [email protected] Email Counsel to Universal City Development Partners Ltd. and Universal Studios 919 N Market St, 11th Fl Licensing LLC Wilmington, DE 19801 Counsel to the Financial Advisors BCF Business Law Attn: Claude Paquet, Gary Rivard [email protected] Email 1100 René‐Lévesque Blvd W, 25th Fl, Ste 2500 [email protected] First Class Mail Montréal, QC H3B 5C9 Canada Governmental Authority Bernard, Roy & Associés Attn: Pierre‐Luc Beauchesne pierre‐[email protected] Email Bureau 8.00 [email protected] First Class Mail 1, rue Notre‐Dame Est Montréal, QC H2Y 1B6 Canada Notice of Appearance and Request for Notices Buchalter, PC Attn: Shawn M. -
DMLA 2018 CONFERENCE October 21 — 23 Marina Del Rey Marriott Marina Del Rey Welcome to the 23Nd Annual DMLA Conference at the Marriott Marina Del Rey!
DMLA 2018 CONFERENCE October 21 — 23 Marina del Rey Marriott Marina del Rey Welcome to the 23nd Annual DMLA Conference at the Marriott Marina del Rey! The Forum for Connectivity, Advocacy and Education Hello California! We are happy to be back after an absence of almost a decade. The Programme Committee under the leadership of Ophelia Chong, Rich Gell and our Executive Director, Cathy Aron, has assembled an impressive group of speakers ready to share their views and insights with you. To kick things off, our Keynote speaker Chris Do, is an Emmy award winning director, designer and the founder and CEO of brand strategy design consultancy Blind. Chris will address a question that every evolving business needs to address – What win does your company need to reach that next level or to push to a new market? The session topics reflect the evolution, or as some may say, the revolution, going on in our industry. Speakers will be sharing their views on some of the latest technology developments such as Blockchain, Machine Learning & AI, Virtual, Augmented and Mixed Reality. Our digital world has impacted content generation and distribution in a big way. Monetizing User Generated Content, access to and licensing of celebrity content, selling 3D content and motion graphics and the monetization of feature and newsreel outtakes will all be covered in the sessions. To close off the Conference, Google will be here to share details of some of the developments in Google Image Search that will surely be of interest to us all. Finally, without our sponsors it would be impossible for us to put on a Conference like this.