DOCSLIB.ORG

The Greek Sale

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Greek Sale New Bond Street, London New Bond Street, I 21 November 2018 The Greek Sale The Greek The Greek Sale I New Bond Street, London I 21 November 2018 The Greek Sale New Bond Street, London | Wednesday 21 November 2018 at 2pm BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION 101 New Bond Street +44 (0) 20 7447 7447 London The United States Government London W1S 1SR +44 (0) 20 7447 7401 fax Anastasia Orfanidou has banned the import of ivory bonhams.com To bid via the internet please visit +44 (0) 20 7468 8356 into the USA. Lots containing www.bonhams.com anastasia.orfanidou ivory are indicated by the symbol VIEWING @bonhams.com Ф printed beside the lot number Athens Please note that bids should be in this catalogue. Tuesday 6 November submitted no later than 4pm on Athens 11am to 8pm the day prior to the sale. Terpsichore Maria Angelopoulou REGISTRATION Wednesday 7 November Lola-Theodora Stefanidou IMPORTANT NOTICE 11am to 8pm New bidders must also provide Philippe Glyptis Please note that all customers, Thursday 8 November proof of identity when submitting Timos Economopoulos irrespective of any previous 11am to 8pm bids. Failure to do this may result +30 210 36 36 404 in your bid not being processed. +30 210 36 36 470 (fax) activity with Bonhams, are London [email protected] required to complete the Bidder Sunday 18 November Telephone bidding will only be [email protected] Registration Form in advance of 11am to 3pm accepted on lots with a lower 7, Neofytou Vamva Street the sale. The form can be found Monday 19 November estimate in excess of £1,000. 106 74 Athens at the back of every catalogue 9am to 4.30pm and on our website at www. Tuesday 20 November Live online bidding is CUSTOMER SERVICES bonhams.com and should be 9am to 4.30pm available for this sale Monday to Friday returned by email or post to the Wednesday 21 November Please email [email protected] 8.30am to 6pm specialist department or to the 9am to 12pm with “Live bidding” in the subject +44 (0) 20 7447 7447 line 48 hours before the auction +44 (0) 20 7447 7401 Fax bids department at [email protected] SALE NUMBER to register for this service. 24789 Please see back of catalogue for important notice to bidders. To bid live online and / or leave CATALOGUE internet bids please go to £20.00 As a courtesy to intending www.bonhams.com/ bidders, Bonhams will provide a auctions/24789 and click on the ILLUSTRATIONS written Indication of the physical Register to bid link at the top left Front cover: Lot 16 condition of lots in this sale if a of the page. Back cover: Lot 6 request is received up to 24 Front endpaper: Lot 24 hours before the auction starts. Inside back cover: Lot 46 This written Indication is issued subject to Clause 3 of the Notice to Bidders. BonhamsBonhamsBonhamsBonhams 1793 1793 1793 1793 Limited Limited Limited Limited BonhamsBonhamsBonhamsBonhams International International International International Board Board Board Board BonhamsBonhamsBonhamsBonhams UK UK UK UKLtd Ltd Ltd LtdDirectors Directors Directors Directors RegisteredRegisteredRegisteredRegistered No. No. No. No.4326560 4326560 4326560 4326560 RobertRobertRobertRobert Brooks Brooks Brooks Brooks Co-Chairman, Co-Chairman, Co-Chairman, Co-Chairman, ColinColinColinColin Sheaf Sheaf Sheaf Sheaf Chairman, Chairman, Chairman, Chairman, GordonGordonGordonGordon McFarlan, McFarlan, McFarlan, McFarlan, Andrew Andrew Andrew Andrew McKenzie, McKenzie, McKenzie, McKenzie, RegisteredRegisteredRegisteredRegistered Office: Office: Office: Office: MontpelierMontpelier MontpelierMontpelier GalleriesGalleries GalleriesGalleries MalcolmMalcolmMalcolmMalcolm Barber Barber Barber Barber Co-Chairman, Co-Chairman, Co-Chairman, Co-Chairman, HarveyHarveyHarveyHarvey Cammell Cammell Cammell Cammell Deputy Deputy Deputy Deputy Chairman, Chairman, Chairman, Chairman, SimonSimonSimonSimon Mitchell, Mitchell, Mitchell, Mitchell, Jeff Jeff Jeff Jeff Muse, Muse, Muse,Muse, Mike Mike Mike Mike Neill, Neill, Neill,Neill, MontpelierMontpelierMontpelierMontpelier Street, Street, Street, Street, London London London London SW7 SW7 SW7 SW7 1HH 1HH 1HH 1HH ColinColinColinColin Sheaf Sheaf Sheaf Sheaf Deputy Deputy Deputy Deputy Chairman, Chairman, Chairman, Chairman, EmilyEmilyEmilyEmily Barber, Barber, Barber, Barber, Antony Antony Antony Antony Bennett, Bennett, Bennett, Bennett, CharlieCharlieCharlieCharlie O’Brien, O’Brien, O’Brien, O’Brien, Giles Giles Giles Giles Peppiatt, Peppiatt, Peppiatt, Peppiatt, India India India India Phillips, Phillips, Phillips, Phillips, MatthewMatthewMatthewMatthew Girling Girling Girling Girling CEO, CEO, CEO, CEO, MatthewMatthewMatthewMatthew Bradbury, Bradbury, Bradbury, Bradbury, Lucinda Lucinda Lucinda Lucinda Bredin, Bredin, Bredin, Bredin, Simon Simon Simon Simon Cottle, Cottle, Cottle, Cottle, PeterPeterPeterPeter Rees, Rees, Rees, Rees, John John John John Sandon, Sandon, Sandon, Sandon, Tim Tim Tim TimSchofield, Schofield, Schofield, Schofield, +44+44+44+44 (0) (0) (0)20 (0)20 207393 207393 7393 7393 3900 3900 3900 3900 PatrickPatrickPatrickPatrick Meade Meade Meade Meade Group Group Group Group Vice Vice Vice Vice Chairman, Chairman, Chairman, Chairman, AndrewAndrewAndrewAndrew Currie, Currie, Currie, Currie, Jean Jean Jean Jean Ghika, Ghika, Ghika, Ghika, Charles Charles Charles Charles Graham- Graham- Graham- Graham- VeroniqueVeroniqueVeroniqueVeronique Scorer, Scorer, Scorer, Scorer, Robert Robert Robert Robert Smith, Smith, Smith, Smith, James James James James Stratton, Stratton, Stratton, Stratton, +44+44+44+44 (0) (0) (0)20 (0)20 207393 207393 7393 7393 3905 3905 3905 3905 fax fax fax fax AsaphAsaphAsaphAsaph Hyman, Hyman, Hyman, Hyman, Caroline Caroline Caroline Caroline Oliphant, Oliphant, Oliphant, Oliphant, Campbell,Campbell,Campbell,Campbell, Matthew Matthew Matthew Matthew Haley, Haley, Haley, Haley, Richard Richard Richard Richard Harvey, Harvey, Harvey, Harvey, Robin Robin Robin Robin RalphRalphRalphRalph Taylor, Taylor, Taylor, Taylor, Charlie Charlie Charlie Charlie Thomas, Thomas, Thomas, Thomas, David David David David Williams, Williams, Williams, Williams, EdwardEdwardEdwardEdward Wilkinson, Wilkinson, Wilkinson, Wilkinson, Geoffrey Geoffrey Geoffrey Geoffrey Davies, Davies, Davies,Davies, James James James James Knight,Knight, Knight,Knight, Hereford, Hereford,Hereford,Hereford, Charles Charles Charles Charles Lanning, Lanning, Lanning, Lanning, Grant Grant Grant Grant MacDougall, MacDougall, MacDougall, MacDougall, MichaelMichaelMichaelMichael Wynell-Mayow, Wynell-Mayow, Wynell-Mayow, Wynell-Mayow, Suzannah Suzannah Suzannah Suzannah Yip. Yip. Yip. Yip. JonJonJon JonBaddeley, Baddeley, Baddeley, Baddeley, Jonathan Jonathan Jonathan Jonathan Fairhurst, Fairhurst, Fairhurst, Fairhurst, Leslie Leslie Leslie Leslie Wright, Wright, Wright, Wright, RupertRupertRupertRupert Banner, Banner, Banner, Banner, Shahin Shahin Shahin Shahin Virani, Virani, Virani, Virani, Simon Simon Simon Simon Cottle. Cottle. Cottle. Cottle. Sale Information BIDS BUYERS COLLECTION & For small sized paintings VAT +44 (0) 20 7447 7447 STORAGE AFTER SALE if the largest dimension is Will be applied at the current rate +44 (0) 20 7447 7401 fax All sold lots will remain in collections smaller than 70cm, there on all above charges To bid via the internet please visit in New Bond Street without charge will be a charge of £200+VAT www.bonhams.com until 5.30pm Wednesday 5 The following symbol is used December 2018. Lots not collected For medium sized paintings to denote that VAT is due on PAYMENTS by this time will be returned to the if the largest dimension is the hammer price and buyer’s Buyers Greek department storage charges between 71cm and 150cm, premium +44 (0) 20 7447 7447 may apply. there will be a charge of £250+VAT +44 (0) 20 7447 7401 fax † VAT 20% on hammer price Bonhams can arrange shipment For large sized paintings and buyer’s premium Sellers to the Athens office on behalf if the largest dimension is Payment of sale proceeds of successful purchasers. 151cm or larger, there will * VAT on imported items at a +44 (0) 20 7447 7447 Those who wish to ship their be a charge of £300+VAT. preferential rate of 5% on hammer +44 (0) 20 7447 7401 fax items to Athens please inform price and the prevailing rate on us by 6pm on the day of the PLEASE NOTE THAT buyer’s premium VALUATIONS, TAXATION sale for your lots to be included DIMENSIONS & HERITAGE in our consolidated shipment. INCLUDE FRAMES Y These lots are subject to CITES +44 (0) 20 7468 8340 Tel: +44 (0) 7968 621 869 regulations, please read the +44 (0) 20 7468 5860 fax Email: [email protected] Sculptures information in the back of the [email protected] For sculptures below 150cm, catalogue. there will be a charge of CATALOGUE SUBSCRIPTIONS £250+VAT. For sculptures To obtain any Bonhams catalogue exceeding 150 cm, there will or to take out an annual be a charge of £300+VAT subscription: Subscriptions Department +44 (0) 1666 502200 +44 (0) 1666 505107 fax [email protected] SHIPPING For information and estimates on domestic and international shipping as well as export licenses please contact Alban Shipping on +44 (0) 1582 493 099 [email protected] 1 AR YIANNIS TSAROUCHIS (1910-1989) Soldier dancing zeibekiko signed and titled in Greek, dated ‘1-1-63’ (on the upper part) mixed media on card 24 x 9.2 cm. £5,000 - 7,000 €5,700 - 8,000 Provenance Private collection, Athens. For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the
Load more

Recommended publications
  • Cambridge University Press 978-1-108-48342-1 — Economics of Visual Art Amy Whitaker Index More Information
    Cambridge University Press 978-1-108-48342-1 — Economics of Visual Art Amy Whitaker Index More Information Index Page numbers in italics indicate tables and figures. Titles of written and visual works will be found at the author’s/artist’s name. Numbers are alphabetized as if spelled out. 1–54, contemporary African art fair, 69, 221 American Alliance of Museums (AAM), 5Pointz case, New York, 220 183 813 Broadway exhibition (1951), 177 Anderson, Jane, 216 Anderson, Maxwell, 79 AAM (American Alliance of Museums), 183 Andre, Carl, 105 AAMD (Association of Art Museum Angelou, Maya, 15 Directors), 176, 183, 286n24, 297n60 Ankrom, Richard, 253 Abbing, Hans, Why Are Artists Poor?, 154 anticompetitive practices, 131. See also mar- ability and willingness to pay, demand as, ket structures 22–23 Antonelli, Paola, 192 Abu Dhabi, Saadiyat Island, Guggenheim and AP (Associated Press), 203, 204–205 Louvre extensions at, 121, 126 Apple, 236 Adler, Amy, 203 arbitrage, 226 Adorno, Theodor, 23 Aronson, Cliff, 139 adverse selection, 114 ARR (Artist Resale Right; EU and UK), 211 af Klint, Hilma, 66 ARRAY, 250 Afghanistan, landmines in, 43–45 Art Agency, Partners, 152, 176 aggregate demand, 22, 32, 40 Art + Museum Transparency Group, 183, Agreement on Trade-Related Aspects of 195, 311n28 Intellectual Property Rights (TRIPS), 207 Art Basel, 69, 221, 235, 236, 338n12 AHRC (Arts and Humanities Research art fairs, 69, 158, 236 Council; UK), 117 art market, global, overall value of, 235 Ai Weiwei, Tate Modern installation The Art Newspaper, 151 (2010), 9–11 Art + Practice, 156, 170–171 Akerlof, George Art Workers’ Coalition (AWC), 199, 200, “The Market for Lemons,” 114 217–218, 220 “Sins of Omission and the Practice of Art < > World exhibition (1976), 190 Economics,” 251 “art worlds,” 292n20 Alberro, Alexander, Conceptual Art and the Art Zone, Beijing, 120 Politics of Publicity, 218 Artist Pension Trust, 165 Ali, Yashar, 246 Artist Resale Right (ARR; EU and UK), 211 allocation and diversification of portfolios, artists.
    [Show full text]
  • Art in America
    MAGAZINE NOV. 01, 2013 THE PARSONS EFFECT by Judith E. Stein, Helène Aylon Betty Bierne Pierson, the rebellious, self­assured offspring of an old New York family, was 13 when she visited the historic Armory Show in 1913 and set her course on becoming an artist. Her conservative parents acquiesced to art lessons but drew the line at higher education for women. At 20, she married Schuyler Livingston Parsons, a man of wealth and social standing. He proved to be as captivated by men Betty Parsons, 1963. as she was by women, and a gambler and an alcoholic to boot. The Photo Alexander Liberman. The Getty couple divorced amicably in Paris, where she spent the 1920s in Research Institute, Los comfort, sharing her life with Adge Baker, a British art student, and Angeles. © J. Paul Getty Trust. taking classes with Ossip Zadkine and Antoine Bourdelle, among others. Her friends included expatriate Americans Hart Crane, Man Ray, Alexander Calder, and Gerald and Sara Murphy, as well as lesbian literati Gertrude Stein, Natalie Barney and Janet Flanner. Disinherited after her divorce, Parsons also lost her alimony support when the stock market crashed. Generous girlhood friends aided her return to the U.S. in 1933, first to Hollywood, where her acquaintances numbered Greta Garbo, Marlene Dietrich, Tallulah Bankhead, Dorothy Parker and Robert Benchley. She then lived in Santa Barbara, teaching art, painting portraits and consulting on French wines at a liquor store. In 1935, she funded a move to New York by selling her engagement ring. Parsons's loyal circle supplemented the slender income she earned from sales of her own art and from commissions by dealers such as Mrs.
    [Show full text]
  • See Attachment
    T able of Contents Welcome Address ................................................................................4 Committees ............................................................................................5 10 reasons why you should meet in Athens....................................6 General Information ............................................................................7 Registration............................................................................................11 Abstract Submission ............................................................................12 Social Functions....................................................................................13 Preliminary Scientific Program - Session Topics ..........................14 Preliminary List of Faculty..................................................................15 Hotel Accommodation..........................................................................17 Hotels Description ................................................................................18 Optional Tours........................................................................................21 Pre & Post Congress Tours ................................................................24 Important Dates & Deadlines ............................................................26 3 W elcome Address Dear Colleagues, You are cordially invited to attend the 28th Politzer Society Meeting in Athens. This meeting promises to be one of the world’s largest gatherings of Otologists.
    [Show full text]
  • Metropolitan Useum Of
    Hiss Sullivan THE ^ ETROPOLITAN NEWS AT WILL USEUM OF ART FOR Eakibitlon oyone to public M RELEASE Friday, March 24, 1950 FIFTHAYE.at82STREET • NEW YORK PRESS VIEW; Tuesday, March 21, 1950 from 2 to 4:30 p.m. PAINTINGS BY 52 YOUNG AMERICAN ARTISTS TO GO ON VIEW AT THE METROPOLITAN MUSEUM; WORKS CHOSEN FROM 131 CANVASES SUBMITTED TO LIFE MAGAZINE BY ARTISTS UNDER 36 The Metropolitan Museum of Art has selected for exhibition 52 paintings by American artists under 36 from a group of 131 canvases assembled from throughout the nation by LIFE magazine. This special five-week exhibition of work considered their best by a group of the country's most promising young painters begins Friday, March 24th. Robert Beverly Hale, Associate Curator of Painting and Sculpture in the Mu­ seum's American Art Department, made the selection for the Metropolitan. He says he feels the display will help to indicate "where the future strength of painting lies in America." Several of the artists represented have already gained recognition. Among them are Walter Stuempfig, Hedda Sterne, William Kienbusch, Reuben Tarn, Mitchell Jamieson, Edward Melcarth and Theodoros Stamos. Others, including 25-year-old Hubert Raczka and 25-year-old Siegfried* Reinhardt, are just beginning to be known. When LIFE magazine recently asked the heads of schools, museums and leading college art departments to suggest the names of American painters under the ,age of 36 whose work they considered exceptionally promising, a total of 450 names were sent in. These artists were asked by LIFE to send in photographs of their best work On the evidence of more than 1,000 photographs, 131 artists were asked to send a painting.
    [Show full text]
  • Table of Contents 1
    Maria Hnaraki, 1 Ph.D. Mentor & Cultural Advisor Drexel University (Philadelphia-U.S.A.) Associate Teaching Professor Official Representative of the World Council of Cretans Kids Love Greece Scientific & Educational Consultant Tel: (+) 30-6932-050-446 E-mail: [email protected]; [email protected] Table of Contents 1. FORMAL EDUCATION ....................................................................................................................................................................... 2 2. ADDITIONAL EDUCATION .............................................................................................................................................................. 2 3. EMPLOYMENT RECORD ................................................................................................................................................................... 2 3.1. Current Status (2015-…) ................................................................................................................................................................. 2 3.2. Employment History ....................................................................................................................................................................... 3 3.2.1. Teaching Experience ................................................................................................................................................................ 3 3.2.2. Research Projects ....................................................................................................................................................................
    [Show full text]
  • The Landscape in American Art
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 2003 Town and Country: The Landscape in American Art Sharon L. Gustafson Statewide Exhibition Coordinator, Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Part of the Art and Design Commons Gustafson, Sharon L., "Town and Country: The Landscape in American Art" (2003). Sheldon Museum of Art Catalogues and Publications. 77. https://digitalcommons.unl.edu/sheldonpubs/77 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. TOWN & COUNTRY: The Landscape in American Art Sixteenth Annual Statewide Exhibition Sheldon Memorial Art Gallery and Sculpture Garden University of Nebraska-Lincoln 2002-2003 TOWN & COUNTRY: The Landscape in American Art he subject of Town and Country: Lands~ape as a backdrop but fills Tin American Art seems an appropnate the painting with the topic particularly in Nebraska where the land color and shapes of plays an integral part in defining our identity. spring. Mary's form The geography provides us physical suste­ mimics nature's shapes nance as well as aesthetic nourishment. There and the veil she wears is a closeness to the land that is perhaps even melds into the nearby more evident in the plains then anywhere else rock formations, so on earth.
    [Show full text]
  • Exhibition from 22 November 2019 to 19 April 2020
    ENG TAKIS Exhibition from 22 November 2019 to 19 April 2020 Takis, Magnetic Fields (detail), 1969. Solomon R. Guggenheim Museum, New York. Partial gift, Robert Spitzer, by exchange, 1970. © ADAGP, Paris and DACS, London 2019. Photo: Solomon R. Guggenheim Museum, New York #TakisMACBA “Electromagnetism is an infinite, invisible thing, […] I would like to render it visible so as to communicate its existence and make its importance known; I would like to make visible this invisible, colourless, non-sensual, naked world which cannot irritate our eye, taste or sex. Which is simply pure thought.” Takis Meier Building Level 0 PANAYIOTIS VASSILAKIS, KNOWN AS TAKIS, was born in Athens in 1925 and died in August 2019. He was a member of the Resistance during the German occupation of Greece, and he was imprisoned during the Greek Civil War, which broke out in 1946. He was a self-taught artist who began by studying classic ancient sculpture. He went to Paris in 1954 and lived there for long periods of time. It was the city where he also started exploring the sculptural possibilities of electromagnetism. For Takis, the visual qualities of an artwork were not the most important ones: “What I was obsessed with was the concept of energy.” This exhibition is not chronological. Instead, it is arranged by some of the most outstanding aspects of Takis’s work. In the mid-1950s, Takis began experimenting with the use of energy and movement in sculpture. “What I was interested in was the idea of bringing a new, uninterrupted and living force to iron sculpture.
    [Show full text]
  • The Greek Sale
    athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti.
    [Show full text]
  • The Greek Sale Nicosia Tuesday 24 May 2016
    The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition.
    [Show full text]
  • Ancient Theatre of Epidaurus
    2 Athens & Epidaurus Festival 2020 ARTISTIC DIRECTOR Katerina Evangelatos BOARD OF DIRECTORS PRESIDENT Dimitris Passas VICE PRESIDENT Alexis Galinis MEMBERS Patricia Apergi Stavros Gasparatos Antonis Karampatzos Nikos Stampolidis Helene Varopoulou DIRECTOR GENERAL Ioannis Kaplanis ARTISTIC ADVISERS Stefanie Carp • International productions Evi Nakou • Artistic research & Audience development Costa Pilavachi • Music Elias Chatzigeorgiou • Dance 3 Artistic Director’ Note Over the past few weeks humanity has been going through a very challenging period, struggling to survive this pandemic, with thousands of casualties already. Life, as we know it, has changed for all of us. It has been almost three weeks since theatres and cultural venues closed down, and day by day we have come to realise how important contact with the living Arts is in our lives. Theatres are hubs, places of reflection, entertainment, homes we go to in groups, audiences and artists alike, hoping for something that real life cannot offer us. Can anyone fathom what our society will be like after this crisis and how important its cultural reflection will be through artist insight and sensitivity? The presence of an international festival will be, more than ever, a need and our duty. The Athens & Epidaurus Festival is an international event that has been warmly embraced by audiences and artists for 65 years. Normally on this day we would all be at Peiraios 260, together with friends, artists and journalists, to announce our programme. This is a programme we have been working on for seven months now, in collaboration with the entire Festival team and with the practical support of our Board of Directors, as well as my invaluable team of artistic advisors: Stefanie Carp for international theatre productions, Costa Pilavachi for music, Ilias Chatzigeorgiou for dance and Evi Nakou for artistic research and audience development.
    [Show full text]
  • The Historical Review/La Revue Historique
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Documentation Centre - EKT journals The Historical Review/La Revue Historique Vol. 11, 2014 Index Hatzopoulos Marios https://doi.org/10.12681/hr.339 Copyright © 2014 To cite this article: Hatzopoulos, M. (2014). Index. The Historical Review/La Revue Historique, 11, I-XCII. doi:https://doi.org/10.12681/hr.339 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 21/02/2020 08:44:40 | INDEX, VOLUMES I-X Compiled by / Compilé par Marios Hatzopoulos http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 21/02/2020 08:44:40 | http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 21/02/2020 08:44:40 | INDEX Aachen (Congress of) X/161 Académie des Inscriptions et Belles- Abadan IX/215-216 Lettres, Paris II/67, 71, 109; III/178; Abbott (family) VI/130, 132, 138-139, V/79; VI/54, 65, 71, 107; IX/174-176 141, 143, 146-147, 149 Académie des Sciences, Inscriptions et Abbott, Annetta VI/130, 142, 144-145, Belles-Lettres de Toulouse VI/54 147-150 Academy of France I/224; V/69, 79 Abbott, Bartolomew Edward VI/129- Acciajuoli (family) IX/29 132, 136-138, 140-157 Acciajuoli, Lapa IX/29 Abbott, Canella-Maria VI/130, 145, 147- Acciarello VII/271 150 Achaia I/266; X/306 Abbott, Caroline Sarah VI/149-150 Achilles I/64 Abbott, George Frederic (the elder) VI/130 Acropolis II/70; III/69; VIII/87 Abbott, George Frederic (the younger) Acton, John VII/110 VI/130, 136, 138-139, 141-150, 155 Adam (biblical person) IX/26 Abbott, George VI/130 Adams,
    [Show full text]
  • THE RUSSIAN ARMY and the EASTERN QUESTION, 1821-34’ Ph.D
    1 ‘THE RUSSIAN ARMY AND THE EASTERN QUESTION, 1821-34’ Ph.D. ALEXANDER BITIS THE LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE, 2000 UMI Number: U615B58 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615B58 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 lH £ S £ S F 3530 • ^ ,p 0' ^ t ABSTRACT This dissertation consists of a study of the role of the Russian army in Russo-Turkish relations from the outbreak of the Greek War of Independence to the conclusion of the Mohammed Ali crisis. It focuses primarily on the activities of the Russian Second Army - a force quartered in the southern regions of the Russia and designated to conduct military operations against the Ottoman Empire in Europe. Under the leadership of General P. D. Kiselev, the General Staff of this army conducted a thorough research of previous Russo-Turkish wars (1711-1812) and integrated the lessons of these campaigns into a new strategic and tactical doctrine. Ultimately, this research was to result in the formulation of an innovative new Turkish war plan which proposed that the Russian army, for the first time in its history, cross the Balkan mountain range and march on Constantinople.
    [Show full text]