Apollo 2020 Spring Season Announcement
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Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian
Case Western Reserve Journal of International Law Volume 39 Issue 1 2006-2007 2007 Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Recommended Citation Simone Monasebian, Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal, 39 Case W. Res. J. Int'l L. 305 (2007) Available at: https://scholarlycommons.law.case.edu/jil/vol39/iss1/13 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. MEDIA MATTERS: REFLECTIONS OF A FORMER WAR CRIMES PROSECUTOR COVERING THE IRAQI TRIBUNAL Simone Monasebian* Publicity is the very soul ofjustice. It is the keenest spur to exertion, and the surest of all guards against improbity. It keeps the judge himself, while trying, under trial. Jeremy Bentham (1748-1832) The Revolution Will Not Be Televised. Gil Scott Heron, Flying Dutchmen Records (1974) I. THE ROAD TO SADDAM After some four years prosecuting genocidaires in East Africa, and almost a year of working on fair trial rights for those accused of war crimes in West Africa, I was getting homesick. Longing for New York, but not yet over my love jones with the world of international criminal courts and tri- bunals, I drafted a reality television series proposal on the life and work of war crimes prosecutors and defence attorneys. -
JAY FUNERAL HOME FUNERAL HOME FUNERAL HOME MIAMI GARDENS Cd Cd Cd Clinton G
SFLTIMES.COM | SOUTH FLORIDA|| TIMES | JANUARY 23 - 29, 2020 | 3B| Obituaries Jazz composer and sax player Jimmy Heath passes at 93 NEW YORK (AP) – Jimmy Heath, a long and productive career. He wrote Grammy-nominated jazz saxophonist most of the material for the Chet and composer who performed with Baker-Art Pepper album “Playboys,” such greats as Miles Davis and John recorded with everyone from Davis Coltrane before forming the popular and Coltrane to Milt Jackson and Gil family group the Heath Brothers in Evans, worked on charts for Ray middle age, has died. He was 93. Charles, and released several of his Heath's grandson Fa Mtume told The own albums. PHOTO COURTESY OF BILLBOARD.COM New York Times that he died Sunday In the 1970s, he helped found the at his home in Loganville, Ga. The Heath Brothers, which also featured JIMMY HEATH: cause of death was not immediately brothers Percy Heath on bass and Al- Recorded with everyone from Miles Davis and John Coltrane to given. bert “Tootie” Heath on drums. Their Milt Jackson and Gil Evans, worked on charts for Ray Charles, released several of Heath, a native of Philadelphia, had albums included “Marchin’ On” and his own albums, and formed the popular family group the Heath Brothers with broth- been playing jazz since the 1940s, in the Grammy-nominated “Live at the ers Percy and Tootie. the early days of bebop. He was men- Public Theater.” In 1993, he received tored by Dizzy Gillespie, idolized a Grammy nomination for his own by the National Endowment for the each of his marriages. -
BAM Announces November Bamcafé Live Lineup
BAM announces November BAMcafé Live lineup No cover! No minimum! Friday and Saturday nights Brooklyn, NY/October 8, 2015—Now in its 16th season, BAMcafé Live (30 Lafayette Avenue)—the performance series curated by Darrell M. McNeill, associate producer, music programming— announced its November lineup featuring rock, jazz, R&B, world, pop, and more. BAMcafé Live events have no cover charge and no drink minimum. For information and updates, call 718.636.4100 or visit BAM.org. Friday & Saturday night schedule Fri, Nov 6 at 9pm—Audra Isadora Sat, Nov 7 at 9pm—Tammy Scheffer Sextet Fri, Nov 13 at 10pm—God’s Unruly Friends Sat, Nov 14 at 10pm— REBELLUM - Burnt Sugar Arkestra’s Avant Splinter Cell Fri, Nov 20 at 9pm—Awesome Tapes From Africa (DJ Set) Presented in conjunction with World Music Institute Sat, Nov 21 at 9pm—Gato Loco Presented in conjunction with World Music Institute Fri, Nov 27 and Sat, Nov 28 at 9pm—Akim Funk Buddha’s Hip-Hop Holiday Host: Phillip Andry House DJ: DJ Idlemind “The Appropriate Agent” For press inquiries, contact Baha Ebrahimzadeh at 718.636.4129 x 1 or [email protected]. About the artists Fri, Nov 6 at 9pm Audra Isadora Drawing inspiration from iconoclasts like Kate Bush and David Bowie, Audra Isadora combines outré glam eccentricity with irresistible pop hooks. Her seductive, powerhouse contralto propels synth-heavy dance-floor rave-ups and soaring, down-tempo ballads alike, all wrapped in offbeat arrangements that feature oboe lines played by Isadora. Sat, Nov 7 at 9pm Tammy Scheffer Sextet Tammy Scheffer’s crystalline voice draws listeners into her imaginative jazz experiments. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
125Th Street, Harlem, NY
APOLLO ANNUAL REPORT 2016-17th 125 Street, Harlem, NY 1 TABLE OF CONTENTS APOLLO MUSIC APOLLO COMMUNITY LEADERSHIP Page 10 Page 16 Page 4 APOLLO DANCE APOLLO EDUCATION ELLA FITZGERALD Page 12 Page 18 CENTENNIAL CELEBRATION Page 6 APOLLO THEATER APOLLO IN THE MEDIA Page 13 Page 20 WOMEN OF THE WORLD Page 8 APOLLO SIGNATURE APOLLO CELEBRATIONS Page 14 Page 22 APOLLO PEOPLE STATEMENT OF Page 27 OPERATING ACTIVITY Page 24 APOLLO SUPPORTERS Page 28 STATEMENT OF FINANCIAL POSITION Page 26 JOIN THE APOLLO Page 30 “Since its inception, the Apollo Theater has been home to legendary and FROM OUR up-and-coming artists alike, serving as an ever-changing, driving force in popular music and culture, not only in Harlem but across the world.” LEADERSHIP Jonelle Procope, President and CEO of the Apollo Theater We are delighted to share this Annual Report highlighting It is an incredible honor to bring my voice to the Apollo’s the incredible accomplishments of the Apollo’s season. Key storied legacy and exciting future. My first season at the milestones from the 2016-2017 season include welcoming Apollo has been a whirlwind of inspiring and innovative Kamilah Forbes as the new Executive Producer; presenting performances and programs. I especially want to mention The First Noel, the first multi-week run of an Apollo-Presents the four-day Women of the World Festival, which was show on the iconic Mainstage; and welcoming popular anchored by a special tribute concert to the incomparable Brooklyn-based festival, Afropunk, for their first appearance artist/activist Abbey Lincoln. -
April 2011 Quarterly Program Topic Report Category: Abortion NOLA: MLNH 010002 Series Title: PBS Newshour Length
April 2011 Quarterly Program Topic Report Category: Abortion NOLA: MLNH 010002 Series Title: PBS NewsHour Length: 60 minutes Airdate: 4/8/2011 6:00:00 PM Service: PBS Format: News Segment Length: 00:10:09 Budget Battle Lines Drawn Over Spending, Planned Parenthood as Shutdown Nears: Federal agencies prepared for a shutdown as negotiators struggled to reach a budget compromise. Jeffrey Brown discusses the latest on the budget talks with Todd Zwillich, Washington correspondent for WNYC radio. Category: Abortion NOLA: MLNH 010015 Series Title: PBS NewsHour Length: 60 minutes Airdate: 4/27/2011 6:00:00 PM Service: PBS Format: News Segment Length: 00:07:47 Budget Battles Reignite Animosity Between Congress, D.C. Government: Kwame Holman reports on the historically tense relations between Congress and the District of Columbia's residents and local politicians. The two worlds collided recently when Congress and President Obama reached a budget agreement in part through provisions affecting abortion services and private- school voucher programs in D.C. Category: Aging NOLA: MLNH 010000 Series Title: PBS NewsHour Length: 60 minutes Airdate: 4/6/2011 6:00:00 PM Service: PBS Format: News Segment Length: 00:06:55 Estrogen Study Lead Researcher on Risks, Benefits of Hormone-Replacement Therapy: Once a popular treatment for menopause symptoms, hormone- replacement therapy had come under scrutiny for raising the risk of certain diseases, but a new study found a reduced risk of breast cancer and other benefits for some women. Jeffrey Brown discusses the latest findings with Dr. Andrea LaCroix, the study's lead author. Category: Aging NOLA: NBRT 030214 Series Title: Nightly Business Report Length: 30 minutes Airdate: 4/28/2011 5:30:00 PM Service: PBS Format: Magazine Segment Length: 00:00:00 Baby Boomers are Working Longer; Baby Boomers, Retirement, and Inheritance; NYSE Says No to Merger Bids; Demand for Nuclear Energy Rises; Preview of Berkshire Hathaway Shareholder Meeting; US Economy Slows in First Quarter; Market Focus with Tom Hudson; Market Stats for April 28, 2011. -
Sweet Sweetback's Baadasssss Song
FALL SEASON ___________________________________ Sep 17 Burnt Sugar the Arkestra Chamber Sweet Sweetback’s Baadasssss Song ___________________________________ Nov 4–6 Dorrance Dance ETM Double Down Copresented with Chicago Human Rythm Project and Chicago Humanities Festival ___________________________________ Dec 1–4, 8–11 ONEOFUS Julie Atlas Muz and Mat Fraser Beauty and the Beast ___________________________________ Dec 16–17 Tatsu Aoki Reduction Copresented with Asian Improv aRts Midwest ___________________________________ Dec 17–18 Tatsu Aoki Tsukasa Taiko Legacy Copresented with Asian Improv aRts Midwest Museum of Contemporary Art Chicago Sept 17, 2016 “Unnatural” (1971/2010) “Ain’t Gonna Be” (1971/2010) Burnt Sugar the “Hoppin John” (1971) Arkestra Chamber “Mojo Woman” (1971) “Sandra Z” (1971) Sweet Sweetback’s “Moo Moo’s Song” (1971/2010) “Sandra Z Reprise” (1971) Baadasssss Song “Come On Feet” (1971) ____________________________________________ JAMILA WOODS “Won’t Bleed Me” (1971) Bass Erik Hunter “What the . You Mean I Can’t Sing?!” (1973) Guitar Brian Sanborn “Riding Tonight” (1971/2010) Percussion Chris Paquette “World’s All Stage” (1971/2010) ____________________________________________ “Bow Wow Wow” (1971/2010) INTERMISSION “Sweepback’s Theme” (1971) ____________________________________________ ____________________________________________ BURNT SUGAR THE ARKESTRA CHAMBER Running time: 120 minutes, with one intermission Burnt Sugar the Arkestra Chamber performs Sweet Sweetback’s Baadasssss Song, the original soundtrack by Melvin Van Peebles. Vocals, Harmonica, Conduction Mikel Banks Vocals, Percussion, Conduction Shelley Nicole Alto Saxes, Vocals Micah Gaugh Guitar Ben Tyree Keyboards, Samchillean Leon Gruenbaum Drums Lafrae Sci Electric Bass Jared Michael Nickerson The performance of Melvin Van Peebles’s soundtrack is presented in conjunction with SWEET SWEETBACK’S BAADASSSSS SONG Kerry James Marshall: Mastry. -
Nichole Rustin's CV
Nichole Rustin-Paschal, Ph.D., J.D. [email protected] Division of Liberal Arts Rhode Island School of Design 2 College St. Providence, RI 02903 EDUCATION: UNIVERSITY OF VIRGINIA SCHOOL OF LAW, J.D. NEW YORK UNIVERSITY, Ph.D. American Studies AMHERST COLLEGE, B.A. Interdisciplinary Studies, magna cum laude PRIMARY RESEARCH INTERESTS: African American Cultural History; Gender Studies; Critical Race Feminism; Law PUBLICATIONS: BOOKS • Art Law: Framing a Critique of Justice in Contemporary Art and Culture (in progress) • The Kind of Man I Am: Jazzmasculinity and the World of Charles Mingus Jr. (Wesleyan University Press, 2017) o Nominated for 2018 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research EDITED VOLUME • Oxford Handbook of Jazz and Gender (Oxford University Press, in progress) CO-EDITED VOLUMES • The Routledge Companion to Jazz Studies, co-editor with Nicholas Gebhardt and Tony Whyton (Routledge University Press, 2019) • Big Ears: Listening for Gender in Jazz Studies, co-editor with Sherrie Tucker (Duke University Press, 2008) ARTICLES • “You Won’t Forget Me: Miles Davis and the Gendered Silence of Influence in Jazz,” in Miles Davis Beyond Jazz: 1971-1991, eds. Roger Fagge, Nicolas Pillai, and Tim Wall (Oxford University Press, under contract) • “The Reason I Play the Way I Do Is: Jazzmen, Emotion, and Creating in Jazz,” Routledge Companion to Jazz Studies, eds. Nicholas Gebhardt, Nichole Rustin-Paschal, and Tony Whyton (Routledge University Press, 2019). N. Rustin-Paschal 1 • “Self Portrait: On Emotion and Experience as Useful Categories of Gender Analysis in Jazz History,” in Jazz Debates/Jazzdebatten, edited by Wolfram Knauer.