Archive I: Down by the Old Slipstream
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A Discourse of Redemption in Three of Kurt Vonnegut's Novels
Tutton Parker 1 What’s in the Potato Barn: A Discourse of Redemption in Three of Kurt Vonnegut’s Novels A Thesis Submitted to The Faculty of the College of Arts and Science in Candidacy for the Degree of Master of Arts and English By Rebecca Tutton Parker April 2018 Tutton Parker 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Rebecca Tutton Parker Thesis Chair Date First Reader Date Second Reader Date Tutton Parker 3 Table of Contents Chapter One: Introduction………………………………………………………………………...4 Chapter Two: Redemption in Slaughterhouse-Five and Bluebeard…………………………..…23 Chapter Three: Rabo Karabekian’s Path to Redemption in Breakfast of Champions…………...42 Chapter Four: How Rabo Karabekian Brings Redemption to Kurt Vonnegut…………………..54 Chapter Five: Conclusion………………………………………………………………………..72 Works Cited……………………………………………………………………………………..75 Tutton Parker 4 Chapter One: Introduction The Bluebeard folktale has been recorded since the seventeenth century with historical roots even further back in history. What is most commonly referred to as Bluebeard, however, started as a Mother Goose tale transcribed by Charles Perrault in 1697. The story is about a man with a blue beard who had many wives and told them not to go into a certain room of his castle (Hermansson ix). Inevitably when each wife was given the golden key to the room and a chance alone in the house, she would always open the door and find the dead bodies of past wives. She would then meet her own death at the hands of her husband. According to Casie Hermansson, the tale was very popular in the eighteenth and nineteenth centuries, which spurred many literary figures to adapt it, including James Boswell, Charles Dickens, Herman Melville, and Thomas Carlyle (x). -
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European Proceedings of Social and Behavioural Sciences EpSBS www.europeanproceedings.com e-ISSN: 2357-1330 DOI: 10.15405/epsbs.2020.11.03.68 DCCD 2020 Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding THE HOLY GRAIL AS A DIALOGUE OF STORIES IN THE NOVEL BY KURT VONNEGUT 'BLUEBEARD' Olga I. Nefedova (a)* *Corresponding author (a) Moscow City University, Institute of Foreign Languages, 5B Malyj Kazennyj pereulok, Moscow, Russia, [email protected] Abstract The article is devoted to analyzing a novel by Kurt Vonnegut “Bluebeard” in order to identify some of its allusions and references. The author claims that the text refers to the so-called Matter of Britain, specifically to the adventure of a knight in search of an unreachable sacred object, the Holy Grail. It helps the writer to explore the issues of determining a person’s identity and the purposes of art. The analysis has shown that the main opposition form versus idea reveals itself in the tensions between realism and abstract expressionism in art and between “soul” and “meat” of the main character Rabo Karabekian. The first conflict is tied to the succession of the Fisher King, the keeper of the grail, and his knight: a modernist artist Rabo is a knight for a realist illustrator Dan Gregory and a Fisher King to a popular writer Circe Berman close to social realist philosophy. The second one is connected with his broken communication with people in his life and his quest for belonging and identity. The resolution lies in balance reached through sharing stories about art objects and life experiences. -
Hamparian Thesis.Pdf (320.3Kb)
Matt Hamparian 1 Women of Science Fiction in the 1970s Introduction Science fiction is the genre of possibility, and is nearly boundless. The only limitation is that of what the reader and writer can imagine. What drew me to both science fiction, and this research is what draws many to science fiction: exploring new worlds, new ideas, new species, but importantly the depths of the human mind. Science fiction of the 1970s was transformative for the genre, as there was a distinct shift on who was writing best selling and award winning novels. Men had long dominated science fiction, especially during the “golden age,” but during the 1970s published science fiction novels by women gained the attention of those who loved the genre. Women such as Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, and James Tiptree Jr. (Allison B. Sheldon), all wrote award winning science fiction, but their stories also challenged readers with themes of equality. The question then arises, why did so many female authors take to science fiction to express their messages of equality during the 1970s? Author Suzy McKee Charnas, author of The Holdfast Chronicles wrote of this in the Khatru Symposium: Women in Science Fiction: “instead of having to ‘twist’ reality in order to create ‘realistic’ female characters in today’s totally unfree society, the sf writer can create the societies that would produce those characters” (Charnas 4). The women of science fiction in the 1970s were responding to an issue in science fiction: women were not represented accurately in text, nor where they given the same chance as their male counterparts. -
By Sarah J Griffith
THE MORAL EGOTIST: EVOLUTION OF STYLE IN KURT VONNEGUT’S SATIRE by Sarah J Griffith The Moral Egotist: Evolution of Style in Kurt Vonnegut’s Satire by Sarah J Griffith A thesis presented for the B.A. Degree with Honors in The Department of English University of Michigan Spring 2008 © 2008 Sarah J Griffith Acknowledgements I would like to thank my teachers, advisors, friends, and family without whose support this project may never have become a reality. My thesis advisor, Eric Rabkin, has been an absolutely invaluable resource of both support and tough-love. He earned my respect on the first day we met and I felt compelled to spend the following weeks drafting a project statement grand enough to satisfy his high standards. He is a phenomenal mentor and academic from whom I have learned more about writing in six months than ever before. During the writing process, my teammates and friends were constant sources of alternate encouragement, guidance, and comic relief. Many thanks to Tyler Kinley for providing a tireless and creative ear for the development of my ideas, though I am fortunate in that this comes as no surprise. Most importantly, much appreciation goes to my overwhelmingly supportive parents who affirmed their love for me one more time in soldiering through the early drafts of my writing. Thanks to my father from whom I get my passion for language and my mother whose unmatched patience and compassion have buoyed me up time and again throughout this intensive project. Gratitude is also due to both of them for my opportunity to attend the University of Michigan to meet and work with all of the incredible individuals mentioned above. -
SCIENCE FICTION FALL T)T1T 7TT?TI7 NUMBER 48 1983 Mn V X J J W $2.00 SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O
SCIENCE FICTION FALL T)T1T 7TT?TI7 NUMBER 48 1983 Mn V X J_J W $2.00 SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 AUGUST, 1983 —VOL.12, NO.3 WHOLE NUMBER 98 PHONE: (503) 282-0381 RICHARD E. GEIS—editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY - $2.00 ALIEN THOUGHTS BY THE EDITOR.9 THE TREASURE OF THE SECRET C0RDWAINER by j.j. pierce.8 LETTERS.15 INTERIOR ART-- ROBERT A. COLLINS CHARLES PLATT IAN COVELL E. F. BLEILER ALAN DEAN FOSTER SMALL PRESS NOTES ED ROM WILLIAM ROTLSER-8 BY THE EDITOR.92 KERRY E. DAVIS RAYMOND H. ALLARD-15 ARNIE FENNER RICHARD BRUNING-20199 RONALD R. LAMBERT THE VIVISECTOR ATOM-29 F. M. BUSBY JAMES MCQUADE-39 BY DARRELL SCHWEITZER.99 ELAINE HAMPTON UNSIGNED-35 J.R. MADDEN GEORGE KOCHELL-38,39,90,91 RALPH E. VAUGHAN UNSIGNED-96 ROBERT BLOCH TWONG, TWONG SAID THE TICKTOCKER DARRELL SCHWEITZER THE PAPER IS READY DONN VICHA POEMS BY BLAKE SOUTHFORK.50 HARLAN ELLISON CHARLES PLATT THE ARCHIVES BOOKS AND OTHER ITEMS RECEIVED OTHER VOICES WITH DESCRIPTION, COMMENTARY BOOK REVIEWS BY AND OCCASIONAL REVIEWS.51 KARL EDD ROBERT SABELLA NO ADVERTISING WILL BE ACCEPTED RUSSELL ENGEBRETSON TEN YEARS AGO IN SF - SUTER,1973 JOHN DIPRETE BY ROBERT SABELLA.62 Second Class Postage Paid GARTH SPENCER at Portland, OR 97208 THE STOLEN LAKE P. MATHEWS SHAW NEAL WILGUS ALLEN VARNEY Copyright (c) 1983 by Richard E. MARK MANSELL Geis. One-time rights only have ALMA JO WILLIAMS been acquired from signed or cred¬ DEAN R. -
THR 1976 1.Pdf
creative writers and artists appear in rounter tfjrusit COLLEGE PARK, MD. 20740 50C thrust contents Cover by Steve Hauk.....page 1 Contents page (art by Richard Bryant).page 3 Editorial by Doug Fratz (art by Steve Hauk).page 4 THRUST INTERVIEW: HARLAN ELLISON by Dave Bischoff and Chris Lampton (axt by Steve Hauk)...page 5 Alienated Critic by Doug Fratz (art by Don Dagenais).page 12 Conventions (art by Jim Rehak).page 13 Centerspread art by Richard Bryant.page 14 Harlan Ellison vs. The Spawning Bischii by David F. Bischoff.page 16 Book Reviews by Chris Lampton, Linda Isaacs, Dave Bischoff, Melanie Desmond and Doug Fratz (art by Richard Bryant and Dennis Bailey ).page 21 ADVERTISING: Counter-Thrust Fantasy Magazine...page 2 The Nostalgia Journal.....page 27 Crazy A1 ’ s C omix and Nostalgia Shop....page 28 staff Editor-in-Chief: Computer Layout: LEE MOORE and NATALIE PAYMER Doug Fratz Art Director: Managing Editor: STEVE HAUK Editorial Assistants: Dennis Bailey RON WATSON and BARBARA GOLDFARB Staff Writers: Associate Editor: DAVE BISCHOFF Melanie Desmond EE SEE? EDITORIAL by Doug Fratz I created THRUST SCIENCE FICTION more than find it incredibly interesting reading it over three years ago, and edited and published five for the tenth or twelveth time. Ted Cogswell issues, between February 1973 and May 1974, should take special note. completely from my own funds. When I received In addition, THRUST will have a sister my degree from the University of Maryland, I magazine of sorts, COUNTER-THRUST, to be pub¬ decided to turn THRUST over to other editors. lished yearly, once each summer. -
Kurt Vonnegut Biography
Kurt Vonnegut (1922-2007) Born in Indianapolis. Attended Cornell University, majoring in chemistry. Served in WWII and was POW in Dresden when 135,000 were killed by fire bombs. His mother committed suicide on Mother’s Day 1944. Kurt Vonnegut (1922-2007) Attended University of Chicago as graduate student in anthropology, but his thesis was rejected. In 1971 Chicago awarded him the MA, accepting his novel Cat’s Cradle as substitute for his thesis. Kurt Vonnegut (1922-2007) After WWII he married his childhood sweetheart Jane Cox and eventually raised seven children, three with her, three adopted after his sister Alice died and one adopted with his second wife Jill Krementz. Worked in public relations for General Electric. Quit in 1950 to write science fiction. Kurt Vonnegut (1922-2007) Player Piano (1952) was his first novel, followed by The Sirens of Titan (1959) and Mother Night (1961). Cat’s Cradle (1963) was his first book to be published in hard back, followed by God Bless You Mr. Rosewater (1965) Kurt Vonnegut (1922-2007) Considered giving up writing but took a position teaching at the University of Iowa’s Writer’s Workshop where he started writing Slaughter House Five (1969) which became his first big best seller. Kurt Vonnegut (1922-2007) Other novels included Breakfast of Champions (1973), Slapstick (1976), Jailbird (1979), Deadeye Dick (1982), Galápagos (1985), Bluebeard (1987), Hocus Pocus (1990), and Timequake (1997). Kurt Vonnegut (1922-2007) He smoked unfiltered Pall Mall cigarettes all of his adult life, calling it a “classy way to commit suicide.” In TimeQuake (1997) he wrote that his alter ego Kilgore Trout would die when he was 84. -
•Œall Persons Living and Dead Are Purely Coincidental:Â•Š Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegu
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2014 “All Persons Living and Dead Are Purely Coincidental:” Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegut’s Universe Danielle M. Clarke College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, North America Commons Recommended Citation Clarke, Danielle M., "“All Persons Living and Dead Are Purely Coincidental:” Unity, Dissolution, and the Humanist Wampeter of Kurt Vonnegut’s Universe" (2014). Undergraduate Honors Theses. Paper 56. https://scholarworks.wm.edu/honorstheses/56 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Clarke 2 Table of Contents: Introduction…………………………………………………………………..……………3 Reading Cosmically…………………………………………………………...…………12 Reading Thematically……………..……..………………………………………………29 Reading Holisitcally …………...…………...……………………………………………38 Reading Theoretically …………………………………………...………………………58 Conclusions………………………………………………………………………………75 Works Cited…………………………………………………………………...…………85 Works Consulted…………………………………………………………………………89 Clarke 3 Introduction “‘Being alive is a crock of shit’" (3) writes Kurt Vonnegut in the opening chapter of Timequake (1997), quoting “the old science fiction writer -
A Postmodern Iconography: Vonnegut and the Great American Novel
A POSTMODERNICONOGRAPHY: VONNEGUTAND THE GREATAMERICAN NOVEL "Call me Jonah". The opening line of Cat's Cradle, Kurt Vomegut's end-of-the-world masterpiece, unmistakably echoes that of Moby-Dick, Herman Melville's end-of-the-world masterpiece. Indeed, such echoes are audible elsewhere in Cat's Cradle, from the "cetacean" Mount MacCabe, which looks like a whale with a snapped harpoon protruding from it, to the great Ahab-like quarrel with God, humorously figured in Bokonon's thumb-nosing gesture at the novel's end. In pointing to Moby-Dick, as likely a candidate as ever was for the "great American novel". Vonnegut registers his own entry into the contest, but here it is also bound up in the laughable impossibility of the project. The novels of Kurt Vonnegut are not generally the first to come to mind when one thinks of the great American novel. Indeed, this latter, elusive thing-impossible and, perhaps, not even desirable-has long been a bit of a joke, the sort of thing an aspiring writer claims to be working on, or (even more likely) something a writer's parents, friends, and others say that he or she is working on. The great American novel is always a dream deferred; it cannot really exist, it seems, for that very reality would probably undermine any novel's greatness. The "great American novel" really belongs to the nineteenth century, not the twentieth. It existed there as a dream of writers and critics, desperate to carve a distinct national culture from the variously influential European traditions. -
The Critical Response to Kurt Vonnegut'
H-PCAACA Bane on Mustazza, 'The Critical Response to Kurt Vonnegut' Review published on Thursday, June 1, 1995 Leonard Mustazza, ed. The Critical Response to Kurt Vonnegut. Westport, Conn.: Greenwood Press, 1994. xxxiii + 346 pp. $59.95 (cloth), ISBN 978-0-313-28634-6. Reviewed by S. Kirk Bane (Arkansas Tech University) Published on H-PCAACA (June, 1995) Leonard Mustazza, Director of Academic Affairs and Professor of English and American Studies at Pennsylvania State University-Ogontz Campus, and author of Forever Pursuing Genesis: The Myth of Eden in the Novels of Kurt Vonnegut, has done a commendable job compiling and editing the various critical reactions to the renowned novelist's works. This study, part of a Critical Responses in Arts and Letters Series, contains forty reviews by such critics as Doris Lessing, Stanley Schatt Terry Southern, Jerome Klinkowitz, Granville Hicks, Robert Merrill, Kathryn Hume, Lawrence R. Broer, and Jay McInerney. The volume includes reviews of Player Piano, The Sirens of Titan, Mother Night, Cat's Cradle God Bless You, Mr. Rosewater, Slaughterhouse-Five, Breakfast of Champions, Slapstick, Jailbird, Deadeye Dick, Galapagos, Bluebeard, and Hocus Pocus. The text is divided into two parts: The Road to Critical Success, 1952-1969 and The Critical Mainstream, 1970-1993. Mustazza has written a fine introduction to complement his collection of reviews; a helpful Selected Bibliography rounds out the book. Vonnegut students will applaud the publication of this excellent volume. Copyright (c) 1995 by H-Net and PCAACA, all rights reserved. This work may be copied for non-profit educational use if proper credit is given to the author and the list. -
A- Ukertl/L TJ-Fa CJ&Tfmmeh
b A Y C 0 N-------------------------------------------------- A- UKertl/l TJ-fA CJ&tfMmeh As a service to those of you who supported the recent 26th World Science Fic tion Convention (BayCon) by buying a membership in the con, but who were un able to attend, we present herein a report to you of the events that tran spired, and other items of interest* HUGO AWARDS BEST HOVEL: Lord of Light by Roger Zelazny :: BEST NOVELLA: (tie) "Weyr Search” by Anne McCaffrey, ’’Riders of the Purple Wage" by Philip Jose Farmer :: BEST NOVELET: "Gonna Roll the Bones" by Fritz Leiber :: BEST SHORT STORY: "I Have No Mouth and i Must Scream" by Harlan Ellison :: BEST DRAMATIC PRE SENTATION: City on the Edge of* Forever (STAR TREK) by Harlan Ellison :: BEST PROFESSIONAL MAGAZINE: If, edited by Fred Pohl (accepted by Robert Guinn, pub lisher) :: BEST PROFESSIONAL ARTIST: Jack Gaughan (accepted by Elsie Wollheim) :: BEST AMATEUR MAGAZINE: Amr a, edited by George Scithers (accepted by Dick Eney) :: BEST FAN WRITER: Ted White :: BEST FAN ARTIST: George Ba"rr (accepted by Bjo Trimble). OTHER AWARDS First Fandom Hall of Fame Award: presented to Jack Williamson by Edmond Hamil ton. Big Heart Award: presented to Walter J. Daugherty by Forrest J. Ackerman. Invisible Little Man Award: presented to J. Francis McComas by Ed Wood, Chair men of the Elves’, Gnomes’, &’Little Men’s Science Fiction, Chowder & Marching Society of Berkeley. Special Plaques presented by the BayCon Committee: to Harlan Ellison, editor of Dangerous Visions, "The Most Significant and Controversial SF Book Pub lished in 1967u and to Gene Roddenberry, Executive Producer of STAR TREK, "for STAR TREK 1967." GUESTS OF HONOR SPEECHES Fan Guest of Honor Walter J. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47.