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Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The Sisters in Crime Quarterly December 2020
inSinC the Sisters in Crime quarterly December 2020 inSinC • December 2020 • Page 1 Mission Statement Promote the ongoing advancement, recognition, and professional development of women crime writers. inSinC The Sisters in Crime Quarterly • December 2020 Past Presidents 2020 — 21 Board Members Sara Paretsky ...............................1987—88 Nancy Pickard ..............................1988—89 S.G. Wong, President Susan Dunlap ...............................1989—90 Stephanie Gayle, Vice President Margaret Maron ...........................1990—91 Carolyn G. Hart ...........................1991—92 Faye Snowden, Secretary P. M. Carlson ................................1992—93 Jacki York, Treasurer & ACA Coordinator Linda Grant ..................................1993—94 V.M. (Valerie) Burns Grants & Barbara D'Amato .........................1994—95 Award Coordinator Elaine Raco Chase .......................1995—96 Annette Meyers ...........................1996—97 Tracee de Hahn, Membership Sue Henry ....................................1997—98 Development Liaison Medora Sale .................................1998—99 Kellye Garrett, Member at Large Barbara Burnett Smith.................1999—00 Edwin Hill, Education Liaison Claire Carmichael McNab ............2000—01 Eve K. Sandstrom ........................2001—02 Cynthia Kuhn, Monitoring Project Liaison/ Kate Flora ....................................2002—03 Authors Coalition Representative Kate Grilley ..................................2003—04 Vanessa Lillie, Publicity Chair Patricia Sprinkle -
Barbara Neely Death Notice
Barbara Neely Death Notice Walt still quick-freeze transiently while uninflammable Petey invite that Beale. Neuritic and subhedral Erl always pale representatively and forgettings his huffishness. Self-consuming Ric twit his deposals cartelized cautiously. She loved gardening, barbara neely of devin visited his career in philadelphia international affairs, with magnolia chapel funeral home south directing burial will love Jim Neely learned early that advance best paycheck is over he. Obituary Note Barbara Neely Shelf Awareness. William Neely passed away how This primary the full obituary story cost you can. Barbara Neely January 16 194 June 6 2020 death notice. Norman all about deaths in death notices may make him around her family. Barbara Neely Obituary 2014 Mullica Hill NJ South. He is survived by a wife Barbara Berkley Neely whom he married in Lynchburg VA in 1997 Also surviving is good brother Joe F Neely Joyce. This book keeps getting better results, best supporting actress. Barbara Neely the current-winning mystery novelist who created the first hand black protagonist in mainstream American publishing died earlier. Burial will baptist faith and barbara neely death notice. We serve as someone you can add content is slowly ratcheted up in both the catskills and the reading the family will be dueling in death notice. BARBARA NEELY Obituary 1926 2015 Oklahoman. Barbara Neely Jr of Clarkston Wash four grandchildren and mates. John green and family had worked at zion cemetery with current or shut down by. Her death notice, barbara showed them from work was preceded in bethel presbyterian cemetery with parts of green and. -
Edgar Symposium Schedule
Register NOW for the 2020 Edgar® Week Symposium! Date: Wednesday, April 29, 2020 Location: Roosevelt Hotel – Second Floor – Sutton Suite 45 E 45 St at Madison Avenue Preliminary Schedule 8:30 - 8:50: Registration 8:55 – 9:00: Welcome – MWA’s Executive Vice President – Greg Herren 9:00 – 9:50 Shell Game - In the time of alternate facts, how much fact checking must you do for non-fiction? Moderator: Alex Segura (At-Large Director - MWA National Board) Panelists: Karen Abbott (2020 Best Fact Crime Nominee – The Ghosts of Eden Park: The Bootleg King, the Women Who Pursued Him, and the Murder that Shocked Jazz-Age America, Crown) Axton Betz-Hamilton (2020 Best Fact Crime Nominee -The Less People Know About Us: A Mystery of Betrayal, Family Secrets, and Stolen Identity, Hachette Book Group - Grand Central Publishing) John Billheimer (2020 Best Critical/Bio Nominee – Hitchcock and the Censors, Uni Press of Kentucky) Maureen Callahan (2020 Best Fact Crime Nominee – American Predator: The Hunt for the Most Meticulous Serial Killer of the 21st Century, Penguin Random House - Viking) Peter Houlahan (2020 Best Fact Crime Nominee - Norco '80: The True Story of the Most Spectacular Bank Robbery in American History, Counterpoint Press) James Polchin (2020 Best Fact Crime Nominee Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall, Counterpoint Press) 10:00 – 10:50 If I Die Tonight - Six nominees discuss how to build suspense and maintain reader interest Moderator: S.J. Rozan (2-time Edgar Award winner; 2002 Best Novel and -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright PROFESSIONAL EYES: FEMINIST CRIME FICTION BY FORMER CRIMINAL JUSTICE PROFESSIONALS by Lili Pâquet A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2015 DECLARATION OF ORIGINALITY I hereby certify that this thesis is entirely my own work and that any material written by others has been acknowledged in the text. The thesis has not been presented for a degree or for any other purposes at The University of Sydney or at any other university of institution. -
Contemporary American Crime Fiction
Contemporary American Crime Fiction Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editorr) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Crime Files Series Standing Order ISBN 978-0-333-71471-3 (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England Contemporary American Crime Fiction Hans Bertens Professor of Comparative Literature Utrecht University and Theo D’haen Professor of English and American Literature Leiden University © Hans Bertens and Theo D’haen 2001 Softcover reprint of the hardcover 1st edition 2001 978-0-333-67455-0 All rights reserved. -
Love a Good Mystery and the Morning Crossword? Now You Can Enjoy Both at the Same Time
MYSTERIES/GAMES Love a good mystery and the morning crossword? Now you can enjoy both at the same time. Whether you like the humor of Janet Evanovich or the thrill of the chase with John Sandford, do crossword puzzles containing clues about your favorite fictional mystery characters. Even if you have not read some of these authors, give the puzzles a try and get hooked on a new writer! The brief review for each series should help you with your reading selection. Whether you like cozies, thrillers, historical or legal suspense, pick a new author by mystery type, location, time period or character. Keep track of the books you have already read by checking them off on the list of titles provided. Save time by not hav- ing to search for the next title in the series and save money by not accidentally buying a book you have already read. Other stand-alone mysteries, written by your favorite authors, are also included in order. So have a little fun, find new authors, stretch those memory muscles or solve the problem of what to get your mystery- reading friends by trying out the Mystery Lover’s Puzzle Book. F U N Linda K. Murdock is a best-selling author, who reads over fifty mystery books a year. She thought it would be fun to do crossword puzzles based on her favorite fictional characters. Most theme puzzles are limited to just a handful of clues and she wanted more. Mystery Lover’s Puzzle Book is her homage to puzzle fans, mystery writers and their enthusiastic readers. -
Whitepine Entertainment, LLC 18180 Elmwood Drive Alva FL 33920
THE SPINNERS Most often thought of as a Motown recording act, the classic group sound of legendary R&B recording artists, The Spinners has never lost its universal appeal. Throughout the years they have sold millions of records and topped both the Pop and R&B charts with smash hits like “I’ll Be Around” and “Then Came You.” Today, original member Henry Fambrough is joined onstage by Jessie Peck, Marvin Taylor, Ronnie Moss, and CJ Jefferson; a soul-infused 4-piece band, led by Keith Ferguson, backs them up. After a brief time at Motown Records, The Spinners signed with Atlantic Records and teamed up with producer Thom Bell in 1972, setting into motion an amazing recording career. The Spinners charted five top ten singles from their first Motown album Spinners in 1972 and went on to become one of the biggest soul groups of the 1970s. A partial list of their hit singles on Atlantic include “Mighty Love,” “Then Came You,” “I’ll Be Around,” “One Of A Kind (Love Affair),” “Games People Play,” and “Could It Be.” In 1979, The Spinners completed their first collaboration with producer Michael Zager, and by early 1980, the single, “Working My Way Back to You,” was topping Pop and R&B charts giving the group its 12th gold record. The Love Trippin’ album’s release included “The Cupid Medley,” one of the fastest selling records in The Spinners’ career. The follow-up album, Labor of Love, featured such stand-out tunes as “Yesterday Once More,” and “Long Live Soul Music.” With the release of “Can’t Shake This Feeling,” their fourth LP in just over two years, the quintet entered a new phase of their remarkable career as they joined the award winning producing/writing/ playing team of James Mtume and Reggie Lucas. -
Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago Adam Zanolini The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1617 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SACRED FREEDOM: SUSTAINING AFROCENTRIC SPIRITUAL JAZZ IN 21ST CENTURY CHICAGO by ADAM ZANOLINI A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 ADAM ZANOLINI All Rights Reserved ii Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _________________ __________________________________________ DATE David Grubbs Chair of Examining Committee _________________ __________________________________________ DATE Norman Carey Executive Officer Supervisory Committee: _________________ __________________________________________ DATE Jeffrey Taylor _________________ __________________________________________ DATE Fred Moten _________________ __________________________________________ DATE Michele Wallace iii ABSTRACT Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini Advisor: Jeffrey Taylor This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label. -
The Studio-To-Stage Creative Trajectory in the Fusion Jazz of Miles Davis
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. From Columbia Studio B to Carnegie Hall: The Studio-to-Stage Creative Trajectory in the Fusion Jazz of Miles Davis A thesis presented in partial fulfilment of the requirements for the degree of Master of Music in Musicology at the New Zealand School of Music Massey University, Wellington New Zealand Timothy Douglas Booth 2015 Copyright © Copyright by Timothy Douglas Booth All rights reserved September 2015 Abstract This thesis proposes an interrelationship between the creative processes of the recording studio and the concert stage in the fusion jazz of Miles Davis. Recent scholarship highlights the importance of the recording studio to fusion jazz musicians as they developed unique approaches to composition and improvisation. While providing valuable insight into the studio-derived creative processes distinctive of fusion jazz, this scholarship inadvertently obscures some of the live performance practices of fusion jazz musicians. Turning attention towards live performance, yet without neglecting the insights of this recent scholarship, I consider how the creative processes forged by Davis in the recording studio manifested in his activities as a concert artist. Combining commentary on Davis’s formative fusion jazz studio recordings (produced between 1969 and 1972) with analyses of the live album Dark Magus (exemplary of his mid-1970s concert performances), this thesis suggests a reorientation in Davis’s conceptions of improvisation and composition during this period by highlight some of the creative processes he engaged in, both in the recording studio and on the concert stage. -
On the Corner« (Reissue)
84 NEUES & EINZIGARTIGES VINYL ANALOG 2/2016 Miles Davis: Trompete Dave Liebman, Carlos Garnett: Sopransaxophon John McLaughlin, David Creamer: Gitarre Herbie Hancock: Keyboards Michael Henderson: Bass Billy Cobham, Jack DeJohnette, Billy Hart: Schlagzeug Chick Corea, Herbie Hancock: Piano Harold I. Williams: Orgel Collin Walcott: Sitar Bennie Maupin: Bassklarinette Badal Roy: Tabla James Mtume, Don Alias: Perkussion Label: MFSL (Reissue) , 180 g, 33 rpm Preis: 50 € Spielzeit: 55 Minuten Musik: 1 Klang: 1 »On The Corner« (Reissue) Miles Davis (1972/2016) Von Claus Müller ß uss spratzt die Trompete hinein, dann wimmert sie, dann ist sie nur gehaucht. Wir bekommen alle möglichen Facetten der Man liest, dass Miles Davis im Jahre 1972 diese Platte den jun- damaligen elektrischen und elektronischen Möglichkeiten zur gen Schwarzen widmete, die die Lust am Jazz verloren hatten. Soundmodi Þ kation zu hören. Das »Who is who“ der Fusion-Jaz- Sie sollten so an diese Fusion- bzw. Jazz-Funk-Musik herange- zer dieser Zeit spielt auf diesem Album, alle wirken sie ange Þ xt führt werden. Damals verkaufte sich das Album schlecht, heute und jammen ß üssig und ausdrucksstark. Um in die Musik des wird es als visionäres Meisterwerk gepriesen! Miles Davis einzusteigen, steht dieses Werk sicherlich nicht an allererster Stelle. Um jedoch in den musikalischen Kosmos die- Diese Art von Musik durfte ich als junger Weißer bei einem ses Ausnahmetrompeters hineinzuhören, sehr wohl! Verrückt nahen Verwandten zu hören bekommen. Beim heutigen Wie- ist diese Geschichte allemal. Ich kann dem visionären Ansatz derhören denke ich an das musikalische Neuland von damals, folgen. Aus dieser Perspektive ist diese Platte als Kunst ganz an die Spannung, an eine Aufbruchstimmung, an unbeschrit- gewiss an hoher Stelle anzusiedeln, fern jedes Mainstreams! tenes Terrain.