BROADSIDE Broadway Producers Has Been Added Viale Pola, 12 - 00198 Rome, Italy) to This Edition

Total Page:16

File Type:pdf, Size:1020Kb

BROADSIDE Broadway Producers Has Been Added Viale Pola, 12 - 00198 Rome, Italy) to This Edition NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION VOLUME 2, NUMBER 4 SPRING 1975 NEW SERIES AMERICAN POPULAR HARVARD THEATRE TLA TO MEET WITH ALA ENTERTAINMENT CONFERENCE COLLECTION MOVING TO IN SAN FRANCISCO NEW QUARTERS The Theatre Library Association Theatre Collections in the Bay and the American Society for Theatre On 15 April 1975 the Harvard Area is the theme of this year's Research are formulating plans for a The atre C olleaion will suspend the TL A Summer meeting held in con- Conference on the History of American reading room, photographic and mail junction with the annual A L A Con- Popular Entertainment to be held in reference services for a number of ference in San Francisco on Thurs- the fall of 1977 at ~inwlnGnta for the months. : The staff will devote full day, July 3d. The day's activities Performing Arts in conjunction with time to the final stages of the mas- will begin at eleven am. with tours the annual ASTR meeting. The pro- sive reorganization and packing re- of San Francisco's War Memorid ject will center around long neglected quired to move the entire Theatre Opera House and the Paramount aspects of theatrical performance Collection to new quarters now under Theatre in Oakland. Tickets for both which are currently generating much construction. The actual shifting is tours are limited to 75 each and may interest among theatre students and expected to take place over the fall be purchased for one dollar each and winter months. Miss Jeanne T. scholars. Some indication of that in- from Hobart F. Berolzheimer, Free Newlin, ,Curator, expresses regret for terest is suggested by last year's Library of Philadelphia, Logan this temporary inconvenience to conference on popular entertainment Square, Philadelphia, Pennsylvania readers and researchers. at the University of Manchester, 19103. England and by recent issues of The afternoon program will consist Theatre Quarterly, Journal of Popular of a panel discussion in the Lurie Culture, The Drama Review and Edu- Roan of the San Francisco Public cational Theatre Journal devoted to Library chaired by Norman Philbrick the discussion of theatre as a popular art form. on he Philbrick Library with opening remarks by Kevin Starr, Librarian of The term "popular entertainment" NEW APPOINTMENTS the San Francisco Public Library. is difficult to define. Throughout Panelists scheduled to appear are history popular forms have appeared, Grenville Cuyler, Assistant Cura- merged, and disappeared, almost un- tor of the Theatre and Music Collec- Robert Sarlos on the University of California at Davis Theatre Collec- noticed by scholars and historians, tion of the Museum of the City of tion; Dunbar Ogden and/or Lesiie so that it has become difficult to New York, has accepted an offer to Clarke on Theatre Materials at the sort out individual forms and to head the drama and theatre activities University of California, Berkeley, trace the relationship of one to an- at Concord Academy in Concord, Samuel Stark on the Stark Index in other. But a basic definition is at Massachusetts this fall. The coed least possible. Traditional popular college preparatory school has just the Stanford University Theatre Col- entertainments consist simply of live completed and fully equipped a new lection; and Celeste Ashley on recent acquisitions in the Stmford amusements aimed at a broad, rela- 400-seat theatre. tively "unsophisticatedw audience. Ted Perry assumes his new posi- Theatre Collection. Unlike folk forms, to which they are tion as Director of the Department of Following the panel program and related, popular entertainments are Film at The Museum of Modern Art discussion period a representative created not by amateurs, but for profit July 1st. Mr. Perry, Professor and from the Am e r i c an Conservatory by professional showmen. Typical Chairman of the Department of Theatre (ACT) will inform members examples of traditional popular en- Cinema Studies, School of the Arts/ and guests of ACTS procluctians, tertainments from various periods Graduate School of Arts and Sciences plans and activities, and Steve in c 1 u d e the circus, cornmedia at New York Universify since 1971, Baffrey of KRON-'A7 will spak on dell'arte, vaudeville, pantomimes, the succeeds Willard Van Dyke. The new the current theatrical scene in SUI b u r 1e s qu e show, Grand Guignol, director is editor of TLA's Perform- Francisco. A champagne reception Continued on page 3) ing Arts Reaowcea just off the press. will conclude the day's events. GEORGE FREEDLEY MEMORIAL WORKS IN PROGRESS GRANDMOTHER TYLER'S BOOK AND THEATRE LIBRARY BYNNER, Witter (Author, Poet and ASSOCIATION AWARDS A memoir written by Mrs. Royall Playwright, 1881-1968) James Kraft, Tyler in Brattleboro, Vermont between Winner of the 1974 George Freed- Executive Editor, The Witter Bynner 1858 and 1863 and the last known ley Memorial Award is Robert C. Foundation, Inc., 2816 0 Street, N.W., privately owned Royall Tyler item, Toll for his Blacking Up: the Min- Washington, D. C. 20007 was donated to the Vermont Histori- strel Show in Nineteenth-century JEWISH THEATRE (World History cal Society by William Royall Tyler America (Oxford University Press). with Emphasis on the Yiddish Stage ) in January 1974. The ceremony oc- Honorable mentipn goes to John F. Book. Professor Herbert Marshall, curred in Mr. Tyler's office at the Wharton for his Life Among the Play- Center for Soviet and East European wrights: Being Mostly the Sto Research, Southern Illinois Univer- Dumbarton Oaks Research Library The Playwrights Producing Comp"a: ny sity, Carbondale 62301 and Collection, located in Washing- ton, D. C. Inc. (Qu adr ang 1 e/The, New , York OAKES, James (Theatre Critic, Times Book Company). Established c1820-1878. Pen name: Acorn) Mr. Tyler, Director of Dumbarton in 1968 by the Theatre Library Asso- Thesis. Eric R. Marshall (UCLA) Oaks, was Assistant Secretary of ciation the George Freedley Award 5021 Oakdale Avenue, Woodland State for European Affairs, 1962- is made annually to that book on the Hills, California 91364 1965 and U. S. Ambassador to the live theatre which best demonstrates OSBORNE AND AFTER (Bibliog- Netherlands, 1965-1969. He is the outstaking scholarship, readability raphy of Works By and About and a great-great-grandson of Mary Palmer and contribution to knowledge during List of Production Data on Nineteen Tyler, who married Royall Tyler in the preceding year. Contemporary British Playwrights) 1794 and was widowed from him in ne Theatre Library Association Dr. Letitia Dace, Associate Profes- 1826. Mrs. Tyler wrote her memoir Award for the outstanding, book deal- sor of Speech, Drama and English, for her children and grandchildren. ing with recorded performance in- John Jay College of Criminal Justice, She delved into her own family his- cluding motion pictures and tele- The City University of New York, tory back to the mid-18th century vision was presented to Gerald S. 444 West 56 Street, New York, N.Y. and concluded with the War of 1812. Lesser for his Children and Tele- 10019 Ambassador Tyler donated this vision: Lessons from Sesame Street STREET MAGICIANS. Book. Ed- memoir to the Vermont Historical ward B. Claflin, 64 West 85 Street, (Random House). The TLA Award Society because it is the major de- New York, N. Y. 10024 was first given in 1974. pository for Royall Tyler manu- The presentation awards were VAUDEVILLE (Dramatic History) Book. Mari Lyn Henry, 115 West scripts. The Royall Tyler Collection made at a cocktzil reception May 2d was a gift to the Society from Miss at The Walter Hampden Memorial 71 Street, New York, N. Y. 10023 Helen Tyler Brown, great-grand- Library at The Players. Members and daughter of the playwright, poet and guests present included former award winner Louis Sheaffer; drama essayist. critics John Beaufort of The Christian A jurist as well as a literary fig- Science Monitor and Hobe Morrison ure, Royall Tyler is best remem- of Variety; Rosamond . Gilder and bered as the author of The Contrast author Robert Kimball. (1887), the first comedy to be written by a native American and profession - GALE INFORMATION ally staged in this country. Grand- mother Tyler's Book is the name GUIDE LIBRARY FOR THE ASKING given to Mrs. Tyler's manuscript PLUS POSTAGE Richard Stoddard has signed to because a volume bearing. that title --- compile a bibliography entitled Stage was edited by Frederick Tupper and In appreciation for the "valued Scenery, Machinery and Lighting; a Helen Tyler Brown and published in services of TL A" Dr. Joseph Mer- Guide to Information Sources as part 1925 by G. P. Putnam's Sons. That sand is making available to members of the "Gale Information Guide Li- volume revised the sequence of some of the Theatre Library Association brary" series published by Gale of Mrs. Tyler's reminiscences and for the asking his Index to Plays Research Company of Detroit. The omitted others. The original is now S with ug g e s tio n s for Teaching bibliography will include source ma- available for research in the library (Scarecrow Press, 1966). To receive terials on Medieval Europe, Renais- of the Vermont Historical Society. a complimentary copy write Dr. sance and Baroque, the 19th and Mersand at the Department ofTeacher 20th-centuries as well as general Preparation, York College of CUNY, histories and manuals of contem- CHAMBERLAIN BROWN 150-14- Jamaica Avenue, Jamaica, porary practice in staging and light- COLLECTION N. Y. 11432. Each request must be ing methods. Mr. Stoddard was for- accompanied by a self-addressed merly with the Department of Drama Offers are still open for the pur- @/ix 9% oak tag clasped envelope and Theatre at the University of chase of the "William Kranz Theatri- complete with eighteen cents (184) Georgia in Athens.
Recommended publications
  • The Contrast
    The Contrast Royall Tyler **The Project Gutenberg Etext of The Contrast by Royall Tyler** The first play professionally performed in the United States Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Contrast by Royall Tyler June, 1996 [Etext #554] **The Project Gutenberg Etext of The Contrast by Royall Tyler** *****This file should be named tcntr10.txt or tcntr10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, tcntr11.txt. VERSIONS based on separate sources get new LETTER, tcntr10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.
    [Show full text]
  • League of Nations (Geneva) Collection 1920-1945
    League of Nations (Geneva) Collection 1920-1945 International Institute of Social History Cruquiusweg 31 1019 AT Amsterdam The Netherlands hdl:10622/ARCH00805 © IISH Amsterdam 2020 League of Nations (Geneva) Collection 1920-1945 Table of contents League of Nations (Geneva) Collection........................................................................................... 3 INVENTORY..................................................................................................................................... 4 International Institute of Social History 2 League of Nations (Geneva) Collection 1920-1945 League of Nations (Geneva) Collection Collection ID ARCH00805 Creator League of Nations (Geneva) Period 1920-1945 Extent 4.35 m. Language list Language of Material Context Historical Note Created in 1919 at the Versailles Peace Conference; aimed at providing for collective security through various procedures for peaceful settlements of disputes between nations; the outbreak of World War II brought its activities to an end; its powers and functions were entrusted to the United Nations in 1945; formally dissolved in 1946. Content and Structure Content Collection of processed and printed documents consisting of minutes of meetings of the Assembly; reports of the secretary-general; papers relating to conferences; minutes and reports of various commissions and committees, including the Permanent Mandates Commission, the Committee of enquiry for European Union, the Financial Committee, the Economic Committee, the Committee on Arbitration
    [Show full text]
  • Royall Tyler & the Birth Of
    Looking in this contemporary engraving like a cross between the Man-in-the-Moon and Fatty Arbuckle, Tyler, as well as an accomplished man of letters, sat as Chief Justice on the Supreme Court of the state of Vermont. ROYALL TYLER & THE BIRTH OF AMERICAN STAGE COMEDY (1787) “And last Miss Fortune, whimpering came, Cured me of love’s tormenting flame, And all my beau pretences. In widow’s weeds, the prude appears; See now -- she drowns me with her tears, With bony fist, now slaps my ears, And brings me to my senses.” ~ from Tyler’s poem “My Mistress” In an effort to further enhance moral unanimity, civic mindedness, and individual sobriety, the Continental Congress on Oct 24th 1774 passed a resolution that proclaimed a blunt disapproval of idle pastimes such as gaming, horse racing, and theater. It buttressed its continued commitment to this measure later in Oct. 1778 by issuing two additional resolutions, the second of which, i.e., of Oct. 16th, read: “Whereas: Frequenting playhouses and theatrical entertainments has a fatal tendency to divert the minds of the people from a due attention to the means necessary for the defence of their country and the preservation of their liberties, -- Resolved: That every person holding an office under the United States, who shall act, promote, encourage, or attend such plays, shall be deemed unworthy to hold such office, and shall be accordingly dismissed.” While time of war was a reasonable justification for such a policy, it was of course by no means without precedent in the colonies. Boston, as early as 1750 had forbade plays and other theatrical entertainments in the city; which statute remained on the books till 1793.
    [Show full text]
  • Royall Tyler's the Contrast
    ROYALL TYLER’S THE CONTRAST: CHARACTERIZING “AMERICAN” LITERATURE By DEVIN EVANS Oklahoma State University Stillwater, OK 2019 Submitted to the Faculty of the Honors College of the Oklahoma State University in partial fulfillment of the requirements for the Departmental Honors Degree May 2019 Evans 1 Abstract: Royall Tyler’s comedy The Contrast, first performed on the boards of the John Street Theater in Lower Manhattan in 1787, illustrates the differences and mocks many of the manners of Americans and Europeans during the formative years of the early American republic. Following the American Revolution, writers began to develop a new identity, and Tyler, the first successful American dramatist, and his play capture its formative stages by showcasing the introduction of “American” characters and “American” settings to address contemporary issues for post-revolutionary citizens. Tyler’s creation and use of character, context, and theatricality defines and illustrates the qualities of the emerging native tradition and helps establish the new nation’s literary independence. The Contrast serves as an advocate for his audience to decide for themselves the manners, native-born or foreign, they wish to call “American” and to determine what new literary influences or traditions they will invent and adopt in the next century to usher in what will become known as “American” literature. Evans 2 Royall Tyler’s The Contrast: Characterizing “American” Literature In 1787, the first American theatrical comedy The Contrast debuted at the John Street Theater in New York. Written by Royall Tyler, the Harvard-educated lawyer, farmer, and militia officer, the nation’s first comedy explores the contrast between American sincerity and foreign insincerity as a method to define the “American way” of doing things.
    [Show full text]
  • Royall Tyler in Hungary: an American of the League of Nations and Hungarian
    Royall Tyler in Hungary: An American of the League of Nations and Hungarian Reconstruction Efforts, 1924–1938 Zoltán Peterecz https://doi.org/10.30608/HJEAS/2021/27/1/9 ABSTRACT American-Hungarian relations were rarely closer on the personal level than in the interwar years. Although the United States followed the path of political and diplomatic isolation from Europe in the 1920s and 1930s, and its absence in the League of Nations was conspicuous, in the financial and economic realm it remained more active, and many Americans worked in the various reconstruction projects across Europe either in their private capacities or under the auspices of the League. Royall Tyler was one such person who spent the larger part of the 1920s and 1930s in Hungary. Since the start of the financial reconstruction of Hungary in 1924, Tyler was a constant participant in Hungarian financial life, a contact between the Hungarian government and the League of Nations, and a sharp observer of events throughout the years he spent in Hungary and Europe. This essay focuses on his activities concerning Hungary’s financial and economic reconstruction and recovery. (ZP) KEYWORDS: Royall Tyler, Hungary, League of Nations, interwar years, financial reconstruction, depression years, Gyula Gömbös In the early 1920s, in the wake of the post-World War I turmoil, following a revolution and a counterrevolution, impaired by the Trianon Peace Treaty and burdened by reparations, Hungary was in dire straits both financially and politically. The country’s government, led by Prime Minister István Bethlen, wished to find a way out of the calamity and stabilize the Hungarian economy, which was key to political stabilization as well.
    [Show full text]
  • The Oaks News, March 2016 Not Displaying Correctly? View This Email in Your Browser
    The Oaks News, March 2016 Not displaying correctly? View this email in your browser. Upcoming Events Film Screening: Containment (2015) Directed and Produced by Peter Galison and Robb Moss Wednesday, March 23, 2016, 5:30–8:30 p.m. Oak Room, Dumbarton Oaks Fellowship House 4th Floor, 1700 Wisconsin Avenue NW Part wake-up call, part observational documentary, part sci-fi graphic novel, Containment, a new film from Harvard professors and filmmakers Peter Galison and Robb Moss (Secrecy, 2008), tracks our most imaginative attempts to plan for our radioactive future and reveals the startling failure to manage waste in the present, as epitomized by the Fukushima disaster. Galison will be present and will take questions after the screening. This film is presented as part of the Environmental Film Festival in the Nation’s Capital. Find out more about Containment and its creators on our website; book tickets here. Private Collecting and Public Display Art Museums in the Nation’s Capital in the Early Twentieth Century April 8–9, 2016 Music Room, Dumbarton Oaks 1703 32nd Street NW Register at this link. The conference will explore the aesthetic, philosophical, and ideological sources that shaped art collecting in early twentieth-century America, focusing on collections in Washington, D.C., especially the Phillips Collection, Freer Gallery, Textile Museum, Dumbarton Oaks, National Gallery of Art, and Hillwood Estate, Museum and Gardens. The founders of these collections advanced distinct notions of cultural identity by collecting and displaying art outside the general canon of early twentieth-century art collecting. Papers will contextualize the individual foundations within the broader history of related American institutions, focusing on the modernist notion of art collecting as a form of self-expression, a visual rendition of a collector’s worldview, and a specific understanding of the course of history.
    [Show full text]
  • Dumbarton Oaks, Washington, D.C., Venice, St
    Dumbarton Oaks Washington, D.C. Dumbarton Oaks Edited by Denys Sutton An Oasis of Scholarship 3 Denys Sutton The Building of Dumbarton Oaks 13 Giles Constable Ancient American Gods and Their Living Impersonators 19 George Kubler Four Maya Reliefs 31 Mary Ellen Miller The Byzantine Collection 39 Cyril Mango The Saint Peter Icon of Dumbarton Oaks 53 Kurt Weitzmann A Fête of Flowers: 59 Women Artists’ Contribution to Botanical Illustration Agnes Mongan The Gardens 69 Diane Kostial McGuire Notes on Contributors 81 © Apollo Magazine Ltd., 1984, ISSN 0003-6536 Originally published in APOLLO, Vol. CXIX, No. 266, April 1984 Denys Sutton An Oasis of Scholarship Although Henry James spent most of his life in This is not the case at Dumbarton Oaks, where the Europe, he understood much about his compatriots; house (of which the history is traced by the those, at any rate, who belonged to the upper strata Director, Giles Constable, in this issue) is an oasis of of society and especially those who went to culture where the inanimate beauty of the objects Europe. His gift for perceiving the strain of inno- within is complemented by the growing beauty of cence that could be detected in many Americans the gardens without. These were created by Mrs. when they were abroad is clear, but he was no less Bliss with the help of Beatrix Farrand, a niece of aware of their frequent search for an aesthetic ideal. Edith Wharton and an expert in garden design. Mrs. Needless to say some collectors in the United Bliss also established an important garden library.
    [Show full text]
  • Of Hungary in the Third Quarter of 1934
    [Communicated to the Council Official No. : c. 467. M. 201 . 1934. II. A. and the Members of the League.] [F. 1400.] Geneva, October 13th, 1934. LEAGUE OF NATIONS FINANCIAL POSITION OF HUNGARY IN THE THIRD QUARTER OF 1934 TWELFTH QUARTERLY REPORT By Mr. Royall Tyler, the Representative in HungaryI of the Financial Committee. CONTENTS. I. G e n e r a l : page 1. In tro d u c to ry ......................................................................................................................... 2 2. State Budget : (a) Administration Budget, 1934-35..................................................................... 2 (b) State Undertakings ............................................................................................ 3 (c) Situation of the T re a su ry ................................................................................... 5 (d) Debt Position........................................................................................................... 5 ( e) Reconstruction Loan and Assigned R e v e n u e s ......................................... 6 3. Budgets of the Local A u th o r itie s ................................................................................. 6 4. State Borrowing..................................................................................................................... 7 5. Monetary and Financial : (a) Position of the National B a n k .......................................................................... 7 (b) Foreign Exchange C o n t r o l ..............................................................................
    [Show full text]
  • The Administration of Spain Under Charles V, Spain's New Charlemagne
    THE ADMINISTRATION OF SPAIN UNDER CHARLES V, SPAIN’S NEW CHARLEMAGNE Joseph Beard, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2005 APPROVED: Laura Stern, Major Professor Marilyn Morris, Committee Member Peter Lane, Committee Member Harold Tanner, Chair of the Department of History Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Beard, Joseph, The Administration of Spain Under Charles V, Spain’s New Charlemagne. Master of Arts (History), May 2005, 232 pp., 3 tables, bibliography, 110 titles. Charles I, King of Spain, or Charles V, Holy Roman Emperor, was the most powerful ruler in Europe since Charlemagne. With a Germanic background, and speaking French, Charles became King of Spain in 1516. Yet secondary sources and available sixteenth century Spanish sources such as Spanish Royal Council records, local records of Castro Urdiales in Castile, and Charles’s correspondence show that he continued the policies of his predecessors in Spain, Ferdinand of Aragon and Isabella of Castile. He strove to strengthen his power and unify Spain and his empire using Castilian strength, a Castilian model of government, Roman law, religion, his strong personality, and a loyal and talented bureaucracy. Charles desired to be another Charlemagne, but with his base of power in Spain. TABLE OF CONTENTS LIST OF TABLES………………………………………………………………...……..iii Chapter 1. INTRODUCTION AND HISTORIOGRAPHICAL REVIEW………...…………1 Introduction Historiographical Review Thesis Statement and Chapter Contents 2. THE GOVERNING IDEAS AND ACTIONS OF CHARLES AT THE BEGINNING OF HIS RULE IN THE NETHERLANDS, THE HOLY ROMAN EMPIRE, AND SPAIN……...……………………………………………….......44 Introduction Charles’s Childhood and General Political Theory of Europe Burgundy before Charles’s Reign The Netherlands during Charles’s Reign The Holy Roman Empire before Charles’s Reign The Holy Roman Empire during Charles’s Reign The Political Theory Charles Developed Conclusions 3.
    [Show full text]
  • The Contrast; a Comedy in Five Acts
    Co-py ' o. ^ -o-^ ^i- %. w;^,^^%^>^^\ XT' ^ . < -1 . r- O*, .V. * ;- '^v .^^"- • ^ -oov \' ^. or-' ^:* J,*'"* o-' \ »> c * ^^ V, --^^v^' f^ ,<^ 0^ » ' . />. \ . s r . ^ O^ ^ , „ ^ .^- * .^A C^^ A o V'^ .< ^0'=^^. '%<i^i- %. -^^^^ THE CONTRAST / THE CONTRAST A Comedy In Five ^Bs te? By RoYALL Tyler With a History of George Washington s Copy by James Benjamin Wilbur BOSTON ^ NEW YORK HOUGHTON MIFFLIN COMPANY M D C C C^ X X Co^ COPYKIGHT, 1920, BY JAMKS B, WILBUR ALL RIGHTS RESERVED 1 6^^0 O JAN 12 1921 ^ ©CLA604933 ^' PREFACE IN reproducing in a separate volume a play of the eighteenth, in this the twentieth century, the writer feels certain of interesting all students of early American drama and literature, and es- pecially so, since it has been possible to present for the first time, in the Introduction by the granddaughter of Royall Tyler, new and inter- esting information about the author, the play, and the times in which it was written. '* Montrose J. Moses, in his Representative Plays,'' says: *' Whether the intrinsic merits of the play would contribute to the amusement of audiences to-day is to be doubted, although it is a striking dramatic curio. The play in the read- ing is scarcely exciting. It is surprisingly devoid of situation. Its chief characteristic is * talk,' but that talk, reflective in its spirit of * The School for Scandal,' is interesting to the social student." In those days the reading of the play, if we can judge by the newspapers of the time, proved highly interesting to a large audience in Phila- delphia, where Wignell was unable to give the play on the stage owing to a disagreement with yi PREFACE the principal actors, though we can hardly im- agine many to-day paying for the privilege of hearing a play read, especially one with very lit- tle plot, and little if any dramatic denouement.
    [Show full text]
  • January 6, 1955 for Correspondence with Mr. Thacher Re: Lawrence
    THE METROPOLITAN MUSEUM Office of the Director OF ART January 6, 1955 For correspondence with Mr. Thacher re: Lawrence Majewski letters of February, March, April 1954 See Mr. Pease's personnel file CHARGE TO THE ACCOUNT OF: FORM CCC 2 Commercial Cables THE INTERNATIONAL SYSTEM "Postal (III Gmcrica Telegraph Cables Ilhickaij Rtu/io Send the following cablegram "VIA COMMERCIAL" ADDRESS: 67 Broad Street, ?>lew Yor\. Telephones: To send a subject to the terms on bac\ hereof, which are hereby agreed to: cable WHitehall 4-1250; for other purposes BOwling Green 9-5800. Day Lf: January 19, 1954 John £. 'Ihacher Dumbarton Q-*ks Research Library 1703 Thirty-Second Street Washington 1, I. C. Mr. Redmond, Mr. and Mrs. Easby, ay wife and I will be delighted to lunch with you on Wednesday 6top Mr. Rorimer unable to be th^re stop Others mentioned in your letter are now in Washington stop Callisen will telephone you about them Francis Henry Taylor THE I NTERNATIONAL SYSTEM Commercial (III (Imerica Tostal ttlackag Cables Cables Telegraph ~Radio To Send a Cable, Telephone VVHitehall 4-3250 For All Other Purposes, Telephone BOwling Green 9-3800 Head Office: 67 Broad Street, New York—Always Open TERMS AND CONDITIONS. THB COMMERCIAL CAULK COMPANY may decline to forward any mesaage, though it haa been accepted for transmission, hat in case of ao doing, shall refund to the sender the amount paid for ita transmission. THIS COMPANY WILL NOT ASSUME ANY RESPONSIBILITY IN RESPECT TO ANY MESSAGE BEYOND THE TERMINUS OF ITS OWN LINES. To guard against mistakes or delays, the sender of a message should WRITE IT LEGIBLY and order it REPEATED; that is, telegraphed back to the sending station for comparison.
    [Show full text]
  • The CONTRAST___
    National Humanities Center Resource Toolbox Living the Revolution: America, 1789-1820 Royall Tyler ___The CONTRAST___ A Comedy in Five Acts Written by a Citizen of the UNITED STATES New York, 1787 ________________________________ P R O L O G U E WRITTEN BY A YOUNG GENTLEMAN OF NEW-YORK, AND SPOKEN BY MR. WIGNELL XULT, each patriot heart!—this night is shewn A piece, which we may fairly call our own; EWhere the proud titles of “My Lord! Your Grace!” to humble Mr. and plain Sir give place. Our Author pictures not from foreign climes the fashions or the follies of the times, But has confin’d the subject of his work to the gay scenes—the circles of New-York. On native themes his Muse displays her powers, If ours the faults, the virtues too are ours. Why should our thoughts to distant countries roam, When each refinement may be found at home? Who travels now to ape the rich or great, to deck an equipage and roll in state, to court the graces, or to dance with ease, Or by hypocrisy to strive to please? Our free-born ancestors such arts despis’d; Genuine sincerity alone they priz’d; their minds, with honest emulation fir’d, to solid good—not ornament—aspir’d; Or, if ambition rous’d a bolder flame, Stern virtue throve, where indolence was shame. But modern youths, with imitative sense, deem taste in dress the proof of excellence; And spurn the meanness of your homespun arts, Since homespun habits would obscure their parts; Whilst all, which aims at splendour and parade, Must come from Europe, and be ready made.
    [Show full text]