Child Deities
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Sōgenji Sutrabook
Chōka – Normal Chōka – Osesshin Teisho • Prajna Paramita ... 1 • Prajna Paramita ... 1 Beginning: • • Teidai Denpo 3 Teidai Denpo 3 • Dai Hi Shu 43 • • Kannon Gyo or 6 Kannon Gyo 6 • Dai Hi Shu 43 • • Ryogon Shu 20 Hannya Shingyo 36 • Dai Hi Shu 43 • Sōgenji (2.-7. / 16.-21.each month) Sho Sai Shu 38 • Kozen Daito Kokushi ... 64 • Hannya Shingyo 36 • Dai Hi Shu 43 • Sho Sai Shu 38 • Bosatsu Gangyo Mon 45 End: Sutrabook • Chin Shu Rinzai Esho ... 39 • Daisegaki 48 • Enmei Jikku Kannon Gyo 65 • Dai Hi Shu 43 • Buchinson Shin Dharani 51 • Shigu Seigan Mon 54 • Dai Hi Shu 43 • Sho Sai Shu 38 • Bosatsu Gangyo Mon 45 • Gyaku Hon Jin Shu 54 • Daisegaki 48 • Shigu Seigan Mon 54 Other Sutras December 2011 • Buchinson Shin Dharani 51 • Bodhisattva Vows 55 • Sho Sai Shu 38 • Hakuin Zenji Zazen Wasan 56 • Gyaku Hon Jin Shu 54 (every morning in the zendo) • Shigu Seigan Mon 54 Chōka – Shukushin • Dai E Zenji Hotsu Gon Mon 61 • Bodhisattva Vows 55 (1st and 15th of each month) • ( Dai Hi Shu ) 43 (every evening in the zendo during sesshin) • Dai Hi Shu (slow) 43 • • Sho Sai Shu (slow) 38 Meal sutras 66 Itaten: • Chin Shu Rinzai Esho ... 38 • Fu E Ko 66 • Dai Hi Shu 43 (Takuhatsu-Sutra) Morning: • Dai Hi Shu 43 • • Hannya Shingyo 36 Dai Hi Shu 43 • • Sho Sai Shu 38 Bosatsu Gangyo Mon 45 • • Ita Ten Fu Gin 55 Daisegaki 48 • Buchinson Shin Dharani 51 Evening: • Sho Sai Shu 38 • Buchinson Shin Dharani 51 • Gyaku Hon Jin Shu 54 • Sho Sai Shu 38 • Shigu Seigan Mon 54 • Ita Ten Fu Gin (partially) 55 • Bodhisattva Vows 55 Notes : th Please return this book on 15 at the end: The densu's introduction is set in • to the Jisharyo before Dai Hi Shu (osesshin) 43 bold italic print or he/she introdu- • Ryogon Shu (other times) 20 ces the sutra name. -
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
Ancient Foundations
chapter 3 Ancient Foundations What is it that, when present in a body, makes it living? — A soul. plato, Phaedo (105c) ∵ In the last chapter I noted that material objects have added new insights to the various veins of deep history. These traces delineate earlier views of the body, the mind, art, and how cultures defined the territory. This chapter moves the focus to ancient history. A stimulating place from which to start thinking about the brain — because it was cross-culturally erroneous — is with the conclu- sion that the heart is the seat of perception, intellect, cognition, memory, and emotions. It was regarded as the spirit and soul of an individual. The Chinese, the Indians, the Egyptians, like many Biblical and early Greek thinkers, all elevated the heart over the brain. Phrases like “in my heart I know it’s right” still reflect this way of thinking. Ancient Egypt The Egyptians had no real conception of brain function, or of the primacy of the brain in cognition. Their belief that the brain was of lesser importance is evident in their practices and their art as well. We know, for example, that Egyptian embalmers carefully preserved the heart after death, whereas they typically removed and discarded the brain. Figure 6 vividly contextualizes the importance of the heart. Here we see the scribe Ani and his wife Tutu in the assemblage of gods. Anubis — a jackal headed god — is at the center. The ceremony is the weighing Ani’s heart against the feather of truth, observed by the goddesses Renenutet and Meshkenet, the god Shay, and Ani’s own Ba (the human-headed bird). -
Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
University of Groningen Myth and Ritual in Ancient Greece Bremmer
University of Groningen Myth and Ritual in Ancient Greece Bremmer, J.N. Published in: Griechische Mythologie und Frühchristentum IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). Myth and Ritual in Ancient Greece: Observations on a Difficult Relationship. In R. von Haehling (Ed.), Griechische Mythologie und Frühchristentum (pp. 21-43). Wissenschaftliche Buchgesellschaft. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 23-09-2021 N. Oettinger, ‘Entstehung von Mythos aus Ritual. Das Beispiel des hethitischen textes CTH 390A’, in M. Hutter and S. Hutter-Braunsar (eds), Offizielle Religion, lokale Kulte und individuelle Religiosität (Münster, 2004) 347-56. MYTH AND RITUAL IN ANCIENT GREECE: OBSERVATIONS ON A DIFFICULT RELATIONSHIP by JAN N. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
The Story of Osiris Osiris Was the King of Egypt
Story The Story of Osiris Osiris was the King of Egypt. During his reign, Osiris’ people were happy and well-fed. However, Osiris’ brother Seth became very jealous of the king’s success. While Osiris was travelling and bringing his blessings to other nations, Seth came up with a devious plan. Secretly, Seth found out Osiris’ exact body measurements and asked for a beautiful chest to be made that he knew would only fit Osiris. Upon Osiris’ return from his travels, Seth invited his brother to a great feast. During the celebrations, Seth revealed the exquisite chest and declared that he would give it to anyone who fitted into it exactly. Many tried and failed to fit into the chest, and eventually, Osiris asked to try. He was delighted that the chest fitted him perfectly, but at that very moment, Seth’s evil plan revealed itself; he slammed the lid, nailed it shut and sealed every crack with molten lead. Osiris died within the chest and his soul (or ‘ka’) moved on into the spirit world. Seth ruthlessly cast the chest that contained Osiris’ body into the River Nile. Isis, who was Osiris’ sister and wife, was devastated and feared for the safety of Horus, their child. She secretly fled into the marshes to look after Horus but was afraid that Seth would find the baby and murder him. So when Isis found shelter on a small, isolated island, which was home to the goddess Buto, she asked Buto to guard Horus. For extra protection, Isis transformed the island into a floating island, so it never stayed in one place permanently. -
The Newsletter of the Friends of the Egypt Centre, Swansea
Price 50p INSCRIPTIONS The Newsletter of the Friends of the Egypt Centre, Swansea Whatever else you do this Issue 28 Christmas… December 2008 In this issue: Re-discovery of the Re-discovery of the South Asasif Necropolis 1 South Asasif Necropolis Fakes Case in the Egypt Centre 2 by Carolyn Graves-Brown ELENA PISCHIKOVA is the Director of the South Introducing Ashleigh 2 Asasif Conservation Project and a Research by Ashleigh Taylor Scholar at the American University in Cairo. On Editorial 3 7 January 2009, she will visit Swansea to speak Introducing Kenneth Griffin 3 on three decorated Late Period tombs that were by Kenneth Griffin recently rediscovered by her team on the West A visit to Highclere Castle 4 Bank at Thebes. by Sheila Nowell Life After Death on the Nile: A Described by travellers of the 19th century as Journey of the Rekhyt to Aswan 5 among the most beautiful of Theban tombs, by L. S. J. Howells these tombs were gradually falling into a state X-raying the Animal Mummies at of destruction. Even in their ruined condition the Egypt Centre: Part One 7 by Kenneth Griffin they have proved capable of offering incredible Objects in the Egypt Centre: surprises. An entire intact wall with an Pottery cones 8 exquisitely carved offering scene in the tomb of by Carolyn Graves-Brown Karakhamun, and the beautifully painted ceiling of the tomb of Irtieru are among them. This promises to be a fascinating talk from a very distinguished speaker. Please do your best to attend and let’s give Dr Pischikova a decent audience! Wednesday 7 January 7 p.m. -
The Ptolemies: an Unloved and Unknown Dynasty. Contributions to a Different Perspective and Approach
THE PTOLEMIES: AN UNLOVED AND UNKNOWN DYNASTY. CONTRIBUTIONS TO A DIFFERENT PERSPECTIVE AND APPROACH JOSÉ DAS CANDEIAS SALES Universidade Aberta. Centro de História (University of Lisbon). Abstract: The fifteen Ptolemies that sat on the throne of Egypt between 305 B.C. (the date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII) are in most cases little known and, even in its most recognised bibliography, their work has been somewhat overlooked, unappreciated. Although boisterous and sometimes unloved, with the tumultuous and dissolute lives, their unbridled and unrepressed ambitions, the intrigues, the betrayals, the fratricides and the crimes that the members of this dynasty encouraged and practiced, the Ptolemies changed the Egyptian life in some aspects and were responsible for the last Pharaonic monuments which were left us, some of them still considered true masterpieces of Egyptian greatness. The Ptolemaic Period was indeed a paradoxical moment in the History of ancient Egypt, as it was with a genetically foreign dynasty (traditions, language, religion and culture) that the country, with its capital in Alexandria, met a considerable economic prosperity, a significant political and military power and an intense intellectual activity, and finally became part of the world and Mediterranean culture. The fifteen Ptolemies that succeeded to the throne of Egypt between 305 B.C. (date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII), after Alexander’s death and the division of his empire, are, in most cases, very poorly understood by the public and even in the literature on the topic. -