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Graffiti-As-Devotion.Pdf lsa.umich.edu/kelsey/ i lsa.umich.edu/kelsey/ lsa.umich.edu/kelsey/ iii Edited by Geoff Emberling and Suzanne Davis Along the Nile and Beyond Kelsey Museum Publication 16 Kelsey Museum of Archaeology University of Michigan, 2019 lsa.umich.edu/kelsey/ iv Graffiti as Devotion along the Nile and Beyond The Kelsey Museum of Archaeology, Ann Arbor 48109 © 2019 by The Kelsey Museum of Archaeology and the individual authors All rights reserved Published 2019 ISBN-13: 978-0-9906623-9-6 Library of Congress Control Number: 2019944110 Kelsey Museum Publication 16 Series Editor Leslie Schramer Cover design by Eric Campbell This book was published in conjunction with the special exhibition Graffiti as Devotion along the Nile: El-Kurru, Sudan, held at the Kelsey Museum of Archaeology in Ann Arbor, Michigan. The exhibition, curated by Geoff Emberling and Suzanne Davis, was on view from 23 August 2019 through 29 March 2020. An online version of the exhibition can be viewed at http://exhibitions.kelsey.lsa.umich.edu/graffiti-el-kurru Funding for this publication was provided by the University of Michigan College of Literature, Science, and the Arts and the University of Michigan Office of Research. This book is available direct from ISD Book Distributors: 70 Enterprise Drive, Suite 2 Bristol, CT 06010, USA Telephone: (860) 584-6546 Email: [email protected] Web: www.isdistribution.com A PDF is available for free download at https://lsa.umich.edu/kelsey/publications.html Printed in South Korea by Four Colour Print Group, Louisville, Kentucky. ♾ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). lsa.umich.edu/kelsey/ v Contents List of Contributors ..................................................... vii–viii Overview Map ....................................................... ix Timeline of Kush and Nubia .............................................. x–xi List of Abbreviations ................................................... xiii Foreword. Graffiti in Ancient Kush and Medieval Nubia: An Introduction Geoff Emberling and Suzanne Davis .................................. xv–xviii 1. A Cultural History of Kush: Politics, Economy, and Ritual Practice Geoff Emberling .................................................. 1–24 Excursus: Meroitic Graffiti in the Great Enclosure at Musawwarat es-Sufra Suzanne Davis................................................ 16–20 2. Graffiti at El-Kurru: The Funerary Temple Suzanne Davis and Geoff Emberling ................................... 25–38 3. Boat Graffiti on the El-Kurru Pyramid Bruce Beyer Williams .............................................. 39–58 Excursus: Terms for Boats and Navigation in Old Nubian Alexandros Tsakos ............................................ 50 4. Conservation and Documentation of Graffiti at El-Kurru Suzanne Davis ................................................... 59–70 5. Figural Graffiti from the Meroitic Era on Philae Island Jeremy Pope ..................................................... 71–86 6. Discourses with the Holy: Text and Image Graffiti from the Pilgrimage Churches of Saint Raphael the Archangel in Banganarti, Sudan Bogdan Żurawski ................................................. 87–104 7. An Overview of Nubian Rock Art in the Region of the 4th and 5th Cataracts Fawzi Hassan Bakhiet.............................................. 105–18 8. Graffiti at Pompeii, Italy Rebecca Benefiel.................................................. 119–33 Epilogue. Hajj Paintings in El-Araba and El-Ghabat, Egypt: A Photo Essay Ayman Damarany................................................. 135–40 Catalog of Selected Graffiti from El-Kurru Suzanne Davis, Geoff Emberling, and Bruce Beyer Williams Introduction ....................................................... 143 Funerary Temple Ku. 1500 . 144–68 Pyramid Ku. 1 ...................................................... 169–89 References ....................................................... 190 Concordances ...................................................... 191–93 v lsa.umich.edu/kelsey/ lsa.umich.edu/kelsey/ vii Contributors Rebecca R. Benefiel is a professor of classics at Washington & Lee University, where she teaches Latin literature and Roman archaeology. She has published numerous articles focusing on Latin epigraphy and Roman social history and has been interviewed on NPR and in Smithsonian, Forbes, The Atlantic, and National Geographic. She co-edited the volume Inscriptions in the Private Sphere in the Roman World (Brill, 2016) and is director of the Ancient Graffiti Project (http://ancientgraffiti.org). Ayman Damarany is an archaeologist and photographer based in Sohag, Egypt. Since 2007, he has directed, supervised, and collaborated on numerous excavations and archaeological projects throughout the greater Abydos area. He was the photographer for the American Research Center in Egypt at Luxor between 2014 and 2017, and is currently the project photographer for both the Kelsey Museum’s Abydos Middle Cemetery Project and New York University’s missions to Abydos. Suzanne Davis is an archaeological conservator and the associate curator and head of conservation at the Kelsey Museum of Archaeology of the University of Michigan, Ann Arbor. She directs conservation for the International Kurru Archaeological Project and is co-curator of the exhibition Graffiti as Devotion along the Nile. Geoff Emberling is an archaeologist and museum curator, currently an associate research scientist at the Kelsey Museum of Archaeology of the University of Michigan, Ann Arbor. He is co-director of the International Kurru Archaeological Project and co- curator of the exhibition Graffiti as Devotion along the Nile. Fawzi Hassan Bakhiet is the head of the Department of Archaeology at the University of Neelain in Khartoum, Sudan, and was previously senior inspector in the National Corporation for Antiquities and Museums in Sudan. He received his PhD from Charles de Gaulle University – Lille 3 with a dissertation on rock art in the Middle Nile. He has since directed a number of archaeological projects in Sudan. Jeremy Pope is an associate professor in the Department of History at the College of William & Mary. He is a member of the editorial board of African Archaeological Review and is the author of the 2014 book The Double Kingdom under Taharqo: Studies in the History of Kush and Egypt c. 690–664 BC. He has excavated at Jebel Barkal in Sudan and at the Mut Precinct of Karnak in Egypt, and his work on the Philae graffiti has appeared in Enchoria: Zeitschrift für Demotistik und Koptologie. Alexandros Tsakos is the scientific director of the Manuscripts and Rare Books Collection of the Special Collections at the University Library of Bergen, Norway. His research interests are manuscript cultures, paleography, codicology, and religious vii lsa.umich.edu/kelsey/ viii Graffiti as Devotion along the Nile and Beyond practices, with a special focus on medieval Nubia. He is co-editor in chief of the Nubiological journal Dotawo and has co-authored and co-edited a number of books, as well as producing several articles and book chapters. Bruce Beyer Williams was for many years a research associate at the Oriental Institute of the University of Chicago. He has authored eight volumes of results from the Oriental Institute Nubian Expedition (two further volumes are in press) and a book on early painted pottery, and has co-authored a volume on Nubian textiles. He has also written numerous articles on the archaeology and history of Nubia and has edited other works. In addition, he curated the Robert F. Picken Family Nubia Gallery in the Oriental Institute Museum. He has co-directed and participated in excavations in Sudan since 1997. He is currently a research associate of the Polish Center of Mediterranean Archaeology of the University of Warsaw and an associate at the Oriental Institute of the University of Chicago. Bogdan Żurawski directed the Southern Dongola Reach Survey project (1997–2001) and Polish Salvage Missions to the 4th Nile Cataract (2004–2008). Since 2001 he has been directing the Polish excavations at Banganarti and from 2008 also in Selib. He is currently the head of the Department of Nubiology at the Institute of Mediterranean and Oriental Cultures of the Polish Academy of Sciences. lsa.umich.edu/kelsey/ ix Overview Map Map: Lorene Sterner ix lsa.umich.edu/kelsey/ x Graffiti as Devotion along the Nile and Beyond Timeline of Kush and Nubia Dates are approximate. Kush and Nubia Egypt 3400 bce Neolithic Predynastic (5000–3000) (5300–3000) 3300 bce 3200 bce 3100 bce Pre-Kerma / A-Group (before 3050–2700) 3000 bce 2900 bce Early Dynastic (3000–2686) 2800 bce 2700 bce Early Kerma / Early C-Group Construction of the pyramids 2600 bce (2700–2000) at Giza (2590–2500) 2500 bce Old Kingdom 2400 bce (2686–2125) 2300 bce 2200 bce 1st Intermediate Period 2100 bce (2160–2055) 2000 bce the term “Kush” appears in the historical record 2000 bce Middle Kerma / C-Group 1900 bce (2000–1685) Middle Kingdom (2055–1650) 1800 bce 1700 bce Classic Kerma / C-Group 2nd Intermediate Period 1600 bce (1685–1500) (1650–1550) 1500 bce Egyptian Occupation 1400 bce (1500–1100) New Kingdom 1300 bce (1550–1070) 1200 bce 1100 bce (Continued on next page) lsa.umich.edu/kelsey/ Timeline of Kush and Nubia xi Kush and Nubia Egypt 1100 bce Early Napatan Period 1000 bce (1100–850) 900 bce 3rd Intermediate Period (1069–664) 800 bce Middle Napatan Period 750 bce Kashta begins conquest of Egypt (850–600) 715 bce Piankhy defeats Egyptian rulers 700
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