Chronicle of George Boustronios 1456-1489
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Caterina Corner in Venetian History and Iconography Holly Hurlburt
Early Modern Women: An Interdisciplinary Journal 2009, vol. 4 Body of Empire: Caterina Corner in Venetian History and Iconography Holly Hurlburt n 1578, a committee of government officials and monk and historian IGirolamo Bardi planned a program of redecoration for the Sala del Maggior Consiglio (Great Council Hall) and the adjoining Scrutinio, among the largest and most important rooms in the Venetian Doge’s Palace. Completed, the schema would recount Venetian history in terms of its international stature, its victories, and particularly its conquests; by the sixteenth century Venice had created a sizable maritime empire that stretched across the eastern Mediterranean, to which it added considerable holdings on the Italian mainland.1 Yet what many Venetians regarded as the jewel of its empire, the island of Cyprus, was calamitously lost to the Ottoman Turks in 1571, three years before the first of two fires that would necessitate the redecoration of these civic spaces.2 Anxiety about such a loss, fear of future threats, concern for Venice’s place in evolving geopolitics, and nostalgia for the past prompted the creation of this triumphant pro- gram, which featured thirty-five historical scenes on the walls surmounted by a chronological series of ducal portraits. Complementing these were twenty-one large narratives on the ceiling, flanked by smaller depictions of the city’s feats spanning the previous seven hundred years. The program culminated in the Maggior Consiglio, with Tintoretto’s massive Paradise on one wall and, on the ceiling, three depictions of allegorical Venice in triumph by Tintoretto, Veronese, and Palma il Giovane. These rooms, a center of republican authority, became a showcase for the skills of these and other artists, whose history paintings in particular underscore the deeds of men: clothed, in armor, partially nude, frontal and foreshortened, 61 62 EMWJ 2009, vol. -
Manuel II Palaiologos' Point of View
The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska − University of Łódź, Faculty of Philosophy and History Department of Medieval History, 90-219 Łódź, 27a Kamińskiego St. REVIEWERS Maciej Salamon, Jerzy Strzelczyk INITIATING EDITOR Iwona Gos PUBLISHING EDITOR-PROOFREADER Tomasz Fisiak NATIVE SPEAKERS Kevin Magee, François Nachin TECHNICAL EDITOR Leonora Wojciechowska TYPESETTING AND COVER DESIGN Katarzyna Turkowska Cover Image: Last_Judgment_by_F.Kavertzas_(1640-41) commons.wikimedia.org Printed directly from camera-ready materials provided to the Łódź University Press This publication is not for sale © Copyright by Małgorzata Dąbrowska, Łódź 2017 © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 Published by Łódź University Press First edition. W.07385.16.0.M ISBN 978-83-8088-091-7 e-ISBN 978-83-8088-092-4 Printing sheets 20.0 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] tel. (42) 665 58 63 CONTENTS Preface 7 Acknowledgements 9 CHAPTER ONE The Palaiologoi Themselves and Their Western Connections L’attitude probyzantine de Saint Louis et les opinions des sources françaises concernant cette question 15 Is There any Room on the Bosporus for a Latin Lady? 37 Byzantine Empresses’ Mediations in the Feud between the Palaiologoi (13th–15th Centuries) 53 Family Ethos at the Imperial Court of the Palaiologos in the Light of the Testimony by Theodore of Montferrat 69 Ought One to Marry? Manuel II Palaiologos’ Point of View 81 Sophia of Montferrat or the History of One Face 99 “Vasilissa, ergo gaude...” Cleopa Malatesta’s Byzantine CV 123 Hellenism at the Court of the Despots of Mistra in the First Half of the 15th Century 135 4 • 5 The Power of Virtue. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Redalyc.CRUSADING and MATRIMONY in the DYNASTIC
Byzantion Nea Hellás ISSN: 0716-2138 [email protected] Universidad de Chile Chile BARKER, JOHN W. CRUSADING AND MATRIMONY IN THE DYNASTIC POLICIES OF MONTFERRAT AND SAVOY Byzantion Nea Hellás, núm. 36, 2017, pp. 157-183 Universidad de Chile Santiago, Chile Available in: http://www.redalyc.org/articulo.oa?id=363855434009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative BYZANTION NEA HELLÁS Nº 36 - 2017: 157 / 183 CRUSADING AND MATRIMONY IN THE DYNASTIC POLICIES OF MONTFERRAT AND SAVOY JOHN W. BARKER UNIVERSITY OF WISCONSIN-MADISON. U.S.A. Abstract: The uses of matrimony have always been standard practices for dynastic advancement through the ages. A perfect case study involves two important Italian families whose machinations had local implications and widespread international extensions. Their competitions are given particular point by the fact that one of the two families, the House of Savoy, was destined to become the dynasty around which the Modern State of Italy was created. This essay is, in part, a study in dynastic genealogies. But it is also a reminder of the wide impact of the crusading movements, beyond military operations and the creation of ephemeral Latin States in the Holy Land. Keywords: Matrimony, Crusading, Montferrat, Savoy, Levant. CRUZADA Y MATRIMONIO EN LAS POLÍTICAS DINÁSTICAS DE MONTFERRATO Y SABOYA Resumen: Los usos del matrimonio siempre han sido las prácticas estándar de ascenso dinástico a través de los tiempos. -
Bliography of Cyprus, 12°, Nicosia, 1886-89-94-190Κ0 and 1908, the Last Forming Part of "Excerpta," 4°, Cambridge, 1908
XAUDE DELAVAL COBHAM.] C6B (t I9ir>.) 4" - Η AN ATTEMPT AT A Κ Η BLIOGRAPHY OF CYPRUΘS Previously printed 1886 [152 titles]; 1889 [309]Ο; 1894 [497]; 1900 [728]; and 1908 [860 titles]Ι. Λ A NEW EDITIONΙ Β HRANGED ALPHABETICALLY WITΒH ADDITIONS. Η EDITED BY G. JEFFERYΚ , O.B.E.. F.S.A. ΙΑ PRICΡE 2s. 4kp. (2s. 6d.) Π Υ CYPRUS: Printed at the Government Printing Office, Nioosia. Κ 1 9 2 i). 'o be purchased at the Government Printing Office, Nicosia, Cyprus, from the Grown Agents for the Colonies, 4 Millbanh London, :^.W.l. Η Κ Η Θ ΙΟ Λ ΙΒ Β Η Κ ΙΑ Ρ Π Υ Κ t^S^s COLAUDE DELAY AL COBHAM.] (t 1915,) Η AN ATTEMPT AT A Κ Η BIBLIOGRAPHY OF CYPRUΘS Ο Previously printed 1886 [152 titles]; 1889 Ι[309]; 1894 [497]; 1900 [728]; and 1908 [860 titles]. Λ A NEW EDITIOΙNΒ Β ARRANGED ALPHABETICALL Y WITH ADDITIONS, Η Κ Α EDITED BY ΙG. JEFFERY, O.B.E., P.S.A. Ρ Π Υ CYPRUS : Printed at the Government Printing Office, Nicos r** i£P%fe\ Κ 7fi ' JON AlAtlA »JiAiOeHC.H i47t2 r <ZL^0 dC Η Κ Η Θ ΙΟ Λ ΙΒ Β Η Κ ΙΑ Ρ Π Υ Κ Η Κ Η Θ ΙΟ Λ DEDICATED TO HIS EXCELLENCY SIR EONALD STORESΒ, KT., C.M.G.^ O.B.E., Governor of Cyprus,Ι Β Η Κ ΙΑ Ρ Π Υ Κ Η Κ Η Θ ΙΟ Λ ΙΒ Β Η Κ ΙΑ Ρ Π Υ Κ PREFACE. -
MEDIEVAL FAMAGUSTA: SOCIO-ECONOMIC and SOCIO- CULTURAL DYNAMICS (13Th to 15Th Centuries)
MEDIEVAL FAMAGUSTA: SOCIO-ECONOMIC AND SOCIO- CULTURAL DYNAMICS (13th to 15th Centuries) by SEYIT ÖZKUTLU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham October 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This dissertation examines the socio-economic and socio-cultural dynamics of medieval Famagusta from the thirteenth to the fifteenth centuries. Contrary to the traditional historiography suggesting that Famagusta enjoyed commercial privilege after the fall of Acre in 1291 and lost its importance with the Genoese occupation of the city in 1374, this work offers more detailed analysis of economic and social dynamics of the late medieval Famagusta by examining wide-range of archival evidence and argues that Famagusta maintained its commercial importance until the late fifteenth century. In late medieval ages, Famagusta enjoyed economic prosperity due to its crucial role in Levant trade as a supplier and distributor of agricultural and luxury merchandise. -
Frankish-Venetian Cyprus: JSACE 3/16
97 Journal of Sustainable Architecture and Civil Engineering 2016/3/16 Frankish-Venetian Cyprus: JSACE 3/16 Effects of the Renaissance Frankish-Venetian Cyprus: Effects of the Renaissance on on the Ecclesiastical the Ecclesiastical Architecture of the Architecture of the Island Island Received 2016/09/22 Nasso Chrysochou Accepted after Assistant professor, Department of Architecture, Frederick University revision Demetriou Hamatsou 13, 1040 Nicosia 2016/10/24 Corresponding author: [email protected] http://dx.doi.org/10.5755/j01.sace.16.3.16278 The paper deals with the effects of the Renaissance on the Orthodox ecclesiastical architecture of the island. Even though the Latin monuments of the island have been thoroughly researched, there are only sporadic works that deal with the Orthodox ecclesiastical architecture of the period. The doctoral thesis of the author in waiting to be published is the only complete work on the subject. The methodology used, involved bibliographic research and to a large degree field research to establish the measurements of all the monuments. Cyprus during the late 15th to late 16th century was under Venetian rule but the government was more interested in establishing a defensive strategy against the threat of the Ottoman Empire rather than building the fine renaissance architecture that was realized in Italy. However, small morphological details and typologies managed to infiltrate the local architecture. This was done through the import of ideas and designs by Venetian architects and engineers who travelled around the colonies or through the use of easily transferable drawings and manuals of architects such as Serlio and Palladio. -
Ungarn-Jahrbuch“
UNGARN–JAHRBUCH Zeitschrift für interdisziplinäre Hungarologie Herausgegeben von Zsolt K. Lengyel In Verbindung mit Gabriel Adriányi (Bonn), Joachim Bahlcke (Stuttgart) János Buza (Budapest), Holger Fischer (Hamburg) Lajos Gecsényi (Budapest), Horst Glassl (München) Ralf Thomas Göllner (Regensburg), Tuomo Lahdelma (Jyväskylä) István Monok (Budapest), Teréz Oborni (Budapest) Joachim von Puttkamer (Jena), Harald Roth (Potsdam) Hermann Scheuringer (Regensburg), Andrea Seidler (Wien) Gábor Ujváry (Budapest), András Vizkelety (Budapest) Band 33 Jahrgang 2016/2017 Verlag Friedrich Pustet Regensburg 2018 Ungarn–Jahrbuch. Zeitschrift für interdisziplinäre Hungarologie Im Auftrag des Ungarischen Instituts München e. V. Redaktion: Zsolt K. Lengyel mit Florian Bucher, Krisztina Busa, Ralf Thomas Göllner Der Druck wurde vom Nationalen Kulturfonds (Nemzeti Kulturális Alap, Budapest) gefördert Redaktion: Ungarisches Institut der Universität Regensburg, Landshuter Straße 4, D-93047 Regensburg, Telefon: [0049] (0941) 943 5440, Telefax: [0049] (0941) 943 5441, [email protected], www.uni-regensburg.de/hungaricum-ungarisches-institut/ Beiträge: Publikationsangebote sind willkommen. Die Autorinnen und Autoren werden gebeten, ihre Texte elektronisch einzusenden. Die zur Veröffentlichung angenommenen Beiträge geben nicht unbedingt die Meinung der Herausgeber und Redaktion wieder. Für ihren Inhalt sind die jeweili gen Verfasser verantwortlich. Größere Kürzungen und Bearbei- tungen der Texte er folgen nach Absprache mit den Autorinnen und Autoren. Bibliografi sche Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografi e; detaillierte bibliografi sche Daten sind im Internet über http://dnb.dnb.de abrufb ar ISBN 978-3-7917-2811-7 Bestellung, Vertrieb und Abonnementverwaltung: Verlag Friedrich Pustet, Gutenbergstraße 8, 93051 Regensburg Tel. +49 (0) 941 92022-0, Fax +49 (0) 941 92022-330 [email protected] | www.verlag-pustet.de Preis des Einzelbandes: € (D) 44,– / € (A) 45,30 zzgl. -
Stefano Colombo Volume 1 (Text)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/94209 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications The Rhetoric of Celebration in Seventeenth-Century Venetian Funerary Monuments Volume One of two volumes (Text) by Stefano Colombo A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the History of Art at the University of Warwick. This dissertation may not be photocopied. University of Warwick, Department of the History of Art December 2016 Table of Contents Table of Contents ................................................................................................ i Acknowledgements ........................................................................................... iv Declaration ......................................................................................................... v Abstract .............................................................................................................. vi List of Abbreviations ........................................................................................ vii List of Illustrations ......................................................................................... -
An Unknown Portrait of King of Cyprus Hugh IV Lusignan: Reconstructions, Questions and Hypotheses Regarding a Miniature from the Manuscript BSB
perspektywy kultury / Orient. Wczoraj i dziś perspectives on culture No. 31 (4/2020) Svetlana V. Bliznyuk http://orcid.org/0002-8533-0863 Lomonosov Moscow State University [email protected] DOI: 10.35765/pk.2020.3104.07 An Unknown Portrait of King of Cyprus Hugh IV Lusignan: Reconstructions, Questions and Hypotheses Regarding a Miniature from the Manuscript BSB. Clm. 10268. Michael Scotus. F. 1r. 1 ABSTRACT The Lusignan epoch in Cyprus produced a number of interesting and extraor- dinary individuals, of which king Hugh IV Lusignan particularly stood out. However, due to a lack of portraits left to us from that time, we have only a very vague concept of what those individuals’ appearances looked like. This work makes a unique attempt at reconstructing a portrait of king Hugh IV Lusignan based on a miniature found in a manuscript containing works of Michael Scotus, located in the Bavarian State Library. KEYWORDS: Cyprus, kings, art, portraits, manuscripts, heraldry, reconstruction STRESZCZENIE Nieznany portret króla cypryjskiego Hugona IV Lusignan: Rekonstrukcje, pytania i hipotezy wokół miniatury z manuskryptu BSB. Clm. 10268. Michael scotus. F. 1r. Era dynastii Lusignan na Cyprze zrodziła wiele ciekawych i niezwykłych postaci, spośród których wyróżnia się szczególnie król Hugon IV Lusignan. Ponieważ nie przetrwały żadne portrety z tego okresu, posiadamy jedynie mgliste wyobrażenie o tym, jak mogły wyglądać te postaci. Niniejsza praca 1 I thank my daughter and artist A. Bliznyuk for her help in the reconstruction of the portrait, as well as for numerous observations and notes used in the article. This article is a corrected and enlarged version of the work published in Russian (Bliznyuk & Bliznyuk, 2017). -
157 Crusading and Matrimony in the Dynastic Policies
BYZANTION NEA HELLÁS Nº 36 - 2017: 157 / 183 CRUSADING AND MATRIMONY IN THE DYNASTIC POLICIES OF MONTFERRAT AND SAVOY JOHN W. BARKER UNIVERSITY OF WISCONSIN-MADISON. U.S.A. Abstract: The uses of matrimony have always been standard practices for dynastic advancement through the ages. A perfect case study involves two important Italian families whose machinations had local implications and widespread international extensions. Their competitions are given particular point by the fact that one of the two families, the House of Savoy, was destined to become the dynasty around which the Modern State of Italy was created. This essay is, in part, a study in dynastic genealogies. But it is also a reminder of the wide impact of the crusading movements, beyond military operations and the creation of ephemeral Latin States in the Holy Land. Keywords: Matrimony, Crusading, Montferrat, Savoy, Levant. CRUZADA Y MATRIMONIO EN LAS POLÍTICAS DINÁSTICAS DE MONTFERRATO Y SABOYA Resumen: Los usos del matrimonio siempre han sido las prácticas estándar de ascenso dinástico a través de los tiempos. Un caso de estudio perfecto implica a dos importantes familias italianas cuyas maquinaciones tenían implicaciones locales y extensiones internacionales generalizadas. Sus competencias tienen como punto particular el hecho de que una de las dos familias, la Casa de Saboya, estaba destinada a convertirse en la dinastía alrededor de la cual se creó el Estado Moderno de Italia. Este ensayo es, en parte, un estudio sobre genealogía dinástica. Pero también es un recordatorio de la gran repercusión de los movimientos cruzados, más allá de las operaciones militares y la creación de efímeros Estados Latinos en la Tierra Santa. -
Byzantine Frescoes from Lusignan Cyprus in Houston*
Originalveröffentlichung in: Ikonotheka , 21 (2008) S. 21-32 IKONOTHEKA21,2008 Malgorzata Dqbrowska UNIVERSITY OF LODZ RICE UNIVERSITY, HOUSTON, TX Byzantine Frescoes from Lusignan Cyprus in Houston* But their eyes were holden that they should not know him. (Luke 24:16) If the Byzantine frescoes were still in Lysi, a small village on Cyprus, they would not attract so much attention, as there is nothing special about them. The whole island is full of churches with interesting interiors1. But when the frescoes from Lysi appeared in Houston, they became unique. They are said to be the only specimen of this kind in the Western hemisphere. Why are they here near the Mexican Gulf, which is known for the numerous oil rifts that are a source of wealth? There is a direct connection between the Byzantine paintings and the rifts. The art connoisseurs, Dominique and John de Menil, who owed their fortune to the oil business, saved the exquisite mas terpieces from Cyprus. Paradoxically enough, these frescoes are not so well known This article was written when I was a Visiting Professor at Rice University as a Fellow of the Kosciuszko Foundation. I am very grateful to Mrs. Susan de Menil for the exchange of views in a telephone conversation, and for the hospitality of the Menil Collection where I worked in the archives due to the kindness of Dr. Josef Hofestein, The Director of the Collection, and the two ladies: Ms. Geraldine Aramanda and Ms. Heather Kushnerick. I am particularly indebted to Heather, who was my discreet companion in January 2008, when I was bent over the boxes with the necessary materials.