Yu-Huang -- the Jade Emperor
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The Heart of the Dragon Ensemble Is a UK-Based Professional Chinese Musicians' Group That Holds Regular Concerts and Educational Programmes Throughout the UK
HEART OF THE DRAGON ENSEMBLE The Heart of the Dragon Ensemble is a UK-based professional Chinese musicians' group that holds regular concerts and educational programmes throughout the UK. Apart from playing traditional and classical Chinese music, the group also creates new compositions and productions. The Ensemble was founded and is led by composer and producer Jiang Li. Widely acclaimed as a composer of the new generation in the UK as well as in mainland China, and with a performing and composing career spanning more than thirty years, Jiang Li has produced a repertoire rich in Chinese music with Western influences. Jiang Li has been awarded a Fellowship Programme from NESTA - the National Endowment for Science, Technology and the Arts. He was also one of three finalists for a Pearl Award in the Creative Excellence category. Here, Jiang Li and the Heart of the Dragon Ensemble present the music of a variety of Chinese festivals celebrated throughout the Chinese calendar. A note from the producer Music is an expression of spiritual emotions. Looking back at Chinese history, it is not difficult to find that festivals and music are integrated and have evolved together. When music, dance and street arts add cultural colour to the festival, the festival provides an opportunity for these art forms to flourish. Included in this album is a good selection of such music that tell the stories of Chinese festivals: the drum beats for the dragon boat race in the Dragon Boat festival (“Three Dragons”), the lyrical tunes between the erhu and xiao on Chinese Valentine’s day (“Valentine Melody” & “Moonlight on Spring Water”), the harvest drums during the Mid-Autumn festival (“Autumn Celebration”), and the smooth ‘water-flow’-like melodies of the guzheng depicting ancient mythical stories (“Four Pieces of Silk”). -
Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony
Cultural and Religious Studies, July 2020, Vol. 8, No. 7, 386-402 doi: 10.17265/2328-2177/2020.07.002 D DAVID PUBLISHING Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony Wu Hui-Chiao Ming Chuan University, Taiwan Kuo, Yeh-Tzu founded Taiwan’s Sung Shan Tsu Huei Temple in 1970. She organized more than 200 worshipers as a group named “Taiwan Tsu Huei Temple Queen Mother of the West Delegation to China to Worship at the Ancestral Temples” in 1990. At that time, the temple building of the Queen Mother Palace in Huishan of Gansu Province was in disrepair, and Temple Master Kuo, Yeh-Tzu made a vow to rebuild it. Rebuilding the ancestral temple began in 1992 and was completed in 1994. It was the first case of a Taiwan temple financing the rebuilding of a far-away Queen Mother Palace with its own donations. In addition, Sung Shan Tsu Huei Temple celebrated its 45th anniversary and hosted Yiwei Yuanheng Lizhen Daluo Tiandi Qingjiao (Momentous and Fortuitous Heaven and Earth Prayer Ceremony) in 2015. This is the most important and the grandest blessing ceremony of Taoism, a rare event for Taoism locally and abroad during this century. Those sacred rituals were replete with unprecedented grand wishes to propagate the belief in Queen Mother of the West. Stopping at nothing, Queen Mother’s love never ceases. Keywords: Sung Shan Tsu Huei Temple, Temple Master Kuo, Yeh-Tzu, Golden Mother of the Jade Pond, Daluo Tiandi Qingjiao (Daluo Heaven and Earth Prayer Ceremony) Introduction The main god, Golden Mother of the Jade Pond (Golden Mother), enshrined in Sung Shan Tsu Huei Temple, is the same as the Queen Mother of the West, the highest goddess of Taoism. -
Traditional Festival As a Tourism Event- Stakeholders' Influence On
Traditional Festival as a Tourism Event: Stakeholders’ Influence on the Dynamics of the Sendai Tanabata Festival in Japan YUJIE SHEN JAP4693 - Master’s Thesis in Modern Japan Master’s programme 30 credits Autumn 2020 Department of Culture Studies and Oriental Languages (IKOS) University of Oslo December 15, 2020 Summary A new method of analyzing traditional Japanese festivals (matsuri) based on event studies is presented. Stakeholders’ influence and their interactions redefine narratives of tradition. In Japan, the urbanization of society has transformed matsuri into tourism-oriented events. However, the influence of touristification on tradition has not yet been fully explored. This paper offers a close examination of a case study about the dynamics of the Sendai Tanabata Festival. Local newspaper archives were used as the primary source and adopted the stake- holder theory and social exchange theory from event studies to examine stakeholders’ power and interests, as well as their relationships. The results discovered that it is the conflicts of festival stakeholders throughout the years that shaped the Sendai Tanabata Festival to what it is like today. Although festival organizers and local residents are key players, both domestic and foreign tourists’ influence should also not be neglected. The inheritance of traditional cul- ture depends on its original community i.e. local residents. Depopulation and aging social problems have shifted the weight of festival ownership to tourists, as they contribute to the economic revitalization and regional development. As a result, festival organizers tend to tai- lor the festival to tourists’ tastes, which often leads to change or loss of tradition’s original festive meaning or the invention of a new tradition. -
A Case Study of Adoption of a Mixed Teaching Mode in the Teaching of English-Chinese Translation Course
Chinese Studies, 2021, 10, 31-41 https://www.scirp.org/journal/chnstd ISSN Online: 2168-541X ISSN Print: 2168-5428 A Case Study of Adoption of a Mixed Teaching Mode in the Teaching of English-Chinese Translation Course Zhiling Wu, Yongqing Guo, Jianjun Wang* Foreign Languages College, Inner Mongolia University, Hohhot, China How to cite this paper: Wu, Z. L., Guo, Y. Abstract Q., & Wang, J. J. (2021). A Case Study of Adoption of a Mixed Teaching Mode in the This paper explores the application of Task-Based Learning (TBL), Collabor- Teaching of English-Chinese Translation ative-Inquiry Model (CIM) + MOOCs mixed teaching mode in the teaching Course. Chinese Studies, 10, 31-41. of “English-Chinese translation” course. When accomplishing learning tasks https://doi.org/10.4236/chnstd.2021.101003 by groups, students are driven to carry out collaborative learning before class. Received: November 19, 2020 Students feel compelled to complete specific learning tasks in the form of group Accepted: January 30, 2021 cooperation assigned by the teacher through two quality MOOC courses be- Published: February 2, 2021 fore class. In the case of this translation course, students are required to gain an insight into certain differences between English and Chinese before class Copyright © 2021 by author(s) and from the level of the syntactic structure to that of the semantic meaning. The Scientific Research Publishing Inc. This work is licensed under the Creative teacher carefully designs the overall learning task and group learning tasks to Commons Attribution International ultimately achieve one of the teaching goals of enabling students to introduce License (CC BY 4.0). -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
The Dictionary of Chinese Deities
THE DICTIONARY OF CHINESE DEITIES HAROLD LIU For everyone who love Chinese myth A Amitabha Amitabha is is a celestial buddha described in the scriptures of the Mahayana school of Buddhism. Amitabha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia. An Qisheng An immortal who had live 1.000 year at he time of Qin ShiHuang. According to the Liexian Zhuan, Qin Shi Huang spoke with him for three entire days (including nights), and offered Anqi jade and gold. He later sent an expedition under Xu Fu to find him and his highly sought elixir of life. Ao Guang The dragon king of East sea. He is the leader of four dragon king. His son Ao Bing killed by Nezha, when his other two son was also incapitated by Eight Immortals. Ao Run The dragon king of West Sea. His crown prine named Mo Ang and help Sun Wukong several times in journey to the West story.His 3th son follow monk XuanZhang as hisdragon horse during Xuan Zhang's journey to the West. Ao Qin The dragon king of South sea AoShun The dragon King of North sea. Azzure dragon (Qing Long) One of four mythical animal in China, he reincanated many times as warrior such as Shan Xiongxin and Yom Kaesomun, amighty general from Korea who foiled Chinese invasion. It eleemnt is wood B Bai He Tongzhu (white crane boy) Young deity disciple of Nanji Xianweng (god of longevity), he act as messenger in heaven Bai Mudan (White peony) Godess of temptress Famous prostitute who sucesfully tempt immortal Lu Dongbin to sleep with her and absorb his yang essence. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
Appendix 2 Chinese Deities and Spirits
Appendix 2 Chinese deities and spirits This appendix includes a selection of the most common and important gods, goddesses, Buddhas, bodhisattvas, ancestors, and spirits that one can find in reli- gious sites across China. For each major religion, I present the most important deities of the pantheon as people would encounter them in a temple or other sacred space. Of course, there are many other deities presented in temples across China; yet, these are some of the most common of the range of deities – which ultimately cover all aspects of people’s physical and spiritual lives. Animistic ideas (referring to the idea of having or expecting mutually recip- rocal relationships of respect, gift-exchange, and communication; see Harvey 2013) in China stem at least as far back as the proto-Daoist text, the Zhua¯ngzi 庄子, from around 300 BCE, the first seven, inner chapters of which scholars think were written by Zhua¯ ng Zho¯u 庄周 (c. 369 BCE – c. 286 BCE). This text explains ideas about carefree living, naturalness, and relativity of perceptions, and Zhua¯ ngzi seems to attempt to get people to recognize that they live in a multi- species symbiotic community in which each aspect is in relationship and that each deserves respect. The Zhua¯ ngzi continues to be a widely-read and influential book among contemporary Chinese readers. Other popular literary texts include religiously-informed animistic ideas as well. Journey to the West (Xı¯yóujì 西游记), The Investiture of the Gods (Fe¯ngshén Yaˇnyì 封神演义), Dream of the Red Chamber (Hónglóu mèng 红楼梦), and the Water Margin (Shuıˇ huˇ zhuàn 水浒传; aka., Outlaws of the Marsh), all contain examples of some natural phenomenon such as a rock, animal, or flower, which has absorbed the essence of the cosmos for so long that it becomes a spirit being and chooses to incarnate in the human world to experience life in a human form. -
Tao Te Ching [1] and the Founder of 老子 Philosophical Taoism, but He Is Also Revered As a Deity in Religious Taoism and Traditional Chinese Religions
老子天使 לאו דזה 老子 ﻻو تسي Λάου-Τζε Laozi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Lao_Tzu Laozi From Wikipedia, the free encyclopedia (Redirected from Lao Tzu) Laozi (also Lao-Tzu, Lao-Tsu , or Lao-Tze ) was a philosopher and poet of ancient China. He is best known as Laozi the reputed author of the Tao Te Ching [1] and the founder of 老子 philosophical Taoism, but he is also revered as a deity in religious Taoism and traditional Chinese religions. Although a legendary figure, he is usually dated to around the 6th century BC and reckoned a contemporary of Confucius, but some historians contend that he actually lived during the Warring States period of the 5th or 4th century BC. [2] A central figure in Chinese culture, Laozi is claimed by both the emperors of the Tang dynasty and modern people of the Li surname as a founder of their lineage. Throughout history, Laozi's work has been embraced by various anti-authoritarian movements. [3] Contents 1 Names 2 Historical views Laozi, depicted as Daode Tianzun 3 Tao Te Ching Born Zhou Dynasty 3.1 Taoism Died Zhou Dynasty 4 Influence 4.1 Eremitism Era Ancient philosophy 4.2 Politics Region Chinese philosophy 5 References School Taoism 5.1 Footnotes Notable ideas Wu wei 5.2 Bibliography Influenced 6 Further reading 7 External links Names [4] In traditional accounts, Laozi's personal name is usually given as Li Er (李耳, Old *Rəʔ N əʔ, Mod. Lǐ Ěr) and [4] his courtesy name as Boyang (trad. 伯陽, simp. -
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Advances in Social Science, Education and Humanities Research (ASSEHR), volume 103 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017) Analysis of the Cultural Connotation of Taoist Ritual Literature in the Northern Dynasty Mengmeng Zhou College of Liberal Arts Northwest University for Nationalities Lanzhou, Gansu, China 730030 Abstract—The study of Taoist ritual literature is about the hell in Taoist’s eyes, here also have things and landscapes literature content related to the ritual, literature restrict the which bring happiness to numerous people, many of the dead development of ritual literature, the ritual also determines the people and even the supreme emperors will enjoy their very characteristics of ritual literature, and the two are happy happiness here too. interdependent and mutually restrictive. Taoist ritual literature in the Northern Dynasties as an important factor of the Although the length of the Northern Dynasties Taoist ritual development of literature and Taoism in the Northern Dynasties, literature is not long, but also it use a unique expression to has the dual value in both religion and literature, thus deserves described the grand welcome scene when the gods “came further study. This paper focuses on the classification and down to the earth” through the dialogue with the gods, exploration of the cultural connotations of the Taoist ritual expressed the expectations and wishes for a prosperous literature in the Northern Dynasties, indicate it use a unique country and peaceful people, so as to achieve the purpose of expression to described the grand welcome scene when the gods dispel misfortune for human. -
Working Papers
Working Papers www.mmg.mpg.de/workingpapers MMG Working Paper 17-08 ● ISSN 2192-2357 FABIAN GRAHAM Visual anthropology: a temple anniversary in Singapore Religious and Ethnic Diversity und multiethnischer Gesellschaften Max Planck Institute for the Study of Max Planck Institute for the Study of Max-Planck-Institut zur Erforschung multireligiöser Fabian Graham Visual anthropology: a temple anniversary in Singapore MMG Working Paper 17-08 Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Max Planck Institute for the Study of Religious and Ethnic Diversity Göttingen © 2017 by the author ISSN 2192-2357 (MMG Working Papers Print) Working Papers are the work of staff members as well as visitors to the Institute’s events. The analyses and opinions presented in the papers do not reflect those of the Institute but are those of the author alone. Download: www.mmg.mpg.de/workingpapers MPI zur Erforschung multireligiöser und multiethnischer Gesellschaften MPI for the Study of Religious and Ethnic Diversity, Göttingen Hermann-Föge-Weg 11, 37073 Göttingen, Germany Tel.: +49 (551) 4956 - 0 Fax: +49 (551) 4956 - 170 www.mmg.mpg.de [email protected] Abstract Based on the hypothesis that the inclusion of visual media provides insights into non-verbal communication not provided by the written word alone, this paper repre- sents an experimental approach to test the usefulness of reproducing fieldwork pho- tography in directing reader’s attentions to probe the emic understandings of deific efficacy, and the researcher’s selective bias which the images implicitly or explicitly portray. This paper therefore explores the use of the visual image to illustrate that a reader’s own analysis of proxemics and kinesics allows for a deeper understanding of emic perspectives by drawing insights from the manipulation of material objects and from non-verbal communication – insights that the written word may struggle to accurately portray. -
The Taoist Religion
Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/taoistreligionOOpark : ,The Taoist Religion BY E. H. PARKER {Professor of Chinese at the Owens College). I REPRINTED FROM THE "DUBLIN REVIEW. PRICE Is. 6d. / Xonfcon LUZAC & CO., OREIGN AND ORIENTAL PUBLISHERS, ETC., 46 GREAT RUSSELL STREET, W. {Opposite the British Museum.) : The Taoist Religion i E. H.^ PARKER (Professor of Chinese at the Owens College). REPRINTED FROM THE "DUBLIN REVIEW." PRICE Is. 6<L Xonfcon LUZAC & CO., FOREIGN AND ORIENTAL PUBLISHERS, ETC., 46 GREAT RUSSELL STREET, W. (Opposite the British Museum.) 1925 ?37 59B278 8 a .54 THE TAOIST RELIGION, little is a significant fact that, whilst comparatively so IT has yet been done in the fields of Chinese etymology and history, where an ample supply of exact knowledge is at hand, almost every foreigner who has either seriously studied or superficially toyed with Chinese philosophical literature, where everything is so vague, considers himself at liberty to expatiate upon Taoism, although Confucius himself frankly declared it to be rather beyond his compre- hension, even when explained by the Taoist prophet him- self. Personally I have, for better or for worse, succeeded in surviving the nineteenth century without falling a victim if, thirty-five years to the fashionable cacoethes ; and after of dalliance with Chinese books, I at last yield to the tempter, I may at least be permitted to plead in palliation that I only commit in my approaching dotage that rash act which others have perpetrated in the heyday of their youth and fame.