Elisabeth Parr's Renaissance at the Mid-Tudor Court
Early Modern Women: An Interdisciplinary Journal 2013, vol. 8 Elisabeth Parr’s Renaissance at the Mid-Tudor Court Helen Graham-Matheson oan Kelly’s ground-breaking article, “Did Women Have a Renaissance?” Jcenters on four criteria for ascertaining the “relative contraction (or expansion) of the powers of Renaissance women”: women’s economic, political, cultural roles and the ideology about women across the mid- Tudor period. Focusing particularly on cultural and political roles, this essay applies Kelly’s criteria to Elisabeth Parr née Brooke, Marchioness of Northampton (1526–1565) and sister-in-law of Katherine Parr, Henry VIII’s last wife, whose controversial court career evinces women’s lived experience and their contemporary political importance across the mid- Tudor courts of Henry VIII, Edward VI, Mary I, and Elizabeth I. By taking each reign in isolation, this essay follows Kelly’s call to question “accepted schemes of periodization” and reassesses whether “events that further the historical development of men, liberating them from natural, social, or ideological constraints, have quite different, even opposite, effects upon women.”1 The key point of departure of my essay from Kelly’s argument is that she states that women’s involvement in the public sphere and politics lessened in the Italian cinquecento, whereas my findings suggest that in England women such as Elisabeth Parr increasingly involved themselves in the public world of court politics. According to Kelly, 1 Joan Kelly, ”Did Women Have a Renaissance?” Feminism and Renaissance Studies, ed. L. Hutson (Oxford: Oxford University Press, 1999), 21. 289 290 EMWJ 2013, vol. 8 Helen Graham-Matheson [n]oblewomen .
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