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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Transculturation in Pauline Melville's the Ventriloquist's Tale
Transculturation in Pauline Melville’s The Ventriloquist’s Tale Transculturação no romance A História do Ventríloquo, de Pauline Melville Thomas Bonnici1 BONNICI, Thomas. Transculturation in Pauline Melville’s The Ventriloquist’s Tale. Mimesis, Bauru, v. 22, n. 3, p. 07-21, 2001. ABSTRACT Hierarchization in metropolis-colony relationships provokes the trans- culturation phenomenon. The native is othered with loss of autonomy and identity. In The Vestriloquist’s Tale the Guyanese author Pauline Melville makes the narrator Macunaima tell the recent story of an Ame- rindian family living in the Guyana savannahs. Colonial encounters bet- ween representatives of Western culture and Wapisiana Indians reveal constant encroachments against native culture. The texualized autoeth- nografic narrative shows that societal organization and mythology fore- ground the identity and the subjectification of the native. Key Words: transculturation, Amerindians, post-colonial literature, identity, Pauline Melville. INTRODUÇÃO 1. Doutor em Letras When Amos Tutuola and Chinua Achebe published two highly prized pela UNESP (São novels in the 1950s, the British reading public was astonished with the José do Rio Preto) – Professor titular de different sounds that were coming from Africa. It was a different litera- Literatura Britânica ture in style and in contents. It was an answer back to the imperial me- na Universidade Es- tropolis, not exclusively England, of the hundreds of years of denigration tadual de Maringá – and othering that Africa suffered during the colonial period. The theme Rua Manoel Ban- deira, 140 – Vila of the two novels was that, contrary to European opinion, there were in Esperança – 87020- Africa cultural activities and societal organization that the colonizers en- 580 – Maringá – deavored to suppress so that Western modes and costumes would repla- PR. -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Librib 494218.Pdf
OTTOBRE 1997 N. 9 ANNO XIV LIRE 9.500 MENSILE D'INFORMAZIONE - SPED. IN ABB. POST. COMMA 20/b ART. 2, LEGGE 662/96 - ROMA - ISSN 0393 - 3903 Ottobre 1997 In questo numero Giorgio Calcagno, Primo Levi per l'Aned IL LIBRO DEL MESE 28 Carmine Donzelli, De Historia di Hobsbawm 6 Atlante del romanzo europeo 30 Federica Matteoli, La vita di Le Goff di Franco Moretti 31 Norberto Bobbio, Sull'intellettuale di Garin recensito da Mariolina Bertini e Daniele Del Giudice 32 Schede INTERVISTA VIAGGIATORI 33 Giorgio Baratta, Edoardo Sanguineti su Gramsci 8 Piero Boitani, Riletture di Ulisse POLITICA Paola Carmagnani, Viaggio in Oriente di Nerval 9 Franco Marenco, Viaggi in Italia 34 Francesco Ciafaloni, L'autobiografia di Pio Galli 10 Giovanni Cacciavillani, Le Madri di Nerval 36 Cent'anni fa il Settantasette, schede LETTERATURE GIORNALISMO 11 Carlo Lauro, Le Opere di Flaubert 37 Claudio Gorlier, Càndito inviato di guerra Sandro Volpe, Gli anni di Jules e Jim Alberto Papuzzi, Lapidarium di Kapuscinski 12 Marco Buttino, L'autobiografia di Markus Wolf Angela Massenzio, Il mostro di Crane FILOSOFIA 13 Poeti colombiani, fotografe messicane e filosofi spagnoli, schede 38 Roberto Deidier, L'estetica del Romanticismo di Rella Gianni Carchia, Il concilio di Nicea NARRATORI ITALIANI ANTROPOLOGIA 14 Silvio Perrella, Tempo perso di Arpaia 39 Mario Corona, L'immagine dell'uomo di Mosse Cosma Siani, I giubilanti di Cassieri Lidia De Federicis, Percorsi della narrativa italiana: Napoletani SCIENZE 15 Santina Mobiglia, Prigioniere della Torre di Peyrot Biancamaria -
The Edgar Mittelholzer Memorial Lectures
BEACONS OF EXCELLENCE: THE EDGAR MITTELHOLZER MEMORIAL LECTURES VOLUME 3: 1986-2013 Edited and with an Introduction by Andrew O. Lindsay 1 Edited by Andrew O. Lindsay BEACONS OF EXCELLENCE: THE EDGAR MITTELHOLZER MEMORIAL LECTURES - VOLUME 3: 1986-2013 Preface © Andrew Jefferson-Miles, 2014 Introduction © Andrew O. Lindsay, 2014 Cover design by Peepal Tree Press Cover photograph: Courtesy of Jacqueline Ward All rights reserved No part of this publication may be reproduced or transmitted in any form without permission. Published by the Caribbean Press. ISBN 978-1-907493-67-6 2 Contents: Tenth Series, 1986: The Arawak Language in Guyanese Culture by John Peter Bennett FOREWORD by Denis Williams .......................................... 3 PREFACE ................................................................................. 5 THE NAMING OF COASTAL GUYANA .......................... 7 ARAWAK SUBSISTENCE AND GUYANESE CULTURE ........................................................................ 14 Eleventh Series, 1987. The Relevance of Myth by George P. Mentore PREFACE ............................................................................... 27 MYTHIC DISCOURSE......................................................... 29 SOCIETY IN SHODEWIKE ................................................ 35 THE SELF CONSTRUCTED ............................................... 43 REFERENCES ....................................................................... 51 Twelfth Series, 1997: Language and National Unity by Richard Allsopp CHAIRMAN’S FOREWORD -
LORNE PIERCE MEDAL – Royal Society Of
LORNE PIERCE MEDAL – Royal Society of Canada Nomination Deadline: March 2022 Internal Deadline: TBD Good to know: Nomination is by Fellow of the Royal Society or our President Sponsor: Royal Society of Canada Web Site: https://rsc-src.ca/en/awards-excellence/rsc-medals-awards#Pierce For an achievement in critical or imaginative literature. Awarded: Biennially Next deadline: 2022 The medal was established in 1926 by Lorne Pierce (1890-1961), FRSC, who was Editor of Ryerson Press for forty years and contributed greatly to the development and appreciation of Canadian literature. The medal is awarded for an achievement of special significance and conspicuous merit in imaginative or critical literature written in either English or French (critical literature dealing with Canadian subjects has priority over critical literature of equal merit that does not deal with Canadian subjects). The gold plated silver medal is offered every two years if there is a suitable candidate. In addition to the specific information to be included in the nomination form, a complete nomination also comprises the following items: (1) a letter from the Primary Nominator (2) two letters from co-nominators attesting to their support of the nomination (3) a short citation (max 70 words) (4) a detailed appraisal of the nominee’s scholarship or artistic achievements (max 1200 words) (5) three letters of reference from independent referees and their biographies (6) a Curriculum Vitae (maximum of 20 pages) CONTACT Interested faculty are encouraged to consult with Danelle D'Alvise, Prizes & Awards Manager in the Office of the Vice-President, Research regarding this Medal and for assistance with the nomination process including: writing, editing and proofreading required elements of the nomination package; securing letters of support; and managing the submission process to ensure deadlines are met. -
Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
Wealthy Business Families in Glasgow and Liverpool, 1870-1930 a DISSERTATION SUBMITTED TO
NORTHWESTERN UNIVERSITY In Trade: Wealthy Business Families in Glasgow and Liverpool, 1870-1930 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Emma Goldsmith EVANSTON, ILLINOIS December 2017 2 Abstract This dissertation provides an account of the richest people in Glasgow and Liverpool at the end of the nineteenth and beginning of the twentieth centuries. It focuses on those in shipping, trade, and shipbuilding, who had global interests and amassed large fortunes. It examines the transition away from family business as managers took over, family successions altered, office spaces changed, and new business trips took hold. At the same time, the family itself underwent a shift away from endogamy as young people, particularly women, rebelled against the old way of arranging marriages. This dissertation addresses questions about gentrification, suburbanization, and the decline of civic leadership. It challenges the notion that businessmen aspired to become aristocrats. It follows family businessmen through the First World War, which upset their notions of efficiency, businesslike behaviour, and free trade, to the painful interwar years. This group, once proud leaders of Liverpool and Glasgow, assimilated into the national upper-middle class. This dissertation is rooted in the family papers left behind by these families, and follows their experiences of these turbulent and eventful years. 3 Acknowledgements This work would not have been possible without the advising of Deborah Cohen. Her inexhaustible willingness to comment on my writing and improve my ideas has shaped every part of this dissertation, and I owe her many thanks. -
A Literary Revolutionary 50 for 50 Man Or Machine?
Our Fragile Waters Twenty MSc students in coastal engineering recently went to Grenada on a field trip that yielded much in terms of work, study and relaxation. At the end of the week, there was a visit to the Underwater Sculpture Park, Grenada, and one of the students, Christopher Clarke, found himself in bubbles of euphoria. (See story on Page 8) PHOTO: JENNALEE RAMNARINE CAMPUS – 4 HEALTH – 11 AGRICULTURE – 14 LITERATURE – 15 50 for 50 Man or Machine? The Book of the Earth A Literary Revolutionary Alumni Awards New Teaching Tool for Nurses Soils of the Caribbean Professor Chaman Lal SUNDAY 24TH APRIL, 2011 – UWI TODAY 3 CAMPUS NEWS FROM THE PRINcipal We Found 50 Ways Celebrating Our Distinguished Alumni It has always been a source of personal pride to reflect on the range and caliber of the graduates of the St. Augustine Campus of The UWI. Where ever I venture, whether it be into the various communities and establishments locally, regionally or internationally, I am impressed by the many accomplishments of our graduates and what good work they are doing. I have often publicly said that this region is really in the hands of UWI graduates, because in significant numbers, they are the ones charting its course, whether it is as prime ministers, politicians, first-rate professionals in so many fields, academics, entrepreneurs or artistes.I recently saw some of our accomplished graduates in Toronto as well, where many were celebrated at our fund-raising Gala. Naturally, I was in full support of the initiative taken by the St. -
Composed on a Summer's Evening
A New Zealand QEarter!Jr"" VOLUME SIXTEEN Reprinted with the permission of The Caxton Press JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 111 Fifth Avenue, New York, N.Y. 10003 Berkeley Square House, London, W. 1 LANDFALL is published with the aid of a grant from the New Zealand Literary Fund. Corrigendum. Landfall 61, March 1962, p. 57, line 5, should read: day you will understand why', or even, 'Learn this now, because I First reprinting, 1968, Johnson Reprint Corporation Printed in the United States of America Landfall A New Zealand Quarterly edited by Charles Brasch and published by The Caxton Press CONTENTS Notes 3 Two Poems, C. K. Stead 6 Lily of a Day, Ruth Dallas 8 Notes from the Welfare State, Keith Sinclair r8 Three Songs from the Maori, Allen Curnow and R. S. Oppenheim 20 Two Poems, Michael Jackson 23 Henry Ware, Neva Clarke 25 Composed on a Summer's Evening, Rowley Habib 30 Two Poems, Maurice Duggan 3 I World Enough, and Time, Stuart Slater 35 New Zealand Since The War (6), Leo Fowler 36 COMMENTARIES: Disaster in the Primary School, Margaret Dalziel 49 Townscape, P. M. Hill 61 Stravinsky et al., Royer Savage 64 New Zealand Opera, Jeremy Commons 68 New Plays in Wellington,]. L. Roberts 72 REVIEWS: After Anzac Day, Thomas Crawford 75 An Affair of Men, R. A. Copland 77 Short Story One, E. A. Horsman 79 The Cradle of Erewhon, etc., J. C. Beaglehole 82 Early Travellers in New Zealand, etc., Peter Maling 84 Children's books, Patricia Guest 87 University magazines, R. -
Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected]
Anthurium: A Caribbean Studies Journal Volume 3 Issue 2 Calypso and the Caribbean Literary Article 12 Imagination: A Special Issue December 2005 (Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Rahim, Jennifer (2005) "(Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration," Anthurium: A Caribbean Studies Journal: Vol. 3 : Iss. 2 , Article 12. Available at: http://scholarlyrepository.miami.edu/anthurium/vol3/iss2/12 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Rahim: (Not) Knowing the Difference: Calypso Overseas and the Sound... Culture is an embodied phenomenon. This implies that one’s cultural location is not fixed to any one geographical space. Cultures, in other words, are not inherently provincial by nature. They move and evolve with the bodies that create and live them. The Caribbean civilization understands the logic of traveling cultures given that the dual forces of rooted-ness and itinerancy shape its diasporic ethos. Travel is how we “do” culture. Indeed, the Caribbean’s literary tradition is marked by a preoccupation with identity constructs that display allegiances to particular island locations and nationalisms, on the one hand, and transnational sensibilities that are regional and metropolitan on the other. This paper is interested in the function of the calypso as a sign of cultural identity and belonging in selected narratives that focus on the experiences of West Indian immigrants to the metropolitan centers of England and the United States.