Integrating Love in Peace and International Studies
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MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Daniel J. Ciamarra Candidate for the Degree Doctor of Philosophy ______________________________ Director (Tom S. Poetter) ______________________________ Reader (Richard A. Quantz) ______________________________ Reader (Denise Baszile) _____________________________ Graduate School Representative (Bob Burke) ABSTRACT SPEAKING UP: USING A PEDAGOGY OF LOVE TO DEBUNK TECHNICAL TEACHING AND LEARNING PRACTICES by Daniel J. Ciamarra At present, our students are valued for their capacities to thoughtlessly absorb and regurgitate standardized facts and figures. Meanwhile, the affective facets of schooling, such as love, relationality, compassion, acceptance, integrity, and altruism are overlooked by politicians and educational decision makers, who claim these elements lack academic rigor. In this study, I use the dominant views of the educational elect to accentuate the current push for a more standardized, accountable, and scientific approach to schooling. Then, I employ the counternarrative as a methodological tool for talking back, offering up personal stories and experiences that frame the power of agapic love to demystify the normative views of schooling. More specifically, I employ personal narrative as means for providing teachers a voice, one which aims to debunk confounding generalizations or refute common claims about what education is or ought to be. Finally, I analyze the divergent stories through multiple theoretic and practical lenses in order to make meaning of my experiences. Moreover, the counternarratives in this study focus on how agapic love can be utilized in pedagogical and curricular efforts to transcend the present conditions that hinder many students and teachers from being and becoming who they really are. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
The Romance of the Rose
The Romance of the Rose 179 The Romance of the Rose The Romance of the Rose, an allegorical dream-vision poem stemming from the troubadour tradition of courtly love and written in medieval French, was perhaps the most widely read book in 14th- and 15th-century Europe. During the century of high scholasticism (the 13th), this most influential of all works of medieval romance emerged. It was composed in two stages. Around 1230, Guillaume de Lorris came out with the first 4,058 lines, without quite finishing it. Around 1275 (the year after the death of both Aquinas and Bonaventure), Jean de Meun, a very different personality who studied at the University of Paris and who warred against the mendicant orders, produced a massive amplification of Guillaume’s work, adding 17,724 lines, shifting towards the encyclopedic and dialectic, changing its character from earnest to satiric. C. S. Lewis’s scholarly work The Allegory of Love helped to revive modern interest in the work. Lewis argues for the realism of the allegorical method employed in The Romance: “[This method] was originally forced into existence by a profound moral revolution occurring in the latter days of paganism. For reasons of which we know nothing at all. , men’s gaze was turned inward. But a gaze so turned sees, not the compact ‘character’ of modern fiction, but the contending forces which cannot be described at all except by allegory.” 181 Guillaume de Lorris/Jean de Meun Prologue In the twentieth year of my life, at the time when Love exacts his tribute from young people, I lay down one night, as usual, and slept very soundly. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Berber Bevernage
Published in History and Theory, 47 (2008), 2, pp. 149-167. TIME, PRESENCE, AND HISTORICAL INJUSTICE BERBER BEVERNAGE For what seems apparent in former Yugoslavia, in Rwanda and in South Africa is that the past continues to torment because it is not past. These places are not living in a serial order of time, but in a simultaneous one, in which the past and present are a continuous, agglutinated mass of fantasies, distortions, myths and lies. Crimes can never be safely fixed in the historical past; they remain locked in the eternal present, crying out for vengeance.1 ABSTRACT The relationship between history and justice traditionally has been dominated by the idea of the past as distant or absent (and with that, irreversible). This ambiguous ontological status makes it very difficult to situate the often-felt “duty to remember” or obligation to “do justice to the past” in that past itself, and this has led philosophers from Friedrich Nietzsche to Keith Jenkins to plead against an “obsession” with history in favor of an ethics aimed at the present. History’s ability to contribute to the quest for justice, as a result, often seems very restricted or even nonexistent. The introduction of the “presence”-paradigm in historiography can potentially alter this relation between history and justice. However, to do so it should be conceived in such a way that it offers a fundamental critique of the metaphysical dichotomy between the present and the absent and the underlying concept of time (chronosophy) that supports this dichotomy. The “presence”-paradigm can be emancipatory and productive only if presence and absence are not perceived as absolute dichotomies. -
Description of the Dissertation Project
CONSTRUCT REPRESENTATION OF SELF-REPORT FUTURE TIME PERSPECTIVE FOR WORK AND RETIREMENT SCHOLARSHIP A Dissertation Thesis Presented to The Academic Faculty By Matthew James Kerry In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy in Psychology Georgia Institute of Technology May, 2015 Copyright © Matthew James Kerry 2015 Construct Representation of Self-Report Future Time Perspective for Work and Retirement Scholarship Dr. Susan E. Embretson, Advisor Dr. Rustin Meyer School of Psychology School of Psychology Georgia Institute of Technology Georgia Institute of Technology Dr. Jack M. Feldman Dr. David M. Sluss School of Psychology College of Management Georgia Institute of Technology Georgia Institute of Technology Dr. Audrey Duarte School of Psychology Georgia Institute of Technology Date Approved: December 10th, 2014 For Larry For Kathrin For Ludo ACKNOWLEDGEMENTS I must first thank my advisor, Susan Embretson, for the immense encouragement, patient mentoring, and steadfast support rendered to me in a delicate time. I am grateful for the provocative engagements as much as for the congenial conversations. I am further humbled and privileged as a student to the field of psychometric assessment – innervating me to rediscover rational inquiry-cum-legitimate empiricism in the social sciences. A new plane for practice and research. I am grateful now and always - thank you. I would also like to acknowledge and give special thanks to my committee members – Drs. Rustin Meyer, David Sluss, Jack Feldman, and Audrey Duarte. All of these members have influenced my maturation as a scientist and the development of this thesis. To my family, thank you for seeing me through. -
LA County Library Director Skye Patrick Named 2019 Librarian of the Year by Library Journal
LA County Library Director Skye Patrick Named 2019 Librarian of Peabo Bryson - R&B’s Most the Year by Library Journal Passionate Advocate (See page B-1) (See page C-1) VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXV NO. 01, $1.00 +CA. Sales “ForTax Over “For Eighty Over Eighty Years TheYears Voice The Voiceof Our of Community Our Community Speaking Speaking for forItself Itself” THURSDAY, JANUARY 3, 2019 COURTESY PHOTO Sharon Caples McDougle has been recognized as one of the Most Influential African Americans in the state of Mississippi. LeBron James AP PHOTO BY SENTINEL STAFF REPORT attended Moss Point High sition as a suit technician BY LAUREN A. JONES ter Cavaliers team to the “The Shop,” that pairs School. Right after high for Boeing. Given the fact Contributing Writer NBA Finals, making it his some of the world’s great- Behind every great as- school graduation, in 1982, that she had already gained eighth consecutive NBA est athletes, entertainers, tronaut is a great team suit- McDougle joined the Air experienced working with On Thursday, De- Finals appearance, James and business minds for a ing him or her up to travel Force and was stationed in pressure suits, McDougle cember 27, 2018, AP an- announced he would be candid barbershop conver- into space. While many his- California at the Beale Air thought she would be the nounced LeBron James moving west to join the sation. tory books discuss the story Force Base. During her sev- ideal candidate for the job. -
The Phenomenological Ontologies of Kierkegaard and Sartre: an Existential Theory of Addiction
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1994 Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction Ross Channing Reed Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Reed, Ross Channing, "Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction" (1994). Dissertations. 3461. https://ecommons.luc.edu/luc_diss/3461 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1994 Ross Channing Reed LOYOLA UNIVERSITY CHICAGO "LOVE" AND ADDICTION: THE PHENOMENOLOGICAL ONTOLOGIES OF KIERKEGAARD AND SARTRE AN EXISTENTIAL THEORY OF ADDICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHILOSOPHY BY ROSS CHANNING REED CHICAGO, ILLINOIS MAY 1994 Copyright by Ross Channing Reed, 1994 All rights reserved. ii ACKNOWLEDGEMENTS I wish to thank the following people and institutions for their support, encouragement, and prayer during the many years that led up to the production of this dissertation, as well as its actual writing: Texas A&M University Library, Millersville University Library, Franklin and Marshall College Library, Dr. John Ellsworth Winter, John Albert Cavin III, Christopher John Broniak, Richard J. Westley, John D. -
Students Have Three Choices for Purchasing Albums at ND-SMC by Diane Wuson Ger, a Middle Man Is Involved
• Students have three choices for purchasing albums at ND-SMC by Diane WUson ger, a middle man is involved. He anywhere from 10 to almost SO News Editor inventories record selections every percent of total sales go to Notre two weeks, while new records are Dame students, according to mana Editor's note: TbJs is the first in a ordered every week. gers in record stores. Most stores two-pari series that wiU examine Moran continued that "the Book reported that student sales account student record purchasing options. store does know what they are for approximately 20-30 percent of Today's installment deals with doing in the record business." He total record sales. present alternatives avaUable to added that records that do not sell Flanner Records is the third and students wbo wish to boy records. well are not left on the shelves. He final alternative for students. It is a declined to comment on the smal student run operation that is Approximately 90 percent of the number of albums that the Book based soley on selling records, Notre Dame community buys at store sells and the amount of profit George Molitor, who runs Flanner least one album every year, accord it makes from record sales. Records, stated. The average price ing to Bill Roche, Student Union All of the profit that the Book is $5.29, Molitor continued. Last director. At present, these stu store makes goes into the Univer year the operation sold approxi dents have three alternatives avail sity General Fund, stated Fr. mately 2000 albums and made "a able to them, and-according to the Michael Heppan, University comp less than reasonable profit," he Student Union-each of those alter troller. -
A Promise Or a Threat? a Theological Critique of Genetic Engineering and Biotechnology with Particular Reference to Food Security and Sovereignty in Africa
A PROMISE OR A THREAT? A THEOLOGICAL CRITIQUE OF GENETIC ENGINEERING AND BIOTECHNOLOGY WITH PARTICULAR REFERENCE TO FOOD SECURITY AND SOVEREIGNTY IN AFRICA By SAMUEL MPELEKA CHINGONDOLE A thesis submitted in partial fulfillment of the requirements for the Master's degree in theology and development in the faculty of human and management sciences, school of theology, University of Natal, Pietermaritzburg. SUPERVISOR: Dr. Steve de Gruchy (Director of the programme of theology and development). Pietermaritzburg, 2002. ABSTRACT Today, Africa has more countries with food security problems than any other region on the globe. Two-thirds of all countries suffering food insecurity are in Africa. Present trends would mean that the number ofchronically undernourished people in the Southern region ofAfrica would rise from 180 to 300 million by the year 2010. In this research, I note that in the face ofthis food or hunger crisis, particularly in Africa, some have argued that genetic engineering biotechnology promises to combat food insecurity. Opponents of the technology argue that, to the contrary, genetic engineering biotechnology undermines food security, food sovereignty and livelihoods on the continent. The technology is designed to block access to food and kill agricultural bio diversity, vest excessive, monopolistic and exclusive power in the hands of a few bio technologists and giant multinational corporations, and ultimately, create hunger and poverty in Africa and other developing countries by undermining organic and conventional means offarming. The thesis offers a critical theological assessment of the structural, ecological and socio economic effects of genetic engineering and biotechnology on agriculture, food production, food security and sovereignty in Africa against some core theological principles. -
For a Better World” 2016
“For a Better World” 2016 Poems and Drawings on Peace and Justice by Greater Cincinnati Artists Editor: Saad Ghosn “I have also decided to stick with love, for I know that love is ultimately the only answer to mankind’s problems. And I’m going to talk about it everywhere I go.” Martin Luther King, Jr “No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.” Nelson Mandela “The very first step in nonviolence is that we cultivate in our daily life, as between ourselves, truthfulness, humility, tolerance, loving kindness.” Gandhi Published in 2016 by Ghosn Publishing ISBN 978-0-9899145-6-7 Foreword Speaking about his book “Artists in Times of War,” historian, writer and activist Howard Zinn said: “I would hope that it would suggest to artists who may hesitate to connect their art with the critical issues of our time -- war, poverty, inequality -- that there is a long and noble tradition, going back to the Greek playwrights, of art being used in the service of human rights. I would hope also that it might inspire political activists to think about moving out of their constricted, habitual ways of reaching people, and begin to use their imagination to lend a kind of artistic power to their political activity.” In this 13th edition of “For a Better World” forty seven poets and thirty one visual artists follow Zinn’s advice and use their voice and their artistic power to combat darkness, violence and evil, and to spread instead love, peace and justice that they would like to see prevail. -
170312 Sermon-Final-170312 Sermon
170312 Sermon – Page 1 of 4 “Ladies and gentlemen, the Beatles!” With those words, spoken 53 years, one month, and three days ago, Ed Sullivan introduced John, Paul, George, and Ringo to a TV audience of 73 million gathered in front their TV sets to see The Beatles’ first live performance in the United States. Sixty percent of the television sets in America were tuned in to witness the birth of Beatlemania as the girls in the audience screamed, and Paul sang, “Close your eyes and I’ll kiss you, tomorrow I’ll miss you…” They played five songs that night, and by the end of the show they owned the hearts of millions of American youth of all ages. Never before had so many viewers tuned in to a live television program; what they saw would change rock and roll – and the world – forever. The energy, the innocence, the enthusiasm, the matching black suits with black ties, the mop-top haircuts, the smiles, the irreverent banter… The Beatles exploded onto the pop-culture scene, and we were ready to follow them wherever and however they went. In a matter of months Beatles fan clubs were formed across the country, and every imaginable knick-knack had the pictures of the band on it. There were Fab Four lunch boxes, dolls, serving trays, trading cards, coloring books, coin holders, shot glasses, mop-top wigs, and even Beatle-branded talcum powder and nylon stockings! To say the Beatles wrote the musical score for the movie that was my formative years would be a huge understatement.