Sense and Censorship: the Vanity of the Bonfires This Project
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The First Amendment, the Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P
Working Paper Series Villanova University Charles Widger School of Law Year 2004 The First Amendment, The Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P. Magarian Villanova University School of Law, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art6 THE FIRST AMENDMENT, THE PUBLIC -PRIVA TE DISTINCTION, AND NONGOVERNMENTAL SUPPRESSION OF WARTIME POLITICAL DEBATE 1 BY GREGORY P. MAGARIAN DRAFT 5-12-04 TABLE OF CONTENTS INTRODUCTION ......................................................................................... 1 I. CONFRONTING NONGOVERNMENTAL CENSORSHIP OF POLITICAL DEBATE IN WARTIME .................. 5 A. The Value and Vulnerability of Wartime Political Debate ........................................................................... 5 1. The Historical Vulnerability of Wartime Political Debate to Nongovernmental Suppression ....................................................................... 5 2. The Public Rights Theory of Expressive Freedom and the Necessity of Robust Political Debate for Democratic Self -Government........................ 11 B. Nongovernmental Censorship of Political Speech During the “War on Terrorism” ............................................... 18 1. Misinformation and Suppression of Information by News Media ............................................ 19 2. Exclusions of Political Speakers from Privately Owned Public Spaces. -
Trolling & the First Amendment
TROLLING & THE FIRST AMENDMENT: PROTECTING INTERNET SPEECH IN THE ERA OF CYBERBULLIES & INTERNET DEFAMATION Fernando L. Diaz TABLE OF CONTENTS I. Introduction ......................................................................................... 136 II. Background ......................................................................................... 139 A. Levels of Scrutiny as Applied to Different Types of Speech ...... 139 B. The Supreme Court’s Protection of Anonymous Speech in Traditional Forums ...................................................................... 140 III. Analysis ............................................................................................... 143 A. Using Elonis v. United States as a Case Study in Consideration of the Incompatibility of Traditional First Amendment Jurisprudence with Internet Speech. ...................... 143 B. Court Decisions Regarding Anonymous Speech on the Internet ................................................................................... 147 C. Legislative Overreach .................................................................. 154 IV. Recommendation ................................................................................ 156 V. Conclusion .......................................................................................... 158 “Just as the strength of the Internet is chaos, so the strength of our liberty depends upon the chaos and cacophony of the unfettered speech the First Amendment protects.”1 - Judge Dalzell Fernando L. Diaz has a B.A., -
Newsletter 20 3 V2.Indd
Newsletter of The Independent Institute Volume 20, Number 3 Fall 2010 Can We Finally Give Free Markets a Chance? by Mary L. G. Theroux* theory of “market failure” worse schools with fewer graduates, at a massively is widely touted as the higher cost. The Department of Defense’s failure cause of our current econom- to provide for the common defense resulted only in ic woes, despite the theory’s the addition of more bureaucracy in the form of the own failure and the inherent Department of Homeland shortcomings of its various in- Security. And, most recently, carnations, as revealed in the we have the inept response Independent Institute’s book, Market Failure or of the Environmental Pro- Success. Rather, systemic government tection Agency—tasked by failure is the far more consistent expla- law since 1994 to plan for nation for disasters such as the 2008 and be first responder to oil fi nancial crash, as detailed spills—and other federal in “Anatomy of a Train agencies to the BP blowout. Wreck: Causes of the Mort- And the list goes on. gage Meltdown”—a chap- Such continued acceptance of govern- ter in our recent book, ment failure must result from a false Housing America—which assumption that since government pro- shows the role of govern- vides a service now, government must be ment failure in creating the necessary for that service’s provision—i.e., these are fi nancial bubble that misdi- “public goods” that a market would not provide— rected resources into inher- or at least, not sufficiently—if government did not ently unsustainable activities. -
Online Hate and Harmful Content
Online Hate and Harmful Content In times of ever-increasing changes in technology and online socio-cultural trends, there is a constant and pressing need for updated knowledge. This book provides the most up-to-date study of online hate speech and harms associated with the Internet. By presenting ground-breaking comparative research and intro- ducing new concepts such as Identity Bubble Reinforcement, it breaks new ground both empirically and theoretically. Sveinung Sandberg, Professor, University of Oslo Over the past few decades, various types of hate material have caused increasing concern. Today, the scope of hate is wider than ever, as easy and often-anonymous access to an enormous amount of online content has opened the Internet up to both use and abuse. By providing possibilities for inexpensive and instantaneous access without ties to geographic location or a user identification system, the Internet has permitted hate groups and individuals espousing hate to transmit their ideas to a worldwide audience. Online Hate and Harmful Content focuses on the role of potentially harmful online content, particularly among young people. This focus is explored through two approaches: first, the commonality of online hate through cross-national survey statistics. This includes a discussion of the various implications of online hate for young people in terms of, for example, subjective wellbeing, trust, self- image and social relationships. Second, the book examines theoretical frame- works from the fields of sociology, social psychology and criminology that are useful for understanding online behaviour and online victimisation. Limitations of past theory are assessed and complemented with a novel theoretical model linking past work to the online environment as it exists today. -
But[T]... the Federal Communications Commission Will Not Let
WLR45-2_QUALE_EIC2_SAC_12_16_08_CQ_FINAL_REVIEW 12/18/2008 11:35:12 AM HEAR AN [EXPLETIVE], THERE AN [EXPLETIVE], BUT[T] . THE FEDERAL COMMUNICATIONS COMMISSION WILL NOT LET YOU SAY AN [EXPLETIVE] COURTNEY LIVINGSTON QUALE∗ I. AN OVERVIEW Broadcast television and broadcast radio2 are integral parts of American society. So integral, in fact, that often these mediums are taken for granted. To many Americans, broadcast television and broadcast radio are one of the few free things left in life. Anyone who owns a ten dollar radio or a fifty dollar television can watch their favorite new episode of Grey’s Anatomy, Sixty Minutes, or Lost and listen to their favorite songs or commentary on KNRK, Z100, or NPR. Because broadcast television and broadcast radio are typically taken for granted, hardly anyone questions the conditions that a regulatory governmental agency places upon the organizations that ∗ J.D. Willamette University College of Law, May 2008; B.S. University of Miami, May 2005. I would like to thank those who not only have helped me with this article, but also those who have helped me reach this point in my life—a point at which my thoughts are of a publishable quality. I thank you all most kindly. From the University of Miami I want to thank Professors S.L. Harrison and Robert Stahr Hosmon, who initially cultivated any writing talent I may have. Also from Miami, I would like to thank Professors Cynthia Cordes and Danny Paskin, who have unabashedly encouraged me over years. From Willamette University College of Law I want to thank Professor Ed Harri and Rachael Rogers, again for helping me learn how to write, think, and analyze. -
Heavy Metal Under Scrutiny: the Controversial Battle for the Protection of America’S Youth
Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth Master’s Thesis in North American Studies Leiden University Chrysanthi Papazoglou s1588419 Supervisor: Dr. Eduard van de Bilt 1 Contents Introduction ........................................................................................................... 2 Heavy Metal: Origins, Imagery and Values ......................................................... 6 The 1985 PMRC Senate Hearing & Aftermath .................................................. 20 Heavy Metal on Trial: The Cases of Ozzy Osbourne and Judas Priest .............. 41 Conclusion .......................................................................................................... 53 Bibliography ....................................................................................................... 57 2 Introduction During the 1980s, following the steady rise of neo-conservatism, several political and religious groups were formed to fight for what they deemed the loss of true American values. Among their targets was a music genre called heavy metal. Ever since its emergence, the genre met with serious opposition. Accused of promoting violence, suicide, drug and alcohol abuse and distorted images of sex, heavy metal music was considered a threat to the well-being of America’s youth. These accusations were major arguments in the 1980s religious conservatives’ crusade to establish family values. Trying to raise parents’ awareness of the music’s ostensible catastrophic effects on adolescents, -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
Masarykova Univerzita, Fakulta Sociálních Studií Inside
Masarykova univerzita, Fakulta sociálních studií Inside Hudebnívideo:charakteristikažánrua praktickývýstup (Bakalářská práce) MartinLošťák Brno2007 1 Čestné prohlášení Prohlašuji, že jsem tuto bakálářskou práci vypracoval samostatně s použitím pramenů a literaturyuvedenévbibliografii. VBrně,28.5.2007 2 Na tomto místě chci poděkovat panu Mgr. Davidu Kořínkovi za vedení práce, podnětné myšlenkya přátelskouatmosféru.Velkýdíktaké patří všem přátelům,známým a fanouškům bez jejichž podpory bytato práce nikdynemohla vznikout.Nejvděčnější jsem ovšemsvérodiněza láskua podporuvtěžkýchchvílích. 3 Anotace Práce se zabývá videoklipem na dvouúrovních.První část je snahouo teoretické uchopení tématu, jak skrze reflexi historického vývoje tak pomocí vytvoření kategorizace, dokumentované na konkrétních příkladech z praxe. Kategorizace pomáhá jednotlivé díla charakterizovat a může sloužit jakozákladprojejichdalší studium.Druhým cílem práce je vytvoření praktickéhopříkladua reflexe celéhoprocesutvorby.Odpůvodníhonápadu,přes problémys realizací spojené až po konečnoupostprodukci,která dala vznikout finální podobě díla. Anottation The paper deals withthe theme of a music videointwolevels.The first part is anattemp to cover the topic theoretically through the reflexion of historical development and cathegorization of music videos demonstrated on particular examples. The cathegorization helps tospecifythe characteristics featuredinthe individual works andmay serve as a basis totheir further studies.The secondaim of mypaper is tocreate a practical example anda -
Parental Advisory Explicit Lyrics: a Case Study of Music Censorship and Suppression in America
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2012 Apr 26th, 9:00 AM - 10:15 AM Parental Advisory Explicit Lyrics: A Case Study of Music Censorship and Suppression in America Nathaniel T. Belcik Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Critical and Cultural Studies Commons Let us know how access to this document benefits ou.y Belcik, Nathaniel T., "Parental Advisory Explicit Lyrics: A Case Study of Music Censorship and Suppression in America" (2012). Young Historians Conference. 10. https://pdxscholar.library.pdx.edu/younghistorians/2012/oralpres/10 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. PARENTAL ADVISORY EXPLICIT LYRICS: A CASE STUDY OF MUSIC CENSORSHIP AND SUPPRESSION IN AMERICA, 1980-1989 Nathaniel T. Belcik Karen E. Hoppes History 201: History of the United States Portland State University June 10th, 2012 2 PARENTAL ADVISORY: EXPLICIT LYRICS THE PMRC AND MUSIC CENSORSHIP IN AMERICA: 1980-1989 The story of music censorship in America is a long one. The first documented instance of music censorship was after the Civil War. Pro-southern songs were banned during Reconstruction because the US government thought that they would stir up revolution and pro- Southern feelings.1 After that, the menace was jazz, whose swinging beat was thought to be corrupting to white youth. The efforts to suppress jazz were mainly local and limited to city governments wanting to ban young people from going to jazz shows.2 When rock n’ roll became popular in the 1950s, and Elvis became famous nationwide, music censorship started becoming a national issue. -
How FCC Fines Are Chilling Free Speech
William & Mary Bill of Rights Journal Volume 14 (2005-2006) Issue 2 Article 8 December 2005 The Fear Factor: How FCC Fines are Chilling Free Speech Noelle Coates Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Constitutional Law Commons, and the First Amendment Commons Repository Citation Noelle Coates, The Fear Factor: How FCC Fines are Chilling Free Speech, 14 Wm. & Mary Bill Rts. J. 775 (2005), https://scholarship.law.wm.edu/wmborj/vol14/iss2/8 Copyright c 2005 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj THE FEAR FACTOR: HOW FCC FINES ARE CHILLING FREE SPEECH Noelle Coates* INTRODUCTION The bare bum of Homer Simpson glides over the glass ceiling of a cathedral, horrifying the churchgoers below; Jerry, George, Elaine, and Kramer engage in an infamous contest of restraint from self-pleasure; Ellen DeGeneres reveals her homosexuality to her sitcom's audience. Moments such as these, irreverent and envelope-pushing, defined television in the 1990s. It was an era of hands-off regulation of the airwaves, and as the decade ended, all signs indicated that the era would continue. "I don't believe that government should be your nanny," uttered Michael K. Powell, the newly-appointed chairman of the Federal Communications Commission (FCC), in 2001.1 Broadcasters, whose exercise of editorial autonomy was lucrative indeed, and those viewers who found television's most controversial moments to be those most enjoyable, breathed a sigh of relief. While not suggesting that the above are moments of great artistic significance, moments such as these pass over the broadcast airwaves into living rooms so to create a virtual national community. -
The Impact of Algorithms for Online Content Filtering Or Moderation "Upload Filters" ______
STUDY Requested by the JURI committee The impact of algorithms for online content filtering or moderation "Upload filters" Policy Department for Citizens’ Rights and Constitutional Affairs Directorate-General for Internal Policies PE 657.101 - September 2020 EN 2 The impact of algorithms for online content filtering or moderation "Upload filters" Abstract This study, commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the JURI Committee, addresses automated filtering of online content. The report introduces automated filtering as an aspect of moderation of user- generated materials. It presents the filtering technologies that are currently deployed to address different kinds of media, such as text, images, or videos. It discusses the main critical issues under the present legal framework and makes proposals for regulation in the context of a future EU Digital Services Act. This document was requested by the European Parliament's Committee on Citizens' Rights and Constitutional Affairs. AUTHORS Prof. Giovanni Sartor, European University Institute of Florence. Co-authored by Prof. Giovanni Sartor and Dr. Andrea Loreggia, working under Prof. Sartors supervision. ADMINISTRATOR RESPONSIBLE Udo BUX EDITORIAL ASSISTANT Monika Laura LAZARUK KUBINSKA LINGUISTIC VERSIONS Original: EN ABOUT THE EDITOR Policy departments provide in-house and external expertise to support EP committees and other parliamentary bodies in shaping legislation and exercising democratic scrutiny over -
Should There Be Limits to Free Speech?
AI Limits/Free Speech INT 11/5/02 1:38 PM Page 1 Should There Be Limits to Free Speech? Laura K. Egendorf, Book Editor Daniel Leone, President Bonnie Szumski, Publisher Scott Barbour, Managing Editor Helen Cothran, Senior Editor San Diego • Detroit • New York • San Francisco • Cleveland New Haven, Conn. • Waterville, Maine • London • Munich AI Limits/Free Speech INT 11/5/02 1:38 PM Page 2 © 2003 by Greenhaven Press. Greenhaven Press is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Greenhaven® and Thomson Learning™ are trademarks used herein under license. For more information, contact Greenhaven Press 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our Internet site at http://www.gale.com ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of the publisher. Every effort has been made to trace the owners of copyrighted material. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Should there be limits to free speech? / Laura K. Egendorf, book editor. p. cm. — (At issue) Includes bibliographical references and index. ISBN 0-7377-1429-8 (lib. : alk. paper) — ISBN 0-7377-1430-1 (pbk. : alk. paper) 1. Freedom of speech—United States—Popular works. I. Egendorf, Laura K., 1973– . II. At issue (San Diego, Calif.) KF4772.Z9 S54 2003 342.73'0853—dc21 2002034729 Printed in the United States of America AI Limits/Free Speech INT 11/5/02 1:38 PM Page 3 Contents Page Introduction 5 1.