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The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
The Distributist Alternative
www.secondspring.co.uk/economy The Distributist Alternative Russell Sparkes When people think of G.K. Chesterton, they normally remember his literary achievements: the essays, the Father Brown stories, the wealth of aphorisms that are still widely quoted. However, I suspect that if you had asked the man himself what part of his work he was most proud of, he would have said something that is almost totally forgotten today: his advocacy of a social and political philosophy called ‘Distributism’. In my talk today I want to tell you what this was, what its antecedents and inspirations were, and its lasting value. Distributism’s main tenet was that property should be as widely distributed as possible, and business should be local. There was advocacy of the economy being centred upon the production of goods, and suspicion of the role of high finance. It was advocated principally by G.K. Chesterton and Hilaire Belloc from 1910 onwards, although others such as the Dominican priest Vincent McNabb, the artist Eric Gill, and the guild socialist Arthur Penty also contributed ideas. However, many of these latter had their own agenda, and while they were active in the Distributist movement, their advocacy of homespun craftsmanship or of the ‘social credit’ theories of Major Douglas.[1] They were peripheral to Distributism whose key texts are Chesterton’s Outline of Sanity published in 1926, and Belloc’s Essay on the Restoration of Property of 1936. In the depressed economic conditions of the 1920s Distributism became a political movement as well as an economic programme which was led and inspired by Chesterton through a little magazine that he edited and whose heavy losses he funded. -
Michael Black
THE SOURCES AND USES OF DISTRIBUTISM: A ROMAN CATHOLIC’S VIEW OF ANGLO-CATHOLIC GENIUS Michael Black The past popularity, the long tradition of religion supported it diverse champions against a present neglect. --Charles Williams, Shadows of Ecstasy Tradition asserts itself especially in a crisis. Deeply held but forgotten beliefs present us with familiar novelty, a ‘commodius vicus of recirculation’ of ideas which offer themselves as solutions to contemporary social problems. In our current economic crisis, the early 20th-century idea of Distributism is receiving renewed attention as a serious contribution to national policy in the United Kingdom. This essay is a personal response which I hope may find a place in the growing debate. In September 2008, the bankruptcy of the Wall Street investment bank Lehman Brothers caused financial markets around the world to freeze with fear. The consensus of City pundits and Whitehall policy-makers was that the world had entered uncharted economic waters. Not just respectable opinion, but long-held theories about economics were discredited decisively. A revival of the unconventional and marginal in an environment of intellectual despair was probably inevitable. One little known socio-economic concept, Distributism, which was championed by G.K Chesterton and Hilaire Belloc in the 1920’s and 30’s, came to some renewed prominence on both sides of the Atlantic. In North America, for example, within only a few months of the Lehman failure, the American quarterly Chesterton Review conducted a symposium advertising the relevance of Distributism as a solution to the global economic meltdown. Fr Ian Boyd, the editor, recommended what he considered an ‘evolved distributism’ in several cooperative industrial movements as economic models on a scale which could be controlled by human beings.1 In July, Fr Boyd gave a further lecture in Oxford on ‘A Distributist View of the Economic Crisis’. -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like. -
Progressive Politics
the Language of Progressive Politics in Modern Britain Emily Robinson The Language of Progressive Politics in Modern Britain Emily Robinson The Language of Progressive Politics in Modern Britain Emily Robinson Department of Politics University of Sussex Brighton, United Kingdom ISBN 978-1-137-50661-0 ISBN 978-1-137-50664-1 (eBook) DOI 10.1057/978-1-137-50664-1 Library of Congress Control Number: 2016963256 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Britain's Green Fascists: Understanding the Relationship Between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 Alec J
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 2017 Britain's Green Fascists: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 Alec J. Warren University of North Florida Suggested Citation Warren, Alec J., "Britain's Green Fascists: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951" (2017). UNF Graduate Theses and Dissertations. 755. https://digitalcommons.unf.edu/etd/755 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2017 All Rights Reserved BRITAIN’S GREEN FASCISTS: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 by Alec Jarrell Warren A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree in Master of Arts in History UNIVERSITY OF NORTH FLORIDA COLLEGE OF ARTS AND SCIENCES August, 2017 Unpublished work © Alec Jarrell Warren This Thesis of Alec Jarrell Warren is approved: Dr. Charles Closmann Dr. Chau Kelly Dr. Yanek Mieczkowski Accepted for the Department of History: Dr. Charles Closmann Chair Accepted for the College of Arts and Sciences: Dr. George Rainbolt Dean Accepted for the University: Dr. John Kantner Dean of the Graduate School ii DEDICATION This work is dedicated to my family, who have always loved and supported me through all the highs and lows of my journey. Without them, this work would have been impossible. -
An Editors Progress
NEW AGE SUPPLEMENT NO. 3 – November 22, 1934 An Editor’s Progress (This autobiographical article first appeared in “The Commonweal” (U.S.A.) in 1926, and was largely reprinted in THE NEW AGE during the same year by the courtesy of the editor of “The Commonweal” and Mr. Orage.) By A. R. Orage. PART 1. – THE NEW AGE I was looking through some old volumes of THE NEW AGE the other day, with the intention of tracing the earliest published work of a number of now well-known writers – Miss Katherine Mansfield, Michael Arlen (then Dikran Kouyoumdjian), W. L. George, Jack Collings Squire, and a host of others. As usually happens, my search was soon abandoned for still more personal recollections – of the hopes and fears and thrills and mortifications of fifteen years of editorship. There was no value in that, however; it was simply throwing good money after bad. And by and by I settled down to an orderly review of the course of development of my economic thought during those fifteen years. As I have no doubt that the trail I followed will prove to be a highway when a sufficient number of people have trodden it, a brief itinerary of the journey may serve the purposes of a guide. Like every intellectual in those days – I refer to the earliest years of the twentieth century – I began as some sort of a Socialist. Socialism was not then either the popular or unpopular vogue it has since become; but it was much more of a cult, with affiliations in directions now quite disowned – with theosophy, arts and crafts, vegetarianism, the “simple life,” and almost, as one might say, the musical glasses. -
English Folk Traditions and Changing Perceptions About Black People in England
Trish Bater 080207052 ‘Blacking Up’: English Folk Traditions and Changing Perceptions about Black People in England Submitted for the degree of Master of Philosophy by Patricia Bater National Centre for English Cultural Tradition March 2013 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Trish Bater 080207052 2 Abstract This thesis investigates the custom of white people blacking their faces and its continuation at a time when society is increasingly aware of accusations of racism. To provide a context, an overview of the long history of black people in England is offered, and issues about black stereotypes, including how ‘blackness’ has been perceived and represented, are considered. The historical use of blackface in England in various situations, including entertainment, social disorder, and tradition, is described in some detail. It is found that nowadays the practice has largely been rejected, but continues in folk activities, notably in some dance styles and in the performance of traditional (folk) drama. Research conducted through participant observation, interview, case study, and examination of web-based resources, drawing on my long familiarity with the folk world, found that participants overwhelmingly believe that blackface is a part of the tradition they are following and is connected to its past use as a disguise. However, although all are aware of the sensitivity of the subject, some performers are fiercely defensive of blackface, while others now question its application and amend their ‘disguise’ in different ways. -
Organic Society: Agriculture and Radical Politics in the Career of Gerard Wallop, Ninth Earl of Portsmouth (1898–1984)*
AGHR53_1.qxd 10/03/2005 11:09 Page 78 Organic society: agriculture and radical politics in the career of Gerard Wallop, ninth Earl Of Portsmouth (1898–1984)* by Philip Conford Abstract Through examining the ideas and activities of G. V. Wallop, ninth Earl of Portsmouth, this article demonstrates a close connection between the emerging organic movement and radical right-wing poli- tics during the 1930s and 1940s. Evidence from his papers reveals that Wallop, a noted farmer and landowner, was instrumental in drawing together leading organic pioneers, and belonged to many of the groups which promoted organic husbandry during the mid-twentieth century. Other important organi- cists were to be found actively involved in his political initiatives, which were well to the Right of the spectrum. While rejecting the view that commitment to organic husbandry necessarily implies far-Right politics, the article argues that Wallop’s espousal of both causes casts serious doubt on the claim that the early organic movement was a-political. Many members of the contemporary organic movement, and of the Soil Association in partic- ular, experience a certain discomfort when the political dimension of its early history is discussed. Over the past two decades, several historians have demonstrated that during the movement’s formative years a number of its leading personalities were associated with Fascist or radical right-wing organisations and, in so doing, have handed ammunition to its enemies.1 Two main lines of response to the problem are evident. One is to try to drive a wedge between the organic movement as it has developed since the 1960s and its earlier incarnation from the 1930s to the 1950s, downplaying any continuity between the two and attributing the modern movement primarily to the impact of a broader environmentalism given impetus by Rachel Carson’s Silent Spring. -
Sir Walter Scott Books Pdf
Sir walter scott books pdf Continue We apologise for any inconvenience caused. Your IP address was automatically blocked from accessing the Project Gutenberg website, www.gutenberg.org. This is due to the fact that the geoIP database shows that your address is in Germany. Diagnostic information: Blocked at germany.shtml Your IP address: 176.9.137.118 Referee Url (if available): Browser: Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.36 (KHTML, as Gecko) Chrome/41.0.2228.0 Safari/537.36 Date: Wednesday, 14-October-2020 06:43:40 GMT Why did this block happen? A court in Germany ruled that access to some items from the Gutenberg Project collection was blocked from Germany. The Gutenberg Project believes that the Court does not have jurisdiction over this matter, but until the matter is resolved, it will comply. For more information about the German court case, and the reason for blocking the entire Germany rather than individual items, visit the PGLAF information page about the German lawsuit. For more information on the legal advice the project Gutenberg has received on international issues, visit the PGLAF International Copyright Guide for project Gutenberg This page in German automated translation (via Google Translate): translate.google.com how can I get unlocked? All IP addresses in Germany are blocked. This unit will remain in place until the legal guidance changes. If your IP address is incorrect, use the Maxmind GeoIP demo to verify the status of your IP address. Project Gutenberg updates its list of IP addresses about monthly. Sometimes a website incorrectly applies a block from a previous visitor. -
In Dialogue with English Modernism: Storm Jameson's Early
IN DIALOGUE WITH ENGLISH MODERNISM: STORM JAMESON’S EARLY FORMATION AS A WRITER, 1919-1931 Deborah Frances Gerrard De Montfort University January 2010 Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy For Prue and Julia Abstract After a period during which Storm Jameson’s restricted literary identity has been that of the politically engaged woman writer, critical interest in the intellectual and stylistic complexities of her work is now reviving. Yet Jameson’s background in early English modernism and the manner in which it enriches her writing continues to pass unnoticed. This thesis uncovers new evidence of Jameson’s immersion in the early English modernisms of Alfred Orage’s Leeds Arts Club and New Age journal and of Dora Marsden’s journals, the New Freewoman and the Egoist, as an avant-garde student before the Great War. Drawing analogies with the post-colonial notions of ‘Manichean delirium’ and of ‘writing back to the centre’, this thesis argues that, subsequently – as a provincial socialist woman writer struggling to make her way at the predominantly male and elitist cultural centre – Jameson developed a vexed outsider-insider relation to English modernism which she expressed during the 1920s in a series of intertextual novels critiquing the contemporary cultural scene. It examines each of these novels chronologically, beginning with Jameson’s critique of the early modernisms of Orage, Marsden and associated writers in her first two novels, before moving on to her engagement, in turn, with the work of D. H. Lawrence, Virginia Woolf and Wyndham Lewis. Employing a socially oriented model of intertextuality, this thesis reads each novel synchronically as a sceptical and often witty probing of some of the polarised, and frequently contradictory, positions taken within the modernist debate.