A Discourse of Redemption in Three of Kurt Vonnegut's Novels
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Once Upon a Time There Was a Puss in Boots: Hanna Januszewska’S Polish Translation and Adaptation of Charles Perrault’S Fairy Tales
Przekładaniec. A Journal of Literary Translation 22–23 (2009/2010): 33–55 doi:10.4467/16891864ePC.13.002.0856 Monika Woźniak ONCE UPON A TIME THERE WAS A PUSS IN BOOTS: Hanna Januszewska’s POLISH TRANSLATION AND ADAPTATION OF CHARLES Perrault’s FAIRY TALES Abstract: This article opens with an overview of the Polish reception of fairy tales, Perrault’s in particular, since 1700. The introductory section investigates the long- established preference for adaptation rather than translation of this genre in Poland and provides the framework for an in-depth comparative analysis of the first Polish translation of Mother Goose Tales by Hanna Januszewska, published in 1961, as well as her adaptation of Perrault’s tales ten years later. The examination focuses on two questions: first, the cultural distance between the original French text and Polish fairy- tales, which causes objective translation difficulties; second, the cultural, stylistic and linguistic shifts introduced by Januszewska in the process of transforming her earlier translation into a free adaptation of Perrault’s work. These questions lead not only to comparing the originality or literary value of Januszewska’s two proposals, but also to examining the reasons for the enormous popularity of the adapted version. The faithful translation, by all means a good text in itself, did not gain wide recognition and, if not exactly a failure, it was nevertheless an unsuccessful attempt to introduce Polish readers to the original spirit of Mother Goose Tales. Keywords: translation, adaptation, fairy tale, Perrault, Januszewska The suggestion that Charles Perrault and his fairy tales are unknown in Poland may at first seem absurd, since it would be rather difficult to im- agine anyone who has not heard of Cinderella, Puss in Boots or Sleeping Beauty. -
James Patterson.Mobi 3Rd Degree
.mobi 1984- George Orwell.mobi 1st to Die- James Patterson.mobi 2nd Chance- James Patterson.mobi 3rd Degree- James Patterson.mobi 61 Hours - Lee Child.mobi 9 Dragons- Michael Connelly.mobi A Bend in the Road- Nicholas Sparks.mobi A Brief History of Time- Stephen Hawking.mobi A Canticle for Leibowitz- Walter M. Miller.mobi A Caress of Twilight - Laurell K. Hamilton.mobi A Catskill Eagle- Robert B. Parker.mobi A Christmas Carol- Charles Dickens.mobi A Clash of Kings- George R.R. Martin.mobi A Clockwork Orange- Anthony Burgess.mobi A Confederacy of Dunces- John Kennedy Toole.mobi A Connecticut Yankee in King Arthur's Court- Mark Twain.mobi A Crown of Swords- Robert Jordan.mobi A Dangerous Man- Charlie Huston.mobi A Darkness More Than Night- Michael Connelly.mobi A Day Late and a Dollar Short- Terry McMillan.mobi A Deepness in the Sky- Vernor Vinge.mobi A Dirty Job- Christopher Moore.mobi A Discovery of Witches- Deborah Harkness.mobi A Drink Before the War- Dennis Lehane.mobi A Farewell to Arms- Ernest Hemingway.mobi A Feast for Crows- George R.R. Martin.mobi A Fire Upon the Deep- Vernor Vinge.mobi A Fistful of Charms- Kim Harrison.mobi A Game Of Thrones- George R.R. Martin.mobi A Hat Full Of Sky- Terry Pratchett.mobi A History of God- Karen Armstrong.mobi A is for Alibi- Sue Grafton.mobi A Journey to the Center of the Earth- Jules Verne.mobi A King's Ransom- James Grippando.mobi A Kingdom Besieged- Raymond E. Feist.mobi A Kiss of Shadows- Laurell K. -
11 7 Thseason
2016- 17 (117TH SEASON) Repertoire Bach Cantata No. 150, “Nach Dir, Herr, verlanget Feb. 23-25, 2017 mich”* Violin Concerto No. 1 Mar. 15-16, 2017 Bartók Bluebeard’s Castle Mar. 2-4, 2017 Bates Alternative Energy* Apr. 6-9, 2017 Beethoven Piano Concerto No. 4 Feb. 2-4, 2017 Selections from The Creatures of Prometheus Apr. 6-9, 2017 Symphony No. 2 Dec. 8-10, 2016 Symphony No. 3 (“Eroica”) Mar. 10-12, 2017 Symphony No. 6 (“Pastoral”) Nov. 25-27, 2016 Violin Concerto Nov. 3-5, 2016 Berg Violin Concerto Mar. 10-12, 2017 Berlioz Le Corsaire Overture Oct. 7-8, 2016 Harold in Italy Jan. 26-27, 2017 Symphonie fantastique Sep. 22-24, 2016; Oct. 7-8, 2016 Bernstein Prelude, Fugue, and Riffs Mar. 30-Apr. 1, 2017 Symphony No. 1 (“Jeremiah”) May 3-6, 2017 Brahms Symphony No. 1 Oct. 27-29, 2016 Symphony No. 2 Nov. 3-5, 2016 Symphony No. 3 Feb. 17-19, 2017 Symphony No. 4 Feb. 23-25, 2017 Brahms/transcr. Selections from Eleven Choral Preludes Feb. 23-25, 2017 Glanert (world premiere of transcriptions) Britten War Requiem Mar. 23-25, 2017 Canteloube Selections from Songs of the Auvergne Jan. 12-14, 2017 Chabrier Joyeuse Marche** Jan. 12-14, 2017 – more – January 2016—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2016-17 Season Repertoire Chopin Piano Concerto No. 1 Jan. 19-24, 2017 Piano Concerto No. 2 Sep. 22-24, 2016 Dutilleux Métaboles Oct. 27-29, 2016 Dvořák Symphony No. 8 Mar. 15-16, 2017 Symphony No. -
The Annotations for the Bluebeard Fairy Tale Are Below. Sources Have
The annotations for the Bluebeard fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Bluebeard Bibliography page. I have provided links back to the Annotated Bluebeard to facilitate referencing between the notes and the tale. 1. Blue: The deepest color, "blue is the most insubstantial color and seldom occurs in the natural world except as a translucency. It is considered empty, or austere, pure, and frosty. It is also the coldest color. Indifferent and unafraid, centered solely upon itself, blue is not of this world: it evokes the idea of eternity, calm, lofty, superhuman, inhuman even" (Chevalier 1982). Many of these symbolic qualities of blue apply well to Bluebeard who is cold with his murderous nature. His blue beard causes people to fear him as an unnatural color for a beard or most things in the natural world. Return to place in story. 2. Beard: A beard or hair has many symbolic meanings. First of all, it is often connected with magical powers. It is also considered a sign of invulnerability, like the Bible figure of Samson. In connection with Bluebeard, hair is "the sign of the animal in the human, and all that means in terms of our tradition of associating the beast with the bestial" (Warner 1994). With all of these meanings in mind, Bluebeard's beard shows that he has great power and is bestial in nature. The fact that the beard is also blue emphasizes his unnatural and magical qualities. -
The Lives of Billy Pilgrim, Kilgore Trout, and Eliot Rosewater by Way of Kurt Vonnegut
The Lives of Billy Pilgrim, Kilgore Trout, and Eliot Rosewater by Way of Kurt Vonnegut CHARLES J. SHIELD’S BIOGRAPHY offers a detailed life of the writer, his strengths and weaknesses, both as an author and a person. The major thrust of the Shields biography is to present Kurt Vonnegut as two different people, the writer and the private person. A nephew told the biographer: There was a definite disconnect between the kind of guy you would imagine Kurt must be from the tone of his books, the kind of guy who would say “God damn it, you got to be kind” and the reality of his behavior on a daily basis. He was a complicated, difficult man. I think he admired the idea of love, community, and family from a distance but couldn’t deal with the complicated emotional elements they included. (Shields 213-14) Tiger Adams was one of the four sons that Vonnegut and his wife Jane adopted after the death of his sister and brother- in-law. In an interview with Shields he recalled that his stepfather, Kurt, “had a cruel side to him, a nasty side that’s why it always struck me, the difference from the guy you would imagine from his writing and the guy that is the real guy.”(166) As Shields notes, Vonnegut’s “public remarks and persona, always circling around humanistic themes, just like his books, created expectations of him.” (326) Kurt Vonnegut’s grim Camus-like view of life, living, and the world was part and parcel of a post–World War II sensibility. -
An Evaluation of Postmodernist Aesthetics in Kurt Vonnegut's
An Evaluation of Postmodernist Aesthetics in Kurt Vonnegut's Slaughterhouse - Five Dr. K. CHELLAMUTHU Associate Professor of English, C.P.A Collge, Bodinayakanur. In his address at the library of congress in 1963, Saul Bellow, the celebrated American writer aptly commented on postmodernist American fiction: 'American novels are filled with complaints over the misfortune of the sovereign self '. It is true that the idea of the 'self' received a jolt with the two World Wars and the Russian Revolution of 1917. The horrendous German tragedy of 1939 saw the reduction of thousands of human beings into heaps of bones. The individual struggling hard to maintain his identity and the 'self' being asked to prepare itself for sacrifice are some of the salient features of the situation reflected in contemporary American fiction. The prefix 'post' doesn't imply a new era; rather, it indicates a reaction, in the wake of the Second World War, against absolute systems of knowledge and philosophical certainty which adorned the foundations of Modernism. Though postmodernist literature doesn't mention all genres of works written in the postmodern period, several post- war developments in literature such as the 'Theatre of the Absurd ', the 'Beat Generation' and 'Magic Realism' have close similarities. These developments are occasionally collectively referred to as 'postmodern'. Some key figures like Samuel Beckett, William S. Burroughs, Jorge Louis Borges, Julio Corta'zar and Gabriel Garcia Ma'rquez are cited as the most significant contributors to the postmodern aesthetic. Modernist literature sees fragmentation and extreme subjectivity as an existential crisis or Freudian internal conflict, a problem that must be solved by the artist himself. -
Open HONORS FINAL.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER’S HONORS COLLEGE DIVISION OF ARTS AND HUMANITIES MENTAL ILLNESS IN FAMILY MEMOIRS: AN INTERDISCIPLINARY STUDY EXAMINING THE RELATIONSHIP BETWEEN MENTALLY ILL PARENTS AND THEIR CHILDREN BRANDON CHERRY SPRING 2016 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in Letters, Arts, and Sciences Reviewed and approved* by the following: Ellen Knodt Professor of English Thesis Supervisor Karen Weekes Associate Professor of English and Women’s Studies Faculty Reader *Signatures are on file in the Schreyer’s Honors College. i Abstract This project explores the relationship between mentally ill parents and their children in the memoir form. These family memoirs offer insights into the effects of mentally ill parents on their children. The family memoirs of three famous twentieth century writers are studied to analyze the effects of mental illness in the written form, because a wide majority of the population does not have the privilege or skills to write about events effectively. Further psychological research also demonstrates how the coping mechanisms that children of mentally ill parents employ impact their development into adult life. ii TABLE OF CONTENTS Abstract………………………………………………….i Acknowledgements……………………………………..iii Introduction……………………………………………....1 i. Memoirs and Authors……………………………1 ii. Background of Mental Illnesses………………...6 iii. Link Between creativity and mental Illness.........8 The Hemingway Family: Strange Tribe……………………12 The Styron Family: Darkness Visible and Reading my Father ………………………………………21 The Vonnegut Family: The Eden Express and Just Like Someone Without Mental Illness Only More So…………………………………………………………26 Conclusion………………………………………………..36 Bibliography………………………………………………38 Academic Vita…………………………………………….41 iii Acknowledgements Thank you to Dr. -
Being in the Early Novels of Kurt Vonnegut
A MORAL BEING IN AN AESTHETIC WORLD: BEING IN THE EARLY NOVELS OF KURT VONNEGUT BY JAMES HUBBARD A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English May 2015 Winston-Salem, North Carolina Approved By: James Hans, Ph.D., Advisor Barry Maine, Ph.D., Chair Jefferson Holdridge, Ph.D. Table of Contents Table of Contents ii Abstract iii Chapter 1: Introduction 1 Chapter 2: Being Thrown 7 Chapter 3: Being as a Happening of Truth 27 Chapter 4: Projecting the Poetry of Being 47 References 53 Curriculum Vitae 54 ii Abstract In this this paper I will address notions of being in four of Kurt Vonnegut’s novels using Martin Heidegger’s aesthetic phenomenology. The four novels that this paper will address are Player Piano, Sirens of Titan, Slaughterhouse-Five, and Breakfast of Champions. Player Piano and Sirens of Titan are Vonnegut’s first two novels, and they approach being in terms of what Heidegger referred to as “throwness.” These initial inquiries into aspects of existence give way to a fully developed notion of being in Slaughterhouse-Five and Breakfast of Champions. These novels are full aware of themselves has happenings of truth containing something of their author’s own being. Through these happenings, Vonnegut is able to poetically project himself in a way that not only reveals his own being, but also serves as a mirror that can reveal the being of those reflected in it. iii Chapter 1: Introduction Kurt Vonnegut’s literary significance is due, at least in part, to the place that he has carved out for himself in popular culture. -
“I Can't Sell Nails”
“I Can’t Sell Nails” Paper Presented to the Indianapolis Literary Club James A. Glass May 5, 2014 I first met Irma Vonnegut Lindener at a luncheon in the Athenaeum arranged by her younger cousin, Catherine Glossbrenner Rasmussen.1 The year was 1976, and I had met “Catey,” as Mrs. Rasmussen liked to be called, through a historic preservation project that my office, the Indianapolis Historic Preservation Commission, was conducting with the Junior League of Indianapolis. Under the persuasive influence of Reid Williamson, the new Executive Director of Historic Landmarks Foundation of Indiana, the League had adopted historic preservation as a service area for its volunteers. One of its first projects was nominating the Old Northside neighborhood for listing in the National Register of Historic Places. The project would entail considerable historical research. We decided that one way of gathering valuable information would be to conduct oral history interviews with some of the women who had grown up in the Old Northside area during its time of initial prosperity during the late 19th and early 20th centuries. When Catey heard about the project, she contacted me, then a 24-year old staff historian, about her interest in family history and in the preservation of some of the family homes in the Old Northside. That led to the luncheon at the Athenaeum with Mrs. Lindener, whom Catey called “Aunt Irma.” Aunt Irma turned out to be the daughter and only living child of Bernard Vonnegut, one of the most prominent and gifted architects in Indianapolis at the turn of the 20th century. -
Portrayal of the American Culture Through Metafiction
DOI: 10.15503/jecs20132-9-15 Journal of Education Culture and Society No. 2_2013 9 Portrayal of the American Culture through Metafiction ABDOLRAZAGH BABAEI [email protected] Universiti Putra Malaysia AMIN TAADOLKHAH [email protected] Tehran Markaz Azad University, Iran Abstract Kurt Vonnegut’s position that artists should be treasured as alarm systems and as bio- logical agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of ction to the harsh realities of the world via cre- ative meta ctional strategies, making literature an alarm coated with the comforting lies of storytelling. It is meta ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature that combines facts and ction. De ned as a kind of narrative that “self-consciously and systematically draws attention to its status as artefact” meta ction stands against the duplicitous “suspension of disbelief” that is simply an imi- tation and interpretation of presumed realities. As a postmodern mode of writing it opts for an undisguised narration that undermines not only the author’s univocal control over ction but also challenges the established understanding of the ideas. Multidimensional di- splay of events and thoughts by Vonnegut works in direction of meta ction to give readers a self-conscious awareness of what they read. Hiroshima bombing in 1946 and the destruction of Dresden in Germany by allied forces in World War II are the subjects of the selected novels respectively. -
Breakfast of Champions: Or, Goodbye Blue Monday! by Kurt Vonnegut
Breakfast of Champions: or, Goodbye Blue Monday! by Kurt Vonnegut The author questions the condition of modern man in this novel depicting a science fiction writer's struggle to find peace and sanity in the world. Why you'll like it: Darkly humorous. Quirky. Unconventional. About the Author: Kurt Vonnegut is among the few grandmasters of 20th century American letters. He was born in Indianapolis, Indiana, on November 11, 1922. He died from head injuries sustained in a fall on April 11, 2007.(Publisher Provided) Questions for Discussion 1. What do you think about Vonnegut’s style? The drawings, page breaks and self-referential moments are a radical departure from the standard novel. Do they add to the story or detract from it? 2. One theme of Breakfast of Champions is humans as machines. How are people like machines? What are the possible results of such a worldview? Are there any positive aspects to seeing humans as machines? 3. How are machines themselves depicted? How do they make the characters’ lives better or worse? What do they represent? 4. In your opinion, is the narrator racist? Sexist? Homophobic? He points out the racist views of certain characters, recounts instances of violence against women, and shows derogatory views of transvestite and gay characters. How are African Americans depicted? Women? Are their concerns given weight in the context of the narrative? 5. How is advertising used in the story? There are many instances of written advertisements (including the names of the trucks in which Kilgore Trout rides to Midland City) and radio advertisements and the title itself is the slogan of a popular cereal. -
Vonnegut's Criticisms of Modern Society Candace Anne Strawn Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1972 Vonnegut's criticisms of modern society Candace Anne Strawn Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Strawn, Candace Anne, "Vonnegut's criticisms of modern society" (1972). Retrospective Theses and Dissertations. 34. https://lib.dr.iastate.edu/rtd/34 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. ---~- ~--~-~- - Vonnegut's criticisms of modern society by Candace Anne Strawn A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Iowa State University Ames, Iowa 1972 ii. TABLE OF CONTENTS Page I. SOME PERSPECTIVES OF MODERN SOCIETY 1 II. IRRATIONALITY OF HUMAN BEHAVIOR 19 III. DEHUMANIZATION OF THE INDIVIDUAL 29 IV. MAN'S INHUMANITY TO MAN 37 v. CONCLUSION 45 VI. A SELECTED BIBLIOGRAPHY 48 1 I. SOME PERSPECTIVES OF MODERN SOCIETY In his age-old effort to predict the future, man has tried many methods, including a careful study of past history. Although the act of predicting social events is largely theoretical--since it is necessarily a tentative process--numerous historians, sociologists, theologians, scientists, and artists persist in discovering trends or seeing patterns in the movement of history.