Calendrier Republicain

Total Page:16

File Type:pdf, Size:1020Kb

Calendrier Republicain CALENDRIER REPUBLICAIN A U T O M N E H Y V E R VENDÉMIAIRE BRUMAIRE FRIMAIRE NIVÔSE PLUVIÔSE VENTÔSE er me me me me me 1 Mois 2 Mois 3 Mois 4 Mois 5 Mois 6 Mois 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1 Raisin 1 Pomme 1 Raiponce 1 Tourbe 1 Lauréole 1 Tussilage 2 Safran 2 Céleri 2 Turneps 2 Houille 2 Mousse 2 Cornouiller 3 Châtaignes 3 Poire 3 Chicorée 3 Bitume 3 Fragon 3 Viollier 4 Colchique 4 Betterave 4 Nefle 4 Soufre 4 Perce-neige 4 Troêne 5 Cheval 5 Oye 5 Cochon 5 Chien 5 Taureau 5 Bouc 6 Balsamine 6 Héliotrope 6 Mache 6 Lave 6 Laurier-thym 6 Asaret 7 Carottes 7 Figue 7 Chou-fleur 7 Terrevégétale 7 Amadouvier 7 Alaterne 8 Amaranthe 8 Scorsonnère 8 Miel 8 Fumier 8 Mézéréon 8 Violette 9 Panais 9 Alisier 9 Genièvre 9 Salpètre 9 Peuplier 9 Marceau 10 CUVE 10 CHARRUE 10 PIOCHE 10 FLÉAU 10 COIGNÉE 10 BÊCHE 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 11 Pome de terre 11 Salsifis 11 Cire 11 Granit 11 Ellébore 11 Narcisse 12 Immortelle 12 Macre 12 Raifort 12 Argile 12 Bracoli 12 Orme 13 Potiron 13 Topinambour 13 Cèdre 13 Ardoise 13 Laurier 13 Fumeterre 14 Réséda 14 Endive 14 Sapin 14 Grès 14 Avelinier 14 Vélard 15 Ane 15 Dindon 15 Chevreuil 15 Lapin 15 Vache 15 Chèvre 16 Belle de nuit 16 Chervi 16 Ajonc 16 Silex 16 Buis 16 Epinards 17 Citrouille 17 Cresson 17 Cyprès 17 Marne 17 Lichen 17 Doronic 18 Sarrasin 18 Dentelaire 18 Lierre 18 Pierre à chau 18 If 18 Mouron 19 Tournesol 19 Grenade 19 Sabine 19 Marbre 19 Pulmonaire 19 Cerfeuil 20 PRESSOIR 20 HERSE 20 HOYAU 20 VAN 20 SERPETTE 20 CORDEAU 3me Décade 3me Décade 3me Décade 3me Décade 3me Décade 3me Décade 21 Chanvre 21 Bacchante 21 Erable-sucre 21 Pierre àplâtre 21 Thlaspi 21 Mandragore 22 Pêche 22 Azerole 22 Bruyère 22 Sel 22 Thimelé 22 Percil 23 Navet 23 Garence 23 Roseau 23 Fer 23 Chiendent 23 Cochléaria 24 Amarillis 24 Orange 24 Oseille 24 Cuivre 24 Traînasse 24 Pâquerette 25 Bœuf 25 Faisan 25 Grillon 25 Chat 25 Lièvre 25 Thon 26 Aubergine 26 Pistache 26 Pignon 26 Etain 26 Guède 26 Pissenlit 27 Piment 27 Macjonc 27 Liège 27 Plomb 27 Noisetier 27 Sylvie 28 Tomate 28 Coing 28 Truffe 28 Zinc 28 Ciclamen 28 Capilaire 29 Orge 29 Cormier 29 Olive 29 Mercure 29 Chélidoine 29 Frêne 30 TONNEAU 30 ROULEAU 30 PELLE 30 CRIBLE 30 TRAINEAU 30 PLANTOIR L'Ere des français compte de la fondation de la République Le premier "Vendémiaire" des vendanges qui ont lieu de qui a eu lieu le 22 Septembre 1792 de l'Ere vulgaire. L'Ere Septembre en Octobre. Le second "Brumaire" des vulgaire est abolie pour les usages civils. brouillards et des brumes basses qui sont la transudation de la Le commencement de chaque année est fixé à minuit nature d'Octobre en Novembre. Le troisième "Frimaire" du commençant le jour ou tombe l'equinoxe vrai d'automne pour froid tantôt sec tantôt humide qui se fait sentir de Novembre l'Observatoire de Paris. La première année de la République en Décembre. Le quatrième "Nivôse" de la neige qui blanchit Française a commencé à minuit le 22 Septembre 1792 et a la terre de Décembre en Janvier. Le cinquième "Pluviose" fini à minuit séparant le 21 du 22 Septembre 1793. La 2ème des pluies qui tombent avec plus d'abondance de Janvier en année a commencéle 22 7bre 1793. le décret qui fixoit le Février. Le sixième "Ventôse" des giboulées, et du vent qui commencement de la 2ème année au 1er janvier est rapporté. vient sécher la terre de Février en Mars. Le septième Tous les actes datés l'an 2e de la République, passés du 1er "Germinal" de la fermentation et du développement de la bre Janvier au 22 7 exclusivement sont regardés comme sève de Mars en Avril. Le huitième "Floréal" de ère appartenant à la 1 année de la République. l'épanouissement des Fleurs d'Avril en Mai. Le neuvième L'année est divisée en douze mois de trente jours chacun, "Prairial" de la fécondité et de la récolte des prairies de Mai après lesquels suivent cinq jours pour completter l'année en Juin. Le dixième "Messidor" de l'aspect des moissons ordinaire. Chaque nouveau mois porte un nom étymologique dorées qui couvrent les champs de Juin en Juillet. Le et caractéristique, qui exprime la température, le genre de onzième "Thermidor" de la chaleur toute à la fois solaire et productions actuelles de la terre, et fait sentir le genre de terrestre qui embrase la terre de Juillet en Août. Le douzième saison ou il se trouve, dans les quatre dont l'année est et dernier "Fructidor" des fruits que le soleil dore et mûrit composée ainsi les nom des mois suivants prennent leur d'Août en Septembre. étymologie : Savoir, P R I N T E M P S É T É GERMINAL FLORÉAL PRAIRIAL MESSIDOR THERMIDOR FRUCTIDOR 7me Mois 8me Mois 9me Mois 10me Mois 11me Mois 12me Mois 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1re Décade 1 Primevère 1 Rose 1 Luserne 1 Seigle 1 Epeautre 1 Prune 2 Platane 2 Chène 2 Hémérocale 2 Avoine 2 Bouillon blc 2 Millet 3 Asperges 3 Fougère 3 Trèfle 3 Oignon 3 Melon 3 Licoperde 4 Tulipe 4 Aubépine 4 Angélique 4 Véronique 4 Ivraie 4 Escourgeon 5 Poule 5 Rossignol 5 Canard 5 Mulet 5 Belier 5 Saumon 6 Blette 6 Ancolie 6 Mélisse 6 Romarin 6 Prèle 6 Tubéreuse 7 Bouleau 7 Muguet 7 Fromental 7 Concombre 7 Armoise 7 Sucrion 8 Jonquille 8 Champign~ 8 Martagon 8 Echalotte 8 Carthame 8 Apocyn 9 Aulne 9 Hyacinthe 9 Serpolet 9 Absynthe 9 Mûres 9 Réglisse 10 COUVOIR 10 RATEAU 10 FAULX 10 FAUCILLE 10 ARROSOIR 10 ECHELLE 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 2me Décade 11 Pervenche 11 Rhubarbe 11 Fraise 11 Coriandre 11 Panis 11 Pastèque 12 Charme 12 Sainfoin 12 Bétoine 12 Artichaut 12 Salicor 12 Fenouil 13 Morille 13 Bouton d'or 13 Pois 13 Giroflée 13 Abricot 13 Epine-vinette 14 Hêtre 14 Chamérisier 14 Acacia 14 Lavande 14 Basilic 14 Noix 15 Abeille 15 Ver à Soie 15 Caille 15 Chamois 15 Brebis 15 Truite 16 Laitue 16 Consoude 16 Œillet 16 Tabac 16 Guimauve 16 Citron 17 Mélèze 17 Pimprenelle 17 Sureau 17 Groseille 17 Lin 17 Cardière 18 Ciguë 18 Corbeil d'or 18 Pavot 18 Gesse 18 Amande 18 Nerprun 19 Radix 19 Arroche 19 Tilleul 19 Cerise 19 Gentiane 19 Tagette 20 RUCHE 20 SARCLOIR 20 FOURCHE 20 PARC 20 ECLUSE 20 HOTTE 3me Décade 3me Décade 3me Décade 3me Décade 3me Décade 3me Décade 21 Gainier 21 Stalicé 21 Barbeau 21 Menthe 21 Carline 21 Eglantier 22 Romaine 22 Fritillaire 22 Camomille 22 Cumin 22 Caprier 22 Noisette 23 Maronnier 23 Bourache 23 Chèvre- 23 Haricots 23 Lentille 23 Houblon 24 Roquette 24 Valériane feuille 24 Orcanète 24 Aunée 24 Sorgho 25 Pigeon 25 Carpe 24 Caille-lait 25 Pintade 25 Loutre 25 Ecrevisse 26 Anémone 26 Fusain 25 Tanche 26 Sauge 26 Myrthe 26 Bigarade 27 Lilas 27 Civette 26 Jasmin 27 Ail 27 Colza 27 Verge-d'or 28 Pensée 28 Buglose 27 Verveine 28 Vesce 28 Lupin 28 Maïs 29 Mirthil 29 Sénevé 28 Thym 29 Blé 29 Coton 29 Marron 30 GREFFOIR 30 HOULETTE 29 Pivoine 30 CHALÉMIE 30 MOULIN 30 PANIER 30 CHARIOT Chaque mois est divisé en trois parties égales A chaque Quintidi, c'est-à-dire à chaque demi- FÊTES SANCULOTIDES appelées Décades et chaque Décade en dix jours, Décade, les 5, 15 et 25 de chaque mois, est inscrit 1 de la Vertu désignés par Primidi, Duodi, Tridi, Quartidi, le nom d'un animal domestique avec rapport précis Quintidi, Sextidi, Septidi, Octidi, Nonidi et entre la date de cette inscription et l'utilité réelle de 2 du Génie Décadi. Les jour du mois sont aussi désignés par l'animal inscrit. Chaque Décadi est marqué par le 3 du Travail les nombres ordinaux 1, 2, 3, ainsi de suite jusqu'à nom d'un instrument aratoire qui sert à 4 de l'Opinion trente et correspondant chacun avec les jours de la l'agriculture au temps précis ou il est placé de sorte 5 des Récomp~ Décade, par exemple, Primedi au 1, 11 et 21. que par opposition l'agriculteur le jour de repos __________ Duodi, au 2, 12 et 22 de chaque mois &c. Les cinq retrouvera consacré dans le Calendrier l'instrument Ce calendrier que nous jours restant pour completer l'année ordinaire, qu'il doit reprendre le lendemain. Le Décadi de offrons à nos conci- seront consacrés à des Fêtes Nationales et chaque Décade est le jour de repos des toyens, est tel qu'il a été décrété par la Conven- Républicaines appelées les Sanculotides. Le Fonctionnaires public, les autres Citoyens ont la tion Natle et pour en Primedi de ces cinq jours, le Peuple Français Liberté de choisir télle jour de la Décade qu'ils rendre l'usage plus célébrera la Fête de la Vertu. Le Duodi, la Fête du jugeront convenable de prendre pour leur facile nous avons ajouté délassemens et leur repos. D'après la nouvelle à chaque nouveau mois Génie. Le Tridi, la Fête du Travail. Le Quartidi, une colonne renfermant la Fête de l'Opinion.
Recommended publications
  • Fair Shares for All
    FAIR SHARES FOR ALL JACOBIN EGALITARIANISM IN PRACT ICE JEAN-PIERRE GROSS This study explores the egalitarian policies pursued in the provinces during the radical phase of the French Revolution, but moves away from the habit of looking at such issues in terms of the Terror alone. It challenges revisionist readings of Jacobinism that dwell on its totalitarian potential or portray it as dangerously Utopian. The mainstream Jacobin agenda held out the promise of 'fair shares' and equal opportunities for all in a private-ownership market economy. It sought to achieve social justice without jeopardising human rights and tended thus to complement, rather than undermine, the liberal, individualist programme of the Revolution. The book stresses the relevance of the 'Enlightenment legacy', the close affinities between Girondins and Montagnards, the key role played by many lesser-known figures and the moral ascendancy of Robespierre. It reassesses the basic social and economic issues at stake in the Revolution, which cannot be adequately understood solely in terms of political discourse. Past and Present Publications Fair shares for all Past and Present Publications General Editor: JOANNA INNES, Somerville College, Oxford Past and Present Publications comprise books similar in character to the articles in the journal Past and Present. Whether the volumes in the series are collections of essays - some previously published, others new studies - or mono- graphs, they encompass a wide variety of scholarly and original works primarily concerned with social, economic and cultural changes, and their causes and consequences. They will appeal to both specialists and non-specialists and will endeavour to communicate the results of historical and allied research in readable and lively form.
    [Show full text]
  • Le Naturalisme Sur La Scène De L'opéra Lyrique
    Université Lumière Lyon 2 Le Naturalisme sur la scène de l’Opéra lyrique Roxane SIFFER Sous la Direction de Mme Sophie PAPAEFTHYMIOU Août-Septembre 2010 Table des matières Remerciements . 5 Introduction. 6 PREMIERE PARTIE : LE THEATRE LYRIQUE COMME MOYEN D’EXPRESSION: LE PROLONGEMENT ET L’ACHEVEMENT DU COMBAT NATURALISTE . 20 SECTION PREMIERE : Genèse et collaborations du couple fondateur : Zola-Bruneau . 20 A°) L’acte de naissance du naturalisme : la rencontre d’Emile Zola et d’Alfred Bruneau . 20 B°) L’œuvre singulière d’Alfred Bruneau . 26 SECTION DEUXIEME : La confusion entre le naturalisme et les Dreyfusards . 33 A°) D’une coopération artistique à l’engagement politique : l’affaire Dreyfus en toile de fond . 33 B°) La prise de position de Bruneau en faveur de Zola . 37 SECTION TROISIEME : L’Affaire Dreyfus : une affaire politique dans les coulisses de l’opéra . 38 A°)Le combat naturaliste sur la scène lyrique : le prolongement du combat dreyfusard . 38 B°)Triomphes et de défaites du naturalisme musical . 40 C°) Un répertoire trop figé historiquement: du mépris à l’oubli . 43 DEUXIEME PARTIE : LE NATURALISME LYRIQUE: UN MOUVEMENT MUSICAL CONTESTE ET INCOMPRIS . 46 SECTION PREMIERE : Les difficultés techniques et l’absence de réelle identité musicale . 46 A°) L’influence du wagnérisme: un héritage romantique indubitable . 46 B°) Style et registres de langue du naturalisme: la négation des canons de l’opéra lyrique . 50 SECTION SECONDE : Les élites de l’univers musical réservées à l’égard du naturalisme lyrique . 59 A°) Des journaux hostiles à l’avènement d’un genre “profane” sur la scène lyrique: . 59 B°) Les directeurs des théâtres lyriques nationaux, majoritairement hostiles aux opéras naturalistes .
    [Show full text]
  • Jean-Baptiste Lingaud Papers Ms
    Jean-Baptiste Lingaud papers Ms. Coll. 515 Finding aid prepared by Anton Matytsin. Last updated on April 24, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts July 2004 Jean-Baptiste Lingaud papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 4 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 Mayor’s Office of Limoges.....................................................................................................................6 Personal Papers of Lingaud...................................................................................................................29 - Page 2 - Jean-Baptiste Lingaud papers Summary Information Repository University
    [Show full text]
  • Appropriations of Gregorian Chant in Fin-De-Siècle French Opera: Couleur Locale – Message-Opera – Allusion?
    Journal of the Royal Musical Association, 145/1, 37–74 doi:10.1017/rma.2020.7 Appropriations of Gregorian Chant in Fin-de-siècle French Opera: Couleur locale – Message-Opera – Allusion? BENEDIKT LESSMANN Abstract This article compares three French operas from the fin de siècle with regard to their appropriation of Gregorian chant, examining their different ideological and dramaturgical impli- cations. In Alfred Bruneau’s Le rêve (1891), the use of plainchant, more or less in literal quotation and an accurate context, has often been interpreted as naturalistic. By treating sacred music as a world of its own, Bruneau refers to the French idea of Gregorian chant as ‘other’ music. In Vincent d’Indy’s L’étranger (1903), a quotation of Ubi caritas does not serve as an occasional illustration, but becomes essential as part of the leitmotif structure, thus functioning as the focal point of a religious message. Jules Massenet’s Le jongleur de Notre-Dame (1902) provides a third way of using music associated with history and Catholicism. In this collage of styles, plainchant is not quoted literally, but rather alluded to, offering in this ambiguity a mildly anti-clerical satire. Thus, through an exchange, or rather through a bizarre and unfortunate reversal, church music in the theatre is more ecclesiastical than in the church itself. Camille Bellaigue1 In an article in the Revue des deux mondes of 1904, the French critic Camille Bellaigue described the incorporation of church music into contemporary opera, referring to anticipated examples by Meyerbeer and Gounod; to works less well known today, such as Lalo’s Le roi d’Ys (which quotes the Te Deum); and also (quite extensively) to Wagner’s Parsifal, the ‘masterpiece […] or the miracle of theatrical art that is not only Email: [email protected] I am grateful to Stefan Keym for his support and advice with my doctoral studies and beyond.
    [Show full text]
  • The Negro in France
    University of Kentucky UKnowledge Black Studies Race, Ethnicity, and Post-Colonial Studies 1961 The Negro in France Shelby T. McCloy University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McCloy, Shelby T., "The Negro in France" (1961). Black Studies. 2. https://uknowledge.uky.edu/upk_black_studies/2 THE NEGRO IN FRANCE This page intentionally left blank SHELBY T. McCLOY THE NEGRO IN FRANCE UNIVERSITY OF KENTUCKY PRESS Copyright© 1961 by the University of Kentucky Press Printed in the United States of America by the Division of Printing, University of Kentucky Library of Congress Catalog Card No. 61-6554 FOREWORD THE PURPOSE of this study is to present a history of the Negro who has come to France, the reasons for his coming, the record of his stay, and the reactions of the French to his presence. It is not a study of the Negro in the French colonies or of colonial conditions, for that is a different story. Occasion­ ally, however, reference to colonial happenings is brought in as necessary to set forth the background. The author has tried assiduously to restrict his attention to those of whose Negroid blood he could be certain, but whenever the distinction has been significant, he has considered as mulattoes all those having any mixture of Negro and white blood.
    [Show full text]
  • MESSIDOR . Nu MÊME AUTEUR: Briséis, N'emmanuel CHABRIER
    MESSIDOR . nu MÊME AUTEUR: Briséis, n'EMMANUEL CHABRIER. Le Chant de la Cloche, de VINCENT n'INDY. Collot d'Herbois à Nantes. 'Dîx Jours à Bayreuth. L'ÉvDJution musicale cher Verdi. Fervaal, de VINCENT n'IN DY. F. Halévy (épuisé) . .Les Interprètes musicaux du Faust de GŒTHE [épuisé). :Notes de Voyage. L'Œuvre théâtral de Meyerbeer. L'Œuvre lyrique de César F1·anck. Proserpine, de C. SAINT-SAËNS. OLe Rêve, d'A. BRUNEAU. Samson et Dalila, de C. SAINT-SAËNS. Souvenirs de Bayreuth. Le Théâtre à Nantes depuis ses origines jusqu'à nos Jours (I430-It593). Tannhœuser. Les Troyens, de BERLIOZ. Le Vaisseau Fantôme. POUR PARAITRE PROCHAINEMENT: Les Femmes de Wagner. ÉTIENNE DESTRANGES MESSIDOR n'A. BRUNEAU ÉTUDE ANALYTIQUE ET CRITIQUE PARIS -LIBRAIRIE FISCHBACHER (SOCIÉTÉ ANONYME) 33, ~ue de Seine, 33 1897 ~ ' f A E. JAQUES-DALCROZE Rmicalemenl g. D. MESSIDO-R 1. L'Œuvre littéraire Un fait unique jusqu'ici dans l'histoire de l'art lyrique est celui qui nous est offert en cette fin du XIX6 siècle: la collaboration avec un compositeur non plus d'un vulgaire libret­ tiste, arrangeur ou plutôt dérangeur de chefs­ d'œuvre littéraires, mais d'uI1 écrivain de gé­ nie qui, ayant commencé par consentir à tirer deux drames, l'un d'un roman, l'autre d'une nouvelle, finit par se laisser aller à écrire spé­ cialement des ouvrages en vue de l'adapta­ tion musicale. Certes, M. Emile Zola donne là un bel exemple. Les discussions passion­ nées, les nombreuses critiques soulevées par son dernier poème ont dû être, pour un esprit combatif comme Id sien, la plus douce des récompenses en même tem ps que le pl us énergique des stimulants.
    [Show full text]
  • The Calendar in Revolutionary France : Perceptions of Time in Literature, Culture, Politics / Sanja Perovic
    THE C A LENDA R IN REVOLUTIONARY FRANCE One of the most unusual decisions of the leaders of the French Revolution – and one that had immense practical as well as symbolic impact – was to abandon customarily accepted ways of calculating date and time to create a revolutionary calendar. The experiment lasted from 1793 to 1805 and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to indi- vidual, community, communication and creative life. This study traces the course of the revolutionary calendar, from its cultural ori- gins to its decline and fall. Tracing the parallel stories of the calen- dar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported ‘origin’ of modern- ity, the modern experience of time and the relationship between the imagination and political action. sanja perovic is Lecturer in the French Department at King’s College London. Le calendrier républicain, Debucourt, No. 1987–49, © Musée de la Révolution française/Domaine de Vizille. THE CA LENDA R IN REVOLUTIONARY FRANCE Perceptions of Time in Literature, Culture, Politics SANJA PEROVIC King’s College London cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, uk Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9781107025950 © Sanja Perovic 2012 This publication is in copyright.
    [Show full text]
  • Not So Silent: Women in Cinema Before Sound Stockholm Studies in Film History 1
    ACTA UNIVERSITATIS STOCKHOLMIENSIS Not so Silent: Women in Cinema before Sound Stockholm Studies in Film History 1 Not so Silent Women in Cinema before Sound Edited by Sofia Bull and Astrid Söderbergh Widding ©Sofia Bull, Astrid Söderbergh Widding and Acta Universitatis Stockholmiensis, Stockholm 2010 Cover page design by Bart van der Gaag. Original photograph of Alice Terry. ISBN 978-91-86071-40-0 Printed in Sweden by US-AB, Stockholm 2010. Distributor eddy.se ab, Visby, Sweden. Acknowledgements Producing a proceedings volume is always a collective enterprise. First and foremost, we wish to thank all the contributors to the fifth Women and the Silent Screen conference in Stockholm 2008, who have taken the trouble to turn their papers into articles and submitted them to review for this proceed- ings volume. Margareta Fathli, secretary of the Acta Universitatis Stockholmiensis, de- serves a particular mention for her engagement in establishing the new series Stockholm Studies in Film History; an ideal framework for this publication. A particular thanks goes to Lawrence Webb, who has copy–edited the book with a seemingly never–ending patience. We also owe many thanks to Bart van der Gaag for making the cover as well as for invaluable assistance in the production process. Finally, we are most grateful to the Holger and Thyra Lauritzen Foundation for a generous grant, as well as to the Department of Cinema Studies which has also contributed generously to funding this volume. Stockholm 30 April 2010 Sofia Bull & Astrid Söderbergh Widding 5 Contributors Marcela de Souza Amaral is Professor at UFF (Universidade Federal Fluminense––UFF) in Brazil since 2006.
    [Show full text]
  • Republican Calendar
    Republican Calendar. Republican Gregorian Prairial 9 20 May Germinal 7 22 March An Messidor 10 19 June Floréal 8 21 April Vendémaire 1 I 22 Sept. 1792 Thermidor 11 19 July Prairial 9 21 May Brumaire 2 22 October Fructidor 12 18 August Messidor 10 20 June Frimaire 3 21 November Vendémaire 1 VII 22 September Thermidor 11 20 July Nivôse 4 21 December Brumaire 2 22 October Fructidor 12 19 August Pluviôse 5 1793 20 January Frimaire 3 22 November Vendémaire 1 XIII 23 September Ventôse 6 19 February Nivôse 4 21 December Brumaire 2 23 October Germinal 7 21 March Pluviôse 5 1799 20 January Frimaire 3 22 November Floréal 8 20 April Ventôse 6 19 February Nivôse 4 22 December Prairial 9 20 May Germinal 7 21 March Pluviôse 5 1805 21 January Messidor 10 19 June Floréal 8 20 April Ventôse 6 20 February Thermidor 11 19 July Prairial 9 20 May Germinal 7 22 March Fructidor 12 18 August Messidor 10 19 June Floréal 8 21 April Vendémaire 1 II 22 September Thermidor 11 19 July Prairial 9 21 May Brumaire 2 22 October Fructidor 12 18 August Messidor 10 20 June Frimaire 3 22 November Vendémaire 1 VIII 23 September Thermidor 11 20 July Nivôse 4 21 December Brumaire 2 23 October Fructidor 12 19 August Pluviôse 5 1794 20 January Frimaire 3 22 November Vendémaire 1 XIV 23 September Ventôse 6 19 February Nivôse 4 22 December Brumaire 2 23 October Germinal 7 21 March Pluviôse 5 1800 21 January Frimaire 3 22 November Floréal 8 20 April Ventôse 6 20 February Nivôse 4 22 December Prairial 9 20 May Germinal 7 22 March Pluviôse 5 1806 21 January Messidor 10 19 June Floréal
    [Show full text]
  • The Coming of the Terror in the French Revolution
    THE COMING OF THE TERROR IN THE FRENCH REVOLUTION The Coming of the Terror in the French Revolution Timothy Tackett The Belknap Press of Harvard University Press Cambridge, Massachusetts, and London, En gland 2015 Copyright © 2015 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America First printing Library of Congress Cataloging- in- Publication Data Tackett, Timothy, 1945– Th e coming of the terror in the French Revolution / Timothy Tackett. pages cm Includes bibliographical references and index. ISBN 978- 0- 674- 73655- 9 (alk. paper) 1. France— History—Reign of Terror, 1793– 1794. 2. France— History—Revolution, 1789– 1799. I. Title. DC183.T26 2015 944.04—dc23 2014023992 Contents List of Illustrations vii List of Maps ix Introduction: Th e Revolutionary Pro cess 1 1 Th e Revolutionaries and Th eir World in 1789 13 2 Th e Spirit of ’89 39 3 Th e Breakdown of Authority 70 4 Th e Menace of Counterrevolution 96 5 Between Hope and Fear 121 6 Th e Factionalization of France 142 7 Fall of the Monarchy 172 8 Th e First Terror 192 9 Th e Convention and the Trial of the King 217 10 Th e Crisis of ’93 245 11 Revolution and Terror until Victory 280 12 Th e Year II and the Great Terror 312 Conclusion: Becoming a Terrorist 340 Abbreviations 351 Notes 353 Sources and Bibliography 419 A c k n o w l e d g m e n t s 447 Index 449 Illustrations Th e Tennis Court Oath 50 Attack on the Bastille 56 Market women leave Paris en route to Versailles 67 Federation Ball 93 Confrontation between Catholics and
    [Show full text]
  • FOR the RECORDS Researching Alsace and Lorraine
    VOL. 11, NO. 2 — FEBRUARY 2018 FOR THE RECORDS Researching Alsace and Lorraine Publications and websites mentioned in this article are listed in the bibliography. Alsace and Lorraine are storied, often contested lands located in eastern France on its border with Germany and the Low Countries. Alsace (see map, right), at 3,196 square miles, is about one-quarter larger than the state of Connecticut1. Lorraine (see map, page 4), at 9,089 square miles, is just slightly smaller than the state of Vermont2. Along with Champaign-Ardenne, they form the modern region Grand Est whose regional capital and largest city is Strasbourg. The historic Alsace Region was the smallest in metro- politan France, made up of two departments, Bas-Rhin in the north and Haut-Rhin in the south. The region features a large plain about four times longer than it is wide and situated between the Vosges Mountains and the Rhine River. Prior to the Franco-Prussian War, Al- sace, specifically the Haut-Rhin, also included the Ter- ritoire de Belfort. When the Germans took control over the rest of Alsace, it became the smallest department in France, and was attached to Franche-Comté and is now part of Bourgogne- Franche-Comté. The historic Lorraine Region was much larger and con- sisted of four departments, Meurthe-et-Moselle, Meuse, Moselle, and Vosges. The territory included the histori- ALSACE cal Duchy of Lorraine, Barrois, the Three Bishoprics (Metz, Verdun, and Toul), and a number of small prin- Alsace includes the French départements of Haut-Rhin (Upper Rhine) and Bas-Rhin (Lower Rhine) | Map cipalities.
    [Show full text]
  • From Aesthetics to Politics in the Dreyfus Affair Roderick Cooke
    From Aesthetics to Politics in the Dreyfus Affair Roderick Cooke Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Gaduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2013 Roderick Cooke All rights reserved ABSTRACT From Aesthetics to Politics in the Dreyfus Affair Roderick Cooke This dissertation proposes a new interpretation for the political engagement of French writers in the Dreyfus Affair between 1897 and 1900. I argue that aesthetics has been undervalued by past scholarship on this question, and analyze the engagement of four very different writers - Emile Zola, Ferdinand Brunetière, Henry Céard and Saint-Georges de Bouhélier - demonstrating that, in each case, their prior aesthetic thought was a vital part of their political discourse on the Affair. This claim involves a rethinking of the relationship between aesthetics and politics as it has usually been conceived, with the aesthetic no longer a reflection of the political, but rather a potential source for it. For each of the writers studied, his literary criticism and theory (dating as far back as the 1860s) are put in dialogue with his writing about the Dreyfus Affair itself through close readings of both corpuses. In each case, attention is paid to the continuities and inversions of central ideas such as individualism, truth, and the Republic, in order to illustrate their structural role in the intellectual world of the fin de siècle. As a result, I have termed the four chapters 'micro-histories of ideas' to convey the way in which individual concerns provide a window onto the major battles of ideas in the France of the early Third Republic.
    [Show full text]