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JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Speculative Review0203.Pdf
3 speculative review SPECULATIVE REVIEW, Volume 2 Number 3, appears once more to dissect some of the current crop of science-fiction and fantasy writing. This issue represents Operation Crifanac GIXXEI. Speculative Review is a magazine of review and speculation (really, now, that’s reasonable, isn't it?) about science-fiction and fantasy. It’s published by the Washington Science- Fiction Association, and edited by Dick Eney at 4^7 Hunt Rd., Alex andria, Virginia. Speculative Review is available for letters of comment, exchanges, or — if you care to throw money — at 3 for 25^ (3 for 2/ in sterling areas.) Reason I state that so prominently is that every other person who’s written in has grotched about the absence of any informa tion about how to get future issues of SpecRev. Now you know — unless you are somebody so estimable that we’ll send you copies no matter how much you protest, or you are reviewed in here; in that case, your real problem is how to avoid having SpecRev showered on you. That is, if there are further issues of Speculative Review. With the loss of four more titles in the last few months, we’ll have to move fast to get out later numbers while there’s still science-fiction and fantasy around to be speculated about. Unless the trend begins to turn in the opposite direction we may have to take up Redd Boggs’ suggestion and turn SpedRev into a cardzine. The most depressing thing about this most recent set of deaths is the nature of the victims: Doc Lowndes, whom almost everybody in the field has always praised for his accomplishments in putting out the quality he did on the budget he had; and Hans Stefan Santesson, whom we were all getting ready to start mentioning in the same breath with the aSF-E&SF- Goldsmith Amazing trinity. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Hamparian Thesis.Pdf (320.3Kb)
Matt Hamparian 1 Women of Science Fiction in the 1970s Introduction Science fiction is the genre of possibility, and is nearly boundless. The only limitation is that of what the reader and writer can imagine. What drew me to both science fiction, and this research is what draws many to science fiction: exploring new worlds, new ideas, new species, but importantly the depths of the human mind. Science fiction of the 1970s was transformative for the genre, as there was a distinct shift on who was writing best selling and award winning novels. Men had long dominated science fiction, especially during the “golden age,” but during the 1970s published science fiction novels by women gained the attention of those who loved the genre. Women such as Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, and James Tiptree Jr. (Allison B. Sheldon), all wrote award winning science fiction, but their stories also challenged readers with themes of equality. The question then arises, why did so many female authors take to science fiction to express their messages of equality during the 1970s? Author Suzy McKee Charnas, author of The Holdfast Chronicles wrote of this in the Khatru Symposium: Women in Science Fiction: “instead of having to ‘twist’ reality in order to create ‘realistic’ female characters in today’s totally unfree society, the sf writer can create the societies that would produce those characters” (Charnas 4). The women of science fiction in the 1970s were responding to an issue in science fiction: women were not represented accurately in text, nor where they given the same chance as their male counterparts. -
Archive I: Down by the Old Slipstream
Archive I: who gets a whole lot less recognition than I for one think he deserves: Barrington J. Bayley. Down by the Old Slipstream Bayley is an unusual writer in a variety of Arthur D. Hlavaty, 206 Valentine Street, ways. One can see him as a strange sort of Yonkers, NY 10704-1814. 914-965-4861. amphibian, in that he has been most published by [email protected] New Worlds and by DAW. He is not a writer one <http://www.livejournal.com/users/supergee/> seeks out for literary merit, characterization, elegant <http://www.maroney.org/hlavaty/> prose, adventure, or sex. If anything, he can be © 2018 by Arthur D. Hlavaty. Staff: Bernadette compared with writers such as Clement, Niven, Bosky, Kevin J. Maroney, Shekinah Dax, and the and Hogan,* who seek to do only one thing in their Valentine’s Castle Rat Pack. Permission to reprint in any nonprofit publication is hereby granted, on sf. But while the others speculate scientifically, condition that I am credited and sent a copy. Bayley deals with philosophical and spiritual questions, matters of the essence of reality. This is a new idea. If I do more of these, they Bayley has been largely concerned with the nature of Time in his writings, and perhaps his two will go to efanzines but may not be sent best books until now, Collision Course and The Fall of postally or as .txt files. If you want to stay on Chronopolis, presented new approaches to this either mailing list for these, please reply. Nice problem. More recently, he has incorporated such Distinctions will continue as before. -
Gizmotics-Book.Pdf
1 Secrets of Gizmotics Notes on Life Among the Machines Alan Robbins 3 Published by Alan Robbins 575 West End Avenue Suite 9D New York, NY 10024 Copyright © 2008 by Alan Robbins This version of Secrets of Gizmology is published in the United States of America, for free download via the World Wide Web site www.alanrobbins.com All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy- ing, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where per- mitted by law. Versions of many of these essays first appeared inThe New York Times Business Section “From the Desk Of” column from 1996 to 1997. 5 Also by Alan Robbins Sci-Fi Mysteries Following the Trail of Blood Stories at the Edge of Time A Small Box of Chaos An Interlude in Dreamland Interactive Mysteries The Secret Of The Gold Jaguar On The Trail Of Blood A Call For Murder Murder In A Locked Box Puzzle Books The Puzzicles Series 3D Puzzles Inspector Cross (with Henry Slesar) Cut & Construct Your Own Brontosaurus Humor Books The Dieter’s Coloring Pad Presidential Role Call The `Toon Book Non-Fiction Grandma’s Pantry Cookbook (with Trudy Smoke) The World of the Image (with Trudy Smoke) 6 CONTENTS Part One Welcome to the Gizmos 11 The Gizmos On Geegaw Evolution 13 Perfluxity 15 The Defenestration Point 17 Technode Love 19 Humanility 21 The MOIO Factor 23 The Lipshitz of Technology 25 Techuman 27 Part Two A Choice Dilemma 31 Paraboxes -
SCIENCE FICTION FALL T)T1T 7TT?TI7 NUMBER 48 1983 Mn V X J J W $2.00 SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O
SCIENCE FICTION FALL T)T1T 7TT?TI7 NUMBER 48 1983 Mn V X J_J W $2.00 SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 AUGUST, 1983 —VOL.12, NO.3 WHOLE NUMBER 98 PHONE: (503) 282-0381 RICHARD E. GEIS—editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY - $2.00 ALIEN THOUGHTS BY THE EDITOR.9 THE TREASURE OF THE SECRET C0RDWAINER by j.j. pierce.8 LETTERS.15 INTERIOR ART-- ROBERT A. COLLINS CHARLES PLATT IAN COVELL E. F. BLEILER ALAN DEAN FOSTER SMALL PRESS NOTES ED ROM WILLIAM ROTLSER-8 BY THE EDITOR.92 KERRY E. DAVIS RAYMOND H. ALLARD-15 ARNIE FENNER RICHARD BRUNING-20199 RONALD R. LAMBERT THE VIVISECTOR ATOM-29 F. M. BUSBY JAMES MCQUADE-39 BY DARRELL SCHWEITZER.99 ELAINE HAMPTON UNSIGNED-35 J.R. MADDEN GEORGE KOCHELL-38,39,90,91 RALPH E. VAUGHAN UNSIGNED-96 ROBERT BLOCH TWONG, TWONG SAID THE TICKTOCKER DARRELL SCHWEITZER THE PAPER IS READY DONN VICHA POEMS BY BLAKE SOUTHFORK.50 HARLAN ELLISON CHARLES PLATT THE ARCHIVES BOOKS AND OTHER ITEMS RECEIVED OTHER VOICES WITH DESCRIPTION, COMMENTARY BOOK REVIEWS BY AND OCCASIONAL REVIEWS.51 KARL EDD ROBERT SABELLA NO ADVERTISING WILL BE ACCEPTED RUSSELL ENGEBRETSON TEN YEARS AGO IN SF - SUTER,1973 JOHN DIPRETE BY ROBERT SABELLA.62 Second Class Postage Paid GARTH SPENCER at Portland, OR 97208 THE STOLEN LAKE P. MATHEWS SHAW NEAL WILGUS ALLEN VARNEY Copyright (c) 1983 by Richard E. MARK MANSELL Geis. One-time rights only have ALMA JO WILLIAMS been acquired from signed or cred¬ DEAN R. -
THR 1976 1.Pdf
creative writers and artists appear in rounter tfjrusit COLLEGE PARK, MD. 20740 50C thrust contents Cover by Steve Hauk.....page 1 Contents page (art by Richard Bryant).page 3 Editorial by Doug Fratz (art by Steve Hauk).page 4 THRUST INTERVIEW: HARLAN ELLISON by Dave Bischoff and Chris Lampton (axt by Steve Hauk)...page 5 Alienated Critic by Doug Fratz (art by Don Dagenais).page 12 Conventions (art by Jim Rehak).page 13 Centerspread art by Richard Bryant.page 14 Harlan Ellison vs. The Spawning Bischii by David F. Bischoff.page 16 Book Reviews by Chris Lampton, Linda Isaacs, Dave Bischoff, Melanie Desmond and Doug Fratz (art by Richard Bryant and Dennis Bailey ).page 21 ADVERTISING: Counter-Thrust Fantasy Magazine...page 2 The Nostalgia Journal.....page 27 Crazy A1 ’ s C omix and Nostalgia Shop....page 28 staff Editor-in-Chief: Computer Layout: LEE MOORE and NATALIE PAYMER Doug Fratz Art Director: Managing Editor: STEVE HAUK Editorial Assistants: Dennis Bailey RON WATSON and BARBARA GOLDFARB Staff Writers: Associate Editor: DAVE BISCHOFF Melanie Desmond EE SEE? EDITORIAL by Doug Fratz I created THRUST SCIENCE FICTION more than find it incredibly interesting reading it over three years ago, and edited and published five for the tenth or twelveth time. Ted Cogswell issues, between February 1973 and May 1974, should take special note. completely from my own funds. When I received In addition, THRUST will have a sister my degree from the University of Maryland, I magazine of sorts, COUNTER-THRUST, to be pub¬ decided to turn THRUST over to other editors. lished yearly, once each summer. -
DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & Verantwoordelijke Uitgever Walter A.P
Walter A.P. Soethoudt DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & verantwoordelijke uitgever Walter A.P. Soethoudt Walter A.P. Soethoudt DUISTER VERLEDEN 2 Pulpfiction schrijvers westerns noirs en andere verhalen De consequenties van onze goede daden achtervervolgen ons onverbiddelijk en zijn vaak moeilijker te dragen dan die van onze slechte. Marie von Ebner-Eschenbach INHOUD DEEL 1 Pulpfiction schrijvers 7 Cornell Woolrich: poëet van de schaduwen 9 Robert Bloch: De meester van het kwaad 69 Marjorie Bowen: kon met haar pen nauwelijks haar geest volgen 145 Charles Einstein: terwijl de stad slaapt 175 Charles Francis Coe: toen noir nog drama werd genoemd 187 Lionel White: gesmaakt door de avant-garde 201 Lucy Malleson: de vrouw die verstoppertje speelde 217 Chandler in Hollywood 233 Tiffany Thayer: poltergeisten en andere abnormale fenomenen 299 Leo Rosten: de waarheid is vreemder dan fictie 327 Rufus King: dramatische voorloper 341 Cyril McNeile: De schrijver van Bulldog Drummond was 367 geen nette heer DEEL 2 391 Westerns noirs Van Rio Bravo, Rio Lobo, El Dorado tot Les insoumis 393 Luke Short: De cowboy die een zwartkijker was 409 C.S. Boyles, jr.: Een man met vele namen 421 Niven Bush 427 Jesse en Frank James: populaire boeven 435 Sam H. Rolfe: Het begin van een grote vriendschap 439 Stuart N. Lake: hield Wyatt Earp in leven 441 6 duister verleden 2 DEEL 3 Andere filmverhalen 455 Pierre Louÿs: De vrouw en de ledenpop 457 De Shaffer tweeling 473 De wind in de wilgen 479 De laatste dagen van Pompeii 485 Wat gebeurde er met A Month in the Country? 489 The Yellow Rose of Texas 495 Ieder zijn vergif 505 DEEL 1 PULPFICTION SCHRIJVERS Cornell Woolrich: poëet van de schaduwen “I want her back. -
OPUNTIA 338 Early April 2016
OPUNTIA 338 Early April 2016 Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of comment, please include your name and town in the message. AROUND COWTOWN: BOWMONT PARK 2016-03-27 photos by Dale Speirs Bowmont Park in northwest Calgary is a natural area on the north bank of the Bow River between the suburbs of Bowness and Montgomery. They were once independent villages before being swallowed up by Calgary in 1961 and ceasing to have any independent existence. The park is about ten kilometres long and a hundred metres wide, bounded on its north side by the suburbs of Silver Springs and Varsity Estates. Those two are developer-built suburbs dating from the 1970s. Varsity is adjacent on its far boundary to the University of Calgary, hence its name. Although Silver Springs sounds like a made-up developer name, it was actually the pioneer name when it was cattle ranches, a reference to numerous springs along what is now Bowmont Park. The photo at right shows one of the springs. We are having an early spring after a record warm winter. My lilacs began budding out on March 18 and the lawn started greening up a few days later. I went out to Bowmont Park on Easter Sunday, where the prairie anemones were starting to bloom. The section of the park I visited was Silver Springs Coulee. Anemone patens in bloom on the slope of Silver Springs Coulee. -
A- Ukertl/L TJ-Fa CJ&Tfmmeh
b A Y C 0 N-------------------------------------------------- A- UKertl/l TJ-fA CJ&tfMmeh As a service to those of you who supported the recent 26th World Science Fic tion Convention (BayCon) by buying a membership in the con, but who were un able to attend, we present herein a report to you of the events that tran spired, and other items of interest* HUGO AWARDS BEST HOVEL: Lord of Light by Roger Zelazny :: BEST NOVELLA: (tie) "Weyr Search” by Anne McCaffrey, ’’Riders of the Purple Wage" by Philip Jose Farmer :: BEST NOVELET: "Gonna Roll the Bones" by Fritz Leiber :: BEST SHORT STORY: "I Have No Mouth and i Must Scream" by Harlan Ellison :: BEST DRAMATIC PRE SENTATION: City on the Edge of* Forever (STAR TREK) by Harlan Ellison :: BEST PROFESSIONAL MAGAZINE: If, edited by Fred Pohl (accepted by Robert Guinn, pub lisher) :: BEST PROFESSIONAL ARTIST: Jack Gaughan (accepted by Elsie Wollheim) :: BEST AMATEUR MAGAZINE: Amr a, edited by George Scithers (accepted by Dick Eney) :: BEST FAN WRITER: Ted White :: BEST FAN ARTIST: George Ba"rr (accepted by Bjo Trimble). OTHER AWARDS First Fandom Hall of Fame Award: presented to Jack Williamson by Edmond Hamil ton. Big Heart Award: presented to Walter J. Daugherty by Forrest J. Ackerman. Invisible Little Man Award: presented to J. Francis McComas by Ed Wood, Chair men of the Elves’, Gnomes’, &’Little Men’s Science Fiction, Chowder & Marching Society of Berkeley. Special Plaques presented by the BayCon Committee: to Harlan Ellison, editor of Dangerous Visions, "The Most Significant and Controversial SF Book Pub lished in 1967u and to Gene Roddenberry, Executive Producer of STAR TREK, "for STAR TREK 1967." GUESTS OF HONOR SPEECHES Fan Guest of Honor Walter J.