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French Renaissance A Vendôme Immersive Experience Vendôme Experiences are an invitation to immerse yourself completely in a certain art de vivre best exemplified by the quest for excellence in all things, an art de vivre that celebrates life in all its forms, especially in artistic, literary and gastronomic creation. From the moment you disembark in France you will begin an exceptional journey that will be From the 16th century when the House of Valois presided over both transformative and renewing. the flourishing of the Renaissance in France, a way of life developed in the royal court that has been continuously refined and passed on Our time together will be filled with incredible discoveries, throughout the centuries ... stimulating conversations and shared experiences that will inspire you and make you curious You are invited to step into this world. to discover even more. To discover. To explore. To indulge. Vendôme Immersive Experiences Luxury small group travel are small group travel at their best. Vendôme Circle values experiences that are Activities in common will be balanced by both authentic and luxurious. opportunities for individuals or couples to relax or explore on their own. The number of travellers who participate in a Vendôme Immersive Experience Each day will include a group component is therefore limited to six so that each experience, and lunch or dinner together. be it a dinner at a restaurant or a private tour, The rest of the day will be tailored to you. remains on a human scale. Your travel curator will be happy to organise activities That allows us to both build meaningful connections for you in advance and will also be present for the duration with one another as well as to merge into everyday of the experience should you desire a recommendation French life as seamlessly as possible. or an arrangement to be made. French Renaissance A Vendôme Immersive Experience Prestige VIP arrival and transfer in Paris One-night stay in five-star hotel in Paris upon arrival Five-night stay in four-star hotel in Loire Valley Three-night stay in five-star hotel in Paris Transfer to Loire Valley by train Walking and chauffeur-driven tours in Loire Valley and Paris region Guided visits of châteaux and musuems Wine experiences Breakfast included at hotel Lunch or dinner each day as a group, including at one- and two-Michelin-starred restaurants Price: please enquire Contact us for more details [email protected] All texts are the work of Douglas Arthur Pierce. All rights reserved. The following photos are used with permission: Jardin de Naples, château d’Amboise: kevin_guillois - stock.adobe.com Château de Chenonceau: Boris Stroujko - stock.adobe.com VENDÔME Jardins du château de Villandry: Open Mind Pictures - stock.adobe.com CIRCLE Amboise Castle at sunrise over Loire river : antoine2K - stock.adobe.com Itinerary, events and meals mentioned above are not contractual..

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Humanism and the Middle Way in the French Wars of Religion Thomas E
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations Summer 5-12-2017 Refuge, Resistance, and Rebellion: Humanism and the Middle Way in the French Wars of Religion Thomas E. Shumaker University of New Mexico, Albuquerque Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Part of the History Commons Recommended Citation Shumaker, Thomas E.. "Refuge, Resistance, and Rebellion: Humanism and the Middle Way in the French Wars of Religion." (2017). https://digitalrepository.unm.edu/hist_etds/176 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Thomas Shumaker Candidate Graduate Unit (Department): History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Charlie R. Steen, Chairperson Dr. Patricia Risso________________ Dr. Linda Biesele Hall____________ Dr. Marina Peters-Newell_________ i Refuge, Resistance, and Rebellion: Humanism and the Middle Way in the French Wars of Religion BY Thomas Shumaker B.A. magna cum laude, Ohio University, 1998 M.Div., Concordia Theological Seminary, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico July, 2017 ii Refuge, Resistance, and Rebellion: Humanism and the Middle Way in the French Wars of Religion By Thomas Shumaker B.A. magna cum laude, Ohio University, 1998 M.Div.
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Joachim Du Bellay, Rome and Renaissance France
WRITING IN EXILE: JOACHIM DU BELLAY, ROME AND RENAISSANCE FRANCE G. HUGO TUCKER* INTRODUCTION: ANAMORPHOSIS—THE JOURNEY TO ROME La donq', Francoys, marchez couraigeusement vers cete superbe cité Romaine: & des serves dépouilles d'elle (comme vous avez fait plus d'une fois) ornez voz temples & autelz. (Du Bellay, Deffence, 'Conclusion') In his essay of 1872 on Joachim Du Bellay (c. 1523-60) the aesthetic critic, and Oxford Classics don Walter Pater wrote of the French Renaissance poet's journey to Rome and celebrated stay there (1553-57) in the service of his kinsman the Cardinal Jean Du Bellay: ... that journey to Italy, which he deplored as the greatest misfortune of his life, put him in full possession of his talent, and brought out all his originality.1 Pater's judgment here was at once both very right and very wrong. Wrong firstly, because Pater seems to have been thinking of Du Bellay more or less exclusively as the author of the Roman sonnet collection Les Regrets (January 1558), in order to ascribe to him, somewhat anachronistically, an originality derived directly from intense autobiographical experience and manifested artistically in an aesthetic of enhanced sincerity and spontaneity. No doubt he was encouraged, as the Parisian readership of 1558 might have been, by Du Bellay's ambiguous presentation of this elegiac and satirical sonnet sequence as a kind of disillusioned journal de voyage to Rome (and back) under the further guise of Ovidian exile. Yet this was also to underestimate the importance and diverse nature of Du Bellay's three other, generically very different, major Roman collections published in Paris on his return: in French, his Divers Jeux rustiques (January 1558) and grandiose Antiqui- tez de Rome ..
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The Loire and Its Castles: from the Roman Era to the Classic Age Levels: A1, A2, B1.1, B1.2, B2, C1 15 Contact Hours 1 U.S
The Loire and its Castles: From the Roman Era to the Classic Age Levels: A1, A2, B1.1, B1.2, B2, C1 15 Contact Hours 1 U.S. semester credit Overview: This series of lectures is about the multiplicity of castles, abbeys, and churches on a territory that is defined as French from Romanesque times to the Renaissance and the 17th century. In this context we will refer to some essential events of current times: exhibitions, birthdays, concerts… Course Contents: Some aspects of the castle concept in France, in the Loire Valley, from medieval fortresses to classical palaces (from the Romanesque period to the 17th century). Program by Session: 1. Build abbeys, churches, castles? History of a construction frenzy. Abbeys & Romanesque architecture, 10th-13th centuries, Fontevraud; castles before the Hundred Years War. And Parallel, introduction to the French Renaissance, the castle of Blois, unique example of styles, 4 centuries of architecture (Counts of Chatillon, 13th Century, Charles of Orleans, mid-15th century, Louis XII, 1498- 1505, Francois 1st, 1515-1524, Gaston of Orleans, 1635-1638) 2. History of a frenzy of construction, continued. From Romanesque to Gothic: why “gothic”? The work of Alienor d’Aquitaine in Poiters, a cathedral, a stained-glass window. A construction site in the Middle Ages… 3. Cathedrals at the tower of Babel? The Beginning of Gothic cathedrals… a. Birth of Gothic Art: 1140-1190. 2. Classical Gothic: 1190- 1240. The castles of the Gothic period (the hundred Years War, 1337-1453). Blois, continued. 4. The cathedral as a symbol; Reims, modern cathedral, “martyr cathedral”. From Gothic to Renaissance; preparation for the great projects of the Renaissance.
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Review of Margaret Mcgowan, the Vision of Rome in Late Renaissance France
Bryn Mawr Review of Comparative Literature Volume 3 Article 3 Number 1 Fall 2001 Fall 2001 Review of Margaret McGowan, The iV sion of Rome in Late Renaissance France. Eric MacPhail Indiana University Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation MacPhail, Eric (2001). Review of "Review of Margaret McGowan, The iV sion of Rome in Late Renaissance France.," Bryn Mawr Review of Comparative Literature: Vol. 3 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol3/iss1/3 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol3/iss1/3 For more information, please contact [email protected]. MacPhail: MacPhail on McGowan Margaret McGowan, The Vision of Rome in Late Renaissance France. New Haven: Yale University Press, 2000. 461 pp. 101 black and white illustrations. 12 colored plates. ISBN 0300085354. Reviewed by Eric MacPhail , Indiana University Margaret McGowan's new book documents the transfer of ideas and images of Rome to France and the decisive impact which these visions had on French art and literature in the latter half of the sixteenth century. The first part of the work surveys the erudite and popular sources of the vision of Rome, while the second part analyzes the artistic response evoked by these sources. Throughout, more than a hundred illustrations embellish this patiently compiled and meticulously researched history of French Renaissance emulation of ancient Rome. The initial chapters on travel accounts and guide books reveal the complexity of a vision founded as much on memory and imagination as on objective experience.
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Discover Something About Mary, Queen of Scots CONTENTS Betrothal to England
DISCOVER QUEEN OF SCOTS Born into Conflict ........................................................ 4 Infant Queen ................................................................. 5 Discover Something about Mary, Queen of Scots CONTENTS Betrothal to England ................................................. 6 Coronation ..................................................................... 7 To describe the short life of Mary, Queen of Scots as ‘dramatic’ is an understatement. The Rough Wooing .................................................... 8 Auld Alliance Renewed ............................................. 9 By the age of 16 she was Queen of Scotland and France (and, many believed, rightfully of England and Smuggled to France ................................................ 10 Ireland, too); as an infant she had been carried to castles around Scotland for her safety; by the time she Acknowledgments Precocious Beauty ..................................................... 11 turned 18 she had been married and widowed; as a young woman she was striking, tall and vivacious; This free guide has been funded by the following organisations: Teenage Marriage ..................................................... 12 she spoke five languages; she could embroider and ride with equal adroitness; she upheld her Catholic Queen over the Water? .......................................... 13 faith against the Protestant reformer, John Knox; she led her troops to put down two rebellions; she Historic Scotland Queen Consort of France .....................................
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Edwin M. Duval (CV)
Edwin M. Duval Department of French Yale University office: P.O. Box 208251 home: 25 Morse Street New Haven, CT 06520 Hamden, CT 06517 (203) 432–4900 (203) 777–8706 [email protected] ACADEMIC POSITIONS HELD 1987–present: Yale University Henri Peyre Professor of French, 2012– Professor of French, 1987–2012 1977–1987: University of California, Santa Barbara Professor of French, 1986–1987 Visiting Professor of French, Yale University, 1986 Associate Professor of French, 1981–1986 Assistant Professor of French, 1977–1981 1973–1977: Princeton University Assistant Professor of Romance Languages and Literatures, 1974–1977 Instructor of Romance Languages and Literatures, 1973–1974 EDUCATION AND DEGREES Ph.D. Yale University, 1973 École Normale Supérieure (rue d’Ulm), 1971–1972 M.Phil. Yale University, 1971 B.A. Stanford University, 1968 Université de Nantes, 1967–1968 Stanford-in-France (Tours), 1965–1966 FIELDS OF SPECIALIZATION French Renaissance Literature Rabelais Lyric Poetry The Classical Tradition Music and Literature LANGUAGE COMPETENCE Vernacular languages: French (fluent), Old French (good reading), Italian (good reading), German (fair reading) Classical languages: Latin (very good), Greek (fair), Hebrew (rudimentary) Edwin M. Duval 2 PRIZES, FELLOWSHIPS, HONORS Harwood F. Byrnes and Richard B. Sewall Teaching Prize, 2015 Isidore Silver Lecture, Washington University, 2013 Henri Peyre Professorship of French, 2012 Camargo Foundation, Fellow, Spring 2007 National Endowment for the Humanities Senior Fellowship, 1992–1993 National Humanities Center (Research Triangle Park, N.C.), Fellow, 1992–1993 Yale University Senior Faculty Fellowship, 1992–1993 A. Whitney Griswold Faculty Research Fellowships, 1987 and 1997 John Simon Guggenheim Memorial Foundation Fellowship, 1983–1984 University of California Regents’ Humanities Faculty Fellowship, summer 1983 University of California Regents’ Junior Faculty Fellowship, summer 1979 ACLS Research Fellowship for Recent PhDs, 1976–1977 École Normale Supérieure (rue d’Ulm), pensionnaire étranger, 1971–1972 B.A.
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The Sexual Culture of the French Renaissance Katherine Crawford Frontmatter More Information
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France? Renaissance?
Cambridge University Press 978-0-521-76989-1 - The Sexual Culture of the French Renaissance Katherine Crawford Excerpt More information Introduction: sexual culture? France? Renaissance? The first premise of this book is that the French Renaissance understood sex and sexuality in ways that look strange to us. Neither a matter of identity nor restricted to individual acts, sexual expression occupied, saturated, and helped organize modes of thinking to which we, for the most part, have little access. Sex as it was understood in the French Renaissance was less a matter of modern origins and more a synecdoche that allowed for elasticity around the deployment of sexuality. This is not to argue that Renaissance sexuality was somehow more free than modern formulations of it. Rather, I contend that sexual knowledge and understanding organized and was utilized in ways that reflected Renaissance rather than modern sensibilities. Love, procreation, mar- riage, intimacy, friendship – all had sexual dimensions, the changing contours of which reveal much about sexuality and Renaissance society as it was, and is, constructed. It seems that some questions ought to be immediately obvious. What were those sensibilities? How were they different from Medieval ones before or modern ones after? How might I offer to explain why the Renaissance mattered? Why France? Why sex? Let me begin with the nature of the thing by way of a rather dense little ditty. Pierre de Ronsard wrote a sonnet that ended: Le Roi ne m’aime point pour estre trop The king does not love me for being too barbu: much with beard Il aime a` semancer le champ qui n’est He likes to seed the field which is not herbu, grassy Et comme le castor chevaucher le And like the beaver, rides the behind derriere: When he fucks the assholes that are tight Lors qu’il foute les culs qui sont cons cunts estrecis He takes after the nature of the Medici Il tient du naturel de ceux de Medicis, And in taking the lead he imitates his Et prennent le devant il imite son pere.
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UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Eloquence non vaine: The Search for Suitable Style in Early Modern France Permalink https://escholarship.org/uc/item/5pc5r266 Author Battis, Stacey Elizabeth Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Eloquence non vaine: The Search for Suitable Style in Early Modern France By Stacey Elizabeth Battis A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Timothy Hampton, Chair Professor Nicholas Paige Professor Dylan Sailor Fall 2014 Eloquence non vaine: The Search for Suitable Style in Early Modern France Copyright 2014 By Stacey Elizabeth Battis Abstract Eloquence non vaine: The Search for Suitable Style in Early Modern France by Stacey Elizabeth Battis Doctor of Philosophy in French University of California, Berkeley Professor Timothy Hampton, Chair This dissertation examines the fate of Classical theories of eloquence in early sixteenth-century France. Eloquence is a treasured commonplace inherited by the humanists from ancient Greece and Rome. It denotes the potent combination of elegant speech and irresistibly persuasive power, whether in oral or written form. Early modern writers were eager to translate this linguistic force into their vernacular to strengthen both their language and their literature. The twin projects of fashioning a French eloquence and a strong French language– in other words, “making eloquence French” and “making French eloquent” – participate in a growing sense of nationalism that is mediated by discourses on national language and literature.
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On the Trail of Francis I. Renaissance in the Loire Valley
On the trail of Francis I. Renaissance in the Loire Valley 1 On the trail of Francis I. Renaissance in the Loire Valley RENAISSANCE IN THE LOIRE VALLEY INTRODUCTION The flow of the Loire River is a natural connection between the sites scattered along its banks and with the countries and cultures whose products have arrived on its currents throughout the centuries. According to UNESCO the changing, living “cultural landscape” of the Loire Valley, a World Heritage-listed site since 2000, illustrates “to an exceptional degree the ideals of the Renaissance... on western European thought and design”. The Loire Valley became the centre of the kingdom of France during the Hundred Years’ War between France and England. Between 1430 and 1530 the court resided in Chinon, Tours then Amboise and Blois, which resulted in many societal and artistic changes in the region. The wars for the Duchy of Naples waged by kings Charles VIII, Louis XII and Francis I hardly brought long-term military success, but they did bring the Italian Renaissance to France. Real change was initiated by Francis I, who was a young and ambitious king. His reign (1515-1547) marked the beginning of the modern era and demonstrated the stabili- sation of State institutions. While the king was grappling with the Italian principalities and his enemies, the Emperor Charles V and King Henry VIII of England, the Loire Valley experienced peace. As a hunting enthusiast, the king appreciated the region’s game-rich forests and increased his residences there. His Chambord château is the embodiment of a dream, a true monumental “folly”.
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Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel De Montaigne
Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne By Olga Gennadyevna Sylvia A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Timothy Hampton, Chair Professor Susan Maslan Professor Victoria Kahn Spring 2016 Abstract Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne !!! by Olga Gennadyevna Sylvia Doctor of Philosophy in French University of California, Berkeley Professor Timothy Hampton, Chair This dissertation discusses the status of animals in sixteenth century French texts of various literary and non-literary genres. It aims at demonstrating the significant shift from the Middle Ages to the Renaissance with regards to the literary portrayal of animals, which were no longer regarded in the allegorical tradition but rather as a subject matter. These changes in philosophers’ perceptions of animals were conditioned by the intersection of two major phenomena taking place at the time – geographical explorations exposing new knowledge about unknown animals and species, and a rediscovery of classical texts that challenged the Aristotelian vision of a hierarchy of species. As a result, scholars were urged to break the old tradition of animals’ representation as a vehicle of human flaws and social differences, and created instead a new role for animals for the first
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