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A Prophecy of the Christ!
A PROPHECY OF THE CHRIST! Gabriel’s Prophecy of the 70 Weeks (Daniel 9:24-27) Murray McLellan A Prophecy of the Christ! Gabriel’s Prophecy of the 70 Weeks (Daniel 9:24-27) Presented by Murray McLellan, an unworthy sinner upon whom grace unimaginable has been poured by the kindest of Kings. I do not claim to be, nor seek to be original in the following manuscript. I seek to magnify and exalt the Lord Jesus Christ, by whom the world has been crucifed to me, and I to the world. Unto him belong the glory and the dominion forever and ever. Amen. “Seventy weeks are determined for your people and for your holy city, To fnish the transgression, To make an end of sins, To make reconciliation for iniquity, To bring in everlasting righteousness, To seal up vision and prophecy, And to anoint the Most Holy. Know therefore and understand, that from the going forth of the command to restore and build Jerusalem until Messiah the Prince, there shall be seven weeks and sixty-two weeks; The street shall be built again, and the wall, even in troublesome times. And after the sixty-two weeks Messiah shall be cut off, but not for Himself; And the people of the prince who is to come shall destroy the city and the sanctuary. The end of it shall be with a food, and till the end of the war desolations are determined. Then he shall confrm a covenant with many for one week; but in the middle of the week He shall bring an end to sacrifce and offering. -
On the Water Tides for Sanibel & Captiva
INDEX- What s going on around tne islands Arts & Leisure ?c At Larae 5A Calendar 3B Citvside 9A Classifieds 5C Crossword 5Q Taking charge Dad's day Movie Review 4C Needle Points 4P For one day, Stern children Police Beat 2A Scuba Scoop 3A island students pay tribute Weather Watch 3A run the city to their father IB 1 96 1-199 1 Still first on Sanibei LiffiJ and Captiva VOL. 30, NO. 24 TUESDAY, JUNE 11, 1991 THREE SECTIONS, 28 PAGES 50 CENTS $9 million Brazilian pepper removal plan proposed By Steve Ruediger The ordinance he suggested would require pepper Schofield said he thought now would be a good time to Islander staff writer removal within three years on undeveloped subdivision start a Brazilian pepper removal program, because the A 10-year, $9 million plan to remove all Brazilian lots and within 10 years on all other property. effort to remove melaleucas had been so successful. pepper from Sanibei will be considered at a special Schofield was asked later how it was possible to start at The $100,000 in the city budget for Brazilian pepper meeting of the city Vegetation Committee on Tuesday, one end of the island and work to the other end when all removal has not yet been spent because a pepper removal June 18, at 1:30 p.m. in the luncheon room at the Public developed property owners had up to 10 years to act. plan had not yet been adopted, Schofield told the Works Department. Wouldn't people on the east end just say they would wait committee. -
Uses of the Bible in Contemporary Horror Films Mary Ann Beavis St
CORE Metadata, citation and similar papers at core.ac.uk Provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 7 Article 2 Issue 2 October 2003 12-14-2016 "Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films Mary Ann Beavis St. Thomas More College, [email protected] Recommended Citation Beavis, Mary Ann (2016) ""Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. "Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films Abstract As one of the great repositories of supernatural lore in Western culture, it is not surprising that the Bible is often featured in horror films. This paper will attempt to address this oversight by identifying, analyzing and classifying some uses of the Bible in horror films of the past quarter century. Some portrayals of the Bible which emerge from the examination of these films include: (1) the Bible as the divine word of truth with the power to drive away evil and banish fear; (2) the Bible as the source or inspiration of evil, obsession and insanity; (3) the Bible as the source of apocalyptic storylines; (4) the Bible as wrong or ineffectual; (5) the creation of non-existent apocrypha. -
Film Reviews
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) FILM REVIEWS (Please note that reviews may contain spoilers) He Never Died (Dir. by Jason Krawczyk) USA/Canada 2015 Alternate Ending Studios And the Lord said, ‘What have you done? The voice of your brother’s blood is crying to me from the ground. And now you are cursed from the ground, which has opened its mouth to receive your brother’s blood from your hand. When you till the ground, it shall no longer yield to you its strength; you shall be a fugitive and a wanderer on the earth.’ –Genesis 4. 10-12 When it comes to entertainment, the only thing more commercial then sex is violence. And in the thousands of years since the Bible documented its first slaying, this seemingly insatiable desire to watch or read about homicide seems to remain unquenched. From Midsommer Murders (1997-present) to Memento (2000), and from Silence of the Lambs (1991) to Silent Witness (1996), there’s nothing more commercially profitable, it seems, then depicting a good murder. Tapping into primal and animalistic instincts, the representation of murder draws upon a sense that the human condition is to be fundamentally flawed, and suggests that such universal emotions as greed, jealousy, lust, and pride motivate a significant number of murders. The Old Testament figure of Cain, supposedly the first murderer (of his brother Abel), was forever cursed to ‘be a fugitive and a wanderer of the earth’ for all eternity.1 Cain’s story of fraternal betrayal and antagonism is one commonly represented in films such as Bloodline (2005), Before the Devil Knows You’re Dead (2007), We Own the Night (2007), and the Broadway musical Blood Brothers (1983-present). -
Saint Gabriel Archangel (Patron Saint of Communication Workers) Feast
“Do you not know that your body is a temple of the Holy Spirit within you, whom you have from God, and that you are not your own?” 1 Corinthians 6:19 Saint Gabriel Archangel (patron saint of communication workers) Feast day: September 29, The name Gabriel means "man of God," or "God has shown himself mighty." It appears first in the prophesies of Daniel in the Old Testament. The angel announced to Daniel the prophecy of the seventy weeks. His name also occurs in the apocryphal book of Henoch. He was the angel who appeared to Zachariah to announce the birth of St. John the Baptizer. Finally, he announced to Mary that she would bear a Son Who would be conceived of the Holy Spirit, Son of the Most High, and Saviour of the world. The feast day is September 29th. St. Gabriel is the patron of communications workers. St. Isidore of Seville (patron saint of computer technicians, internet) Feast day: April 4 Isidore was probably born in Cartagena, Spain to Severianus and Theodora. His father belonged to a Hispano-Roman family of high social rank while his mother was of Visigothic origin and apparently, was distantly related to Visigothic royalty. His parents were members of an influential family who were instrumental in the political-religious maneuvering that converted the Visigothic kings from Arianism to Catholicism. The Catholic Church celebrates him and all his siblings as known saints: An elder brother, Saint Leander of Seville, immediately preceded Saint Isidore as Archbishop of Seville and, while in office, opposed king Liuvigild. -
America's Sweethearts
America's Sweethearts Dir: Joe Roth, 2001 A review by A. Mary Murphy, Memorial University of Newfoundland, Canada The whole idea of America's Sweethearts is to have a little fun with the industry of film stars' lives, and the fact that their marriages, breakdowns and breakups have become an entertainment medium of their own. Further to this is the fact that not only does the consumer buy the product of stars' off-screen lives, but so (at times) do stars. Of course, part of the fun of this film is that it just happens to be populated by some very large careers, which makes for good box-office (and ironic) appeal -- with Julia Roberts, Catherine Zeta-Jones, Billy Crystal, and John Cusack as the front-line members of the cast. Everyone should be thoroughly convinced by now that Julia Roberts was born to play romantic comedy. Those liquid eyes and that blazing smile go directly to an audience's collective heart, and make it leap or ache as required. On the occasions when she steps out of her generic specialty, it's just an embarrassment (for example Mary Reilly [1996]); and reminds us that she is not a great dramatic actor -- the Academy Award notwithstanding. However, when Roberts stays within her limits, and does what she is undeniably talented at doing, there's nobody better. She's not the only big-name actress in America's Sweethearts, so she doesn't get all the screen time she's accustomed to, but she makes good use of her allotment. However, there are a couple of problems with the premise for her character, Kiki. -
The Prophecy Free
FREE THE PROPHECY PDF Chris Kuzneski | 560 pages | 15 Oct 2009 | Penguin Books Ltd | 9780141037080 | English | London, United Kingdom Prophecy Pros - Two experts. One topic. No confusion. We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where The Prophecy audiences come from. To learn more or opt-out, read our Cookie Policy. On June 9, Bungie surprise launched the Prophecy dungeonwhere you and two friends can travel to the realm of the Nine to learn the secrets of The Darkness. Your first encounter teaches you the major mechanic for the dungeon: Light and Darkness. There is a Light pillar and a Darkness pillar at the end of the hall. To cleanse the Light pillar, you need to collect five Motes of Light and hit the trigger on top of the Light pillar, and vice versa, with Motes of Dark for the Darkness pillar. Taken Knights nearby hold the Motes you need. Watch the border of your screen for an indication. Stand in the right places to generate each type of Mote, collect five of one, cleanse the corresponding pillar, collect the others, cleanse, move on. The boss is a Phalanx Taken with an immunity shield. Figure out which four types of pillars spawn, collect the Motes by positioning yourself in light and shadow, and cleanse each of the pillars. Damage the boss with whatever you can while prioritizing The Prophecy life in the tiny arena. We recommend Anarchy. With the first boss dead, stand on the sand with your fireteam and sink into the Wasteland. -
H4410 HIGHLANDER (USA, 1986) (Other Titles: Montagnard; Niesmierteiny)
H4410 HIGHLANDER (USA, 1986) (Other titles: Montagnard; Niesmierteiny) Credits: director, Russell Mulcahy ; writers, Gregory Widen, Peter Bellwood, Larry Ferguson ; story, Gregory Widen. Cast: Christopher Lambert, Roxanne Hart, Clancy Brown, Sean Connery. Summary: Action/fantasy set in sixteenth century Scotland and contemporary New York City. A race of immortals battles each other over the centuries, fighting to be the sole survivor and win ‘The Prize’ of mortality. The Highlander, Connor MacLeod (Lambert), has been alive since 1536 where he fought for his clan against his nemesis, Kurgan. The only way an immortal may be killed is to lose his head to a sword stroke. MacLeod, now living as an antiques dealer in Manhattan, is discovered by a woman police sword expert who eventually becomes the captive of Kurgan in order to lure MacLeod to a final confrontation. One of the characters who confronts Kurgan along the way is a Vietnam veteran. Attanasio, Paul. “Movies: ‘Highlander’: Terminal technique” Washington post (Mar 19, 1986), p. B9. Benson, Sheila “‘Highlander’: A Scottish stew gone sour in the mix” Los Angeles times (Mar 11, 1986), Calendar, p. 5. [Reprinted in Film review annual 1987] Bodmer, Michel. “Highlander” Film bulletin 28/4 (1986), p. 36. Borton, Douglas. “Russell Mulcahy makes MTV mincemeat of mythic concept” Cinefantastique 16/3 (1986), p. 43+ [2 p.] Camus, Jean-Marc. “Highlander” Cine-tele-revue 13 (Mar 27, 1986), p. 6-7. Carr, Jay. “Wandering aimlessly” Boston globe (Mar 8, 1986), Arts and film, p. 28 Cavanaugh, Tony. “Clan destined” Cinema papers 59 (Sep 1986), p. 48. Christensen, Preben B. “Highlander” Levende billeder 13 (Mar 1, 1987), p. -
Metroactive Features | Satan on Film
Metroactive Features | Satan on Film http://www.metroactive.com/papers/metro/10.26.95/satan2-9543.html [Click here for more information] [ Features Index | Metro | Metroactive Central ] Devil With the Blues Housecoat On: Jack Nicholson as Satan surrogate Daryl Van Horne in "The Witches of Eastwick" Beautiful manners, menace--and all of the best dialogue; a guarantee of both the audience's complete attention and its constant sympathy. These are just some of the side benefits of playing Satan. The role of Satan attracts tragedians and light comedians alike, from Mickey Rooney in The Private Lives of Adam and Eve to Sammy Davis Jr. in Poor Devil. Satan is most effective when fleetingly glimpsed, like the demon peeping through the smoke in The Exorcist or the scaly back in Rosemary's Baby. More recently, Lucifer has been played big and 1 of 4 6/21/2011 4:07 PM Metroactive Features | Satan on Film http://www.metroactive.com/papers/metro/10.26.95/satan2-9543.html greasy. Strangely, Robert De Niro's grubby Mephisto, peeling his deviled egg with unclean fingernails, seems to have frightened a lot of movie fans. Jack Nicholson's horny devil in The Witches of Eastwick topped De Niro with a monstrous transformation scene, turning into a sort of giant, living crookneck squash in the finale. Most recently, a heavy-metal Satan (Viggo Mortensen) turned up in The Prophecy, although he is upstaged by Christopher Walken's Angel of Death. Photo by John Johnson I'm a Fallen Angel, and I Can't Get Up to Heaven: Viggo Mortensen (left) as Satan in The Prophecy But enough of these long-haired, unwashed Satans! Give me the urbane tuxedo- wearing devils any day: Laird Cregar in the 1943 Heaven Can Wait, Fred Astaire in a television play called Mr. -
Traveller's Tale By: Highlander V1.0 (Blessed Is the Spell Check, Check
Traveller's Tale By: Highlander V1.0 (Blessed is the Spell check, check of my check, Edition) "Once there was nothing, a great chaos of nothing. Then there was order. Order came from the nothing and created the materium, the physical world, and in its quest for control, it created disparity, and from disparity came corruption, and the immaterium, the non-physical worlds beyond the event horizon. The two battled, and broke upon each other for an age, forging weapons of immense size and power across the voids of materium and imamaterium. Then there was the Third, and the Third was given the first choice, continue along the path of broken futility, or descend, and at the cost of oblivion become more. Then there was more, then there was life. The first life broke and shattered at the cost of the Third and the first death, but then came more, and life spread to all corners of existence, to even the depths of space, the children of the Third. Order fell first, and broke, leaving it’s scattered ashes across life, giving them the desire for more, faith in something greater and all the pain it causes. Corruption fell slower, and broke into shards, gods in between the cracks of oblivion, some intent upon seizing the forming existence, others content to await the day their time would come, as all that is, is doomed to break and die. This was the inception of our existence, of which our small universe is only a very small part of. Before this universe there was another, in which the bastards of corruption attempted to force entry into this reality at the heat death of the universe, to become consumers of the next one after, they built cults and bade them to work in the places they could not reach, and readied their entrance, what they did not suspect that the little monsters that had infested this existence had the gall to oppose them. -
Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Jessica Fitting Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2010 Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Jessica Fitting Pitzer College Recommended Citation Fitting, Jessica, "Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film" (2010). Pitzer Senior Theses. Paper 2. http://scholarship.claremont.edu/pitzer_theses/2 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Poster from “Legion” (Bold Films, 2010) by Jessica L. Fitting 2 Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film A Thesis Presented by Jessica L. Fitting Submitted to the Department of Religious Studies of Pitzer College in partial fulfillment of the requirements for the Senior Exercise for the Bachelor in Arts. Professor Erin Runions and Professor Gaston Espinosa May 26th 2010 3 Abstract: The science fiction films which feature the angel Gabriel (The Prophecy (1995), Van Helsing (2004), Constantine (2005), Gabriel (2007), and Legion (2010)) represent a trend in exploring specific socio-cultural issues of America. All of these films explore fears over the loss of faith in American culture in a post 9/11 society. They are comparable to the ways in which science fiction films of the 1950’s addressed fears of the Cold War. -
A Statistical Survey of Sequels, Series Films, Prequels
SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J.