Jasnica Klara Matić Publishing 1

Jasnica Klara Matić Publishing 1 Jasnica Klara Matić Publishing Copyright © Jasnica Klara Matić (2020) All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other non-commercial uses permitted by copyright law. For permission requests, write to the publisher. Any person who commits any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. Ordering Information: Quantity sales: special discounts are available on quantity purchases by corporations, associations, and others. For details, contact the publisher at the address below. Publisher’s data Matić, Jasnica Klara Vibrational painting Series: Vibrational Art – A Tool for Creating Your Reality E-books www.jasnicaklaramatic.com [email protected] First Published (2020) Jasnica Klara Matic Publishing Trg Ivana Kukuljevića 3/7, 10000 Zagreb, Croatia Cover page illustrator data Matić, Jasnica Klara Zadkiel, Vibrational materials on canvas, dim. 70x100 cm Series: Angelic kingdom www.jasnicaklaramatic.com [email protected] The year of creation (2010) 2 Jasnica Klara Matić Publishing Jasnica Klara Matić VIBRATIONAL PAINTING Series: Vibrational Art – A Tool for Creating Your Reality 3 Jasnica Klara Matić Publishing “Love is the language that everyone speaks. There are many words of that language, many media. My artworks speak that language through the vibrations of the visions, the sounds, and the materials they are made of. All of them belong to our dear Earth and help us, the Children of a New Era, to live on her—in Joy, Love, Peace, and Abundance.” – Jasnica Klara Matić, Zagreb, 2019. 4 Jasnica Klara Matić Publishing Table of Contents Chapter I: A new birth How I became a vibrational artist. Realizing the wishes from the childhood. A visit to the national shrine in Medjugorje. Shaping the vibrational painting. My second painting. Searching for the right name. Chapter II: Basic principles Fellowship of painting and meditation. The process of creation. The shallow relief as the form. Chapter III: Healing media as the painting materials Wax & Others. About wax. Wax experiment of Rene Descartes. Candle making and the use. Phonograph cylinder with wax. The process of wax melting. Salt. Incense. Essential oils. Crystals. Spices. Medical herbs—Forgotten foods. Chapter IV: Positive archetypes as the painting motives The content of the unconscious mind. Male–female unity. Spiritual–material unity. Divine–human unity. Evolution– revolution unity. Creation–co-creation unity. Inside–outside unity. Love couple. Twin flame. Star walker. Angels. Michael. Uriel. Zadkiel. Raphael. Gabriel. Chapter V: The programming Genetic language. The text I use for the programming. Chapter VI: What is the purpose of the vibrational painting? My life before writing this book. A wide lap of the activities. My approach to life. My origins. Legal career. Judge. Senior legal advisor. Attorney-at-law. Equilibrium., global platform for sustainable peace and development. International environmental legal expert. International mediator. 5 Jasnica Klara Matić Publishing My spiritual journey. Psychoanalysis. Prayer and meditation. Healing. Vibrational painting. Vibrational writing Chapter VII: Interview instead of the conclusion To which artistic direction do your paintings belong? With what materials do you paint? Could you tell us more about healing power of that materials? Which symbols are the most common on your paintings? Could you tell use more about healing power of that symbols? What is the mission of artist? 6 Jasnica Klara Matić Publishing A New Birth „We are all born artists ... Almost everything kids do is art“. - William McDonough 7 Jasnica Klara Matić Publishing How I Became a Vibrational Artist Starting from my childhood, I enjoyed doing things I could create freely, with no imposed structure and instructions on how to do it. I enjoyed making my small experiments in my own way. The mathematics and art from elementary school were perfect tools for me at that time. I remember that I was often solving the mathematical problems differently than I had been taught in my primary school. I liked to practice mathematics by listening to music in the background. My grandmother spent a lot of time with me then, and she was my “silence support” when I was doing that. She would just sit in the same room without talking too much. But, if I wanted to show her what I did or wanted to communicate it with her, she responded readily. Then we talked—not too much, not too small—just as much as it was needed for each of us. So, my love for, both, the mathematics and art have grown up in the best possible conditions for me. My grandmother was Slovenian, and she married my grandfather at the beginning of the 20th century. He was a railway man and she was the daughter of a merchant who had a candy store at the center of Ljubljana. On one of his travels, my grandfather came to the store to buy, at that time the highly valued “silk bonbons.” My grandmother was inside and everything that happened then, became a part of our family history. They lived together for more than fifty years and have seven children. They lived together in the real sense of that word, including joint life issues solving, but also enjoying life in its completeness. My grandfather has advanced in his job to the position of the head of the train station and the whole family was migrating to other places all the time. The last place they came together was my birthplace Bosanski Brod, a small town on the border between Croatia and Bosnia and Herzegovina, which were both the parts of the former Yugoslavia at that time. When my grandfather died, I was six months old and my parents invited my grandmother to live with us and take care of me. When I was reviewing my life until the death of my grandmother, which happened when I was twenty-one, I have recognized how blessed I was to have her in my life. 8 Jasnica Klara Matić Publishing Her model of personality was something I always searched for in people; because for me, she had everything someone has to have if wanting to be a strong individual and the appropriately socialized person at the same time. She always taught me that freedom of deciding on what to do in my life is in my hands, as well as, the responsibility for what I have chosen to do. Realizing the Wishes from the Childhood Twelve years ago, I participated in the workshop on which we used the painting as a tool for the revelation of our life mission. We had to paint two paintings there: one during the first and one during the second day of the workshop. I still remember how excited I was when started to paint. I felt my heart beating in my chest and I saw the outside world disappearing from my perception. I opened all the boxes with the colors, and I pulled them on the paper which I used as the background. I was looking at them flowing and pouring one into another making the whole painting alive and mobile. The first painting seemed like the mixture of all the basic colors, from red to purple. It looked completely different than the other one, on which all these colors were mixed with white and black. They looked like two different persons have painted them. Later, when I was comparing them and thinking what the reason for such difference was, I recognized that my emotions went through the complete change when I was making them. I did not understand why it happened, but I intuitively felt that it was the sign that my perception of reality was changing. It was just the presentation of something that was already happened. Old perception of life was gone and the new one has come at her place. Because I did not recognize that change has occurred, my mind has chosen to confront me with that through the process of painting. A Visit to the National Shrine in Medjugorje In that time, some of my friends have told me that it is the right time for visiting Medjugorje, Marian sanctuary in our neighboring country which is one of the most famous Marian sanctuaries in the world. 9 Jasnica Klara Matić Publishing I wanted to delay that visit for a while, but events which happened at that time showed me that this was something on top on my priorities list. They told me that it is necessary to wait for two months; from the application for going there until the day of the departure. It was June and they suggested me to apply immediately; that I could stay there during the summer. At the evening of the same day when we talked, I saw, on the internet, the announcement that the next day, a lecture under the title: A meeting with the higher self, will be held at the Anthroposophical Society. I went there and at the end of the lecture, the lecturer informed us that they had organized a visit to Medjugorje two months ago for a group of people, but today two of them had told him that they would not be able go. He asked whether it is possible that someone of us, which were listening to the lecture, go with them, instead of those who gave up. I applied and spent, with them, the next two days in Medjugorje. On the second day of the visit, we visited one newly built chapel, on whose door were engraved the letters: The Alpha (on the left side) and the Omega (on the right side).

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