Asghar Farhadi's Iran

Total Page:16

File Type:pdf, Size:1020Kb

Asghar Farhadi's Iran Photograph by Kate Whitley, Te Papa Te Whitley, Kate by Photograph Te Papa (1936-0036-1) Papa Te Maori girl, Maori (detail). canvas on oil 1874, about Lindauer, Gottfried (Academy) pm 4.30 fou le Pierrot (Academy) pm 4.00 Deep The ) transaction per $4.00 (max. ticket per $1.00 fee booking Internet Ticketing service fees: service Ticketing 29 April Monday 19 May Sunday $10.00 Children (Academy) pm 8.15 Antiviral (Rialto) pm 6.00 Wednesday Fireworks $12.00 Citizens Senior (Academy) pm 6.00 May After 18 May Saturday $14.50 Guilds Industry / Society Film / Students (Academy) pm 4.00 Hill Poppy on Up From (Academy) pm 2.00 Her Before World The $16.50 Adults (Rialto) pm 6.15 Dust the in Dancing 28 April Sunday Thankyou Wednesday May 15 May Wednesday www.rialto.co.nz Available for purchase directly from the cinema box office and and office box cinema the from directly purchase for Available (Academy) pm 8.15 Antiviral (Academy) pm 4.30 part à Bande Newmarket emas CIN alto RI (Academy) pm 6.15 Deep The Sunday May 12 May Sunday (Academy) pm 4.30 Crewdson Gregory warming art ) transaction per $4.00 (max. ticket per $1.00 fee booking Internet (Academy) pm 2.30 Hill Poppy on Up From (Rialto) pm 6.00 City Beautiful Ticketing service fees: service Ticketing 27 April Saturday www.youtube.com/nzintfilmfestival 11 May Saturday $9.00 Children www.facebook.com/nzfilmfestival (Academy) pm 6.30 Her Before World The $9.00 Citizens Senior / Guilds Industry / Society Film / Students www.twitter.com/nzff (Academy) pm 6.15 Elly About (Academy) pm 4.30 Versailles of Queen The $12.50 Adults www.nzff.co.nz/autumn-events Wednesday May 8 May Wednesday (Academy) pm 2.45 Crewdson Gregory Screenings before 5pm weekdays 5pm before Screenings THE WEB THE N O Friday April 26 April Friday $10.00 Children (Academy) pm 6.15 In Live I House The only for films classified G, PG & M. & PG G, classified films for only $12.00 Citizens Senior / Guilds Industry / Society Film / Students come to hand. Children‘s tickets are available available are tickets Children‘s hand. to come 7 May Tuesday (Academy) pm 6.15 Versailles of Queen The website and at the venues as soon as they they as soon as venues the at and website (Academy) pm 4.15 Her Before World The $15.50 Adults over. Ratings will be posted on the NZIFF NZIFF the on posted be will Ratings over. (Academy) pm 6.45 Deep The Thursday April 25 April Thursday Screenings after 5pm weekdays, all weekends and public holidays public and weekends all weekdays, 5pm after Screenings be purchased by and for people aged 18 and and 18 aged people for and by purchased be (Academy) pm 4.30 vie sa Vivre rating, they are considered R18 and can only only can and R18 considered are they rating, (Academy) pm 2.30 Hill Poppy on Up From www.academycinemas.co.nz been classified. Until they receive a censor censor a receive they Until classified. been (Civic) pm 2.15 Arabia of Lawrence Available for purchase directly from the cinema box office and and office box cinema the from directly purchase for Available At the time of printing, some films had not not had films some printing, of time the At (Academy) pm 1.00 Crewdson Gregory Sunday April 21 April Sunday emas CIN cademy A N O I CAT I F I CLASS P I SORSH N CE Sunday May 5 May Sunday (Civic) pm 10.00 Death of ABCs The impaired. per ticket per cents 50 Box office and door sales booking fee fee booking sales door and office Box (Academy) pm 6.00 May After (Civic) pm 7.15 Kon-Tiki the same as full captioning for the hearing hearing the for captioning full as same the per transaction per $5.00 fee booking Internet (Academy) pm 4.00 Versailles of Queen The films are indicated as subtitled, this is not not is this subtitled, as indicated are films (Civic) pm 3.00 Dolls and Guys Please note that where foreign language language foreign where that note Please (Academy) pm 2.00 Fly Condors the Where per transaction per $5.00 fee booking Telephone Saturday April 20 April Saturday red I Impa G IN ear H Ticketing service fees: service Ticketing Saturday May 4 May Saturday $11.50 Children Broadway, Newmarket (Rialto), Ph 369 2417 369 Ph (Rialto), Newmarket Broadway, (Academy) pm 8.15 In Live I House The Rialto Cinemas Newmarket, 167-169 167-169 Newmarket, Cinemas Rialto $13.00 Citizens Senior (Academy) pm 6.15 Fly Condors the Where Queen & Wellesely St, Ph 0800 BUY TICKETS BUY 0800 Ph St, Wellesely & Queen $14.00 Guilds Industry / Society Film / Students The Civic Theatre, THE EDGE (Civic): cnr cnr (Civic): EDGE THE Theatre, Civic The Thursday May 2 May Thursday SCHEDULE $17.00 Adults 44 Lorne St (Academy), Ph 373 2761 373 Ph (Academy), St Lorne 44 Academy Cinemas, Central Library Building, Building, Library Central Cinemas, Academy (Academy) pm 6.15 May After The Civic Box Office 90 mins prior. mins 90 Office Box Civic The (Academy) pm 4.00 In Live I House The ues N E V Door sales available from from available sales Door www.buytickets.co.nz. and TICKETS BUY 0800 (Academy) pm 2.00 Versailles of Queen The Available for purchase from THE EDGE Aotea Centre Box Office, Office, Box Centre Aotea EDGE THE from purchase for Available Wednesday May 1 May Wednesday C I V CI he T Free entry Free for these screenings are those specifically issued for NZIFF Autumn Events. Autumn NZIFF for issued specifically those are screenings these for now On (Academy) pm 6.15 In Live I House The venue details are listed below. The only complimentary passes redeemable redeemable passes complimentary only The below. listed are details venue (Academy) pm 4.15 Fly Condors the Where venue handles tickets only for the Autumn Events they are hosting. Individual Individual hosting. are they Events Autumn the for only tickets handles venue INFO (Academy) pm 2.00 May After Each venue. applicable the at screenings all for open now are Bookings 30 April Tuesday CKETS I T G IN BUY experience a real connection real a experience On a recent visit to Tehran as a guest of the Fajr Film encompassing gaze into the realities of life—and the Although widely acclaimed at key international festivals, Festival my conversations with local filmmakers and choices to be made—in contemporary Iran, from the these earlier films have proven stubbornly unavailable to us cinephiles yielded consensus about one thing only: As- margins of the working class to the relative comforts of until now. About Elly has some Rialto Channel dates, but Caution:ARTISTS AT WORK ghar Farhadi is Iran’s preeminent working filmmaker. Then the bourgeoisie. His genius lies in unfolding intricate it’s his most elegantly cinematic work, amply warranting The surprising strategies of two master manipulators of photographic realism are Asghar the arguments begin: which is Farhadi’s best film? For dramas of personal and social conflict while never our big screen outing. Our thanks to ACMI (Melbourne) and many it is not necessarily A Separation, the electrifying settling for a closed-off reading of any character or Farabi Cinema Foundation (Tehran) for all their assistance. revealed in these candid, closely observed accounts of their working practices. marital drama that won an Oscar and gained widespread point of view. His characters’ assumptions about one — Bill Gosden international distribution. Amongst the women I met his another are constantly being contested, and ours with “Farhadi is a scorchingly good director. He’s also WHAT’S SO GREAT ABOUT Farhadi’s previous film About Elly has just as many fans, probably them. An attentive, responsive director of actors from an important one, politically speaking: after a run of more. The riveting Fireworks Wednesday, which plays out the start, his mastery of tension and suspense has grown Iranian films that presented the country’s inhabitants as many of the themes of A Separation on a larger canvas, with each new film. (Ophidiophobics should approach essentially medieval, Farhadi draws attention to those has persuasive champions too. Dancing in the Dust with caution.) comfortable liberals who wear Nike tops and carry Louis Iran Seen in total, his four previous films provide an We are delighted to present this overdue catch-up. Vuitton bags.” — Nicholas Barber, Independent on Sunday GODARD?Well… for starters, there’s the films he made with hip sequence where the trio dance the Madison to a café Where the Condors Fly Gregory Crewdson: Anna Karina. If you want to experience the volatile juke box. conflation of emotion and intellect, of joy, pain, lyricism, In Pierrot le fou, a cracked masterpiece of romance on Switzerland | 2012 | 90 minutes | HD Brief Encounters acute self-awareness and bad attitude with which one the run, Karina is Marianne, the baby-sitter (with a side Director/Photography: Carlos Klein | Producer: Vadim Jendreyko | Editors: Carlos Klein, Beatrice Babin, Vadim Jendreyko | Music: Daniel man exploded the art of cinema in the 60s, you could line in the illegal arms trade) who induces advertising USA | 2012 | 78 minutes | HD Almada, Martin Klingeberg, Carlos Klein | With: Victor Kossakovsky, Director/Producer/Photography: Ben Shapiro | Editors: Tom start by watching what happened as he trained his man Jean-Paul Belmondo to ditch his family and head to Carlos Klein, René Vargas | In English, Spanish, Russian and German, Patterson, Nancy Kennedy | Music: Dana Kaproff | With: Gregory with English subtitles | Festivals: Amsterdam Documentary 2012 camera on his wife, the ineffably remote and touching freedom in the idyllic south of France.
Recommended publications
  • Habib Majidi, SMPSP Memento Films Présente
    © Photos : Habib Majidi, SMPSP MEMENTO FILMS PRÉSENTE SHAHAB HOSSEINI TARANEH ALIDOOSTI LE CLIENT UN FILM DE ASGHAR FARHADI 2h03 - 1.85 - 5.1 - Iran / France SORTIE LE 9 NOVEMBRE photos et dossier de presse téléchargeables sur www.memento-films.com distribution presse Vanessa Jerrom t : 06 14 83 88 82 9, cité paradis - 75010 Paris t : 01 53 34 90 39 Claire Vorger [email protected] [email protected] SYNOPSIS Contraints de quitter leur appartement du centre de Téhéran en raison d’importants travaux menaçant l’immeuble, Emad et Rana emménagent dans un nouveau logement. Un incident en rapport avec l’ancienne locataire va bouleverser la vie du jeune couple. ENTRETIEN AVEC ASGHAR FARHADI Après LE PASSÉ tourné en France et en Comment définiriez-vous LE CLIENT ? français, pourquoi avez-vous choisi de Est-ce le récit d’une vengeance ou une revenir à Téhéran pour LE CLIENT ? histoire d’honneur perdu ? Après avoir tourné LE PASSÉ en France, j’ai J’aurais beaucoup de mal à définir commencé à travailler sur une histoire qui ou à résumer LE CLIENT, ou même à se déroule en Espagne. Nous avons fait les exprimer ce que cette histoire m’inspire repérages et j’ai écrit un scénario complet, personnellement. Tout dépend des non-dialogué. Nous avons discuté du préoccupations et du regard du spectateur. projet avec les producteurs et les acteurs Celui qui le verra comme un film social principaux. Mais pour réunir toute l’équipe, retiendra les éléments relatifs à cet aspect. il fallait attendre presque un an. C’était Un autre pourrait n’adopter qu’un point de l’occasion pour moi de faire un film en Iran, vue moral, ou un angle encore différent.
    [Show full text]
  • Iranian Women's Quest for Self-Liberation Through
    IRANIAN WOMEN’S QUEST FOR SELF-LIBERATION THROUGH THE INTERNET AND SOCIAL MEDIA: AN EMANCIPATORY PEDAGOGY TANNAZ ZARGARIAN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATION YORK UNIVERSITY TORONTO, ONTARIO December 2019 © [Tannaz Zargarian, 2019] i Abstract This dissertation examines the discourse of body autonomy among Iranian women. It approaches the discourse of body autonomy by deconstructing veiling, public mobility, and sexuality, while considering the impact of society, history, religion, and culture. Although there are many important scholarly works on Iranian women and human rights that explore women’s civil rights and freedom of individuality in relation to the hijab, family law, and sexuality, the absence of work on the discourse of body autonomy—the most fundamental human right—has created a deficiency in the field. My research examines the discourse of body autonomy in the context of liberation among Iranian women while also assessing the role of the internet as informal emancipatory educational tools. To explore the discourse of body autonomy, I draw upon critical and transnational feminist theory and the theoretical frameworks of Derayeh, Foucault, Shahidian, Bayat, Mauss, and Freire. Additionally, in-depth semi-structured interviews with Iranian women aged 26 to 42 in Iran support my analysis of the practice and understanding of body autonomy personally, on the internet, and social media. The results identify and explicate some of the major factors affecting the practice and awareness of body autonomy, particularly in relation to the goal of liberation for Iranian women.
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • Paspor Yang Digadai Ke Mr Li Tak Akan Kembali
    SUARA.COM.HK Silahkan scan kode QR disamping untuk mendapatkan berita terbaru Pilihan Anda yang Tepat Vol.XVII No.341 Koran Ini Gratis 9 November 2018 @koransuara Halaman 6 Subsidi Transportasi Mulai Januari 2019 Halaman 17 Pekerja Migran Indonesia aksi solidaritas untuk PMI Tuti yang dieksekusi mati tanpa notifikasi, Minggu (4/11/2018). Foto: Anis Safitri/ Sunat Perempuan Paspor yang digadai ke masih dilakukan Mr Li tak akan kembali Oleh Ario Adityo barang bukti, jadi tidak akan keluar dari “Bagi PMI yang masa berlaku kon- PMI sebagai jaminan pinjaman hutang kantor polisi dan tidak mungkin bisa di- trak kerjanya lebih dari setahun akan para PMI. Berdasarkan informasi dari Halaman PASPOR yang digadaikan oleh Peker- ambil,” ujar konjen. mendapatkan paspor biasa, sedangkan KJRI Hong Kong dari jumlahtersebut 19 ja Migran Indonesia (PMI) ke rentenir Karena tidak dapat dikembalikan, pi- untuk yang kontrak kerjanya kurang saat ini ada 501 melapor ke KJRI Hong bernama Mr. Li tidak akan dikemba- hak KJRI Hong Kong akan menerbitkan setahun akan mendapatkan SPLP,” ujar Kong, dari jumlah pelapor itu 358 orang PMI Hong likan. Hal ini disampaikan oleh Kon- dokumen perjalanan baru bagi mereka Konsul Imigrasi KJRI Hong Kong Chicco sudah menadapatkan dokumen perjala- jen Ri Hong Kong Tri Tharyat pada yang telah menggadaikan paspornya. Ahmad Muttaqin, Minggu (21/10/2018). nan pengganti, 73 orang mendapatkan Kong gelar aksi jumpa pers terkait isu tersebut, Minggu Penggantian dokumen akan diberikan Sebelumnya telah dilaporakan oleh paspor dan 285 orang diberikan Surat (21/10/2018). sesuai dengan masa berlaku kontrak SUARA bahwa seorang rentenir asal Perjalanan Laksana Paspor (SPLP).
    [Show full text]
  • Sony Pictures Classics and Stage 6 Films to Unleash the Raid 2
    SONY PICTURES CLASSICS AND STAGE 6 FILMS TO UNLEASH THE RAID 2 NEW YORK (November 5, 2013) – Sony Pictures Classics and Stage 6 Films announced today that they will theatrically release THE RAID 2 in the United States. The highly-anticipated sequel to the action thriller THE RAID: REDEMPTION, the new film THE RAID 2 was once again written and directed by Gareth Evans. The film was produced by Ario Sagantoro for Merantau Films, and Aram Tertzakian and Nate Bolotin of XYZ Films. The film was executive produced by Rangga Maya Barack-Evans for Merantau Films, Irwan D. Mussry, and Nick Spicer and Todd Brown on behalf of XYZ. Matt Flannery (THE RAID: REDEMPTION) and Dimas Imam Subhono served as cinematographers with Joseph Trapanese (THE BOURNE LEGACY), Aria Prayogi (THE RAID: REDEMPTION) and Fajar Yuskemal (THE RAID: REDEMPTION) scoring the picture. THE RAID: REDEMPTION was released theatrically in March 2012 by Sony Pictures Classics to great success. Currently in post-production, THE RAID 2 picks up right where the first film left off and follows Rama (Iko Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force. ABOUT SONY PICTURES CLASSICS Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 31 Academy Awards® (27 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.
    [Show full text]
  • Religious Studies 181B Political Islam and the Response of Iranian
    Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia.
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • English Section
    183 September-October 2019 Vol. XXVII No. 183 • In Search of Humanity • No Wall Is High Enough! • “What’s in a name?” Saeed Jalali • Water and Life • 5 Most Popular Weight Loss Diets • Third annual Hafez Day • Mohsen Namjoo live in San Diego • ABBAS KIAROSTAMI, THE FILMMAKER AND THE MAN • Persian Mehregan Festival with Reza Rohani & Sara Naeini Great News Peyk is going online! www.peykmagazine.com 32 nd Year Iranian School of San Diego Registration, August 25 and 29, 2019 183 Since 1991 By: Shahri Estakhry Persian Cultural Center’s Bilingual Magazine Is a bi - monthly publication organized for literary, cultural and information purposes In Search of Humanity Financial support is provided by the City of Hope. It is the element that human beings permit themselves for a better future. It is the force San Diego Commission for Arts and Culture. behind the impossible. It is the prayer to guide those lost in their surroundings, in impossible situations. Persian Cultural Center 6790 Top Gun St. #7, San Diego, CA 92121 Tel: (858) 552-9355 It was with this hope that thousands fled their homelands, leaving behind families and familiarities Fax: (619) 374-7335 and, against all odds, got themselves to the gates of the United States, which they believed was Email: [email protected] www.pccsd.org the land of opportunity, justice, and humanity… with much hope for their future. At this point came the unspeakable tragedies which have stopped them and shocked the September-October 2019 it seemed-until world, demolishing the respect and the credit this country has earned through its short history.
    [Show full text]
  • The Cultural Traffic of Classic Indonesian Exploitation Cinema
    The Cultural Traffic of Classic Indonesian Exploitation Cinema Ekky Imanjaya Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2016 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract Classic Indonesian exploitation films (originally produced, distributed, and exhibited in the New Order’s Indonesia from 1979 to 1995) are commonly negligible in both national and transnational cinema contexts, in the discourses of film criticism, journalism, and studies. Nonetheless, in the 2000s, there has been a global interest in re-circulating and consuming this kind of films. The films are internationally considered as “cult movies” and celebrated by global fans. This thesis will focus on the cultural traffic of the films, from late 1970s to early 2010s, from Indonesia to other countries. By analyzing the global flows of the films I will argue that despite the marginal status of the films, classic Indonesian exploitation films become the center of a taste battle among a variety of interest groups and agencies. The process will include challenging the official history of Indonesian cinema by investigating the framework of cultural traffic as well as politics of taste, and highlighting the significance of exploitation and B-films, paving the way into some findings that recommend accommodating the movies in serious discourses on cinema, nationally and globally.
    [Show full text]
  • US Television Icon Mary Tyler Moore Dead at 80
    Lifestyle FRIDAY, JANUARY 27, 2017 Iran actress to boycott Oscars over 'racist' Trump visa ban he Iranian star of Oscar-nominated film foreign language film at the Academy "The Salesman" said yesterday she Awards, which take place next month. Twould boycott the awards in protest at Farhadi won an Oscar in 2012 for his film "A President Donald Trump's "racist" ban on Separation". Visa applications from Iraq, Syria, Muslim immigrants. "Trump's visa ban for Iran, Sudan, Libya, Somalia and Yemen are all Iranians is racist. Whether this will include a expected to be stopped for a month under a cultural event or not, I won't attend the draft executive order published in the #AcademyAwards 2017 in protest," tweeted Washington Post and New York Times. The Taraneh Alidoosti, the film's 33-year-old lead draft order also seeks to suspend the US actress. Trump is reportedly poised to stop refugee program for four months as officials visas for travellers from seven Muslim coun- draw up a list of low risk countries. —AFP tries, including Iran, for 30 days. He told ABC News on Wednesday that his plan was not a "Muslim ban", but targeted This image released by Cohen Media countries that "have tremendous terror." "The group shows Shahab Hosseini, left, Salesman", directed by acclaimed Iranian film- and Taraneh Alidoosti in a scene maker Asghar Farhadi is nominated for best from "The Salesman." — AP US television icon Mary Tyler Moore dead at 80 egendary actress Mary Tyler Moore, who delighted a genera- 'Effortless piece of cake' also married in real life.
    [Show full text]
  • Habib Majidi, SMPSP © Design : Laurent Pons / Troïka CREDITS
    © photos : Habib Majidi, SMPSP © Design : Laurent Pons / TROÏKA DESIGN LAURENT PONS/ TROÏKA DESIGN LAURENT PONS/ PSP M S ABIB MAJIDI, ABIB MAJIDI, H CREDITS NON CONTRACTUAL - PHOTO MEMENTO FILMS PResents official selection cannes festival SHAHAB TARANEH HOssEINI THE ALIDOOSTI SALESMAN A FILM BY ASGHAR FARHADI 125 min - 1.85 - 5.1 - Iran / France download presskit and stills on www.memento-films.com World Sales & Festivals press Vanessa Jerrom t : 06 14 83 88 82 t : +33 1 53 34 90 20 Claire Vorger [email protected] t : 06 20 10 40 56 [email protected] [email protected] http://international.memento-films.com/ t : + 33 1 42 97 42 47 SYNOPSIS Their old flat being damaged, Emad and Rana, a young couple living in Tehran, is forced to move into a new apartment. An incident linked to the previous tenant will dramatically change the couple's life. INTERVIEW WITH ASGHAR FARHADI After making THE PAST in France and in Everything depends on the viewer’s own French, why did you go back to Tehran particular preoccupations and mindset. If for THE SALESMAN? you see it as social commentary, you’ll re- When I finished THE PAST in France, I member those elements. Somebody else started to work on a story that takes place might see it as a moral tale, or from a totally in Spain. We picked the locations and different angle. What I can say is that once I wrote a complete script, without the again, this film deals with the complexity of dialogue. We discussed about the project human relations, especially within a family.
    [Show full text]
  • Friday, October 29Th
    fridayprogramming fridayprogramming FRIDAY, OCTOBER 29TH 2 p.m.-2:45 p.m. Jackendoff as he talks with comic kingpin Marv WEBCOMICS: LIGHTING ROUND! Wolfman (Teen Titans), veteran comic writer WRITERS WORKSHOP PRESENTED by Seaside Lobby and editor Barbara Randall Kesel (Watchman, ASPEN Comics Thinking of starting a webcomic, or just curious Hellboy), comic writer Jimmy Palmiotti (Jonah Room 301 as to how the world of webcomics differs Hex), Tom Pinchuk (Hybrid Bastards) and Mickey Join comic book writers J.T. Krul, Scott Lobdell, from print counter-parts? Join these three Neilson (World of Warcraft). David Schwartz, David Wohl, Frank Mastromauro, webcomics pros [Harvey-nominated Dave Kellett and Vince Hernandez as they discuss the ins and (SheldonComics.com /DriveComic.com), Eisner- HOW TO SURVIVE AS AN ARTIST outs of writing stories for comics. Also, learn tips nominated David Malki (Wondermark.com) and WITH Scott Koblish of the trade firsthand from these experienced Bill Barnes (Unshelved.com / NotInventedHere. Room 301 writers as they detail the pitfalls and challenges of com)] as they take you through a 25-minute A panel focusing on the lifelong practical questions breaking into the industry. Also, they will answer guided tour of how to make webcomics work an artist faces. Scott Koblish gives you tips on questions directly in this special intimate workshop as a hobby, part-time job, or full-time career. how to navigate a career that can be fraught with that aspiring writers will not want to miss. Then the action really heats up: 20 minutes of unusual stress. With particular attention paid to fast-paced Q&A, designed to transmit as much thinking about finances in a realistic way, stressing 5 p.m.-7 p.m.
    [Show full text]