Building of the Scottish Nation Cody Lynn Neidert University of Northern Colorado
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Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -
Afraid of Bear to Zuni: Surnames in English of Native American Origin Found Within
RAYNOR MEMORIAL LIBRARIES Indian origin names, were eventually shortened to one-word names, making a few indistinguishable from names of non-Indian origin. Name Categories: Personal and family names of Indian origin contrast markedly with names of non-Indian Afraid of Bear to Zuni: Surnames in origin. English of Native American Origin 1. Personal and family names from found within Marquette University Christian saints (e.g. Juan, Johnson): Archival Collections natives- rare; non-natives- common 2. Family names from jobs (e.g. Oftentimes names of Native Miller): natives- rare; non-natives- American origin are based on objects common with descriptive adjectives. The 3. Family names from places (e.g. following list, which is not Rivera): natives- rare; non-native- comprehensive, comprises common approximately 1,000 name variations in 4. Personal and family names from English found within the Marquette achievements, attributes, or incidents University archival collections. The relating to the person or an ancestor names originate from over 50 tribes (e.g. Shot with two arrows): natives- based in 15 states and Canada. Tribal yes; non-natives- yes affiliations and place of residence are 5. Personal and family names from noted. their clan or totem (e.g. White bear): natives- yes; non-natives- no History: In ancient times it was 6. Personal or family names from customary for children to be named at dreams and visions of the person or birth with a name relating to an animal an ancestor (e.g. Black elk): natives- or physical phenominon. Later males in yes; non-natives- no particular received names noting personal achievements, special Tribes/ Ethnic Groups: Names encounters, inspirations from dreams, or are expressed according to the following physical handicaps. -
Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
Join Enter the Haggis on Their Tour of Scotland
APRIL 10-18, 2021 $2749.00PER PERSON LAND ONLY: $2374.00 PER PERSON (plus $569.00 US departure tax*) Join Enter The Haggis On their Tour of Scotland Day 1 USA to Ireland. Depart USA for overnight flight to Scotland. Dinner is served while in flight. April 10 Saturday Day 2 Glasgow-Stirling-Edinburgh. Arrive Glasgow Airport where you are met by your Driver & Guide. A day of Braveheart with a visit to Stirling, April 11 once known as the 'Key to Scotland', with its imposing position in the centre of the country, is home to Stirling Castle. For centuries this was Sunday the most important castle in Scotland and the views from the top make it easy to see why. Stirling Castle played an important role in the life of Mary Queen of Scots. Soak up the history and stunning views from the Wallace Monument, perched high on the Abbey Craig around where Wallace camped before his heroic battle of Stirling Bridge in 1297, built in 1869 to commemorate Scotland’s hero. Continue to Edinburgh. Overnight Holiday Inn Express Day 3 Edinburgh Panoramic Tour. Today we enjoy a panoramic tour of Edinburgh. We pass by the Greyfriars Bobby, the loyal Skye Terrier who April 12 remained by his master's grave for fourteen years. Travel down the Royal Mile past St Giles Cathedral, the historic City Church of Edinburgh Monday with its famed crown spire. Also known as the High Kirk of Edinburgh, it is the Mother Church of Presbyterianism and contains the Chapel of the Order of the Thistle (Scotland's chivalric company of knights headed by the Queen). -
Christopher Upton Phd Thesis
?@A374? 7; ?2<@@7?6 81@7; 2IQJRSOPIFQ 1$ APSON 1 @IFRJR ?TCMJSSFE GOQ SIF 3FHQFF OG =I3 BS SIF ANJUFQRJSX OG ?S$ 1NEQFVR '.-+ 5TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN >FRFBQDI0?S1NEQFVR/5TLL@FWS BS/ ISSP/%%QFRFBQDI#QFPORJSOQX$RS#BNEQFVR$BD$TK% =LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM/ ISSP/%%IEL$IBNELF$NFS%'&&()%(,)* @IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS STUDIES IN SCOTTISH LATIN by Christopher A. Upton Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of St. Andrews October 1984 ýýFCA ýý£ s'i ý`q. q DRE N.6 - Parentibus meis conjugique meae. Iý Christopher Allan Upton hereby certify that this thesis which is approximately 100,000 words in length has been written by men that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. ý.. 'C) : %6 date .... .... signature of candidat 1404100 I was admitted as a research student under Ordinance No. 12 on I October 1977 and as a candidate for the degree of Ph. D. on I October 1978; the higher study for which this is a record was carried out in the University of St Andrews between 1977 and 1980. $'ý.... date . .. 0&0.9 0. signature of candidat I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate to the degree of Ph. D. of the University of St Andrews and that he is qualified to submit this thesis in application for that degree. -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
11-20 November Issue
The British Isles Historic Society Heritage, History, Traditions & Customs 11-20 November Issue St. Andrew deeming himself unworthy to be crucified in the same manner as Jesus Christ. Instead, he was nailed St. Andrew has been celebrated upon an X-shaped cross on 30 November 60AD in in Scotland for over a thousand years, Greece, and thus the diagonal cross of the saltire with feasts being held in his honour as was adopted as his symbol, and the last day in far back as the year 1000 AD. November designated his saint day. However, it wasn’t until 1320, According to legend, Óengus II, king of Picts when Scotland’s independence was and Scots, led an army against the Angles, a declared with the signing of The Germanic people that invaded Britain. The Scots Declaration of Arbroath, that he officially became were heavily outnumbered, and Óengus prayed the Scotland’s patron saint. Since then St Andrew has night before battle, vowing to name St. Andrew the become tied up in so much of Scotland. The flag of patron saint of Scotland if they won. Scotland, the St. Andrew’s Cross, was chosen in honour of him. Also, the ancient town of St Andrews On the day of the battle, white clouds formed was named due to its claim of being the final resting an X in the sky. The clouds were thought to place of St. Andrew. represent the X-shaped cross where St. Andrew was crucified. The troops were inspired by the apparent According to Christian teachings, Saint Andrew divine intervention, and they came out victorious was one of Jesus Christ’s twelve disciples. -
Movie Museum OCTOBER 2012 COMING ATTRACTIONS
Movie Museum OCTOBER 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! TRAIN OF LIFE 2 Hawaii Premieres! LA RAFLE OUR HAPPY LIVES BAD FAITH aka Train de vie SECRETS OF STATE (2010-France/Ger/Hung) aka Nos vies heureuses aka Mauvaise foi (1998-Fr/Bel/Neth/Isr/Rom) aka Secret defense French w/Eng subtitles, w.s (1999-France) (2006-Belgium/France) French w/subtitles & w.s. (2008-France) Jean Reno, Mélanie Laurent. French w/subtitles, w.s. French w/subtitles & w.s. with Lionel Abelanski, Rufus. French w/Eng subtitles, w.s 12:00, 2:15 & 9:00pm only Marie Payen, Sami Bouajila. D: Roschdy Zem. 12:00, 1:45 & 8:15pm only Gerard Lanvin, Vahina Giocante ---------------------------------- 12 & 8pm only 12:00, 1:30 & 8:15pm only ---------------------------------- 12:00, 1:45 & 8:30pm only BAD FAITH ---------------------------------- --------------------------------- Hawaii Premiere! ---------------------------------- aka Mauvaise foi TRAIN OF LIFE SUMMER THINGS LA RAFLE OUR HAPPY LIVES (2006-Belgium/France) aka Train de vie Embrassez qui vous voudrez (2010-France/Ger/Hung) aka Nos vies heureuses French w/subtitles & w.s. (1998-Fr/Bel/Neth/Isr/Rom) (2002-France/UK/Italy) French w/Eng subtitles, w.s (1999-France) Cécile De France, Roschdy French w/subtitles & w.s. French w/subtitles & w.s. Jean Reno, Mélanie Laurent, French w/subtitles, w.s. Zem, Jean-Pierre Cassel. with Lionel Abelanski, Rufus. Charlotte Rampling. Gad Elmaleh, Hugo Leverdez. Marie Payen, Sami Bouajila. 4:30, 6:00 & 7:30pm only 2:30, 4:15 & 6:00pm only 3:00, 4:45 & 6:30pm only 3:45 & 6:00pm only 3:30 & 6:00pm only 4 5 6 7 8 Hawaii Premiere! 50th Anniversary CONVERSATIONS SUMMER THINGS Cuban Missile Crisis PROMETHEUS (2012-US/UK) WITH MY GARDENER (2002-France/UK/Italy) X-MEN: FIRST CLASS (2007-France) French w/subtitles & w.s. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing