Les Noms De Jour Du Calendrier Republicain Les
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fair Shares for All
FAIR SHARES FOR ALL JACOBIN EGALITARIANISM IN PRACT ICE JEAN-PIERRE GROSS This study explores the egalitarian policies pursued in the provinces during the radical phase of the French Revolution, but moves away from the habit of looking at such issues in terms of the Terror alone. It challenges revisionist readings of Jacobinism that dwell on its totalitarian potential or portray it as dangerously Utopian. The mainstream Jacobin agenda held out the promise of 'fair shares' and equal opportunities for all in a private-ownership market economy. It sought to achieve social justice without jeopardising human rights and tended thus to complement, rather than undermine, the liberal, individualist programme of the Revolution. The book stresses the relevance of the 'Enlightenment legacy', the close affinities between Girondins and Montagnards, the key role played by many lesser-known figures and the moral ascendancy of Robespierre. It reassesses the basic social and economic issues at stake in the Revolution, which cannot be adequately understood solely in terms of political discourse. Past and Present Publications Fair shares for all Past and Present Publications General Editor: JOANNA INNES, Somerville College, Oxford Past and Present Publications comprise books similar in character to the articles in the journal Past and Present. Whether the volumes in the series are collections of essays - some previously published, others new studies - or mono- graphs, they encompass a wide variety of scholarly and original works primarily concerned with social, economic and cultural changes, and their causes and consequences. They will appeal to both specialists and non-specialists and will endeavour to communicate the results of historical and allied research in readable and lively form. -
Le Naturalisme Sur La Scène De L'opéra Lyrique
Université Lumière Lyon 2 Le Naturalisme sur la scène de l’Opéra lyrique Roxane SIFFER Sous la Direction de Mme Sophie PAPAEFTHYMIOU Août-Septembre 2010 Table des matières Remerciements . 5 Introduction. 6 PREMIERE PARTIE : LE THEATRE LYRIQUE COMME MOYEN D’EXPRESSION: LE PROLONGEMENT ET L’ACHEVEMENT DU COMBAT NATURALISTE . 20 SECTION PREMIERE : Genèse et collaborations du couple fondateur : Zola-Bruneau . 20 A°) L’acte de naissance du naturalisme : la rencontre d’Emile Zola et d’Alfred Bruneau . 20 B°) L’œuvre singulière d’Alfred Bruneau . 26 SECTION DEUXIEME : La confusion entre le naturalisme et les Dreyfusards . 33 A°) D’une coopération artistique à l’engagement politique : l’affaire Dreyfus en toile de fond . 33 B°) La prise de position de Bruneau en faveur de Zola . 37 SECTION TROISIEME : L’Affaire Dreyfus : une affaire politique dans les coulisses de l’opéra . 38 A°)Le combat naturaliste sur la scène lyrique : le prolongement du combat dreyfusard . 38 B°)Triomphes et de défaites du naturalisme musical . 40 C°) Un répertoire trop figé historiquement: du mépris à l’oubli . 43 DEUXIEME PARTIE : LE NATURALISME LYRIQUE: UN MOUVEMENT MUSICAL CONTESTE ET INCOMPRIS . 46 SECTION PREMIERE : Les difficultés techniques et l’absence de réelle identité musicale . 46 A°) L’influence du wagnérisme: un héritage romantique indubitable . 46 B°) Style et registres de langue du naturalisme: la négation des canons de l’opéra lyrique . 50 SECTION SECONDE : Les élites de l’univers musical réservées à l’égard du naturalisme lyrique . 59 A°) Des journaux hostiles à l’avènement d’un genre “profane” sur la scène lyrique: . 59 B°) Les directeurs des théâtres lyriques nationaux, majoritairement hostiles aux opéras naturalistes . -
Jean-Baptiste Lingaud Papers Ms
Jean-Baptiste Lingaud papers Ms. Coll. 515 Finding aid prepared by Anton Matytsin. Last updated on April 24, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts July 2004 Jean-Baptiste Lingaud papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 4 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 Mayor’s Office of Limoges.....................................................................................................................6 Personal Papers of Lingaud...................................................................................................................29 - Page 2 - Jean-Baptiste Lingaud papers Summary Information Repository University -
Calendrier Republicain
CALENDRIER REPUBLICAIN A U T O M N E H Y V E R VENDÉMIAIRE BRUMAIRE FRIMAIRE NIVÔSE PLUVIÔSE VENTÔSE er me me me me me 1 Mois 2 Mois 3 Mois 4 Mois 5 Mois 6 Mois 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1 Raisin 1 Pomme 1 Raiponce 1 Tourbe 1 Lauréole 1 Tussilage 2 Safran 2 Céleri 2 Turneps 2 Houille 2 Mousse 2 Cornouiller 3 Châtaignes 3 Poire 3 Chicorée 3 Bitume 3 Fragon 3 Viollier 4 Colchique 4 Betterave 4 Nefle 4 Soufre 4 Perce-neige 4 Troêne 5 Cheval 5 Oye 5 Cochon 5 Chien 5 Taureau 5 Bouc 6 Balsamine 6 Héliotrope 6 Mache 6 Lave 6 Laurier-thym 6 Asaret 7 Carottes 7 Figue 7 Chou-fleur 7 Terrevégétale 7 Amadouvier 7 Alaterne 8 Amaranthe 8 Scorsonnère 8 Miel 8 Fumier 8 Mézéréon 8 Violette 9 Panais 9 Alisier 9 Genièvre 9 Salpètre 9 Peuplier 9 Marceau 10 CUVE 10 CHARRUE 10 PIOCHE 10 FLÉAU 10 COIGNÉE 10 BÊCHE 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 11 Pome de terre 11 Salsifis 11 Cire 11 Granit 11 Ellébore 11 Narcisse 12 Immortelle 12 Macre 12 Raifort 12 Argile 12 Bracoli 12 Orme 13 Potiron 13 Topinambour 13 Cèdre 13 Ardoise 13 Laurier 13 Fumeterre 14 Réséda 14 Endive 14 Sapin 14 Grès 14 Avelinier 14 Vélard 15 Ane 15 Dindon 15 Chevreuil 15 Lapin 15 Vache 15 Chèvre 16 Belle de nuit 16 Chervi 16 Ajonc 16 Silex 16 Buis 16 Epinards 17 Citrouille 17 Cresson 17 Cyprès 17 Marne 17 Lichen 17 Doronic 18 Sarrasin 18 Dentelaire 18 Lierre 18 Pierre à chau 18 If 18 Mouron 19 Tournesol 19 Grenade 19 Sabine 19 Marbre 19 Pulmonaire 19 Cerfeuil 20 PRESSOIR 20 HERSE 20 HOYAU 20 VAN 20 SERPETTE 20 CORDEAU 3me -
Appropriations of Gregorian Chant in Fin-De-Siècle French Opera: Couleur Locale – Message-Opera – Allusion?
Journal of the Royal Musical Association, 145/1, 37–74 doi:10.1017/rma.2020.7 Appropriations of Gregorian Chant in Fin-de-siècle French Opera: Couleur locale – Message-Opera – Allusion? BENEDIKT LESSMANN Abstract This article compares three French operas from the fin de siècle with regard to their appropriation of Gregorian chant, examining their different ideological and dramaturgical impli- cations. In Alfred Bruneau’s Le rêve (1891), the use of plainchant, more or less in literal quotation and an accurate context, has often been interpreted as naturalistic. By treating sacred music as a world of its own, Bruneau refers to the French idea of Gregorian chant as ‘other’ music. In Vincent d’Indy’s L’étranger (1903), a quotation of Ubi caritas does not serve as an occasional illustration, but becomes essential as part of the leitmotif structure, thus functioning as the focal point of a religious message. Jules Massenet’s Le jongleur de Notre-Dame (1902) provides a third way of using music associated with history and Catholicism. In this collage of styles, plainchant is not quoted literally, but rather alluded to, offering in this ambiguity a mildly anti-clerical satire. Thus, through an exchange, or rather through a bizarre and unfortunate reversal, church music in the theatre is more ecclesiastical than in the church itself. Camille Bellaigue1 In an article in the Revue des deux mondes of 1904, the French critic Camille Bellaigue described the incorporation of church music into contemporary opera, referring to anticipated examples by Meyerbeer and Gounod; to works less well known today, such as Lalo’s Le roi d’Ys (which quotes the Te Deum); and also (quite extensively) to Wagner’s Parsifal, the ‘masterpiece […] or the miracle of theatrical art that is not only Email: [email protected] I am grateful to Stefan Keym for his support and advice with my doctoral studies and beyond. -
Napoleon's Men
NAPOLEON S MEN This page intentionally left blank Napoleon's Men The Soldiers of the Revolution and Empire Alan Forrest hambledon continuum Hambledon Continuum The Tower Building 11 York Road London, SE1 7NX 80 Maiden Lane Suite 704 New York, NY 10038 First Published 2002 in hardback This edition published 2006 ISBN 1 85285 269 0 (hardback) ISBN 1 85285 530 4 (paperback) Copyright © Alan Forrest 2002 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyrights reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. A description of this book is available from the British Library and the Library of Congress. Typeset by Carnegie Publishing, Lancaster, and printed in Great Britain by MPG Books, Cornwall. Contents Illustrations vii Introduction ix Acknowledgements xvii 1 The Armies of the Revolution and Empire 1 2 The Soldiers and their Writings 21 3 Official Representation of War 53 4 The Voice of Patriotism 79 5 From Valmy to Moscow 105 6 Everyday Life in the Armies 133 7 The Lure of Family and Farm 161 8 From One War to Another 185 Notes 205 Bibliography 227 Index 241 This page intentionally left blank Illustrations Between pages 108 and 109 1 Napoleon Bonaparte, crossing the Alps in 1800 2 Volunteers enrolling 3 Protesting -
The Negro in France
University of Kentucky UKnowledge Black Studies Race, Ethnicity, and Post-Colonial Studies 1961 The Negro in France Shelby T. McCloy University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McCloy, Shelby T., "The Negro in France" (1961). Black Studies. 2. https://uknowledge.uky.edu/upk_black_studies/2 THE NEGRO IN FRANCE This page intentionally left blank SHELBY T. McCLOY THE NEGRO IN FRANCE UNIVERSITY OF KENTUCKY PRESS Copyright© 1961 by the University of Kentucky Press Printed in the United States of America by the Division of Printing, University of Kentucky Library of Congress Catalog Card No. 61-6554 FOREWORD THE PURPOSE of this study is to present a history of the Negro who has come to France, the reasons for his coming, the record of his stay, and the reactions of the French to his presence. It is not a study of the Negro in the French colonies or of colonial conditions, for that is a different story. Occasion ally, however, reference to colonial happenings is brought in as necessary to set forth the background. The author has tried assiduously to restrict his attention to those of whose Negroid blood he could be certain, but whenever the distinction has been significant, he has considered as mulattoes all those having any mixture of Negro and white blood. -
Robespierre, the Duke of York, and Pisistratus During the French Revolutionary Terror*
The Historical Journal, , (), pp. – © Cambridge University Press This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/./), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:./SX ROBESPIERRE, THE DUKE OF YORK, AND PISISTRATUS DURING THE FRENCH REVOLUTIONARY TERROR* COLIN JONES Queen Mary University of London AND SIMON MACDONALD Université Paris VIII ABSTRACT. Maximilien Robespierre was deposed on July / Thermidor Year II when the charge that he was a tyrant burst spectacularly into open political discussion in France. This article examines key aspects of how that charge had developed, and been discussed in veiled terms, over the preceding months. First, it analyses a war of words which unfolded between Robespierre and the duke of York, the commander of the British forces on the northern front. This involved allegations that Robespierre had used an assassination attempt against him in late May as a pretext for scapegoating the British – including the orchestration of a notorious government decree of Prairial/ May which banned the taking of British and Hanoverian prisoners of war. Second, the article explores how these developments fitted within a larger view of Robespierre as aiming for supreme power. In particular, they meshed closely with a reading of French politics which likened Robespierre to the ancient Athenian leader Pisistratus, a figure who had subverted the city’s consti- tution – including posing as a victim of violent attacks – in order to establish his tyranny. Pisistratus’s story, we argue, offered a powerful script for interpreting Robespierre’s actions, and a cue for resistance. -
Archives Des Musées Nationaux, Gestion Des Musées De France (Série Z)
Archives des musées nationaux, Gestion des Musées de France (série Z) Répertoire numérique détaillé numéro 20150044 Hélène Brossier et Guillaume Monnot, archivistes sous la direction de la mission des archives du ministère de la Culture et de la communication à partir des inventaires rédigés par les agents des Archives des musées nationaux Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2015 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_054002 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en ilestenfrançais.. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a - Reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Archives des musées nationaux-Série Z 9 Organisation 12 Historique et organisation 12 Comité des conservateurs 14 Conseils artistiques 15 Administration et gestion 16 Administration 17 Protection des œuvres d'art 43 Budget 45 Catalogues 46 Direction des arts et lettres 46 Sécurité 46 Rapports de quinzaine pour les départements du Louvre et musées 46 Rapports annuels des musées nationaux. 47 Rapports d'inspection des musées de province 48 Inventaires et états 49 1700-1799 50 1800-1847 53 1848-1950 57 Saisies révolutionnaires en Seine-et-Oise. 60 Tome1 : Partie 1 60 Tome 2 : Partie 2 62 Tome 3 : Parties 3 à 6 64 Tome 4 : Parties 7 à 9 68 Tome 5 : Parties 10 à 14 74 Origines et échanges. 92 1792-1807 93 1808-1928 102 1929-1941 106 Propositions d'acquisitions ou de travaux refusées (ou sans suite). -
MESSIDOR . Nu MÊME AUTEUR: Briséis, N'emmanuel CHABRIER
MESSIDOR . nu MÊME AUTEUR: Briséis, n'EMMANUEL CHABRIER. Le Chant de la Cloche, de VINCENT n'INDY. Collot d'Herbois à Nantes. 'Dîx Jours à Bayreuth. L'ÉvDJution musicale cher Verdi. Fervaal, de VINCENT n'IN DY. F. Halévy (épuisé) . .Les Interprètes musicaux du Faust de GŒTHE [épuisé). :Notes de Voyage. L'Œuvre théâtral de Meyerbeer. L'Œuvre lyrique de César F1·anck. Proserpine, de C. SAINT-SAËNS. OLe Rêve, d'A. BRUNEAU. Samson et Dalila, de C. SAINT-SAËNS. Souvenirs de Bayreuth. Le Théâtre à Nantes depuis ses origines jusqu'à nos Jours (I430-It593). Tannhœuser. Les Troyens, de BERLIOZ. Le Vaisseau Fantôme. POUR PARAITRE PROCHAINEMENT: Les Femmes de Wagner. ÉTIENNE DESTRANGES MESSIDOR n'A. BRUNEAU ÉTUDE ANALYTIQUE ET CRITIQUE PARIS -LIBRAIRIE FISCHBACHER (SOCIÉTÉ ANONYME) 33, ~ue de Seine, 33 1897 ~ ' f A E. JAQUES-DALCROZE Rmicalemenl g. D. MESSIDO-R 1. L'Œuvre littéraire Un fait unique jusqu'ici dans l'histoire de l'art lyrique est celui qui nous est offert en cette fin du XIX6 siècle: la collaboration avec un compositeur non plus d'un vulgaire libret tiste, arrangeur ou plutôt dérangeur de chefs d'œuvre littéraires, mais d'uI1 écrivain de gé nie qui, ayant commencé par consentir à tirer deux drames, l'un d'un roman, l'autre d'une nouvelle, finit par se laisser aller à écrire spé cialement des ouvrages en vue de l'adapta tion musicale. Certes, M. Emile Zola donne là un bel exemple. Les discussions passion nées, les nombreuses critiques soulevées par son dernier poème ont dû être, pour un esprit combatif comme Id sien, la plus douce des récompenses en même tem ps que le pl us énergique des stimulants. -
The Calendar in Revolutionary France : Perceptions of Time in Literature, Culture, Politics / Sanja Perovic
THE C A LENDA R IN REVOLUTIONARY FRANCE One of the most unusual decisions of the leaders of the French Revolution – and one that had immense practical as well as symbolic impact – was to abandon customarily accepted ways of calculating date and time to create a revolutionary calendar. The experiment lasted from 1793 to 1805 and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to indi- vidual, community, communication and creative life. This study traces the course of the revolutionary calendar, from its cultural ori- gins to its decline and fall. Tracing the parallel stories of the calen- dar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported ‘origin’ of modern- ity, the modern experience of time and the relationship between the imagination and political action. sanja perovic is Lecturer in the French Department at King’s College London. Le calendrier républicain, Debucourt, No. 1987–49, © Musée de la Révolution française/Domaine de Vizille. THE CA LENDA R IN REVOLUTIONARY FRANCE Perceptions of Time in Literature, Culture, Politics SANJA PEROVIC King’s College London cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, uk Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9781107025950 © Sanja Perovic 2012 This publication is in copyright. -
Cour De Cassation. Dossiers D'instruction (An XI-1866)
Cour de cassation. Dossiers d'instruction (an XI-1866) Inventaire semi-analytique (AM//10001-AM//10006) par M.-C. Moine et A. Poinsot, sous la direction de S. Barbiche Archives nationales (France) Pierrefitte-sur-Seine 1989 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_002264 Cet instrument de recherche a été encodé par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives nationales 2 Archives nationales (France) INTRODUCTION Référence AM//10001-AM//10006 Niveau de description fonds Intitulé Cour de cassation Intitulé Dossiers d'instruction Intitulé AM//10001 à 10006 Intitulé Inventaire par M.C. Moine et A. Poinsot sous la direction de S. Barbiche Date(s) extrême(s) an XI-1866 Localisation physique Pierrefitte DESCRIPTION Présentation du contenu Ce petit fonds, versé aux Archives nationales en juillet 1988, provient de la Cour de cassation. Il se compose de quatre liasses de 35 dossiers d'instruction et jugements rendus par la section civile du Tribunal de cassation, relatifs à des forfaitures commises par des juges de paix, greffiers et huissiers dans l'exercice de leurs fonctions (an IX-1811) ; de pièces se rapportant à l'affaire de la Compagnie algérienne de colonisation (1834- 1860) ; enfin, du dossier d'instruction concernant l'attentat d'Orsini (1858). Il a été classé dans la série AM affectée aux archives en provenance de la Cour de cassation.