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A Prophecy of the Christ!
A PROPHECY OF THE CHRIST! Gabriel’s Prophecy of the 70 Weeks (Daniel 9:24-27) Murray McLellan A Prophecy of the Christ! Gabriel’s Prophecy of the 70 Weeks (Daniel 9:24-27) Presented by Murray McLellan, an unworthy sinner upon whom grace unimaginable has been poured by the kindest of Kings. I do not claim to be, nor seek to be original in the following manuscript. I seek to magnify and exalt the Lord Jesus Christ, by whom the world has been crucifed to me, and I to the world. Unto him belong the glory and the dominion forever and ever. Amen. “Seventy weeks are determined for your people and for your holy city, To fnish the transgression, To make an end of sins, To make reconciliation for iniquity, To bring in everlasting righteousness, To seal up vision and prophecy, And to anoint the Most Holy. Know therefore and understand, that from the going forth of the command to restore and build Jerusalem until Messiah the Prince, there shall be seven weeks and sixty-two weeks; The street shall be built again, and the wall, even in troublesome times. And after the sixty-two weeks Messiah shall be cut off, but not for Himself; And the people of the prince who is to come shall destroy the city and the sanctuary. The end of it shall be with a food, and till the end of the war desolations are determined. Then he shall confrm a covenant with many for one week; but in the middle of the week He shall bring an end to sacrifce and offering. -
Uses of the Bible in Contemporary Horror Films Mary Ann Beavis St
CORE Metadata, citation and similar papers at core.ac.uk Provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 7 Article 2 Issue 2 October 2003 12-14-2016 "Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films Mary Ann Beavis St. Thomas More College, [email protected] Recommended Citation Beavis, Mary Ann (2016) ""Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. "Angels Carrying Savage Weapons:" Uses of the Bible in Contemporary Horror Films Abstract As one of the great repositories of supernatural lore in Western culture, it is not surprising that the Bible is often featured in horror films. This paper will attempt to address this oversight by identifying, analyzing and classifying some uses of the Bible in horror films of the past quarter century. Some portrayals of the Bible which emerge from the examination of these films include: (1) the Bible as the divine word of truth with the power to drive away evil and banish fear; (2) the Bible as the source or inspiration of evil, obsession and insanity; (3) the Bible as the source of apocalyptic storylines; (4) the Bible as wrong or ineffectual; (5) the creation of non-existent apocrypha. -
Film Reviews
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) FILM REVIEWS (Please note that reviews may contain spoilers) He Never Died (Dir. by Jason Krawczyk) USA/Canada 2015 Alternate Ending Studios And the Lord said, ‘What have you done? The voice of your brother’s blood is crying to me from the ground. And now you are cursed from the ground, which has opened its mouth to receive your brother’s blood from your hand. When you till the ground, it shall no longer yield to you its strength; you shall be a fugitive and a wanderer on the earth.’ –Genesis 4. 10-12 When it comes to entertainment, the only thing more commercial then sex is violence. And in the thousands of years since the Bible documented its first slaying, this seemingly insatiable desire to watch or read about homicide seems to remain unquenched. From Midsommer Murders (1997-present) to Memento (2000), and from Silence of the Lambs (1991) to Silent Witness (1996), there’s nothing more commercially profitable, it seems, then depicting a good murder. Tapping into primal and animalistic instincts, the representation of murder draws upon a sense that the human condition is to be fundamentally flawed, and suggests that such universal emotions as greed, jealousy, lust, and pride motivate a significant number of murders. The Old Testament figure of Cain, supposedly the first murderer (of his brother Abel), was forever cursed to ‘be a fugitive and a wanderer of the earth’ for all eternity.1 Cain’s story of fraternal betrayal and antagonism is one commonly represented in films such as Bloodline (2005), Before the Devil Knows You’re Dead (2007), We Own the Night (2007), and the Broadway musical Blood Brothers (1983-present). -
Saint Gabriel Archangel (Patron Saint of Communication Workers) Feast
“Do you not know that your body is a temple of the Holy Spirit within you, whom you have from God, and that you are not your own?” 1 Corinthians 6:19 Saint Gabriel Archangel (patron saint of communication workers) Feast day: September 29, The name Gabriel means "man of God," or "God has shown himself mighty." It appears first in the prophesies of Daniel in the Old Testament. The angel announced to Daniel the prophecy of the seventy weeks. His name also occurs in the apocryphal book of Henoch. He was the angel who appeared to Zachariah to announce the birth of St. John the Baptizer. Finally, he announced to Mary that she would bear a Son Who would be conceived of the Holy Spirit, Son of the Most High, and Saviour of the world. The feast day is September 29th. St. Gabriel is the patron of communications workers. St. Isidore of Seville (patron saint of computer technicians, internet) Feast day: April 4 Isidore was probably born in Cartagena, Spain to Severianus and Theodora. His father belonged to a Hispano-Roman family of high social rank while his mother was of Visigothic origin and apparently, was distantly related to Visigothic royalty. His parents were members of an influential family who were instrumental in the political-religious maneuvering that converted the Visigothic kings from Arianism to Catholicism. The Catholic Church celebrates him and all his siblings as known saints: An elder brother, Saint Leander of Seville, immediately preceded Saint Isidore as Archbishop of Seville and, while in office, opposed king Liuvigild. -
The Prophecy Free
FREE THE PROPHECY PDF Chris Kuzneski | 560 pages | 15 Oct 2009 | Penguin Books Ltd | 9780141037080 | English | London, United Kingdom Prophecy Pros - Two experts. One topic. No confusion. We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where The Prophecy audiences come from. To learn more or opt-out, read our Cookie Policy. On June 9, Bungie surprise launched the Prophecy dungeonwhere you and two friends can travel to the realm of the Nine to learn the secrets of The Darkness. Your first encounter teaches you the major mechanic for the dungeon: Light and Darkness. There is a Light pillar and a Darkness pillar at the end of the hall. To cleanse the Light pillar, you need to collect five Motes of Light and hit the trigger on top of the Light pillar, and vice versa, with Motes of Dark for the Darkness pillar. Taken Knights nearby hold the Motes you need. Watch the border of your screen for an indication. Stand in the right places to generate each type of Mote, collect five of one, cleanse the corresponding pillar, collect the others, cleanse, move on. The boss is a Phalanx Taken with an immunity shield. Figure out which four types of pillars spawn, collect the Motes by positioning yourself in light and shadow, and cleanse each of the pillars. Damage the boss with whatever you can while prioritizing The Prophecy life in the tiny arena. We recommend Anarchy. With the first boss dead, stand on the sand with your fireteam and sink into the Wasteland. -
Metroactive Features | Satan on Film
Metroactive Features | Satan on Film http://www.metroactive.com/papers/metro/10.26.95/satan2-9543.html [Click here for more information] [ Features Index | Metro | Metroactive Central ] Devil With the Blues Housecoat On: Jack Nicholson as Satan surrogate Daryl Van Horne in "The Witches of Eastwick" Beautiful manners, menace--and all of the best dialogue; a guarantee of both the audience's complete attention and its constant sympathy. These are just some of the side benefits of playing Satan. The role of Satan attracts tragedians and light comedians alike, from Mickey Rooney in The Private Lives of Adam and Eve to Sammy Davis Jr. in Poor Devil. Satan is most effective when fleetingly glimpsed, like the demon peeping through the smoke in The Exorcist or the scaly back in Rosemary's Baby. More recently, Lucifer has been played big and 1 of 4 6/21/2011 4:07 PM Metroactive Features | Satan on Film http://www.metroactive.com/papers/metro/10.26.95/satan2-9543.html greasy. Strangely, Robert De Niro's grubby Mephisto, peeling his deviled egg with unclean fingernails, seems to have frightened a lot of movie fans. Jack Nicholson's horny devil in The Witches of Eastwick topped De Niro with a monstrous transformation scene, turning into a sort of giant, living crookneck squash in the finale. Most recently, a heavy-metal Satan (Viggo Mortensen) turned up in The Prophecy, although he is upstaged by Christopher Walken's Angel of Death. Photo by John Johnson I'm a Fallen Angel, and I Can't Get Up to Heaven: Viggo Mortensen (left) as Satan in The Prophecy But enough of these long-haired, unwashed Satans! Give me the urbane tuxedo- wearing devils any day: Laird Cregar in the 1943 Heaven Can Wait, Fred Astaire in a television play called Mr. -
Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Jessica Fitting Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2010 Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Jessica Fitting Pitzer College Recommended Citation Fitting, Jessica, "Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film" (2010). Pitzer Senior Theses. Paper 2. http://scholarship.claremont.edu/pitzer_theses/2 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film Poster from “Legion” (Bold Films, 2010) by Jessica L. Fitting 2 Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film A Thesis Presented by Jessica L. Fitting Submitted to the Department of Religious Studies of Pitzer College in partial fulfillment of the requirements for the Senior Exercise for the Bachelor in Arts. Professor Erin Runions and Professor Gaston Espinosa May 26th 2010 3 Abstract: The science fiction films which feature the angel Gabriel (The Prophecy (1995), Van Helsing (2004), Constantine (2005), Gabriel (2007), and Legion (2010)) represent a trend in exploring specific socio-cultural issues of America. All of these films explore fears over the loss of faith in American culture in a post 9/11 society. They are comparable to the ways in which science fiction films of the 1950’s addressed fears of the Cold War. -
Reframing the Disaster Genre in a Post-9/11 World
Wesleyan University The Honors College Reframing the Disaster Genre in a Post-9/11 World by Matthew James Connolly Class of 2009 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Film Studies Middletown, Connecticut April, 2009 1 Acknowledgments To begin with, thank you to Scott Higgins. Your ―History of World Cinema‖ class made me want to become a Film Studies major. Your ―Cinema of Adventure and Action‖ course led me to the notion of writing a thesis on disaster cinema. And your intelligence, humor, patience, and unfaltering support as a thesis advisor has made the end product infinitely better and the journey all the more rewarding. Thank you to the Film Studies department: especially to Lisa Dombrowski for her perceptive, balanced, and always illuminating teaching; and to Jeanine Basinger, whose seemingly boundless understanding of film and her passion for sharing it with others has forever changed the way I think about movies. Thank you to all of the brilliant and inspiring professors I have had the pleasure and honor of learning from over my four years at Wesleyan, especially William Stowe, Sally Bachner, Henry Abelove, Claudia Tatinge Nascimentio, Mary-Jane Rubenstein and Renee Romano. Thank you to all of my beautiful and brilliant friends who have supported me throughout this entire process. I want to especially thank my housemates Sara Hoffman and Laurenellen McCann, who have sat and talked and laughed and cried and ate and drank with me from start to finish. -
Hollywood's End of Days: Visions of Biblical Apocalypse And
Hollywood’s End of Days: Visions of Biblical Apocalypse and the Transposition of a Secular Science Fiction Film Genre Antonio Degouveia Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there-from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies the dichotomy between the archaic and the futuristic, and the way in which biblical beliefs have been intertwined into the seemingly discordant realm of science fiction. Hollywood, as an institution that has often been regarded as pronouncedly secular, was once deemed at the opposite end of the cultural spectrum to American evangelical belief – in much the same way that science and religion are often identified as conflicting arenas of ideological latitude. My study lays emphasis to the fact that biblical allegory and religious cabal are now adopted by Hollywood on a frequent basis, and cinematic visions of apocalypse, incorporating ideas of biblical ‘myth’ and prophecy, are often framed within the machinations of science fiction. What makes this development all the more intriguing is that, in effect, this represents an ideological inversion of what had not only been an expressly secular 20 th century (sub)genre of science fiction cinema, but one which had often incorporated a denigration of religion as a whole. -
Who Is Michael the Archangel? There Are Five Scriptural References to the Archangel Michael
Who is Michael the Archangel? There are five scriptural references to the archangel Michael. Michael’s role in every occurrence is as a defender or supporter of God’s people. He is acting on God's behalf. This is extremely important work we believe is entrusted to Jesus. 1. Daniel 10:13: But the prince of the kingdom of Persia withstood me one and twenty days: but, lo, Michael, one of the chief princes, came to help me; and I remained there with the kings of Persia. Here Michael is recognized as one of the most chief of the angelic beings. 2. Daniel 10:21: But I will shew thee that which is noted in the scripture of truth: and there is none that holds with me in these things, but Michael your prince. Here the angel speaking to Daniel is bearing witness to the fact that none are more knowledgeable than Michael. In both these texts (1. and 2. above), he is assisting Gabriel who was being opposed by the prince of the kingdom of Persia. Gabriel was on a mission to help Daniel and explain the meaning of the visions he had been given. 3. Daniel 12:1: And at that time shall Michael stand up, the great prince which stands for the children of thy people: and there shall be a time of trouble, such as never was since there was a nation even to that same time: and at that time thy people shall be delivered, every one that shall be found written in the book. -
Department of English and American Studies Not That Kind of Angel 2016
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. et Bc. Tereza Walsbergerová Not That Kind of Angel A Merger of Archetypes in Recent American Popular Narratives Master’s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph.D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Bc. et Bc. Tereza Walsbergerová 2 ACKNOWLEDGEMENTS I would like to express my gratitude to Dr. Jeffrey A. Smith, M.A., Ph.D. for his helpful suggestions and boundless patience, to Jeffrey A. Vanderziel, B.A. for teaching me about the meaning of myths and introducing me to the trickster archetype, to my friends from the Department of English and American Studies for sending me links to all the angelic depictions that I missed and encouraging me in my darkest hours, to my non- academic friends for pretending to listen when I talked to them about archetypal merging, and finally, to my parents who supported me during my studies and gave me space when I needed to be left alone with my books and laptop. 3 Table of Contents: 1. Introduction…………………………………………………………………….5 2. Theoretical and Cultural Preliminaries 2.1. Angelic Fascination……………………………………………………...7 2.2. American Angels Before the 1990s…………………………………….11 2.3. Angel Stereotypes and Their Origins………………………………......15 2.4. The Archetypal Merger……………………………………………..….17 3. Discovering the Merger: Recent Depictions of American Angels 3.1. The Rebellious Messengers………………………………………….....21 3.2. The Disruptive Guardians………………………………………..……..29 3.3. The Fallen Heroes………………………………………………..……..41 3.4. -
Women, Theory and Horror Film
Gynaehorror: Women, theory and horror film A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury by Erin Harrington University of Canterbury March 2014 ii CONTENTS ACKNOWLEDGEMENTS ................................................................................................................... v ABSTRACT ........................................................................................................................................ vii LIST OF FIGURES ........................................................................................................................... viii INTRODUCTION................................................................................................................................ 1 (RE)CONCEPTIONS: THEORISING WOMEN IN HORROR ................................................... 16 Horror and psychoanalysis .................................................................................................................. 18 Women, horror and psychoanalysis ................................................................................................. 23 Challenges to psychoanalysis .............................................................................................................. 31 Alternatives to psychoanalysis: the social, the mythic, the taboo ........................................ 36 From theories of horror to theorising with horror ...................................................................