Ca N a D I a N Lite Rat U Re in English
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COURSE OUTLINE the Course Description Is Online @
School of Arts & Science ENGLISH DEPARTMENT ENGL 270 Canadian Literature Winter 2016 COURSE OUTLINE The course description is online @ http://camosun.ca/learn/calendar/current/web/engl.html Please note: the College electronically stores this outline for five (5) years only. It is strongly recommended you keep a copy of this outline with your academic records. You will need this outline for any future application/s for transfer credit/s to other colleges/universities. 1. Instructor Information (a) Instructor: Dr. Candace Fertile (b) Office Hours: Tuesday 12:00-3:00 (or by appointment) (c) Location: Paul 337 (d) Phone: 250-370-3354 Alternative Phone: (e) Email: [email protected] (f) Website: 2. Intended Learning Outcomes (No changes are to be made to these Intended Learning Outcomes as approved by the Education Council of Camosun College.) When reading Canadian literature, the student will be encouraged to make connections, evaluate works based on established critical criteria, and recognize both the general characteristics of Canadian literature as well as those of individual authors. Upon completion of this course the student will be able to: 1. Analyze Canadian literature from the nineteenth century to the present, with emphasis on post 1950 works and the rich diversity of authors and works. 2. Evaluate a variety of genres, which may include poetry, short fiction, novels, drama, and essays, according to critical precepts appropriate to the specific genre. 3. Compare works such as those from E.J. Pratt, Earle Birney, Dorothy Livesey, P.K. Page, Al Purdy, Margaret Laurence, Margaret Atwood, Alice Munro, Timothy Findley, and Rohinton Mistry while applying concepts that demonstrate the development of Canadian literature. -
Samuel Hearne & the Landscapes of Discovery
SAMUEL HEARNE & THE LANDSCAPES OF DISCOVERY /. S. MacLaren Like men of every age, we see in Nature what we have been taught to look for, we feel what we have been prepared to feel. - MARJORIE NICOLSON1 A.LTHOUGH THE LITERARY MERIT of Samuel Hearne's A Journey . .. to the Northern Ocean ( 1795) has been recognized, and while the narrative has been deemed "one of the most sophisticated early journals and narratives," a search has not yet been undertaken for demonstrations of this sophistication in either the explorer's writing style or the ways in which his pen and pencil describe and depict the terrain through which he conducted his truly astonishing feats of exploration.2 Only six years after the publication of Hearne's Journey, Alexander Mackenzie published his Voyages. In his Preface, he recognized that, as a fur trader like Hearne, he was "better calculated to perform the voyages, arduous as they might be, than to write an account of them."3 Not a candidate for literary fame, he is anxious that his narratives manifest sufficient "charms of embellished narrative, or animated description" to suit the demands being made on travel literature by the British readers of his and Hearne's day. These demands issued, in large part, out of a taste for landscape tours which had developed during the course of the second half of the eighteenth century. A book publisher could not afford to bring out a book of travel which ignored the prevailing expectations of treatments of nature in terms of the Sublime and the Picturesque. -
SAB 015 1994 P14-26 the Unlikely 18Th Century Naturalists Of
Studies in Avian Biology No. 15: 14-26, 1994. THE UNLIKELY 18TH CENTURY NATURALISTS OF HUDSON’S BAY C. STUART HOUSTON Abstract. The Hudson’s Bay Territory, which included the entire drainage basin west to the Rocky Mountains, although one of the most thinly occupied areas in all of North America, was second only to South Carolina as the North American locality which contributed the most type specimens of birds. The collectors, fur traders ofthe Hudson’s Bay Company, were Alexander Light, James Isham, Thomas Hutchins, Humphrey Marten, Andrew Graham, and Samuel Heame. My researches in the Hudson’s Bay Company Archives and the Royal Society library have solved the long-standing confusion about the relative contributions of Andrew Graham and Thomas Hutchins to the Observationspublished in 1969 by the Hudson’s Bay Record Society. I have transcribed for publication the separate original “journals” of Graham and Hutchins and have compiled the largest dictionary of Cree Indian names of birds. Isham and Graham collected the most type specimens. Heame was the best naturalist. Hutchins, the medical doctor and best scientist, was the only one to have a taxon named for him. Key Words: Hudson’s Bay Territory; Alexander Light; James Isham; Humphrey Marten; Andrew Graham; Samuel Hearne; Thomas Hutchins; type specimens. From the Hudsons’ Bay Territory, one of front of scientific ornithology and taxono- the most thinly occupied areas in all of North my. America, came improbable but extremely Severn, with a year-round population of important contributions to 18th-Century 20 white fur traders, and Albany with 33, ornithology. -
Agrégation D'anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources Primaires II. Sources Secondaires
Bibliographie sélective établie par Héliane Ventura (Université de Toulouse-Jean Jaurès) Agrégation d’anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources primaires Édition recommandée pour le concours : Alice Munro . Dance of the Happy Shades [1968]. London: Vintage, 2000. Il est vivement conseillé de lire plusieurs autres recueils de nouvelles de Munro, de préférence le second et ceux qui figurent parmi ses derniers. Recueils de nouvelles de Alice Munro Dance of the Happy Shades . Toronto: Ryerson Press, 1968. Lives of Girls and Women. Toronto: McGraw-Hill Ryerson, 1971. Something I’ve Been Meaning to Tell You. Toronto: McGraw-Hill Ryerson, 1974. Who Do You Think You Are? Toronto: Macmillan, 1978. The Moons of Jupiter. Toronto: Macmillan, 1982. The Progress of Love. Toronto: McClelland & Stewart, 1986. Friend of My Youth. Toronto: McClelland & Stewart, 1990. Open Secrets. Toronto: McClelland & Stewart, 1994. The Love of a Good Woman . Toronto: McClelland & Stewart, 1998. Hateship, Friendship, Courtship, Loveship, Marriage. Toronto: McClelland & Stewart, 2001. Runaway. Toronto: McClelland & Stewart, 2004. The View from Castle Rock. Toronto: McClelland & Stewart, 2006. Too Much Happiness. Toronto: McClelland & Stewart, 2009. Dear Life . Toronto: McClelland & Stewart, 2012. II. Sources secondaires a) Biographies *** Ross, Catherine Sheldrick. Alice Munro: A Double Life . Downsview, ON: ECW Press, 1992, 97 p. ———.“Alice Munro.” Dictionary of Literary Biography . Vol. 53. Canadian Writers since 1960 . First Series. Ed. W.H. New. Detroit: Bruccoli Clark Layman Book, Gale Research Inc, 1986. Thacker, Robert . Alice Munro Writing Her Lives . Toronto: McClelland & Stewart, 2005, 603 p. Thèse française : Bigot, Corinne. Le silence dans les nouvelles d’Alice Munro. -
Samuel Hearne (1745-1792)
100 ARCTIC PROFILES Samuel Hearne (1745-1792) SamuelHearne was contradictorya and controversial rant a biography and too ineptto deserve respect. The opposite character. He was a gentleman who avoided violence when heevaluation places him high on the roster of giants who made could, but lashed out when it was necessary to achieve his the Age of Discovery the most adventuresome era in history. goal;he loved good clothes and food, but could go long Hearne was born in 1745 in London. He was an indifferent periods without either; he drank almost no alcohol, but on his schdboy and at the age of eleven was in the Royal Navy retirement joined the exclusive Bucks Club in London whose under the command of Admiral Samuel Hood. He saw action solepurpose was to get roaring drunk and go rampaging during the Seven Years War but left the Navy and, in 1766, through nighttime streets. As an historical figure, commen- became an employee of the Hudson’s Bay Company, which tators then, and historians now, have never agreed on what sent himto Fort Prince of Walesat the mouth of the Churchill manner of man he was or on the significanceof his work. To River, one school he was an arrant coward,too unimportant to war- The charter of the Hudson’s &y Company gave it virtual ., .a I;. - ...-.r^i:.>: ARCTIC PROFILES 101 sovereignty over all the lands draining into the west shores of home a lump of the ore which can still be seen in the British Hudson Bay, but it provided also that the Company explore, Museum, London. -
ARCTIC Exploration the SEARCH for FRANKLIN
CATALOGUE THREE HUNDRED TWENTY-EIGHT ARCTIC EXPLORATION & THE SeaRCH FOR FRANKLIN WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue is devoted to Arctic exploration, the search for the Northwest Passage, and the later search for Sir John Franklin. It features many volumes from a distinguished private collection recently purchased by us, and only a few of the items here have appeared in previous catalogues. Notable works are the famous Drage account of 1749, many of the works of naturalist/explorer Sir John Richardson, many of the accounts of Franklin search expeditions from the 1850s, a lovely set of Parry’s voyages, a large number of the Admiralty “Blue Books” related to the search for Franklin, and many other classic narratives. This is one of 75 copies of this catalogue specially printed in color. Available on request or via our website are our recent catalogues: 320 Manuscripts & Archives, 322 Forty Years a Bookseller, 323 For Readers of All Ages: Recent Acquisitions in Americana, 324 American Military History, 326 Travellers & the American Scene, and 327 World Travel & Voyages; Bulletins 36 American Views & Cartography, 37 Flat: Single Sig- nificant Sheets, 38 Images of the American West, and 39 Manuscripts; e-lists (only available on our website) The Annex Flat Files: An Illustrated Americana Miscellany, Here a Map, There a Map, Everywhere a Map..., and Original Works of Art, and many more topical lists. Some of our catalogues, as well as some recent topical lists, are now posted on the internet at www.reeseco.com. -
The Canadian Arctic Expedition 1913 – 18 and Early Advances in Arctic Vertebrate Zoology Kamal Khidas1
ARCTIC VOL. 68, NO. 3 (SEPTEMBER 2015) P. 283 – 292 http://dx.doi.org/10.14430/arctic4505 The Canadian Arctic Expedition 1913 – 18 and Early Advances in Arctic Vertebrate Zoology Kamal Khidas1 (Received 4 April 2014; accepted in revised form 5 November 2014) ABSTRACT. A century ago, an international team of scientists sailed under the Canadian flag to the western Canadian Arctic, via the Bering Strait, to achieve the goals of the Canadian Arctic Expedition of 1913 – 18. This major expedition was a milestone in the history of Canada. The scientists explored a vast, unknown sea and land area that extended from the Alaskan northern coast to Bathurst Inlet in Canada, and from Meighen Island to approximately 160 – 200 km inland from the continental coasts. This area had never been explored by an expedition before, and many parts of it had never been visited (except, presumably, by Inuit and their ancestors). The expedition resulted in a remarkable harvest of terrestrial and marine plants and animals, and associated data. The scientists furthered geographic and scientific knowledge of the Arctic and published 74 reports in various scientific fields, yet none of these addressed vertebrate zoology. The present report attempts to make up for this deficiency. Overall, the CAE collected and preserved 2084 vertebrate specimens and inventoried 139 species, which together fairly depicted the Arctic vertebrate community. Almost all specimens are preserved at the Canadian Museum of Nature. They significantly supplemented the rather meagre vertebrate collections of the Museum of those times and have since prompted the continuing development of these collections. Key words: Canadian Arctic Expedition; Arctic; Arctic vertebrates; Canadian Museum of Nature; vertebrate collections; Vilhjalmur Stefansson; Rudolph Martin Anderson RÉSUMÉ. -
Identity, Gender, and Belonging In
UNIVERSITY OF DUBLIN, TRINITY COLLEGE Explorations of “an alien past”: Identity, Gender, and Belonging in the Short Fiction of Mavis Gallant, Alice Munro, and Margaret Atwood A Thesis submitted to the School of English at the University of Dublin, Trinity College, in fulfilment of the requirements for the Degree of Doctor of Philosophy Kate Smyth 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. ______________________________ Kate Smyth i Table of Contents Summary .......................................................................................................................................... iii Acknowledgements ...................................................................................................................... iv List of Abbreviations ..................................................................................................................................... v Introduction ..................................................................................................................................... 1 Part I: Mavis Gallant Chapter 1: “At Home” and “Abroad”: Exile in Mavis Gallant’s Canadian and Paris Stories ................ 28 Chapter 2: “Subversive Possibilities”: -
Primary Sources
Archived Content This archived Web content remains online for reference, research or recordkeeping purposes. It will not be altered or updated. Web content that is archived on the Internet is not subject to the Government of Canada Web Standards. As per the Communications Policy of the Government of Canada, you can request alternate formats of this content on the Contact Us page. Roughing It in the Backwoods Student Handout Susanna Moodie and Catharine Parr Traill are two of Canada’s most important 19th-century writers. Born in England, the two sisters became professional writers before they were married. In 1832, they emigrated with their Scottish husbands to Canada and settled in the backwoods of what is now Ontario, near present-day Lakefield. Their experiences as pioneers gave them much to write about, which they did in their books, articles, poems and letters to family members. This activity will give you the chance to view primary source materials online and learn about aspects of life as an early settler in the backwoods of Upper Canada. Introduction: Primary Sources A primary source is a first-hand account, by someone who participated in or witnessed an event. These sources could be: letters, books written by witnesses, diaries and journals, reports, government documents, photographs, art, maps, video footage, sound recordings, oral histories, clothing, tools, weapons, buildings and other clues in the surroundings. A secondary source is a representation of an event. It is someone's interpretation of information found in primary sources. These sources include books and textbooks, and are the best place to begin research. -
Reading Canadian Literature in a Light-Polluted Age
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-16-2013 12:00 AM After Dark: Reading Canadian Literature in a Light-Polluted Age David S. Hickey The University of Western Ontario Supervisor Dr. D.M.R. Bentley The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David S. Hickey 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America Commons Recommended Citation Hickey, David S., "After Dark: Reading Canadian Literature in a Light-Polluted Age" (2013). Electronic Thesis and Dissertation Repository. 1805. https://ir.lib.uwo.ca/etd/1805 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. After Dark: Reading Canadian Literature in a Light-Polluted Age Monograph by David Hickey Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Hickey 2013 i Abstract A threat to nocturnal ecosystems and human health alike, light pollution is an unnecessary problem that comes at an enormous cost. The International Dark-Sky Association has recently estimated that the energy expended on light scatter alone is responsible for no less than twelve million tons of carbon dioxide and costs municipal governments at least $1 billion annually (“Economic Issues” 2). -
The Development of Narrative in the Writing of Isabella Valancy Crawford
THE DEVELOPMENT OF NARRATIVE IN THE WRITING OF ISABELLA VALANCY CRAWFORD Margo Dunn B. A. , Marianopolis College (de 11universit6de ~ontrgal), 1964 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English @ MARGO DUNN 1975 SIMON FRASER UNIVERSITY April 1975 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The kvelopmt of Nmratim ih the !Wng of Isabella Author : (si&ature) Margo Dunn (name ) #~LYA/28 / f 7f (date) Approval Name : Margo Dunn Degree: Master of Arts Title of Thesis : "The kvelopnt of Narrative in the Wxitinq of Isa??llaValancy Crawford" Examining Committee : Chairman : Jared R. Curtis David Stouck 'Senior Supervisor Andrea Lebowitz Dawn Aspinall Instructor Department of English University of British Columbia Date Approved: && 25, /975 / f ABSTRACT Narrative, in its original sense, orders the world vision of an individual. -
History of the Fan
History Of The Fan By George Woolliscroft Rhead History Of The Fan CHAPTER I THE ORIGIN AND USES OF THE FAN IN the beginning, before the human advent, when the earth was peopled only by the Immortals, a bright son was born to Aurora, whose soft and agreeable breath was as honey in the mouth of the gods, and the beating of whose gossamer wings imparted a delicious coolness to the air, moderating the heat of summer, and providing the first suggestion of, and occasion for, the dainty little plaything we have under consideration, somewhat waggishly described as a kind of wind instrument, not, perhaps, so much to be played upon as to be played with, and invaluable as assisting to follow out the wisest of the Sage’s maxims when he bids us keep cool. This delicate toy, this airy creation of gauze, ivory, and paint, frail and fragile almost as the flowers kissed by Aurora’s son, endowed apparently with the gift of perpetual youth, may claim a lineage older than the Pyramids; having its origin and being in the infancy of the world, before the birth of history, in that golden age when life was a perpetual summer, and care was not, when all was concord and harmony, and old age, long protracted, was dissolved in a serene slumber, and wafted to the mansions of the gods, the regions of eternal love and enjoyment. It was in these halcyon days that the human family sat in its palm groves, which afforded not only refreshing shade, during the hours when the sun is at its height, but also provided the precursor of this ‘Servant of Zephyrus’—serving further to temper those beams which are the source of all life, and light, and music, for are not all the learned agreed with the late Mr.