Breaking Bad | Dialogue Transcript | S3:E11

Total Page:16

File Type:pdf, Size:1020Kb

Breaking Bad | Dialogue Transcript | S3:E11 CREATED BY Vince Gilligan EPISODE 3.11 “Abiquiu” Hank is unhappy with the pace of his recovery, Skyler questions Saul's money-laundering scheme, and Jesse falls for a fellow rehab patient. WRITTEN BY: John Shiban | Thomas Schnauz DIRECTED BY: Michelle MacLaren ORIGINAL BROADCAST: May 30, 2010 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Giancarlo Esposito ... Gustavo 'Gus' Fring Krysten Ritter ... Jane Margolis Matt Jones ... Badger Jere Burns ... Group Leader Emily Rios ... Andrea Cantillo Charles Baker ... Skinny Pete Ian Posada ... Brock Cantillo Angelo Martinez ... Tomas Virginia Montero ... Grandma Marius Stan ... Bogdan Wolynetz Mike Seal ... Rival Dealer #1 Antonio Leyba ... Rival Dealer #2 Rebecca Crago ... Physical Therapist 1 00:00:09,718 --> 00:00:14,389 Yo, I thought I was gonna see some, like, vaginas. 2 00:00:17,726 --> 00:00:21,563 I didn't say she actually painted vaginas. 3 00:00:21,813 --> 00:00:28,403 I said, some of her paintings looked like vaginas. 4 00:00:29,404 --> 00:00:32,908 Seriously? Not even close. 5 00:00:33,951 --> 00:00:37,996 Georgia O'Keeffe painted all kinds of stuff. 6 00:00:38,163 --> 00:00:41,708 Everyday items, her surroundings. 7 00:00:41,875 --> 00:00:47,339 Some of it evoked an erotic nature. 8 00:00:47,923 --> 00:00:50,342 It's who she was. 9 00:00:51,134 --> 00:00:54,596 Not like any vagina I ever saw. 10 00:00:54,805 --> 00:00:56,723 This chick have medical issues? 11 00:00:57,891 --> 00:01:00,143 This particular painting... 12 00:01:00,644 --> 00:01:02,229 ...is of a door. 13 00:01:04,231 --> 00:01:07,109 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY Any other doors we can check out? 14 00:01:07,276 --> 00:01:10,112 Like, real ones or...? 15 00:01:12,239 --> 00:01:14,658 You know, I don't get it. 16 00:01:14,825 --> 00:01:17,786 Why would anyone paint a picture of a door... 17 00:01:17,953 --> 00:01:21,290 ...over and over again, like, dozens of times? 18 00:01:21,456 --> 00:01:25,043 -But it wasn't the same. -Yeah, it was. 19 00:01:25,210 --> 00:01:27,921 It was the same subject, but different every time. 20 00:01:28,087 --> 00:01:30,674 The light was different, her mood was different. 21 00:01:30,841 --> 00:01:33,427 She saw something new every time she painted it. 22 00:01:33,594 --> 00:01:36,597 And that's not psycho to you? 23 00:01:36,763 --> 00:01:39,891 Well, then why should we do anything more than once? 24 00:01:40,099 --> 00:01:42,603 Should I just smoke this one cigarette? 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 25 00:01:42,769 --> 00:01:46,356 Maybe we should only have sex once, if it's the same thing. 26 00:01:46,523 --> 00:01:50,277 -Whoa, no. -Should we just watch one sunset? 27 00:01:50,986 --> 00:01:53,572 Or live just one day? 28 00:01:54,031 --> 00:01:57,367 It's new every time. Each time is a different experience. 29 00:01:57,534 --> 00:01:59,953 Okay, fine. 30 00:02:00,120 --> 00:02:05,834 I guess the cow skull pictures were cool, but a door? 31 00:02:07,002 --> 00:02:10,881 I will say it again. A door. 32 00:02:11,965 --> 00:02:15,427 Why not a door? Sometimes you get fixated on something... 33 00:02:15,594 --> 00:02:17,888 ...and you might not even get why. 34 00:02:18,055 --> 00:02:20,599 You open yourself up and go with the flow... 35 00:02:20,766 --> 00:02:23,393 ...wherever the universe takes you. 36 00:02:23,560 --> 00:02:28,273 Okay, so the universe took her to a door. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 37 00:02:28,440 --> 00:02:33,362 And she got all obsessed with it and just had to paint it 20 times... 38 00:02:33,528 --> 00:02:35,280 ...until it was perfect. 39 00:02:35,447 --> 00:02:37,699 I wouldn't say that. Nothing's perfect. 40 00:02:37,866 --> 00:02:41,119 Yeah? Well... 41 00:02:41,995 --> 00:02:43,664 ...I mean... 42 00:02:43,997 --> 00:02:46,291 ...some things. 43 00:03:00,889 --> 00:03:04,226 That was so sweet, I think I threw up in my mouth a bit. 44 00:03:05,644 --> 00:03:08,271 You can't admit, just for once, that I'm right. 45 00:03:08,438 --> 00:03:12,818 Come on. That O'Keeffe lady kept trying over and over... 46 00:03:12,984 --> 00:03:16,238 ...until that stupid door was perfect. 47 00:03:16,405 --> 00:03:20,450 No. That door was her home and she loved it. 48 00:03:21,076 --> 00:03:24,579 To me, that's about making that feeling last. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 49 00:03:58,989 --> 00:04:01,908 All right, here we go. You ready? 50 00:04:05,495 --> 00:04:08,081 Come on, give me a step. Give me one step. 51 00:04:13,962 --> 00:04:16,590 Nope. Nope, that's it. Take me up. 52 00:04:16,757 --> 00:04:18,216 You can do this, Hank. 53 00:04:18,383 --> 00:04:22,846 Come on, it's supposed to hurt. Pain is weakness leaving your body. 54 00:04:23,013 --> 00:04:25,015 Pain is my foot in your ass, Marie. 55 00:04:25,182 --> 00:04:28,310 -If you can get your leg up, go for it. -Take me up. 56 00:04:28,477 --> 00:04:31,855 Coffee break. We're gonna let you rest and then try again. 57 00:04:32,022 --> 00:04:35,901 Never mind about your coffee break. Take me up. I'm done. I'm done. 58 00:04:38,528 --> 00:04:41,448 -We'll just pick up where we left off. -Come on, Hank. 59 00:04:41,615 --> 00:04:44,743 You can do it. How else are you gonna get out of here? 60 00:04:44,910 --> 00:04:48,413 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY Don't you have any friends? I mean, Jesus, find something to do. 61 00:04:48,580 --> 00:04:52,626 I don't need everyone staring at me hanging here like a camel's ball sack. 62 00:04:52,793 --> 00:04:55,378 Hank, he just wants to be supportive. 63 00:04:55,545 --> 00:04:57,506 It's all right. 64 00:05:00,967 --> 00:05:04,346 I'll be right back, okay? Be right back. 65 00:05:05,222 --> 00:05:08,433 Gonna get me out of here sometime today? 66 00:05:10,727 --> 00:05:12,270 Sky? 67 00:05:15,732 --> 00:05:19,861 We got our first bill, and, you know, if you're still insistent-- 68 00:05:20,028 --> 00:05:21,822 I am. 69 00:05:28,078 --> 00:05:30,330 Prepare yourself. 70 00:05:36,419 --> 00:05:40,006 They're gonna start coming in weekly like that, so.... 71 00:05:41,299 --> 00:05:44,219 You're sure you can do this? 72 00:05:46,555 --> 00:05:48,181 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY Yeah. 73 00:06:24,759 --> 00:06:26,428 I'll do that. 74 00:06:29,890 --> 00:06:31,766 What the hell, man? 75 00:06:32,601 --> 00:06:35,020 What, I can't work a scale now? 76 00:06:35,937 --> 00:06:39,232 This is bullshit. Just say it. 77 00:06:39,398 --> 00:06:40,817 Just say the words. 78 00:06:40,984 --> 00:06:43,278 You think I'm stealing. 79 00:06:58,501 --> 00:07:00,670 Walk with who you are. 80 00:07:00,837 --> 00:07:03,882 That was the phrase my sponsor used to use with me... 81 00:07:04,049 --> 00:07:06,718 ...back when I first started coming to meetings. 82 00:07:06,885 --> 00:07:10,805 It's probably just a different way of saying be yourself, right? 83 00:07:11,973 --> 00:07:16,645 But this idea of "walk" also tells me..
Recommended publications
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
    [Show full text]
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]
  • BREAKING BAD by Vince Gilligan
    BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit.
    [Show full text]
  • The Lynching of Cleo Wright
    University of Kentucky UKnowledge United States History History 1998 The Lynching of Cleo Wright Dominic J. Capeci Jr. Missouri State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Capeci, Dominic J. Jr., "The Lynching of Cleo Wright" (1998). United States History. 95. https://uknowledge.uky.edu/upk_united_states_history/95 The Lynching of Cleo Wright The Lynching of Cleo Wright DOMINIC J. CAPECI JR. THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Capeci, Dominic J. The lynching of Cleo Wright / Dominic J. Capeci, Jr. p. cm. Includes bibliographical references and index.
    [Show full text]
  • A Monomyth Analysis of Breaking Bad
    Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
    [Show full text]
  • Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law.
    [Show full text]
  • New Mexico High Intensity Drug Trafficking Area Drug Market Analysis 2009
    ARCHIVED New Mexico High Intensity Drug Trafficking Area Drug Market Analysis 2009 Questions and comments may be directed to Southwest Unit, Regional Threat Analysis Branch. National Drug Intelligence Center 319 Washington Street 5th Floor, Johnstown, PA 15901-1622 • (814) 532-4601 NDIC publications are available on the following web sites: INTERNET www.usdoj.gov/ndic ADNET http://ndicosa.adnet.sgov.gov RISS ndic.riss.net LEO https://www.leo.gov/http://leowcs.leopriv.gov/lesig/ndic/index.htm NATIONAL DRUG INTELLIGENCE CENTER U.S. DEPARTMENT OF JUSTICE 042309 This document may contain dated information. It has been made available to provide access to historical materials. ARCHIVED Product No. 2009-R0813-019 April 2009 New Mexico High Intensity Drug Trafficking Area Drug Market Analysis 2009 This assessment is an outgrowth of a partnership between the NDIC and HIDTA Program for preparation of annual assessments depicting drug trafficking trends and developments in HIDTA Program areas. The report has been coordinated with the HIDTA, is limited in scope to HIDTA jurisdictional boundaries, and draws upon a wide variety of sources within those boundaries. NATIONAL DRUG INTELLIGENCE CENTER U.S. DEPARTMENT OF JUSTICE This document may contain dated information. It has been made available to provide access to historical materials. New Mexico ARCHIVED High Intensity Drug Trafficking Area This page intentionally left blank. national DRUG INTELLIGENCE CENTER ii This document may contain dated information. It has been made available to provide access
    [Show full text]
  • Breaking Bad in the Classroom
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Breaking Bad in the Classroom Max Minzner University of New Mexico - Main Campus Recommended Citation Max Minzner, Breaking Bad in the Classroom, 45 N.M. L. Rev. 397 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/3 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX203.txt unknown Seq: 1 12-MAY-15 12:15 BREAKING BAD IN THE CLASSROOM Max Minzner* ABSTRACT Breaking Bad is often described as the transformation of Walter White—Mr. Chips becomes Scarface.1 Equally significant, though, are the journeys of Hank Schrader, his DEA pursuer, and Hank’s colleagues. The show is a study of law enforcement investigation in action. As a result, Breaking Bad can serve as a tool of pedagogy in criminal procedure. This Essay seeks to serve two ends. First, it provides a map for the use of the Breaking Bad series in the core constitutional criminal procedure course focusing on the limits on police investigation arising from the Fourth and Fifth Amendments. Video is a powerful mechanism for presenting hypotheticals to students. Recent work on other shows such as The Wire has recognized the value of television as an alternative pedagogi- cal technique in the law school curriculum. Breaking Bad deserves to take its place as a teaching aid in a criminal procedure classroom.
    [Show full text]
  • Dictionary of Occupational Safety and Health Terms English – Spanish
    Dictionary of Occupational Safety and Health Terms English – Spanish WHY A SPANISH-ENGLISH / ENGLISH-SPANISH DICTIONARY OF OCCUPATIONAL SAFETY AND HEALTH TERMS? Latino / Hispanics represent over 8% of the Oregon population. Between 1990 and 2000, the number of Hispanics in Oregon grew 144%. If this trend continues, 33% or one in three Oregonians could be Latino / Hispanic by 2020. Oregon’s economy relies on nursery, agriculture, manufacturing, forestry, construction, food processing, restaurants, hospitality, and services. These sectors in turn, rely on workers whose English is limited. This dictionary has two target audiences. The first is Oregon English-speaking employers and the second is Oregon limited English-Speaking Latino / Hispanic workers supervisors and employers wishing to improve occupational safety and health communication. In preparing this dictionary, every effort has was made to provide the most current, correct, and clearly expressed information. Nevertheless, inadvertent errors may have occurred. The Department of Consumer and Business Services and the Oregon Occupational Safety and Health Division (OR-OSHA) make no warranties or representations whatsoever regarding the quality, content, completeness, adequacy, or accuracy, of the information. This material is not a substitute for any provision of the Oregon Safety Employment Act or any standards issued by OR-OSHA. ASSISTANCE For further assistance in locating qualified interpretation, translation and language services, please contact you local colleges, universities,
    [Show full text]
  • NM Film Production Locations
    New Mexico Production Locations (2016-2017) 2017 2016 The Ballad of Buster Scruggs (Mini-Series) Annapurna Pictures – Santa Fe Monsters of God (Pilot) TNT – ABQ & Santa Fe Graves: Season 2 (TV Series) Lionsgate – ABQ, Rio Rancho, Bernalillo & Santa Fe Get Shorty (TV Series) EPIX & MGM Television – ABQ Will Gardner (Feature) Mona Vista Productions – ABQ, Belen, Zia Pueblo, Santa Ana Pueblo, Gallup & Midnight Texas: Season 1 (TV Series) Universal Television & David Janollari Entertainment – ABQ, Santa Fe, Jemez Mountains Bernalillo & Belen Scalped (Pilot) Horizon Scripted Television, Inc. – Santa Fe, Pojoaque & Laguna Pueblo Better Call Saul: Season 3 (TV Series) Sony Pictures Televisions – ABQ Longmire: Season 6 (TV Series) The Shephard/Robin Company in assoc. with Warner Horizon Television for Netflix Rose (Feature) Tesoro Picture– Truth or Consequences & Hillsboro – Santa Fe, Las Vegas, Valles Caldera, Pecos, Glorieta, & Northern NM Cliffs of Freedom (Feature) Freedom Film Partners, LLC & Phaedra Films, LLC – Santa Fe The Kid (Feature) Suretone – Santa Fe Furthest Witness (Feature) Elevated Pictures – ABQ Mr. Robot (TV Series) Universal Cable Productions in assoc. with Anonymous Content - ABQ Making a Killing (Feature) CanAmPac3 – Las Vegas & Montezuma Hunted by My Ex (Feature) Vociferous Films, LLC – ABQ Woman Walks Ahead (Feature) Black Bicycle Entertainment & Bedford Falls – ABQ & Santa Fe T@gged (Digital Series) AwesomenessTV – ABQ & Jemez Galileo (Feature) Galileo LLC – Taos The Brave: Season 1 (TV Series) Universal Television &
    [Show full text]
  • Report from the Desk of Governor Eddie Paul Torres ATTENTION ISLETA PUEBLO LOCAL ARTISTS
    Isleta Pueblo News Volume 8 Issue 3 March 2013 Report from the Desk of Governor Eddie Paul Torres Ma-Gu-Wam, I hope that this newsletter finds all of you and your families well. 2013 has started off to be a busy year. We are working diligently to continue the unfinished projects from 2012. Some of the activity you will see will be with regard to the CCD project at Saint Augustine Church, Isleta Cemetery improvements and expansion, Sunset Hills infrastructure upgrade and Isleta Elder Care Center. We are confident that we have the expertise and consultation to see the projects through. All Indian Pueblo Council (AIPC) January 31, 2013, the Nineteen New Mexico Pueblo Governors and Governor of the Pueblo of Ysleta Del Sur from Texas all convened at Santo Domingo Pueblo for the traditional blessing of governor canes. According to tribal oral history the All Indian Pueblo Council (AIPC) All Indian Pueblo Council has existed for on issues and concerns to legislators and the cleaning work and keep your account dues many centuries prior to the date of 1598 public at the session. We have submitted current as these funds are for the continued which appears on the AIPC logo which was funding requests for approval by the NM maintenance of ditches for water delivery to the date of the first recorded meeting in Legislature and hope to acquire funding your fields. Santo Domingo with the Spaniards under for the Veterans' Association building In closing, I want to thank you for your Governor Juan de Onate. The AIPC is a infrastructure and funding for the Sunset continued support of me and my appointed political organization that continues to be a Hills housing development.
    [Show full text]
  • 38 EX Table of Contents.Indd
    OWNER’S MANUAL 38 EXPRESS 784027 3/2013 Table Of Contents 1 INTRODUCTION Regal Owner’s Manual 1-4 Owner’s Information Packet 1-4 General Information 1-5 Regal Marine Warranty 1-12 2 SAFETY ON BOARD Safety Labels 2-1 General Boating Safety 2-2 Required Safety Equipment 2-4 Fire Extinguishers 2-6 Visual Distress Signals 2-8 Sound Protecting Devices 2-10 Navigation Lights 2-10 Marine Sanitation Devices 2-10 Pollution Regulations 2-12 Garbage Discharge 2-12 Life Rafts 2-14 U.S.C.G Minimum Equipment Requirements 2-14 Exhaust & Carbon Dioxide 2-15 Boating & Alcohol 2-19 Boating Accidents 2-20 Water Sports 2-22 Weather & Water Conditions 2-23 3 RULES OF THE ROAD Navigation Rules Defi ned 3-1 Navigation Rules 3-1 Bridge Clearance 3-8 Table Of Contents 4 ENGINES & CONTROLS Fuel 5-2 Ventilation 5-4 Electrical 5-5 Air Conditioning 5-41 Water/Waste 5-45 Trim 5-59 Windlass 5-61 Entertainment 5-66 Electronics 5-71 5 SYSTEMS Overview 4-1 Instrumentation 4-6 Controls 4-10 Propellers 4-14 Steering 4-17 6 VESSEL OPERATION Getting Underway 6-1 Starting & Stopping 6-4 Fenders 6-5 Dock Line Basics 6-6 Docking 6-8 Anchoring 6-9 Towing/Admiralty Law 6-10 Emergencies 6-11 Environmental Awareness 6-14 Table Of Contents 7 AUXILIARY EQUIPMENT OPERATION Quick Reference Guide To Auxiliary Equipment 7-2 Interior Equipment 7-3 Exterior Equipment 7-21 8 COSMETIC CARE & MAINTENANCE Cosmetic Care 8-1 Maintenance 8-21 9 TROUBLESHOOTING Diagnostic Charts 9-1 10 STORAGE & WINTERIZATION Checklists 10-2 11 GLOSSARY & INDEX 11-1 12 TECHNICAL Technical Information 12-1 Technical Drawings 12-6 Introduction Boating is becoming more popular each and every year.
    [Show full text]