Breaking Bad | Dialogue Transcript | S3:E6

Total Page:16

File Type:pdf, Size:1020Kb

Breaking Bad | Dialogue Transcript | S3:E6 CREATED BY Vince Gilligan EPISODE 3.06 “Sunset” The discovery of Walt and Jesse's old RV forces them to act fast just as Walt resumes business in Gus's state-of-the-art meth lab. WRITTEN BY: John Shiban DIRECTED BY: John Shiban ORIGINAL BROADCAST: April 25, 2010 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Giancarlo Esposito ... Gustavo 'Gus' Fring David Costabile ... Gale Boetticher Michael Shamus Wiles ... ASAC George Merkert Matt Jones ... Badger Tom Kiesche ... Clovis Larry Hankin ... Old Joe Luis Moncada ... Marco Salamanca Daniel Moncada ... Leonel Salamanca Charles Baker ... Skinny Pete Tina Parker ... Francesca Ashley Kajiki ... Pollos Manager Jose Avila ... Deputy Kee Frank Bond ... Realtor Jiji Hise ... Mother Trina E. Siopy ... Nurse 1 00:00:06,507 --> 00:00:08,050 KDK-12, come in. 2 00:00:08,217 --> 00:00:10,385 -KDK-12. -KDK-12. 3 00:00:10,552 --> 00:00:13,972 Hey, Bobby, need you to look in on Mrs. Peyketewa. 4 00:00:14,139 --> 00:00:17,100 -She all right? -Her daughter called from California. 5 00:00:17,267 --> 00:00:20,437 She hasn't heard from her in a while, kind of worried. 6 00:00:20,604 --> 00:00:22,314 Will do. 7 00:01:14,658 --> 00:01:17,369 Miss Peyketewa, hello. 8 00:01:20,831 --> 00:01:22,332 Miss Peyketewa. 9 00:01:31,925 --> 00:01:33,010 Miss Peyketewa. 10 00:03:14,193 --> 00:03:17,072 KDK-12 here. Janet, Jesus, we got a homicide. 11 00:03:17,239 --> 00:03:19,198 -Come again? -Miss Peyketewa, she's dead. 12 00:03:19,366 --> 00:03:22,536 -I need some backup out here. -Okay. On their way. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 13 00:03:27,582 --> 00:03:30,961 Whoever's in there, show yourself right now! 14 00:03:41,680 --> 00:03:42,764 Hold it right there. 15 00:03:42,931 --> 00:03:44,266 Let me see your hands. 16 00:03:44,433 --> 00:03:45,475 Hands! 17 00:03:48,937 --> 00:03:50,021 All right, down. 18 00:03:50,188 --> 00:03:51,523 On your knees. 19 00:03:52,315 --> 00:03:53,608 You understand me? 20 00:03:53,775 --> 00:03:56,153 Do you speak English? 21 00:03:59,072 --> 00:04:01,241 I said, down. On your knees. 22 00:04:01,408 --> 00:04:02,993 Down! 23 00:04:05,871 --> 00:04:07,581 Damn it, get down. 24 00:04:07,748 --> 00:04:08,999 On your knees. 25 00:04:09,166 --> 00:04:10,459 Do it. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 26 00:04:12,335 --> 00:04:14,963 On your knees or I'll fire! 27 00:04:58,507 --> 00:05:00,759 -Yeah? -I found the papers. 28 00:05:00,926 --> 00:05:04,221 Right where you left them, in the crib. 29 00:05:04,387 --> 00:05:06,306 Yeah, well.... 30 00:05:07,682 --> 00:05:09,851 You know best, right? 31 00:05:10,435 --> 00:05:11,812 Anything else? 32 00:05:11,978 --> 00:05:13,605 Do you have any thought... 33 00:05:13,772 --> 00:05:19,402 ...about how we're going to approach this with Walter Jr.? 34 00:05:19,569 --> 00:05:21,279 Well, he's still my son. 35 00:05:21,446 --> 00:05:23,490 -I mean, he will remain-- -Of course. 36 00:05:23,782 --> 00:05:26,868 My point being... 37 00:05:27,244 --> 00:05:29,329 ...the divorce. 38 00:05:31,039 --> 00:05:33,917 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY Well, I.... 39 00:05:34,209 --> 00:05:37,045 I think he gets it, don't you? 40 00:05:38,255 --> 00:05:40,173 I mean, I-- 41 00:05:40,339 --> 00:05:42,759 I think he saw it coming. 42 00:05:43,134 --> 00:05:45,053 He sees your unhappiness and-- 43 00:05:45,220 --> 00:05:47,055 My unhappiness? 44 00:05:47,222 --> 00:05:50,349 My completely out-of-the-clear... 45 00:05:50,517 --> 00:05:54,646 ...blue-sky unhappiness? 46 00:05:54,813 --> 00:05:56,481 Really? 47 00:05:56,940 --> 00:05:59,776 Look, as you said, for the best. 48 00:06:00,277 --> 00:06:01,319 Yeah. 49 00:06:01,486 --> 00:06:03,154 Okay. 50 00:06:03,864 --> 00:06:06,783 Last thing and then I'll let you go. 51 00:06:07,450 --> 00:06:11,997 In the child-support worksheet, you list medical, dental... 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 52 00:06:12,664 --> 00:06:18,377 ...child care, transportation, housing, education, food, clothing. 53 00:06:18,545 --> 00:06:20,046 That's right, all of it. 54 00:06:21,923 --> 00:06:23,633 Walt. 55 00:06:24,634 --> 00:06:28,179 -No. -Skyler, you wanted me out... 56 00:06:28,346 --> 00:06:31,182 ...I'm out, but I will provide for my family. 57 00:06:31,349 --> 00:06:33,435 Not with that money. 58 00:06:33,602 --> 00:06:36,688 You'd be making us accessories after the fact. 59 00:06:36,855 --> 00:06:40,567 How do you think we've been paying our bills these last six months? 60 00:06:44,863 --> 00:06:46,531 I have to go. 61 00:06:47,406 --> 00:06:48,783 Yep, I was right. 62 00:06:48,950 --> 00:06:51,453 Three units available, exact same floor plan. 63 00:06:51,620 --> 00:06:54,497 I can call over, get you in 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY to see any of the others. 64 00:06:54,664 --> 00:06:56,333 No, no, this one's fine. 65 00:06:57,167 --> 00:06:58,668 I'll take it. 66 00:07:01,046 --> 00:07:05,175 Now, unfortunately, this one is the model, so-- 67 00:07:05,342 --> 00:07:06,843 Yeah, I like it. 68 00:07:07,010 --> 00:07:08,845 I like everything about it. 69 00:07:09,012 --> 00:07:12,015 I'll take it as-is. 70 00:07:14,768 --> 00:07:18,563 Name one thing in this world that is not negotiable. 71 00:07:25,904 --> 00:07:28,365 -You have to clean the fryer. -Yes, sir. 72 00:07:31,701 --> 00:07:33,662 We try to clean them every night... 73 00:07:33,828 --> 00:07:37,707 ...but make sure it's off before you open the intake valve. 74 00:07:37,874 --> 00:07:42,045 Good. Now, I suggest that you add this to your Monday maintenance schedule. 75 00:07:42,212 --> 00:07:44,714 Yes, sir. Now, select freezing mode... 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 76 00:07:44,881 --> 00:07:48,927 ...clock button off, press and hold auto-control until it beeps. 77 00:07:49,094 --> 00:07:50,929 Main valve on, main switch on. 78 00:07:51,096 --> 00:07:54,516 Give the compressor time for the needle to enter the green. 79 00:08:05,610 --> 00:08:07,696 Yo, for real? 80 00:08:07,862 --> 00:08:10,281 -This is all you? -All me. 81 00:08:10,448 --> 00:08:12,617 Heisenberg who? That's what I say. 82 00:08:12,826 --> 00:08:14,786 My man Jesse can cook. 83 00:08:14,953 --> 00:08:17,747 Check it, yo. It ain't cloudy or dirty or nothing. 84 00:08:17,914 --> 00:08:20,250 -Just the right shade of blue. -Good shade. 85 00:08:20,417 --> 00:08:23,420 Check out that crystal size. If that bitch was any bigger... 86 00:08:23,586 --> 00:08:26,589 -...it would be a Jolly Rancher. -Be my guest. 87 00:08:30,051 --> 00:08:31,761 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY You sure? 88 00:08:31,928 --> 00:08:35,140 I feel kind of dickish with you being in rehab and all. 89 00:08:35,598 --> 00:08:38,768 No. I can watch, yo. 90 00:08:38,935 --> 00:08:42,230 -I can cook and I can watch. -Go for it. 91 00:08:42,397 --> 00:08:44,566 I tried it last week.
Recommended publications
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]
  • BREAKING BAD by Vince Gilligan
    BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit.
    [Show full text]
  • The Lynching of Cleo Wright
    University of Kentucky UKnowledge United States History History 1998 The Lynching of Cleo Wright Dominic J. Capeci Jr. Missouri State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Capeci, Dominic J. Jr., "The Lynching of Cleo Wright" (1998). United States History. 95. https://uknowledge.uky.edu/upk_united_states_history/95 The Lynching of Cleo Wright The Lynching of Cleo Wright DOMINIC J. CAPECI JR. THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Capeci, Dominic J. The lynching of Cleo Wright / Dominic J. Capeci, Jr. p. cm. Includes bibliographical references and index.
    [Show full text]
  • Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law.
    [Show full text]
  • Breaking Bad in the Classroom
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Breaking Bad in the Classroom Max Minzner University of New Mexico - Main Campus Recommended Citation Max Minzner, Breaking Bad in the Classroom, 45 N.M. L. Rev. 397 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/3 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX203.txt unknown Seq: 1 12-MAY-15 12:15 BREAKING BAD IN THE CLASSROOM Max Minzner* ABSTRACT Breaking Bad is often described as the transformation of Walter White—Mr. Chips becomes Scarface.1 Equally significant, though, are the journeys of Hank Schrader, his DEA pursuer, and Hank’s colleagues. The show is a study of law enforcement investigation in action. As a result, Breaking Bad can serve as a tool of pedagogy in criminal procedure. This Essay seeks to serve two ends. First, it provides a map for the use of the Breaking Bad series in the core constitutional criminal procedure course focusing on the limits on police investigation arising from the Fourth and Fifth Amendments. Video is a powerful mechanism for presenting hypotheticals to students. Recent work on other shows such as The Wire has recognized the value of television as an alternative pedagogi- cal technique in the law school curriculum. Breaking Bad deserves to take its place as a teaching aid in a criminal procedure classroom.
    [Show full text]
  • Dictionary of Occupational Safety and Health Terms English – Spanish
    Dictionary of Occupational Safety and Health Terms English – Spanish WHY A SPANISH-ENGLISH / ENGLISH-SPANISH DICTIONARY OF OCCUPATIONAL SAFETY AND HEALTH TERMS? Latino / Hispanics represent over 8% of the Oregon population. Between 1990 and 2000, the number of Hispanics in Oregon grew 144%. If this trend continues, 33% or one in three Oregonians could be Latino / Hispanic by 2020. Oregon’s economy relies on nursery, agriculture, manufacturing, forestry, construction, food processing, restaurants, hospitality, and services. These sectors in turn, rely on workers whose English is limited. This dictionary has two target audiences. The first is Oregon English-speaking employers and the second is Oregon limited English-Speaking Latino / Hispanic workers supervisors and employers wishing to improve occupational safety and health communication. In preparing this dictionary, every effort has was made to provide the most current, correct, and clearly expressed information. Nevertheless, inadvertent errors may have occurred. The Department of Consumer and Business Services and the Oregon Occupational Safety and Health Division (OR-OSHA) make no warranties or representations whatsoever regarding the quality, content, completeness, adequacy, or accuracy, of the information. This material is not a substitute for any provision of the Oregon Safety Employment Act or any standards issued by OR-OSHA. ASSISTANCE For further assistance in locating qualified interpretation, translation and language services, please contact you local colleges, universities,
    [Show full text]
  • Report from the Desk of Governor Eddie Paul Torres ATTENTION ISLETA PUEBLO LOCAL ARTISTS
    Isleta Pueblo News Volume 8 Issue 3 March 2013 Report from the Desk of Governor Eddie Paul Torres Ma-Gu-Wam, I hope that this newsletter finds all of you and your families well. 2013 has started off to be a busy year. We are working diligently to continue the unfinished projects from 2012. Some of the activity you will see will be with regard to the CCD project at Saint Augustine Church, Isleta Cemetery improvements and expansion, Sunset Hills infrastructure upgrade and Isleta Elder Care Center. We are confident that we have the expertise and consultation to see the projects through. All Indian Pueblo Council (AIPC) January 31, 2013, the Nineteen New Mexico Pueblo Governors and Governor of the Pueblo of Ysleta Del Sur from Texas all convened at Santo Domingo Pueblo for the traditional blessing of governor canes. According to tribal oral history the All Indian Pueblo Council (AIPC) All Indian Pueblo Council has existed for on issues and concerns to legislators and the cleaning work and keep your account dues many centuries prior to the date of 1598 public at the session. We have submitted current as these funds are for the continued which appears on the AIPC logo which was funding requests for approval by the NM maintenance of ditches for water delivery to the date of the first recorded meeting in Legislature and hope to acquire funding your fields. Santo Domingo with the Spaniards under for the Veterans' Association building In closing, I want to thank you for your Governor Juan de Onate. The AIPC is a infrastructure and funding for the Sunset continued support of me and my appointed political organization that continues to be a Hills housing development.
    [Show full text]
  • 38 EX Table of Contents.Indd
    OWNER’S MANUAL 38 EXPRESS 784027 3/2013 Table Of Contents 1 INTRODUCTION Regal Owner’s Manual 1-4 Owner’s Information Packet 1-4 General Information 1-5 Regal Marine Warranty 1-12 2 SAFETY ON BOARD Safety Labels 2-1 General Boating Safety 2-2 Required Safety Equipment 2-4 Fire Extinguishers 2-6 Visual Distress Signals 2-8 Sound Protecting Devices 2-10 Navigation Lights 2-10 Marine Sanitation Devices 2-10 Pollution Regulations 2-12 Garbage Discharge 2-12 Life Rafts 2-14 U.S.C.G Minimum Equipment Requirements 2-14 Exhaust & Carbon Dioxide 2-15 Boating & Alcohol 2-19 Boating Accidents 2-20 Water Sports 2-22 Weather & Water Conditions 2-23 3 RULES OF THE ROAD Navigation Rules Defi ned 3-1 Navigation Rules 3-1 Bridge Clearance 3-8 Table Of Contents 4 ENGINES & CONTROLS Fuel 5-2 Ventilation 5-4 Electrical 5-5 Air Conditioning 5-41 Water/Waste 5-45 Trim 5-59 Windlass 5-61 Entertainment 5-66 Electronics 5-71 5 SYSTEMS Overview 4-1 Instrumentation 4-6 Controls 4-10 Propellers 4-14 Steering 4-17 6 VESSEL OPERATION Getting Underway 6-1 Starting & Stopping 6-4 Fenders 6-5 Dock Line Basics 6-6 Docking 6-8 Anchoring 6-9 Towing/Admiralty Law 6-10 Emergencies 6-11 Environmental Awareness 6-14 Table Of Contents 7 AUXILIARY EQUIPMENT OPERATION Quick Reference Guide To Auxiliary Equipment 7-2 Interior Equipment 7-3 Exterior Equipment 7-21 8 COSMETIC CARE & MAINTENANCE Cosmetic Care 8-1 Maintenance 8-21 9 TROUBLESHOOTING Diagnostic Charts 9-1 10 STORAGE & WINTERIZATION Checklists 10-2 11 GLOSSARY & INDEX 11-1 12 TECHNICAL Technical Information 12-1 Technical Drawings 12-6 Introduction Boating is becoming more popular each and every year.
    [Show full text]
  • Sunday Morning Grid 8/17/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 8/17/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program Gospel Music Presents Football PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å Conference Paid Zou (TVY) Tree Fu LazyTown Zou (TVY) Youth Olympic Games 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Little League Baseball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program Vertical Limit ›› (2000) 13 MyNet Paid Program Noble Things (2008) (R) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Local Local Local Gebel Local Local Local Local White Lion ›› (2010) 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Cook Kitchen Lidia 28 KCET Hi-5 Space Travel-Kids Biz Kid$ News LinkAsia Rick Steves’ Italy: Cities of Dreams (TVG) Å Things Aren’t Here 30 ION Jeremiah Youssef In Touch Hour of Power Paid Program Married Kindergarten Cop ›› (1990) (PG-13) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Harvest In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Paid Program The Amazing Panda Adventure ›› Merlin Merlin (11:10) 50 KOCE Peg Dinosaur Dr.
    [Show full text]
  • Going West in Breaking Bad: Ambiguous Morality, Violent…
    Going West in Breaking Bad: Ambiguous Morality, Violent Masculinity, and the Antihero’s Role in the Evolution of the American Western Amanda Knopf Vince Gilligan’s Breaking Bad tells a story about more than cancer, chemistry, and meth. Viewing the series as a tale of the American West illuminates the ways it highlights and challenges entrenched American ideals. Looking through a historical and cinematic lens to analyze Breaking Bad as a Western, I will argue that we can discover how tropes of the Western genre continue to influence contemporary American identity. Although there have been ambiguous protagonists similar to Walt in Western film and literature, Gilligan takes this trope to a more intimate level, inviting us into an irresistible love-hate relationship with Walt, who at first resembles the typical white, middle-class, American man but transforms into the horrific Machiavellian beast, Heisenberg. Specifically, I will contend that Breaking Bad draws on Western motifs but also that Gilligan, through rethinking the iconic endings of famous Westerns, recharges the genre with new meanings. The open ending of the series suggests that Breaking Bad does not necessarily critique its violent, Western antihero, but indicates that this persona 2 persists today as a powerful depiction of American masculine identity, leading to potentially tragic consequences. Historian Henry Adams once admitted that the process of history is as mysterious and unchangeable as the laws of physics and chemistry: “A dynamic law requires that two masses— nature and man—must go on, reacting upon each other, without stop, as the sun and a comet react on each other, and that any appearance of stoppage is illusive” (Adams 375).1 Retracing Adams’s steps, Robert Morgan applies a chemical metaphor to the story of westward expansion: The tens of thousands of settlers, hungry for land, adventure, opportunity, are like the molecules of an element compelled to combine with another, the territory of the North American West.
    [Show full text]
  • Crossing the US-Mexico Border in American Novels and Television
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 "This World Must Touch the Other": Crossing the U.S.-Mexico Border in American Novels and Television Guadalupe V. Linares University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Linares, Guadalupe V., ""This World Must Touch the Other": Crossing the U.S.-Mexico Border in American Novels and Television" (2013). Dissertations, Theses, and Student Research: Department of English. 78. https://digitalcommons.unl.edu/englishdiss/78 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “THIS WORLD MUST TOUCH THE OTHER”: CROSSING THE U.S.-MEXICO BORDER IN AMERICAN NOVELS AND TELEVISION by Guadalupe V. Linares A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Amelia M.L. Montes Lincoln, Nebraska August, 2013 “THIS WORLD MUST TOUCH THE OTHER”: CROSSING THE U.S.-MEXICO BORDER IN AMERICAN NOVELS AND TELEVISION Guadalupe V. Linares, Ph.D. University of Nebraska, 2013 Advisor: Amelia M.L. Montes This dissertation is a literary, cultural, and theoretical analysis of selected twentieth and twenty-first century novels and television in which characters cross the U.S.-Mexico border.
    [Show full text]
  • NOTED FEATURE FILM & TELEVISION PRODUCTIONS In
    NOTED FEATURE FILM & TELEVISION PRODUCTIONS in NEW MEXICO JANUARY 2003 TO PRESENT: FY 2003 (six mos.) Total Budget Shooting Dates Blind Horizon $4.7M Dec 2002 – Jan 2003 The Missing $60M Jan – March 2003 21 Grams $20M Feb – March 2003 A Thief of Time $4M April 2003 Coyote Waits $4M May 2003 FY 2004 Black Cloud July 2003 Elvis Has Left the Building $7.5M Sept – Oct 2003 Formosa $700K Sept – Oct 2003 Mall Cop $500K Oct – Nov 2003 Around the Bend $6.4M Nov – Dec 2003 Mojave $1.7M Nov – Dec 2003 Rx $1.5 M April – June 2004 FY 2005 Dreamland $700K July 2004 Cruel World $1.7 M July – Aug 2004 The Longest Yard $90+M July – Aug 2004 Nothing But Life $500K Aug 2004 Glory Road $500K Oct 2004 Believe In Me $7M Oct – Nov 2004 In From the Night $4M Nov – Dec 2004 Wildfire (2-hour pilot) $5.2M Nov – Dec 2004 Into the West (3 episodes) $30M Jan – May 2005 First Snow $7.3M Feb 2005 North Country $35M Feb – April 2005 Far Side of Jericho $2M May – June 2005 Wildfire, the 1st season $17M May – Aug 2005 Bordertown $21M June – Aug 2005 FY 2006 Three Wise Guys $4.6M July 2005 Astronaut Farmer $15M July – Sept 2005 Seraphim Falls $17M Oct – Dec 2005 Wildfire, the 2nd season $17M Oct 2005 – March 2006 Three Wishes $1M Nov 2005 Doubting Thomas $2M Nov – Dec 2005 The Flock $32M Nov 2005 – Jan 2006 Intervention $12.4M Jan – Feb 2006 Trade $8-9M Jan – Feb 2006 Beerfest $12M Jan – March 2006 Employee of the Month $13M Feb – March 2006 Fanboys $3.5M Feb – April 2006 In Plain Sight $4M April – May 2006 Living Hell $3.8M April – May 2006 Comanche Moon $30M April – July 2006 Transformers $100M May – June 2006 Wanted: Undead or Alive $3.8M May – June 2006 No Country for Old Men $25M May – Aug 2006 Wild Hogs $60M May – July 2006 Buried Alive $3.8M June – July 2006 FY 2007 The Hitcher $18M July – Aug 2006 The Lost Room $18M July – Oct 2006 Save Me $1.25M July 2006 Wildfire, the 3rd season $17M July – Nov 2006 Carriers $9.5M Aug 2006 Have Dreams, Will Travel $8M Sept – Nov 2006 Naked Fear $500K Oct.
    [Show full text]