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Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
COURSE OUTLINE the Course Description Is Online @
School of Arts & Science ENGLISH DEPARTMENT ENGL 270 Canadian Literature Winter 2016 COURSE OUTLINE The course description is online @ http://camosun.ca/learn/calendar/current/web/engl.html Please note: the College electronically stores this outline for five (5) years only. It is strongly recommended you keep a copy of this outline with your academic records. You will need this outline for any future application/s for transfer credit/s to other colleges/universities. 1. Instructor Information (a) Instructor: Dr. Candace Fertile (b) Office Hours: Tuesday 12:00-3:00 (or by appointment) (c) Location: Paul 337 (d) Phone: 250-370-3354 Alternative Phone: (e) Email: [email protected] (f) Website: 2. Intended Learning Outcomes (No changes are to be made to these Intended Learning Outcomes as approved by the Education Council of Camosun College.) When reading Canadian literature, the student will be encouraged to make connections, evaluate works based on established critical criteria, and recognize both the general characteristics of Canadian literature as well as those of individual authors. Upon completion of this course the student will be able to: 1. Analyze Canadian literature from the nineteenth century to the present, with emphasis on post 1950 works and the rich diversity of authors and works. 2. Evaluate a variety of genres, which may include poetry, short fiction, novels, drama, and essays, according to critical precepts appropriate to the specific genre. 3. Compare works such as those from E.J. Pratt, Earle Birney, Dorothy Livesey, P.K. Page, Al Purdy, Margaret Laurence, Margaret Atwood, Alice Munro, Timothy Findley, and Rohinton Mistry while applying concepts that demonstrate the development of Canadian literature. -
Agrégation D'anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources Primaires II. Sources Secondaires
Bibliographie sélective établie par Héliane Ventura (Université de Toulouse-Jean Jaurès) Agrégation d’anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources primaires Édition recommandée pour le concours : Alice Munro . Dance of the Happy Shades [1968]. London: Vintage, 2000. Il est vivement conseillé de lire plusieurs autres recueils de nouvelles de Munro, de préférence le second et ceux qui figurent parmi ses derniers. Recueils de nouvelles de Alice Munro Dance of the Happy Shades . Toronto: Ryerson Press, 1968. Lives of Girls and Women. Toronto: McGraw-Hill Ryerson, 1971. Something I’ve Been Meaning to Tell You. Toronto: McGraw-Hill Ryerson, 1974. Who Do You Think You Are? Toronto: Macmillan, 1978. The Moons of Jupiter. Toronto: Macmillan, 1982. The Progress of Love. Toronto: McClelland & Stewart, 1986. Friend of My Youth. Toronto: McClelland & Stewart, 1990. Open Secrets. Toronto: McClelland & Stewart, 1994. The Love of a Good Woman . Toronto: McClelland & Stewart, 1998. Hateship, Friendship, Courtship, Loveship, Marriage. Toronto: McClelland & Stewart, 2001. Runaway. Toronto: McClelland & Stewart, 2004. The View from Castle Rock. Toronto: McClelland & Stewart, 2006. Too Much Happiness. Toronto: McClelland & Stewart, 2009. Dear Life . Toronto: McClelland & Stewart, 2012. II. Sources secondaires a) Biographies *** Ross, Catherine Sheldrick. Alice Munro: A Double Life . Downsview, ON: ECW Press, 1992, 97 p. ———.“Alice Munro.” Dictionary of Literary Biography . Vol. 53. Canadian Writers since 1960 . First Series. Ed. W.H. New. Detroit: Bruccoli Clark Layman Book, Gale Research Inc, 1986. Thacker, Robert . Alice Munro Writing Her Lives . Toronto: McClelland & Stewart, 2005, 603 p. Thèse française : Bigot, Corinne. Le silence dans les nouvelles d’Alice Munro. -
Identity, Gender, and Belonging In
UNIVERSITY OF DUBLIN, TRINITY COLLEGE Explorations of “an alien past”: Identity, Gender, and Belonging in the Short Fiction of Mavis Gallant, Alice Munro, and Margaret Atwood A Thesis submitted to the School of English at the University of Dublin, Trinity College, in fulfilment of the requirements for the Degree of Doctor of Philosophy Kate Smyth 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. ______________________________ Kate Smyth i Table of Contents Summary .......................................................................................................................................... iii Acknowledgements ...................................................................................................................... iv List of Abbreviations ..................................................................................................................................... v Introduction ..................................................................................................................................... 1 Part I: Mavis Gallant Chapter 1: “At Home” and “Abroad”: Exile in Mavis Gallant’s Canadian and Paris Stories ................ 28 Chapter 2: “Subversive Possibilities”: -
Engl 3803A Canadian Fiction
Carleton University Department of English Language and Literature Winter 2011 ENGL 3803A CANADIAN FICTION Time: Wednesdays and Fridays 1:00 – 2:30 p.m. Location: 402 SA [Please confirm location on Carleton Central] Dr. Eli MacLaren Office: 1903 Dunton Tower Office Hours: Wednesdays after class or by appointment [email protected] DESCRIPTION The twentieth century witnessed the transformation of English-Canadian fiction from a marginal phenomenon into a substantial category of literature, characterized by international-prize- winning writing, sustained authorial careers, and momentum in local publishing. This course will track this rise through the novels and short stories of a dozen major authors, including Sara Jeannette Duncan, Morley Callaghan, Leonard Cohen, Alice Munro, Margaret Atwood, Miriam Toews, and Eden Robinson. We will compare and contrast the factors that allowed each to flourish, and consider the ongoing process of forming new authors by examining a contemporary literary magazine. Students will engage in secondary research, write two essays, develop their oral presentation skills, and deepen their knowledge of the writers whom critics have returned to again and again in the shaping of the Canadian canon. REQUIRED BOOKS Purchase at Octopus Books, 116 Third Ave. (@ Bank St.), <http://www.octopusbooks.ca>: Leonard Cohen, The Favourite Game and Beautiful Losers (M&S 2009) (n.b. We will be reading only Beautiful Losers.) Alice Munro, Friend of My Youth (Penguin 2007) Miriam Toews, The Flying Troutmans (Knopf 2010) Julie Paul, The Jealousy Bone (Emdash 2008) Margaret Atwood, Year of the Flood (Vintage 2010) Eden Robinson, Blood Sports (Emblem 2007) Subscribe to the following Canadian literary magazine: Grain (Saskatoon: 1973–) <http://www.grainmagazine.ca/> 2 Online through Carleton University Library catalogue: Charles G.D. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
An Official Publication of the Association of Canadian College and University Teachers of English Volume 42 Issue 3–4 Septe
esc An official publication of the Association of Canadian College and University Teachers of English Volume 42 Issue 3–4 September/December 2016 English Studies in Canada Volume 42 Issue 3–4 September/December 2016 Readers’ Forum: Proliferation 1 Cecily Devereux Introduction: A Large Number of Something: Proliferation, Now 7 A. C. Facundo Proliferations of Omniscience 10 Jason Haslam Proliferation’s Ends 15 Maureen Engel The Space of Simultaneity 18 Rachelle Ann Tan Tinderization of the Academy 22 Linda Quirk Proliferating Ephemera in Print and Digital Media 25 Christian Bök Virtually Nontoxic Articles Vigilance, Rebellion, Ethics 27 Sarah Banting If What We Do Matters: Motives of Research in Canadian Literature Scholarship 65 Erika Behrisch Elce “Dyin’ ain’t much of a livin’ ”: The Ethics of Rebellion in The Outlaw Josey Wales Against the National Grain 81 Karina Vernon To the End of the Hyphen-Nation: Decolonizing Multiculturalism 99 Lindsay Diehl Disrupting the National Frame: A Postcolonial, Diasporic (Re)Reading of SKY Lee’s Disappearing Moon Café and Denise Chong’s The Concubine’s Children Passionate Uncertainties 119 James McAdams “I did a nice thing”: David Foster Wallace and the Gift Economy 135 Gregory Alan Phipps Breaking Down Creative Democracy: A Pragmatist Reading of Race and Gender in Nella Larsen’s Quicksand Interview 159 Caitlin McIntyre and Dana Medoro Spokesvultures for Ecological Awareness: An Interview with Timothy Morton Reviews 175 Benjamin Authers reviews Anne Quéma’s Power and Legitimacy: Law, Culture, and Literature -
History of the Fan
History Of The Fan By George Woolliscroft Rhead History Of The Fan CHAPTER I THE ORIGIN AND USES OF THE FAN IN the beginning, before the human advent, when the earth was peopled only by the Immortals, a bright son was born to Aurora, whose soft and agreeable breath was as honey in the mouth of the gods, and the beating of whose gossamer wings imparted a delicious coolness to the air, moderating the heat of summer, and providing the first suggestion of, and occasion for, the dainty little plaything we have under consideration, somewhat waggishly described as a kind of wind instrument, not, perhaps, so much to be played upon as to be played with, and invaluable as assisting to follow out the wisest of the Sage’s maxims when he bids us keep cool. This delicate toy, this airy creation of gauze, ivory, and paint, frail and fragile almost as the flowers kissed by Aurora’s son, endowed apparently with the gift of perpetual youth, may claim a lineage older than the Pyramids; having its origin and being in the infancy of the world, before the birth of history, in that golden age when life was a perpetual summer, and care was not, when all was concord and harmony, and old age, long protracted, was dissolved in a serene slumber, and wafted to the mansions of the gods, the regions of eternal love and enjoyment. It was in these halcyon days that the human family sat in its palm groves, which afforded not only refreshing shade, during the hours when the sun is at its height, but also provided the precursor of this ‘Servant of Zephyrus’—serving further to temper those beams which are the source of all life, and light, and music, for are not all the learned agreed with the late Mr. -
Introduction
Notes Introduction 1. Helen Hoy, “‘Rose and Janet’: Alice Munro’s Metafiction,” Canadian Literature 121 (1989): 59– 83. 2. Robert Thacker, Alice Munro: Writing Her Lives (Toronto: McClelland and Stewart, 2005), 414. 3. Alice Munro, quoted in Thacker, Alice Munro, 417, italics in original. 4. Jeanne McCulloch and Mona Simpson, “Alice Munro: The Art of Fiction CXXXVIII,” Paris Review 131 (1994): 227– 64. 5. Alice Munro, “What Is Real?” Canadian Forum (September 1982): 5, 32. 6. Catherine Sheldrick Ross, Alice Munro: A Double Life (Toronto: ECW Press, 1992), 88. The interview from which Ross quotes, entitled “Interview: Alice Munro,” is with Kevin Connolly, Douglas Freake, and Jason Sherman, and is published in What (September– October 1986): 8– 10. 7. Daphne Merkin, “Northern Exposure,” New York Times Magazine (October 24, 2004): 20– 23. 8. Aida Edemariam, “Riches of a Double Life,” Guardian Review (September 24, 2003): 20– 23. 9. Alice Munro continues to publish in the New Yorker. On October 11, 2010, the short story “Corrie” was published (pp. 94– 101), and on January 31, 2011, “Axis” (pp. 62– 69). She has also published recently in Harper’s: the story “Pride” appeared in April 2011 (pp. 59– 67). 10. Eleanor Wachtel, “An Interview with Alice Munro,” Brick 40 (1991): 48– 53. 11. Catherine Sheldrick Ross, “‘Too Many Things’: Reading Alice Munro’s ‘The Love of a Good Woman,’” University of Toronto Quarterly 71, no. 3 (Summer 2002): 786– 808. 12. Dennis Duffy, “‘A Dark Sort of Mirror’: ‘The Love of a Good Woman’ as Pauline Poetic,” Essays in Canadian Writing 66 (Winter 1998): 169– 90. -
Journal of the Short Story in English, 38 | Spring 2002 the Ordinary As Subterfuge: Alice Munro’S “Pictures of the Ice” 2
Journal of the Short Story in English Les Cahiers de la nouvelle 38 | Spring 2002 Special issue: Poetics of the everyday in the Canadian short story The Ordinary as Subterfuge: Alice Munro’s “Pictures of the Ice” Héliane Ventura Electronic version URL: http://journals.openedition.org/jsse/204 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 March 2002 ISSN: 0294-04442 Electronic reference Héliane Ventura, « The Ordinary as Subterfuge: Alice Munro’s “Pictures of the Ice” », Journal of the Short Story in English [Online], 38 | Spring 2002, Online since 03 July 2008, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/204 This text was automatically generated on 3 December 2020. © All rights reserved The Ordinary as Subterfuge: Alice Munro’s “Pictures of the Ice” 1 The Ordinary as Subterfuge: Alice Munro’s “Pictures of the Ice” Héliane Ventura 1 In his essay entitled Le récit est un piège (The tale is a trap) Louis Marin relies on the supposed evidence of a XVI century Venetian treatise on the composition and use of traps to distinguish between three types of entrapment. Through fantasy, through appetite, and through strength which he envisages respectively as the traps of the imagination, of need, and of movement, in French fables and histories of the XVII century, I use the theoretical framework proposed by Louis Marin, after Gian Battista de Contugi, to examine a story by Alice Munro from her 1990 collection Friend of my Youth. This story is remarkable for its use of devices linked with deception and as such is emblematic of the work of this most Machiavellian of writers.