Bilderatlas Mnemosyne
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The Variants of Warburg's Manuscripts on His Indian
The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel Como citar: WEIGEL, S. The Epistemic Advantage of Self-Analysis for Cultural- Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey. MODOS. Revista de História da Arte. Campinas, v. 4, n.3, p.386-404, set. 2020. Disponível em: ˂https://www.publionline.iar.unicamp.br/index.php/mod/article/view/4 794˃; DOI: https://doi.org/10.24978/mod.v4i3.4794. Imagem: The Diptych Oraibi (GUIDI; MANN, 1998). The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel* Abstract The article is devoted to analyze different versions and drafts of the 1923 Warburg’s Lecture, held in Kreuzlingen in 1923, on his travel to the United States in 1895/96, at the end of his long convalescence in the sanatorium of Ludwig Binswanger, as well as the respective lectures of 1897. This essay focuses on how the dispersion of these texts, their different dates and interferences in publications over decades had epistemological implications in the interpretation of his famous Conference. Thus, the contrast between fundamental points of these texts, both in their forms and contents – including deliberate terminological fluctuations –, raises theoretical questions that interfere with the understanding of Warburg’s work in its methodological specificity. -
Bachmann's Feminist Reception
CHAPTER 2 Bachmann’s Feminist Reception One must in general be able to read a book in different ways and to read it differently today than tomorrow. (Ingeborg Bachmann, Wir müssen wahre Sätze finden) Every reader, when he reads, is in reality a reader of himself. —Ingeborg Bachmann, Werke, quoting Proust Since the late 1970s, the enthusiastic response of feminist readers, critics, and scholars to the writing of Ingeborg Bachmann has produced a radical reassessment of her work. As I explained in chapter 1, she owed her reputation during her lifetime to the two highly accomplished volumes of lyric poetry she published in the 1950s, Die gestundete Zeit and Anrufung des Großen Bären. Her critics responded more negatively to her subsequent attempts at prose fiction, The Thirtieth Year (1961) and the first finished volumes of her “Ways of Death” cycle, Malina (1971) and Three Paths to the Lake (1972). But after her death in 1973, feminist readers rediscovered her fiction, now focusing their attention on representations of femininity in the “Ways of Death,” augmented in 1978 by the posthumous publication of two novel fragments, The Franza Case (now called The Book of Franza) and Requiem for Fanny Goldmann. By the 1980s “the other Ingeborg Bachmann,” as Sigrid Weigel termed her (“Andere” 5), had achieved the status of cult figure within German feminism; feminist literary scholars’ spirited and subtle reinterpretations of her writing had produced a renaissance in Bachmann scholarship; and Bachmann’s texts had become central to the Ger- man feminist literary canon. In a study of Bachmann’s reception before 1973, Constance Hotz argues that 1950s journalists constructed an image of her that met the political needs of their era, turning Bachmann into an “exemplum for [Germany’s] reconstruction, its reattainment of international standards, its reachievement of recognition in the world” (72). -
The Schmittian Messiah in Agamben's the Time That Remains Author(S): by Brian Britt Source: Critical Inquiry, Vol
The Schmittian Messiah in Agamben's The Time That Remains Author(s): By Brian Britt Source: Critical Inquiry, Vol. 36, No. 2 (Winter 2010), pp. 262-287 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/648526 . Accessed: 05/02/2014 10:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org This content downloaded from 128.173.127.143 on Wed, 5 Feb 2014 10:38:34 AM All use subject to JSTOR Terms and Conditions The Schmittian Messiah in Agamben’s The Time That Remains Brian Britt For Giorgio Agamben, Alain Badiou, and Slavoj Zˇ izˇek the New Testa- ment writings attributed to Paul have much to say on contemporary de- bates over politics and religious tradition.1 Unlike other thinkers who have turned to Paul at moments of crisis and innovation, Badiou, Zˇ izˇek, and Agamben neither write as theologians nor profess Christianity. In what some have called our postsecular present, religious tradition has become a serious category of analysis in circles of political and cultural theory for the first time. -
On the Problem of Describing and Interpreting Works of the Visual Arts
On the Problem of Describing and Interpreting Works of the Visual Arts Author(s): Erwin Panofsky, Jaś Elsner, and Katharina Lorenz Reviewed work(s): Source: Critical Inquiry, Vol. 38, No. 3 (Spring 2012), pp. 467-482 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/664547 . Accessed: 24/05/2012 14:10 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org On the Problem of Describing and Interpreting Works of the Visual Arts Erwin Panofsky Translated by Jas´ Elsner and Katharina Lorenz In the eleventh of his Antiquarian Letters, Gotthold Ephraim Lessing discusses a phrase from Lucian’s description of the painting by Zeuxis called A Family of Centaurs: ‘at the top of the painting a centaur is leaning down as if from an observation point, smiling’ (ano de tes eikonos hoion apo tinos skopes Hippokentauros tis ...). ‘This as if from an observation point, Except for a few changes, that partly emerged from the discussion, this article presents the thread of a talk, that was given on 20 May 1931, to the Kiel section of the Kant Society. -
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts Edited by Vivian Liska Editorial Board Robert Alter, Steven E. Aschheim, Richard I. Cohen, Mark H. Gelber, Moshe Halbertal, Geoffrey Hartman, Moshe Idel, Samuel Moyn, Ada Rapoport-Albert, Alvin Rosenfeld, David Ruderman, Bernd Witte Volume 3 The German-Jewish Experience Revisited Edited by Steven E. Aschheim Vivian Liska In cooperation with the Leo Baeck Institute Jerusalem In cooperation with the Leo Baeck Institute Jerusalem. An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-037293-9 e-ISBN (PDF) 978-3-11-036719-5 e-ISBN (EPUB) 978-3-11-039332-3 ISSN 2199-6962 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2015 Walter de Gruyter GmbH, Berlin/Boston Cover image: bpk / Staatsbibliothek zu Berlin Typesetting: PTP-Berlin, Protago-TEX-Production GmbH, Berlin Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Preface The essays in this volume derive partially from the Robert Liberles International Summer Research Workshop of the Leo Baeck Institute Jerusalem, 11–25 July 2013. -
Annual Report 2013-2014
ANNUAL REPORT 2013-2014 1 The Warburg Institute exists principally to further the study of the classical tradition, that is of those elements of European thought, literature, art and institutions which derive from the ancient world. It houses an Archive, a Library and a Photographic Collection. It is one of the ten member Institutes of the School of Advanced Study of the University of London. The classical tradition is conceived as the theme which unifies the history of Western civilization. The bias is not towards ‘classical’ values in art and literature: students and scholars will find represented all the strands that link medieval and modern civilization with its origins in the ancient cultures of the Near East and the Mediterranean. It is this element of continuity that is stressed in the arrangement of the Library: the tenacity of symbols and images in European art and architecture, the persistence of motifs and forms in Western languages and literatures, the gradual transition, in Western thought, from magical beliefs to religion, science and philosophy, and the survival and transformation of ancient patterns in social customs and political institutions. The Warburg Institute is concerned mainly with cultural history, art history and history of ideas, especially in the Renaissance. It aims to promote and conduct research on the interaction of cultures, using verbal and visual materials. It specializes in the influence of ancient Mediterranean traditions on European culture from the Middle Ages to the modern period. Its open access library has outstanding strengths in Byzantine, Medieval and Renaissance art, Arabic, Medieval and Renaissance philosophy, the history of religion, science and magic, Italian history, the history of the classical tradition, and humanism. -
Culture, Change, and Intellectual Relations
Culture, change, and intellectual relations Review of: José Emilio Burucúa, Historia, Arte, Cultura. De Aby Warburg a Carlo Ginzburg, Buenos Aires: Fondo de Cultura Económica, 2003, ISBN 9505575580, 199 pp., £ 24.94. Historia, Arte, Cultura describes the intellectual development of a group of scholars with wide ranging interests and diverse approaches to the history of art and culture, centered around the figure of Aby Warburg (1866-1929) and his collection of books and images. Displaying singular erudition, José Emilio Burucúa discusses their theories and studies, as well as their institutional affiliations. This issue brings into consideration the history of the Warburg Institute itself, its hazardous transfer from Hamburg to England, and its incorporation to the University of London. The relevance of the book as a general introduction to the group is enhanced by a forty page appendix which includes texts written by distinguished members of the Warburgian tradition. The introduction to the book highlights the increased interest that European historiography has devoted to Warburg, his theories, and his methods in the last decades. In 1970, Ernst Gombrich published an intellectual biography of the German art historian, revised and expanded in 1986.1 That same year, Carlo Ginzburg included the article 'Da Aby Warburg a Ernst Gombrich. Note su un problema di metodo' in his book Miti, Emblemi, Spie.2 Gombrich's and Ginzburg's reflections heralded the appearance of several translations of Warburg's texts that made them accessible to the non-German speaking world. Until the 1990s only an Italian translation, La Rinascita del Paganesimo Antico, edited by Gertrud Bing,3 was available. -
Does Central Bank Independence Frustrate the Optimal Fiscal-Monetary Policy Mix in A
Does Central Bank Independence Frustrate the Optimal Fiscal-Monetary Policy Mix in a Liquidity Trap? By Paul McCulley, Chair, GIC Global Society of Fellows and Zoltan Pozsar, Visiting Scholar, GIC Global Society of Fellows Paper to be presented at the Inaugural Meeting of the Global Interdependence Center’s Society of Fellows on March 26, 2012 at the Banque de France, Paris March 26, 2012 Abstract “[T]he role of an independent central bank is different in inflationary and deflationary environments. In the face of inflation, which is often associated with excessive [government borrowing and] monetization of government debt, the virtue of an independence central bank is its ability to say “no” to the government. [In a liquidity trap], however, excessive [government borrowing] and money creation is unlikely to be the problem, and a more cooperative stance on the part of the central bank may be called for. Under the current circumstances [of a liquidity trap], greater cooperation for a time between the [monetary] and the fiscal authorities is in no way inconsistent with the independence of […] central bank[s], any more than cooperation between two independent nations in pursuit of a common objective [or, for that matter, cooperation between central banks and fiscal authorities to facilitate war finance] is consistent with the principle of national sovereignty.” Governor Ben S. Bernanke 1 Section I - Introduction The United States and much of the developed world are in a liquidity trap. However, policymakers still have not embraced this diagnosis which is a problem as solutions to a liquidity trap require specific sets of policies. -
Annual Report 2018 Performance at a Glance
Annual Report 2018 Performance at a Glance Companies held by M.M.Warburg & CO Gruppe GmbH in EUR million 2018 2017 Net income before taxes –10.3 17.4 Net interest income 45.2 49.2 Net fee and commission income 121.4 175.1 Administrative expenses (including depreciation, 173.3 229.8 amortization, and writedowns) Total assets 5,763.8 7,385.0 Business volume 5,798.9 7,425.7 Own funds 390.2 469.3 Bank in EUR million 2018 2017 Net income before taxes 7.1 27.0 Net interest income 36.6 37.7 Net fee and commission income 79.4 94.0 Administrative expenses (including depreciation, 127.0 145.5 amortization, and writedowns) Total assets 5,491.3 5,424.2 Business volume 5,525.0 5,463.7 Own funds 377.9 384.8 Table of Contents Governing Bodies of M.M.Warburg & CO (AG & Co.) KGaA 4 Report of the Partners 7 Overview of the Warburg Group 15 Economic Environment The Warburg Group The Warburg Group’s Business Areas 20 Investment Banking Corporate Banking Corporate Finance Markets and Institutional Banking Private Banking Asset Management Warburg Invest Warburg Digital Warburg Navigator W&Z FinTech GmbH Compliance, Anti-money Laundering, and Data Protection 32 Employees 34 MARCARD, STEIN & CO AG 37 M.M.Warburg & CO Hypothekenbank AG 39 Report of the Supervisory Board 40 Condensed Annual Financial Statements of 41 M.M.Warburg & CO (AG & Co.) KGaA as of December 31, 2018 Balance Sheet Income Statement Notes (Extracts) Addresses 75 3 Governing Bodies Supervisory Board Dr. -
Body-And Image-Space: Re-Reading Walter Benjamin
Body-and image-space The last decade has seen renewed interest among philosophers and theorists in the writings of Walter Benjamin. In Body-and Image-Space Sigrid Weigel, one of Germany's leading feminist theorists and a renowned commentator on the work of Walter Benjamin, argues that the reception of his work has so far overlooked a crucial aspect of his thought Ðhis use of images. Weigel argues that it is precisely his practice of thinking in images that holds the key to understanding the full complexity and topicality of Benjamin's theory. Bilddenken, or thinking in images, and its relation to the body are central to Benjamin's work. Weigel illuminates points of contact between this approach and psychoanalytical modes of observation and suggests that there also are affinities between Benjamin's thought and contemporary French theory, notably the work of Foucault and Kristeva. Focusing on those parallels, the author demonstrates the productivity of Benjamin's theoretical approach for contemporary gender studies, cultural theory and philosophy. At the same time, her reading reestablishes the buried links between early Critical Theory and post- structuralism, between German high modernism and French post- modernist theory. Body- and Image-Space will be invaluable to anyone interested in gender theory, post-structuralism, cultural anthropology and philosophy. Sigrid Weigel is Professor of German Literature at the University of Zurich. Warwick Studies in European Philosophy Edited by Andrew Benjamin Senior Lecturer in Philosophy, University of Warwick This series presents the best and most original work being done within the European philosophical tradition. The books included in the series seek not merely to reflect what is taking place within European philosophy, rather they will contribute to the growth and development of that plural tradition. -
Bakalářská Práce
Univerzita Karlova Filozofická fakulta Katedra estetiky Bakalářská práce Mgr. Eva Skopalová Aby M. Warburg a pojem formule patosu v kontextu jeho myšlení Aby M. Warburg and the term of pathos formula in context of his thought Praha 2017 Vedoucí práce: Mgr. Jakub Stejskal, Ph.D. Prohlášení: Prohlašuji, že jsem tuto diplomovou práci vypracoval(a) samostatně a výhradně s použitím citovaných pramenů, literatury a dalších odborných zdrojů. V Praze, dne 30. května 2017 [vlastnoruční podpis] ………………………….. Jméno a příjmení Klíčová slova (česky) Aby M. Warburg, formule patosu, symbol, Nachleben, přežívání, migrace, Georges Didi- Huberman, Atlas Mnémosyné Klíčová slova (anglicky): Aby M. Warburg, pathos formula, symbol, Nachleben, survival, migration, Georges Didi- Huberman, Mnemosyne Atlas Abstrakt (česky) Ve své práci jsem se zabývala termínem „formule patosu“ a jeho vývojem v uvažování Abyho Warburga. Warburgovy úvahy jsou komplexní, nespecializuje se na specifickou dobu, naopak – Warburg je historikem dějin jako celku. Uvažoval o Nachleben, přežívání obrazových schémat, gest a námětů děl. Formule patosu oscilují mezi dvěma póly: apollinským a dionýským. Apollinský představuje vznešenou antiku, dionýský její extatickou, pudovou, iracionální pól. Warburg také rozvíjí myšlenku migrace obrazů, kdy obrazová schémata migrují z místa na místo. Rozvinul tak georaficko-časovou dynamiku formulí patosu, tento impulz pak dal vzniknout jeho opus magnum čili Atlasu Mnémosyné. Důležitým aspektem jeho myšlenek je inspirace úvahami Ernsta Cassirera. Ten ve svých úvahách představuje svébytnou formu neokantismu. Uvažuje o vztahu člověka ke světu a jeho vyjádření prostřednictvím symbolu. Napětí mezi mýtem a rozumem je jedním z hlavních aspektů formulí patosu. Atlas Mnémosyné je Warburgovo vrcholné dílo, jedná se o 79 tabulí nesoucích formule patosu. -
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E. H. Gombrich, the Warburg Institute: a Personal Memoire, the Art Newspaper, 2 November, 1990, Pp.9 [Trapp No.1990P.1]
E. H. Gombrich, The Warburg Institute: A Personal Memoire, The Art Newspaper, 2 November, 1990, pp.9 [Trapp no.1990P.1] In 1933 Nazism drove a band of original and profound scholars, then a great library, to settle in Britain. Out of these elements grew the world famous Institute, whose approach to the thinking of the past has incomparably enriched the understanding of art. Will the 1990s see this living intellectual force stifled by British government meanness and philistinism? LONDON. The Warburg Institute grew out of and around one man's own library, and although it is now larger by tens of thousands of volumes, it has retained the feeling of a private library , with open stacks, and the books arranged by topic in a way that invites the reader to start browsing in the subject next to his own. The Institute is world famous as a centre for cross-disciplinary cultural and intellectual history and its library is both its essence and its basis. That is why the financial crisis in scholarly libraries, which has affected European, and especially British, places of learning over the last decade, is a particularly dangerous threat to the Warburg, which depends for its funding on the University of London. One statistic will do: between 1981 and 1986 in the UK, library expenditure as a proportion of university expenditure fell by 9%, but the prices of books, periodicals and binding rose by 79%. Help is urgently required if the Warburg's library, and life, are not to shrivel. Its only hope is a generous response to the appeal which it has launched.