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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Dhruva Krishna 5 I N 13 14 T H I S 19 20 Issue 24
March 2016 DHRUVA KRISHNA 5 I N 13 14 T H I S 19 20 ISSUE 24 2 Letter from the Editor Concert Reviews Essays Mixtape Dhruva Krishna Album Reviews 3 MASTHEAD Editor-in-Chief Arun Marsten Assistant Editor Imogen Todd Design/Layout Director Sharon Yu Photo Editor Lucy Denegre Copy Director Danielle Maly Public Relations Chief Donovan Powers Web Editor Christopher Schuler Writing Staff Brooke Ley, David Dwyer, Ali Kidwai, Evi Bernitsas, Donovan Powers, Chris Schuler, Dhruva Krishna, Andrew Kim, Arun Marsten, Lucy Denegre, Imogen Todd Photo Staff Mark Egge, Katherine Martinez, Tiffany Jiang, Lucy Denegre Editing Staff Chris Schuler, Daniel DeLuca, Danielle Maly, Julie Heming, Emily Porat, Naomi Berman, Justin Kelly, Charles Hutchinson, Geneva Jackson, Vicki Long, Sonia Del Rivo, Lawrence Xu, Izzy McCarthy Design Staff Jasmine Lim, Emily Porat, Allison Auyeung, David Perry, Imogen Todd 4 LETTER FROM THE EDITOR Right now, I’m sitting at Commonplace locals (this is why we can’t have nice things). freezing my ass off while I write this letter, and I honestly can’t tell if my teeth are chattering In the field of music journalism, there are some or I’m gritting them because I’m furious that tough questions that get asked, and there are this is the Steel City’s idea of April. You’d think some dirty jobs that no one wants to do. That’s that between Hillary Clinton coming to CMU why I feel it’s important to give a special shout and someone painting “Donald Trump 2016” out to Brooke Ley, who took on the task of on the fence, all of the political heat on campus writing about why pop country has gotten a would help offset the snowy weather, but I’m reputation in recent years of being trash music still #feelingthebern of frozen fingers on my for garbage people. -
Permanent and Natural Catalog
Carnegie Center for Art and History February 21 - August 1, 2020 Permanent and Natural is a group show featuring hair as a form of personal expression, as cultural relic, and as artistic medium. Permanent and Natural explores the diverse contexts in which artists have incorporated the natural, malleable material that is deeply connected to individual and community identity. Featured artists in Permanent and Natural include: Alison Braun: Seattle based photographer who captured many of the top punk rock and grunge bands while living in Los Angeles and Seattle in the 1980s and ’90s. Sonya Clark: Multimedia artist based in Amherst, Massachusetts who integrates hair and textile design to create work dealing with themes of race and identity. CreativeSoul Photography: Atlanta duo Kahran and Regis Bethencourt’s photography focuses primarily on children featuring elaborate costuming and hairstyles to celebrate the beauty and versatility of black hair. Y. Malik Jalal: Atlanta based painting and collage artist whose work focuses on the lives American decedents of slavery and their artistic traditions. James Russell May: Louisville based artist who creates contemporary paintings based on ancient Greek and Christian mythologies. Gabrielle Mayer: New Albany artist who creates Victorian hair wreaths and art installations. Fahamu Pecou: Atlanta based artist whose Of Crowns and Kings series explores the ritual, majesty, and sanctity of Black men and their hair. Steve Spencer: Little Rock, Arkansas based painter creates work that crosses folk art with pop culture. Alexis Eke: Toronto, Ontario based illustrator influenced by traditional Japanese and Re- naissance portraiture to create contemporary representations of black women. Stacey Vest: Cincinnati based costume and wig engineer that creates wigs to wear and display. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
Contra La Pornografía TE AMO: RIHANNA GUSTA EN
funcion@gimm Contra la pornografía La exmodelo de Playboy, Pamela Anderson, se unió con un rabino para hablar en contra de la . c pornografía. En un artículo publicado en The Wall Street Journal, Anderson y el rabino om.m Shmuley Boteach mencionan el reciente escándalo del exlegislador demócrata x Anthony Weiner, quien se ha visto involucrado en la difusión de mensajes @Funcion_Exc sexuales explícitos. “La pornografía es para perdedores y un peligro público con una seriedad sin precedentes. Es importante tener un diálogo honesto que muestre sus riesgos”, enfatizó la actriz. (AP) Foto: Archivo LOGRO Más de diez mil becarios estuvieron presentes en el evento orga- nizado por Fundación Telmex. EXCELSIOR SÁBADO 3 DE SEPTIEMBRE DE 2016 Foto: AFP Foto: TE AMO: RIHANNA “Tu mensaje fue tan conmovedor. Te amo por eso”, escribió Rihanna en su cuenta de Instagram para agradecer a Drake las palabras de admiración que le expresó durante la pasada ceremonia de los VMA’s 2016. A los cantantes se les ha relacionado sentimentalmente, por lo que el rapero no pierde la oportunidad de expresar lo maravillosa que es la intérprete. (De la Redacción) MÉXICO SIGLO XXI CuartoscuroFotos: MOTIVAN PRUEBA CON FUTURE El estadunidense Usher estrenó el videoclip de su tema Rivals, que se desprende del álbum Hard II love, en el cual A LOS interviene Future, cantante de hip hop. A partir del 16 de septiembre estará disponible el material discográfico del artista, quien también incursionó en el cine al interpretar al boxeador Sugar Ray Leonard. (NTX) Foto: Tomada de YouTube EnJÓVENES una charla en el Auditorio Nacional, Sylvester Stallone aseguró que hay que saber levantarse cuando la vida nos noquea. -
Mimes of Wine Immagini in Movimento
SENTIREASCOLTARE digital magazine FEBBRAIO 2009 N.52 Mimes Of Wine immagini in movimento Nuovi Corrieri Cosmici, Lo Spazio del Suono The Smiths, Raccoo-oo-oon, Zomby, Harmonic313 Jem Cohen, Action Beat, Hjaltalìn, Dälek, Circlesquare Flaming Lips reinhardt j o n a s emeralds emeralds expo‘70 expo‘70 nuovi nuovi corrieri cosmici .52 N digital magazine febbraio 2009 ASCOLTARE SENTIRE News p. 4-5 Turn On p. 6-13 Raccoo-oo-oon, Zomby, Harmonic 313, Jem Cohen, Action Beat, Hjaltalìn Tune In p. 14-25 Dälek, Mimes of Wine, Circlesquare Drop Out p. 26-43 Nuovi Corrieri Cosmici (Expo’70, Emeralds, Reinhart...) Lo Spazio del Suono (Ralph Steinbruchel) recensioni p. 46-101 Svarte Greiner, Andrew Bird, zZz, Mi Ami..... We are Demo p. 102-103 Rearview Mirror p. 104-121 The Smiths - New Order... la sera della prima p. 122-128 Christmas on Mars, Tony Manero, Milk a night at the opera p. 130-131 I Puritani i “cosiddetti contemporanei” p. 132-135 Shostakovich DIRETTORE : Edoardo Bridda COOR D INAMENTO : Teresa Greco CONSULENTI ALLA RE D AZIONE : Daniele Follero, Stefano Solventi STAFF : Gaspare Caliri, Nicolas Campagnari, Antonello Comunale HANNO C OLLABORATO : Leonardo Amico, Gianni Avella, Sara Bracco, Marco Braggion, Luca Collepiccolo, Alessandro Grassi, Andrea Napoli, Francesca Marongiu, Massimo Padalino, Giulio Pasquali, Stefano Pifferi, Andrea Provinciali, Antonio Puglia, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi. GUI D A SPIRITUALE : Adriano Trauber (1966-2004) GRAFI C A E IMPA G INAZIONE : Nicolas Campagnari IN C OPERTINA : Mimes of Wine SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore: Edoardo Bridda Direttore responsabile: Antonello Comunale Provider NGI S.p.A. -
Lights out in Korman Lot Sale of Drexel Engineers Week
Surf to the Web Site of the Week,., seepage 17 Volume 70 • Number 19 The Student Newspaper ofDrexel University March 3,1995 Lights out in Korman lot Sale of Drexel Lodge pending AnhDang chasing the land. Assistant News Editor_________ On Feb. 22, the Newtown The University is close to sell Township Municipal Authority ing the Drexel Lodge, a 21-acre approved buying the property at tract in Newtown Square, to the $900,000 price, and has been Newrtown Township Municipal awaiting the township’s approval Authority for $900,000. Once a before making an official offer. If popular site for the Drexel com the deal goes through, the munity to hold retreats, parties Municipal Authority will lease and special events, the lodge has the tract to the township. been closed since July 1, 1991 in Newtown Township Manager an effort to save money. Larry Comunale told The The Building and Properties Triangle that the township con Committee and the Executive ducted an appraisal which gave a Board of the Board of Trustees higher monetary value than the have approved the sale at Municipal Authority’s offer for $900,000 and plan to put the the property. money in the University endow Township Supervisor Paul ment. Although no agreement Russel said in Newtown’s County The rotteck)ut condition of the light poles In the Konnan Center parking lot led the University to has been signed, the deal requires Press, “Where else in the town barricade and close the lot. For details, see News In Brief on page 2. no more voting from the ship can you buy what amounts trustees, and is “very likely” to be to an acre of land for $45,000?” completed by the end of March, According to the Delaware said Chief Executive Officer and County Daily Times, Nev^own Building and Properties real estate agent Dick Young esti Students give activism voice Committee member Chuck mated the 21-acres of land to be Pennoni. -
STYLES P “Gangster Chronicles Volume 1.2”
01. Timeless 02. We Here 03. R U Listenin'? 04. Alien Family 05. Strugglin 06. Showtime 07. Swagger 08. DFTF 09. All Good 10. Sounds Like Love 11. Everytime 12. Illasoul 13. Air Signs PRODUCED BY JAY DEE (AKA J DILLA) The heads have made a demand. The standard vocal version of “Yancey Boys” is not enough to satisfy their thirst for Jay Dee beats. They said an instrumental version has to be released, and luckily Delicious Vinyl is willing to supply the material to fill this request. John “Illa J” Yancey, younger brother of late, great genius producer James Yancey (aka Jay Dee, J Dilla), recently released his debut album. Rhyming and singing over a treasure trove of previously untouched Jay Dee gems, the project represents both a full-circle collaboration and a whole new beginning in the story of the musically exceptional Yancey brothers. Michael Ross says, “...Anyone who loves Jay Dee’s music is going to flip out when they hear what Illa J’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.” THE ONE SHEET FOR THIS ITEM IS A RESOLICITATION Format: CD & 2xLP — Cat. No: DV 9047 — Label: Delicious Vinyl — Available: JAN 27th 39 Broad Street, Suite 4, Quincy, MA 02169 Phone: (617) 845-0088 — Fax: (617) 845-0090 www.trafficent.com Distributed in the USA by The Orchard, 23 E. -
Oc Latenite 528 Radioeins Datum: 27.06.2009 01:00:00 Oceanclub Latenite 528 05:00:00 Gudrun Gut Redaktion: G.Gut + Thomas Fehlmann Rbb
oc latenite 528 radioeins Datum: 27.06.2009 01:00:00 oceanclub LateNite 528 05:00:00 gudrun gut Redaktion: g.gut + thomas fehlmann rbb TITEL* INTERPRET* ALBUM BEMERKUNGEN NACHRICHTEN a www.radioeins.de OCEANCLUB JINGLE Begin www.oceanclub.de everytime SKIT j. dilla yancey boys instrumentals www.myspace.com/jdilla shake it up nortec coll. pres: bostich+fussible tijuana sound machine www.norteccollective.net dreams-come-true-girl cass mccombs dreams-come-true-girl (singel) www.dominorecordco.com it's blooming yarn:moor so, i'll take your hand and.... www.noble-label.net ten to one- matias aguayo remix circlesquare ten to one! ep www.k7.com OCEANCLUB JINGLE www.oceanclub.de la llama savath y savales la llama www.stonesthrow.com no despierta savath y savales la llama www.stonesthrow.com caDILLAc, expensive whip j dilla jay stay paid nature-sounds.net on stilts j dilla jay stay paid nature-sounds.net see that boy fly j dilla f. illa j + cue d jay stay paid nature-sounds.net die sonne und der mond hey-o-hansen sonne und mond www.pingipung.de OCEANCLUB JINGLE www.oceanclub.de capital the seasons undone www.city-centre-offices.de milyamba sister fa sarabah - tales from the flipside ofwww.piranha.de paradise shine - jpls club remix louderbach shine www.m-nus.com NACHRICHTEN b www.radioeins.de OCEANCLUB JINGLE www.oceanclub.de summertime clothes animal collective summertime clothes ep www.dominorecordco.com no one had it better king creosote flick the vs www.dominorecordco.com OCEANCLUB JINGLE www.oceanclub.de MATIAS AGUAYO FACT MIX www.kompakt.fm/artists/matias_aguayo Chanta Uno Chantal Matias Aguayo MIX www.kompakt.fm Caminando Rebolledo feat. -
Format: CD & 2Xlp — Cat. No: DV 9047 — Label: Delicious Vinyl
01. Timeless 02. We Here 03. R U Listenin'? 04. Alien Family 05. Strugglin 06. Showtime 07. Swagger 08. DFTF 09. All Good 10. Sounds Like Love 11. Everytime 12. Illasoul 13. Air Signs PRODUCED BY JAY DEE (AKA J DILLA) The heads have made a demand. The standard vocal version of “Yancey Boys” is not enough to satisfy their thirst for Jay Dee beats. They said an instrumental version has to be released, and luckily Delicious Vinyl is willing to supply the material to fill this request. John “Illa J” Yancey, younger brother of late, great genius producer James Yancey (aka Jay Dee, J Dilla), recently released his debut album. Rhyming and singing over a treasure trove of previously untouched Jay Dee gems, the project represents both a full-circle collaboration and a whole new beginning in the story of the musically exceptional Yancey brothers. Michael Ross says, “...Anyone who loves Jay Dee’s music is going to flip out when they hear what Illa J’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.” THE ONE SHEET FOR THIS ITEM IS A RESOLICITATION Format: CD & 2xLP — Cat. No: DV 9047 — Label: Delicious Vinyl — Available: JAN 27th 39 Broad Street, Suite 4, Quincy, MA 02169 Phone: (617) 845-0088 — Fax: (617) 845-0090 www.trafficent.com Distributed in the USA by The Orchard, 23 E.