Introduction
NOTES Introduction 1. Eric J. Hobsbawm, Primitive Rebels: Studies in Archaic Forms of Social Movement in the 19th and 20th Centuries (Manchester: Manchester University Press, 1959). 2. Eric J. Hobsbawm, Bandits, rev. ed. (1961; New York: Pantheon, 1981), p. 23. 3. Ibid., p. 17. 4. Ibid., pp. 22–28. 5. Anton Blok, “The Peasant and the Brigand: Social Banditry Reconsidered,” Comparative Studies in Society and History 1:4 (1972), 494–503. See also Richard W. Slatta, ed., Bandidos: The Varieties of Latin American Banditry (Westport: Greenwood Press, 1987). 6. See the summary by Richard W. Slatta, “Eric J. Hobsbawm’s Social Bandit: A Critique and Revision,” A Contracorriente 1:2 (2004), 22–30. 7. Paul Kooistra, Criminals as Heroes: Structure, Power, and Identity (Bowling Green: Bowling Green State University Popular Press, 1989), p. 29. 8. See Steven Knight’s Robin Hood: A Complete Study of the English Outlaw (Oxford: Blackwell, 1994); and Robin Hood: A Mythic Biography (Ithaca: Cornell University Press, 2003). 9. Mary Grace Duncan, Romantic Outlaws, Beloved Prisons: the Unconscious Meanings of Crime and Punishment (New York: New York University Press, 1996), p. 61. 10. Charles Mackay, Memoirs of Extraordinary Popular Delusions and the Madness of Crowds (London, 1841). 11. See, for instance, Kenneth Munden, “A Contribution to the Psychological Understanding of the Cowboy and His Myth,” American Imago Summer (1958), 103–48. 12. William Settle, for instance, makes the argument in the introduction to his Jesse James Was His Name (Columbia: University of Missouri Press, 1966). 13. Hobsbawm, Bandits, pp. 40–56. 14. Joseph Ritson, ed., Robin Hood: A Collection of all the Ancient Poems, Songs, and Ballads, now Extant Relative to that Celebrated English Outlaw, 2 vols (London: Egerton and Johnson, 1795; rpt.
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